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Fabrice Hybert

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1637: 254: 519: 538: 36: 246: 350:(POF No 10), 1995, consists of a mechanical device which vacuums up the rubbish in a room and deposits it in a transparent ceiling overhead; installed in a hairdressing salon, it allows the viewer's newly sheared locks to become part of the architecture. ‘(Eyestorm 2007). This work is not only a demonstration of creative cognition it is also a valuable excursion of fine art outside the museum and into everyday life. Hyber is one of the artists that Nicolas Bourriaud included in his account of so-called 545:“The cry is mark of the slavery abolition but also a warning against modern slavery. The cry is fear, tears but also joy. The cry is a metaphor for this enslavement which has been abolished by the texts. The cry is a drawing in space; for the garden in front of the Senate, a writing was needed! The abolition of slavery is the open chain ring, the closed ring is that everything can start again, and the base is the return to the roots, but it is also the Earth which is an hindering... " 474:
connection with the notion of mutation treated by the artist in 1986, L'Homme de Bessines is also a viral work because it is intended to be distributed indefinitely. Thus, since the first installation in Bessines in 1991, the sculpture has been reproduice in several hundred copies, of varying sizes and appearances, all over the planet. In 2022, the thirtieth anniversary of the Homme de Bessines is the occasion for an installation in the gardens of the Palais Royal in Paris.
399:. An artistic, performative and industrial object, the Biggest soap in the world is also a commercial act insofar as, in partnership with the Édouard Leclerc group and LOcation-VEhicule France transport, it travels in supermarket car parks throughout France and then in Belgium, Germany and Spain. Mentioned in the book 1-1 = 2, trade is important for Fabrice Hyber, especially in that it is to be considered as a means of exchange and not just as a strictly economic element. 489:
filming studio with the participation of various personalities (Albert Jacquard, Jean Rouch, Uri Tzaig, made in Eric, etc.) and the public. Live or recorded, the programs copied and transgress television codes while placing the question of the body at the center of the project. For Fabrice Hyber, the creation process is then more important than the final product. Noticed, the project earned the artist the award of a Golden Lion.
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to present the viewer with puzzles. He abjures the coherent, instantly understandable, text and the consistent oeuvre in favour of a proliferation that reflects the fundamentally nonlinear character of cognition. This is art in the tradition of the Surrealist object and stream of consciousness. It is more akin to
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present, at that time, in artistic circles, the entrepreneurial question is seen there as the object of encounters and experiments as much as of production. Taking up the trade codes (promotion, communication, sale), in particular by marketing POFs, one of UR's objectives is the funding of artistic projects.
284:, installed in the Parc de la Villette and to which he devoted himself from 2002 to 2006. In 2004, Fabrice Hyber announce: “From May 1, 2004, I decided, in full possession of my means, that is to say in full health, to remove the “t” of Hybert”. In 2007, it was in the Jardin du Luxembourg that he installs 391:
Artist and entrepreneur, Fabrice Hyber established partnerships with companies from the start of his career. When he created the Square Meter of lipstick in 1981, he developed a project with the cosmetics manufacturer Liliane France. Since then, he has increased collaborations with private companies.
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Developing the question born from the commemorative tomb of the First World War, Fabrice Hyber transforