20:
376:), the tenor opens after a Sinfonia, accompanied by the continuo in repeated fast notes, possibly illustrating the anxious heart beat of the disciples, when Jesus appears, "On the evening, however, of the same Sabbath, when the disciples had gathered and the door was locked out of fear of the Jews, Jesus came and walked among them",
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Bach himself is frequently referred to as the Fifth
Evangelist for his devoted interpretation of the biblical sources. In 1929 the Swedish bishop
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Kirchenmusik und Verkündigung – Verkündigung als
Kirchenmusik. Zum Verhältnis von Theologie und Kirchenmusik
413:
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106:
Bach followed a tradition using the tenor for the narrator of a gospel. It exists (and is also often called
689:
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334:), the cantata starts with a scene from the Gospel, the announcement of suffering in Jerusalem, quoting
116:
394:), the tenor sings the opening recitative, "Er rufet seinen Schafen mit Namen und fĂĽhret sie hinaus",
670:
595:
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Birger
Petersen-Mikkelsen, "Praedicatio sonora. Musik und Theologie bei Johann Sebastian Bach", in:
709:
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426:(22 September 1726, 14th Sunday after Trinity), the tenor begins part 2 with a recitative on
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223:, BWV 11, the story is compiled verse by verse from different biblical sources. The
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Some tenors are known especially for their rendition of the
Evangelist, including:
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contained two additional lines from
Matthew mentioning the weeping of the disciple
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and the tearing of the temple curtain. Bach composed the weeping in an expressive
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also contain recitatives of Bible quotations, assigned to the tenor voice.
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is an exception, as a play of four biblical characters without narration.
347:
284:
187:
136:
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338:. The tenor as the Evangelist begins the narration from the verse 31,
522:, Eutiner Beiträge zur Musikforschung 4, Eutin 2003, pp. 45–60: 47
500:"Why Nippon Is Nuts About J. S. Bach. The Japanese yearn for hope."
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195:
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19:
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is lost, but has been reconstructed by several scholars. In the
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110:) in earlier works setting biblical narration, for example by
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54:
350:(voice of Christ) sings the announcement of the suffering,
346:(Jesus gathered the twelve to Himself). The bass as the
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for parts 1 to 4, and St. Matthew for Parts 5 and 6. A
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and the tearing in a forceful downward run followed by
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Jesus
Christus ist um unsrer Missetat willen verwundet
416:, "Jesus sprach zu Simon" (Jesus said to Simon).
832:
483:"Christian History Corner: The Fifth Evangelist"
412:), the tenor begins part 2 with a recitative on
820:List of compositions by Johann Sebastian Bach
547:
442:had called Bach's cantatas the Fifth Gospel.
320:The Evangelist narrates in several cantatas.
352:
340:
170:the story consists of chapters 18 and 19 of
362:illustrates the reaction of the disciples.
198:, but removed the parts in later versions.
49:who narrates the exact words of one of the
563:Masses, magnificat, passions and oratorios
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540:
358:(Behold, we go up to Jerusalem), A choral
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178:tells the complete chapters 26 and 27 of
29:, No. 61), the Bible words written in red
18:
833:
463:Die Kantaten von Johann Sebastian Bach
404:Siehe, ich will viel Fischer aussenden
841:Compositions by Johann Sebastian Bach
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65:secco. The part appears in the works
354:Sehet, wir gehn hinauf gen Jerusalem
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254:, mentioned in Thomas Mann's novel
143:in Bach's works, including several
13:
372:(8 April 1725, first Sunday after
14:
852:
422:Wer Dank opfert, der preiset mich
386:Er rufet seinen Schafen mit Namen
368:Am Abend aber desselbigen Sabbats
139:, voice of Christ, is always the
608:Kyrie–Gloria Masses, BWV 233–236
408:(21 July 1726, 5th Sunday after
717:Wer ist der, so von Edom kömmt
512:
492:
476:
1:
445:
342:Jesus nahm zu sich die Zwölfe
326:Jesus nahm zu sich die Zwölfe
182:. The first versions of the
95:Lobet Gott in seinen Reichen
7:
722:includes BWV 1088 and
23:Beginning of a recitative (
10:
857:
155:The Evangelist reports in
810:
735:
634:
575:
41:is the tenor part in his
799:Ascension Oratorio
745:Christmas Oratorio
509:atlantic-times.com 2005
651:includes BWV 1084
353:
341:
316:Evangelist in cantatas
266:(in English: Heritage)
180:Matthew the Evangelist
30:
568:Johann Sebastian Bach
428:Luke 17:15–16
336:Luke 18:31,34
39:Johann Sebastian Bach
22:
791:Easter Oratorio
465:, Bärenreiter 1999,
290:Christoph Prégardien
217:Mark the Evangelist
207:Luke the Evangelist
172:John the Evangelist
684:St Matthew Passion
577:Latin church music
505:2011-09-30 at the
498:Uwe Siemon-Netto:
487:Christianity Today
378:John 20:19
330:(7 February 1723,
233:Evangelist singers
221:Ascension Oratorio
203:Christmas Oratorio
176:St Matthew Passion
91:Ascension Oratorio
80:Christmas Oratorio
74:St Matthew Passion
31:
26:St Matthew Passion
828:
827:
414:Luke 5:10
396:John 10:3
392:Pentecost Tuesday
280:John van Kesteren
157:secco recitatives
151:Music and sources
135:In contrast, the
117:Weinachtshistorie
83:, as well as the
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658:Weimarer Passion
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440:Nathan Söderblom
434:Fifth Evangelist
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184:St. John Passion
57:, translated by
51:Four Evangelists
37:in the music of
16:Role of a singer
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710:St Mark Passion
703:St Luke Passion
665:St John Passion
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586:Mass in B minor
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507:Wayback Machine
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275:Ernst Haefliger
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226:Easter Oratorio
212:St Mark Passion
168:St John Passion
159:accompanied by
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130:Johannespassion
122:Matthäuspassion
112:Heinrich SchĂĽtz
86:St Mark Passion
68:St John Passion
17:
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747:, BWV 248
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161:basso continuo
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108:the Evangelist
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247:Gervase Elwes
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242:Theo Altmeyer
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59:Martin Luther
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300:James Taylor
270:Kurt Equiluz
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126:Lukaspassion
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34:
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24:
752:discography
695:discography
676:discography
623:discography
601:discography
524:(in German)
473:(in German)
459:Alfred DĂĽrr
348:vox Christi
285:Peter Pears
137:vox Christi
77:, and the
815:Evangelist
613:Magnificat
446:References
63:recitative
35:Evangelist
736:Oratorios
690:structure
671:structure
596:structure
388:, BWV 175
43:oratorios
835:Category
636:Passions
503:Archived
461:. 1971.
424:, BWV 17
406:, BWV 88
370:, BWV 42
328:, BWV 22
252:Karl Erb
205:follows
145:cantatas
101:cantatas
97:, BWV 11
89:and the
47:Passions
756:Parts:
410:Trinity
196:tremolo
192:melisma
166:In the
99:. Some
53:of the
489:, 2000
469:
374:Easter
215:after
174:, the
163:only.
360:fugue
188:Peter
61:, in
55:Bible
724:1149
467:ISBN
263:Erbe
201:The
141:bass
45:and
33:The
768:III
565:by
485:in
419:In
401:In
383:In
365:In
323:In
260:as
132:).
837::
783:VI
773:IV
763:II
430:.
398:.
380:.
147:.
128:,
124:,
120:,
71:,
778:V
758:I
555:e
548:t
541:v
114:(
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