454:. The "definitive edition" version of "Chicago" is not included on the 2006 version; however, the version of the song on disc two is mostly identical to the definitive edition version with minor variants. A facsimile of that second edition can be created by programming the contents of the second disc as 1-2-3-20-5-21-22-8-9-10-11-12-13-14-15-16-17. There was also a version of "Water Music II" that ran more than 6 minutes. On the 1985 remix, the vinyl label lists the song at 6:10 while there are CD versions that list the song at 6:24. These are the same. The 6:10 timing on the vinyl remix was in error. Adding further confusion, many CDs that list the song as 6:24 on the track list actually contain the edited 3:52 version. The 6:24 version is on some early CD versions, but since the catalogue numbers are the same, finding one remains problematic. It is not on the 2006 remaster, even though it contains the remixed version (it runs 3:55).
340:, both of which Fripp contributed to and produced. Fripp's aim with the trilogy "was to investigate the 'pop song' as a means of expression. I think it's an incredibly good way of putting forward ideas. I think it's a supreme discipline to know that you have three to four minutes to get together all your lost emotions and find words of one syllable or less to put forward all your ideas. It's a discipline of form that I don't think is cheap or shoddy". The album was to be originally titled
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The version of the album that was released, after the changes and compromises that had to be made, was reconceptualized as part of a new trilogy, "The Drive to 1981", marking the beginning of three-year campaigns by Fripp as a professional musician, which would include an album of
Frippertronics and
355:
The trilogy did not work out as intended, although all the albums were released. "Urban
Landscape" appears on the Hall album, as does "NYCNY" ("I May Not Have Had Enough of Me but I've Had Enough of You", with different lyrics written by Hall). The Gabriel record also features a version of
657:, called the album "formidably eloquent" and "breathlessly diverse", adding that while it is conventional in style, it has a remarkable coherence that presages the approach used by the 1980s incarnation of
303:
scene. He envisioned a new approach, and incorporated elements of these NYC experiences into his current palette, including "Frippertronics", the tape-delay/looping technique he had developed with
493:, all presented in remastered original mixes as well as new Steven Wilson mixes), live recordings, studio outtakes, the complete Frippertronics tape loops from the period between the start of the
411:
for
Frippertronics, making for a five-step trilogy. The end of The Drive to 1981 marked the beginning of "the incline to 1984", Fripp's tenure with a reformed King Crimson, originally intended as
344:, feature a track list configuration different from that of the final release, and use Daryl Hall as the main vocalist. Fripp instead used only two Hall vocals on his album, substituting
2136:
375:"is indebted to all those who took part in the hazardous series of events culminating in this record, and several who do not appear but who helped determine the final shape:
424:
was strictly a solo tour, utilizing only his own electric guitar and
Frippertronics, and included then unorthodox rock music venues such as restaurants and retail outlets.
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on "Preface", "You Burn Me Up", "North Star", "Disengage II", "Chicago" disc two, "New York" disc two, "Exposure" bonus track and "Mary" bonus track;
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The album was remixed in 1983, and this second "definitive edition" was released in 1985 featuring some alternate takes. In 2006, a
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236:. Unique among Fripp solo projects for its focus on the pop song format, it grew out of his previous collaborations with
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on "Disengage", "Chicago", "I've Had Enough of You" and "Disengage" bonus track, "Chicago" bonus track
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356:"Exposure". "Here Comes the Flood" had previously appeared with a prog-rock arrangement on Gabriel's
255:. Most of the lyrics were provided by the poet and lyricist Joanna Walton, who also coined the term "
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label. One disc contained the original 1979 album, and the second disc contained a third version of
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1949:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 119.
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on "Exposure", "Hååden Two", "First
Inaugural Address" and "Water Music I"
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on "Mary", "Exposure", "I've Had Enough of You" and "Chicago" bonus track
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307:. At Eno's invitation, Fripp performed on David Bowie's "Heroes"
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in both studio and stage capacities, Fripp moved in 1977 to the
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neighbourhood of New York City. New York was then a centre of
2048:– blog post with details about the 2006 remaster of the album
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38:
1979:
1160:"I May Not Have Had Enough of Me but I've Had Enough of You"
889:"I May Not Have Had Enough of Me but I've Had Enough of You"
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as the third part of a simultaneous trilogy also comprising
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1708:
The Music's All that
Matters: A History of Progressive Rock
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on "You Burn Me Up", "Chicago", "Exposure" and "Hååden Two"
1174:"First Inaugural Address to the I.A.C.E. Sherborne House"
1849:
Christgau's Record Guide: Rock Albums of the
Seventies
1734:(28 April 1979). "Riding on the Dynamic of Disaster".
1243:
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sessions and the reformation of King
Crimson for the
2037:Detailed analysis for white label test pressing of
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on "Breathless", "NY3" and "I've Had Enough of You"
1420:on "Disengage", "NY3" and "I've Had Enough of You"
232:is the debut solo album by guitarist and composer
2604:
1753:"Robert Fripp – Exposure. 2-disc remaster, 2006"
978:
2284:Bewitched (Andy Summers and Robert Fripp album)
2130:The Cheerful Insanity of Giles, Giles and Fripp
259:" to describe Fripp's tape looping techniques.
1887:(7 September 2006). "Robert Fripp: Exposure".
533:
273:International Academy for Continuous Education
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1911:; Henke, James; George-Warren, Holly (eds.).
401:, with each concept getting its own followup－
2001:
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1408:on "Preface", "Hååden Two" and "Postscript"
1404:on "North Star" and "Here Comes the Flood";
477:variants) as well as related Fripp albums (
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1710:. Quartet Books Limited. pp. 302–4.
903:"First Inaugural Address to the I.A.C.E.
2008:"Official Scottish Albums Chart Top 100"
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1349:– guitars, Frippertronics; spoken vocal
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2105:God Save the Queen/Under Heavy Manners
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213:God Save the Queen/Under Heavy Manners
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18:1979 studio album by Robert Fripp
1941:
1527:Simon Heyworth – digital remastering
1244:2006 bonus tracks (alternate takes)
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287:and what would come to be known as
267:After terminating the first run of
13:
1503:Mrs. Edith Fripp – speaking voice
342:The Last Great New York Heartthrob
14:
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2235:Scary Monsters (And Super Creeps)
2021:
1812:
1364:on "You Burn Me Up" and "Chicago"
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1873:– via robertchristgau.com.
1675:Cooper, Neil (18 October 2016).
1020:"You Burn Me Up I'm a Cigarette"
713:"You Burn Me Up I'm a Cigarette"
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275:through 1975-1976 and assisting
2623:Albums produced by Robert Fripp
1970:"Official Albums Chart Top 100"
1947:Australian Chart Book 1970–1992
1935:
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1468:on "Disengage" and "North Star"
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1505:on introduction to "Disengage"
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1090:"New York, New York, New York"
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1:
2028:Claas Kazzer's Exposure Pages
1986:"Robert Fripp Chart History (
1914:The Rolling Stone Album Guide
1893:. No. 1008. p. 110.
1632:
979:2006 bonus disc third edition
616:The Rolling Stone Album Guide
495:Exposure/Scratch/Sacred Songs
318:Originally, Fripp envisioned
262:
2389:H to He, Who Am the Only One
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7:
1907:(1992). "Robert Fripp". In
1598:2022 chart performance for
816:
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655:History of Progressive Rock
81:Fripp Mobile, New York City
10:
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2319:Peter Gabriel (1980 album)
2312:Peter Gabriel (1978 album)
2305:Peter Gabriel (1977 album)
1509:Mrs. Evelyn Harris – voice
1491:Robert Fripp – handwriting
1391:on "Here Comes the Flood";
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2501:Sunday All Over the World
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2014:. Retrieved 4 June 2022.
1998:. Retrieved 31 May 2022.
1976:. Retrieved 31 May 2022.
1815:"Exposure – Robert Fripp"
1751:dlokazip (22 June 2006).
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271:in 1974, studying at the
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2537:Discipline Global Mobile
2490:King Crimson discography
2207:Before and After Science
653:Paul Stump, in his 1997
566:Christgau's Record Guide
444:Discipline Global Mobile
420:Fripp's tour to support
69:June 1977 – January 1979
2380:Van der Graaf Generator
2256:The League of Gentlemen
2247:The League of Gentlemen
2200:Here Come the Warm Jets
2193:Beyond Even (1992–2006)
2012:Official Charts Company
1974:Official Charts Company
1521:Shivapuri Baba – voice
484:The League of Gentlemen
404:The League of Gentlemen
2552:California Guitar Trio
2510:Kneeling at the Shrine
2470:Fear of a Blank Planet
2151:A Scarcity of Miracles
2137:The Lady or the Tiger?
1537:Chart performance for
1482:Steve Short – engineer
1302:Hammill, Walton, Fripp
1202:"Here Comes the Flood"
937:"Here Comes the Flood"
750:, Joanna Walton, Fripp
457:In 2022, DGM released
2112:The Gates of Paradise
1681:productmagazine.co.uk
1500:Mary Lou Green – hair
1488:– design, photography
1455:Narada Michael Walden
407:for Discotronics and
2186:The Equatorial Stars
2122:Collaborative albums
1706:Stump, Paul (1997).
1479:Ed Sprigg – engineer
926:Fripp, J. G. Bennett
510:Professional ratings
442:appeared on Fripp's
367:Fripp stated in the
332:and Peter Gabriel's
84:The House of Music,
2628:E.G. Records albums
2618:Robert Fripp albums
2542:New standard tuning
2368:Approaching Silence
1921:. pp. 265–66.
1656:. UK. 14 April 1979
1602:
1555:Australian Albums (
1541:
1523:on "You Burn Me Up"
1389:– vocals and piano
1316:Hall, Walton, Fripp
1288:Hall, Walton, Fripp
1107:Hall, Walton, Fripp
1093:Hall, Walton, Fripp
1079:Hall, Walton, Fripp
1065:Hall, Walton, Fripp
1051:Hall, Walton, Fripp
806:Hall, Walton, Fripp
778:Hall, Walton, Fripp
764:Hall, Walton, Fripp
511:
352:in various places.
1854:Ticknor and Fields
1781:: The Differences"
1677:"Gimme some truth"
1597:
1536:
1432:pedal steel guitar
509:
479:Let the Power Fall
409:Let the Power Fall
2613:1979 debut albums
2600:
2599:
2406:Guest appearances
2172:(No Pussyfooting)
1909:DeCurtis, Anthony
1840:Christgau, Robert
1794:. 11 January 1998
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1557:Kent Music Report
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1146:"Urban Landscape"
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875:"Urban Landscape"
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116:Experimental rock
90:Relight Studios,
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2520:Related articles
2463:The Thunderthief
2347:Jean the Birdman
2277:I Advance Masked
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2577:Fripp & Eno
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1435:on "North Star"
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1188:"Water Music I"
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923:"Water Music I"
905:Sherborne House
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97:The Hit Factory
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54:April 1979
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1121:Gabriel, Fripp
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1052:
1049:
1048:"Disengage II"
1046:
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471:surround sound
429:
426:
301:downtown music
281:Hell's Kitchen
264:
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257:Frippertronics
223:
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2558:
2557:Toyah Willcox
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2437:
2436:
2432:
2430:
2429:
2428:Fear of Music
2425:
2423:
2422:
2418:
2416:
2415:
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2355:
2351:
2348:
2344:
2342:
2341:
2340:The First Day
2337:
2336:
2334:
2332:
2331:David Sylvian
2327:
2321:
2320:
2316:
2314:
2313:
2309:
2307:
2306:
2302:
2301:
2299:
2297:
2296:Peter Gabriel
2292:
2286:
2285:
2281:
2279:
2278:
2274:
2273:
2271:
2269:
2264:
2258:
2257:
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2173:
2169:
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2166:
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2159:
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2141:
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2127:
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2120:
2114:
2113:
2109:
2107:
2106:
2102:
2100:
2099:
2095:
2094:
2092:
2090:Studio albums
2088:
2084:
2077:
2072:
2070:
2065:
2063:
2058:
2057:
2054:
2047:
2046:Remaster Hell
2044:
2042:
2040:
2035:
2033:
2032:Elephant Talk
2029:
2026:
2025:
2013:
2009:
2004:
1997:
1996:
1991:
1989:
1982:
1975:
1971:
1966:
1958:
1956:0-646-11917-6
1952:
1948:
1944:
1938:
1930:
1928:0-679-73729-4
1924:
1920:
1916:
1915:
1910:
1906:
1900:
1892:
1891:
1890:Rolling Stone
1886:
1885:Fricke, David
1880:
1865:
1863:0-89919-026-X
1859:
1855:
1851:
1850:
1845:
1841:
1835:
1820:
1816:
1809:
1793:
1792:Elephant Talk
1787:
1782:
1780:
1772:
1754:
1747:
1739:
1738:
1733:
1727:
1719:
1717:0-7043-8036-6
1713:
1709:
1702:
1700:
1698:
1682:
1678:
1671:
1655:
1648:
1642:
1638:
1622:
1618:
1614:
1606:Chart (2022)
1604:
1601:
1588:
1586:
1580:
1573:
1569:
1565:
1561:
1558:
1553:
1545:Chart (1979)
1543:
1540:
1526:
1520:
1514:
1511:
1508:
1502:
1499:
1497:– VTR imagery
1496:
1493:
1490:
1487:
1484:
1481:
1478:
1477:
1473:
1472:
1465:
1462:
1456:
1453:
1447:
1446:Jerry Marotta
1444:
1441:
1438:
1433:
1426:
1423:
1418:
1414:
1413:Barry Andrews
1411:
1401:
1398:
1388:
1387:Peter Gabriel
1385:
1379:
1378:Peter Hammill
1376:
1370:
1367:
1357:
1354:
1351:on "Exposure"
1348:
1345:
1344:
1332:
1329:
1326:
1322:
1318:
1315:
1312:
1308:
1304:
1301:
1298:
1294:
1290:
1287:
1284:
1280:
1276:
1273:
1270:
1266:
1250:
1235:
1232:
1229:
1225:
1221:
1218:
1215:
1211:
1207:
1204:
1201:
1197:
1193:
1190:
1187:
1183:
1179:
1176:
1173:
1169:
1165:
1163:Walton, Fripp
1162:
1159:
1155:
1151:
1148:
1145:
1141:
1137:
1134:
1131:
1127:
1123:
1120:
1117:
1113:
1109:
1106:
1103:
1099:
1095:
1092:
1089:
1085:
1081:
1078:
1075:
1071:
1067:
1064:
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1057:
1053:
1050:
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1039:
1036:
1033:
1029:
1025:
1022:
1019:
1015:
1011:
1008:
1005:
1001:
985:
970:
967:
964:
960:
956:
953:
950:
946:
942:
940:Peter Gabriel
939:
936:
932:
928:
925:
922:
918:
914:
912:
911:J. G. Bennett
909:
906:
902:
898:
894:
892:Walton, Fripp
891:
888:
884:
880:
877:
874:
870:
866:
863:
860:
856:
852:
849:
848:Peter Gabriel
846:
843:
839:
823:
808:
805:
802:
798:
794:
791:
788:
784:
780:
777:
774:
770:
766:
763:
760:
756:
752:
749:
748:Peter Hammill
746:
743:
739:
735:
732:
729:
725:
721:
719:
715:
712:
708:
704:
702:
699:
696:
692:
676:
665:Track listing
662:
660:
656:
620:
618:
617:
613:
612:
582:
580:
579:
578:Rolling Stone
575:
574:
570:
568:
567:
563:
562:
532:
530:
527:
526:
518:
515:Review scores
513:
502:
500:
496:
492:
491:
486:
485:
480:
476:
472:
468:
467:Steven Wilson
464:
460:
455:
453:
449:
445:
441:
438:
435:
425:
423:
418:
416:
415:
410:
406:
405:
400:
399:
394:
388:
386:
382:
378:
374:
370:
365:
363:
359:
353:
351:
347:
346:Peter Hammill
343:
339:
335:
331:
330:
325:
321:
316:
314:
310:
306:
302:
298:
297:Roche sisters
294:
290:
286:
282:
278:
277:Peter Gabriel
274:
270:
260:
258:
254:
252:
247:
243:
242:Peter Gabriel
239:
235:
231:
230:
215:
214:
210:
206:
205:
201:
197:
196:
192:
191:
187:
183:
179:
175:
173:
169:
166:
162:
159:
157:
153:
141:
137:
132:
129:
127:
124:
122:
119:
117:
114:
113:
112:
110:
106:
98:
95:
93:
89:
87:
83:
80:
79:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2567:Bill Bruford
2562:Adrian Belew
2547:Guitar Craft
2508:
2482:King Crimson
2468:
2461:
2454:
2447:
2442:Sacred Songs
2440:
2433:
2426:
2419:
2412:
2394:
2387:
2366:
2361:Damage: Live
2359:
2352:
2338:
2317:
2310:
2303:
2282:
2275:
2268:Andy Summers
2254:
2233:
2226:
2205:
2198:
2191:
2184:
2179:Evening Star
2177:
2170:
2149:
2142:
2135:
2128:
2110:
2103:
2097:
2096:
2083:Robert Fripp
2038:
2003:
1994:
1987:
1981:
1965:
1946:
1937:
1919:Random House
1913:
1899:
1888:
1879:
1867:. Retrieved
1848:
1834:
1822:. Retrieved
1813:Mills, Ted.
1808:
1796:. Retrieved
1791:
1778:
1771:
1759:. Retrieved
1746:
1737:Melody Maker
1735:
1732:Jones, Allan
1726:
1707:
1684:. Retrieved
1680:
1670:
1658:. Retrieved
1653:
1641:
1599:
1584:
1538:
1513:J.G. Bennett
1464:Phil Collins
1425:Sid McGinnis
1395:on "Preface"
1347:Robert Fripp
1230:"Postscript"
1132:"Hååden Two"
1062:"North Star"
1034:"Breathless"
965:"Postscript"
861:"Hååden Two"
761:"North Star"
730:"Breathless"
701:Robert Fripp
659:King Crimson
654:
652:
614:
576:
564:
494:
488:
482:
478:
469:(in stereo,
462:
458:
456:
452:bonus tracks
447:
431:
421:
419:
412:
408:
402:
396:
393:Discotronics
389:
381:Ian McDonald
377:Tim Cappella
372:
366:
361:
354:
341:
337:
334:second album
329:Sacred Songs
327:
319:
317:
269:King Crimson
266:
250:
234:Robert Fripp
228:
227:
226:
211:
203:
202:
195:Evening Star
193:
182:Robert Fripp
176:Robert Fripp
92:Hilvarenbeek
44:Robert Fripp
39:Studio album
15:
2527:Discography
2396:Pawn Hearts
2219:David Bowie
1943:Kent, David
1869:24 February
1486:Chris Stein
1369:Terre Roche
1299:"Disengage"
744:"Disengage"
475:Dolby Atmos
385:John Wetton
369:liner notes
358:first album
350:Terre Roche
253:Album Chart
238:David Bowie
86:West Orange
2607:Categories
2572:Tony Levin
2435:The Roches
1824:2 November
1654:Music Week
1633:References
1440:Tony Levin
1356:Daryl Hall
1271:"Exposure"
1118:"Exposure"
844:"Exposure"
718:Daryl Hall
499:Discipline
414:Discipline
324:Daryl Hall
263:Background
246:Daryl Hall
184:chronology
2587:The Vicar
2456:Lifeforms
2163:Brian Eno
2041:from 1978
1995:Billboard
1988:Billboard
1611:position
1585:Billboard
1568:UK Albums
1550:position
1474:Technical
1400:Brian Eno
1380:– vocals
1371:– vocals
1358:– vocals
1341:Personnel
1313:"Chicago"
1260:Writer(s)
1076:"Chicago"
1006:"Preface"
995:Writer(s)
833:Writer(s)
775:"Chicago"
697:"Preface"
686:Writer(s)
505:Reception
459:Exposures
315:in 1977.
305:Brian Eno
285:punk rock
251:Billboard
126:post-punk
2228:"Heroes"
2098:Exposure
2039:Exposure
1945:(1993).
1842:(1981).
1819:AllMusic
1779:Exposure
1660:6 August
1600:Exposure
1539:Exposure
1515:– voice
1495:Amos Poe
1466:– drums
1457:– drums
1448:– drums
817:Side two
670:Side one
529:AllMusic
463:Exposure
448:Exposure
440:remaster
437:two-disc
422:Exposure
391:one of "
373:Exposure
362:Exposure
320:Exposure
295:and the
289:new wave
229:Exposure
204:Exposure
172:Producer
121:art rock
66:Recorded
51:Released
41: by
24:Exposure
2354:Darshan
1205:Gabriel
1177:Bennett
850:, Fripp
716:Fripp,
501:album.
428:Release
338:Scratch
293:Blondie
217:(1980)
208:(1979)
199:(1975)
161:Polydor
131:ambient
58:1979-04
56: (
1953:
1925:
1860:
1756:(blog)
1714:
1686:2 July
1647:"News"
1532:Charts
1442:– bass
1406:voice
1393:voice
1362:piano
1285:"Mary"
1263:Length
1104:"Mary"
998:Length
836:Length
803:"Mary"
689:Length
523:Rating
520:Source
473:, and
434:24-bit
309:single
244:, and
139:Length
74:Studio
2499:With
2480:With
2378:With
2329:With
2294:With
2266:With
2245:With
2217:With
2161:With
1990:200)"
1798:7 May
1761:6 May
1650:(PDF)
1417:organ
1330:Fripp
1327:"NY3"
1257:Title
1233:Fripp
1219:Fripp
1149:Fripp
1135:Fripp
1037:Fripp
1023:Fripp
1009:Fripp
992:Title
968:Fripp
954:Fripp
878:Fripp
864:Fripp
830:Title
792:Fripp
789:"NY3"
733:Fripp
683:Title
450:with
371:that
313:album
156:Label
109:Genre
2144:FFWD
1951:ISBN
1923:ISBN
1871:2019
1858:ISBN
1826:2020
1800:2013
1786:wiki
1763:2013
1712:ISBN
1688:2019
1662:2024
1609:Peak
1548:Peak
1333:2:17
1319:2:03
1305:2:53
1291:2:07
1277:4:28
1236:0:40
1222:3:55
1208:3:54
1194:1:19
1180:0:07
1166:3:38
1152:2:35
1138:1:57
1124:4:26
1110:2:09
1096:2:18
1082:2:18
1068:3:12
1054:2:44
1040:4:43
1026:2:24
1012:1:16
971:0:40
957:4:16
943:4:01
929:1:27
915:0:07
895:3:50
881:2:35
867:2:53
853:4:25
809:2:06
795:2:16
781:2:12
767:3:06
753:2:46
736:4:43
722:2:24
705:1:16
383:and
348:and
336:aka
311:and
165:E.G.
2449:456
2030:at
1844:"F"
1626:29
1621:OCC
1591:79
1587:200
1582:US
1577:71
1572:OCC
1562:85
1324:22.
1310:21.
1296:20.
1282:19.
1268:18.
1253:No.
1227:17.
1213:16.
1199:15.
1185:14.
1171:13.
1157:12.
1143:11.
1129:10.
988:No.
826:No.
679:No.
387:".
326:'s
2609::
2592:G3
2010:.
1992:.
1972:.
1856:.
1852:.
1846:.
1817:.
1790:.
1696:^
1679:.
1652:.
1623:)
1574:)
1559:)
1415:–
1115:9.
1101:8.
1087:7.
1073:6.
1059:5.
1045:4.
1031:3.
1017:2.
1003:1.
962:9.
948:8.
934:7.
920:6.
900:5.
886:4.
872:3.
858:2.
841:1.
800:8.
786:7.
772:6.
758:5.
741:4.
727:3.
710:2.
694:1.
661:.
571:B+
487:,
481:,
417:.
364:.
240:,
163:,
148:28
144:45
2349:"
2345:"
2075:e
2068:t
2061:v
1959:.
1931:.
1828:.
1802:.
1788:)
1784:(
1777:"
1765:.
1740:.
1720:.
1690:.
1664:.
1619:(
1570:(
907:"
146::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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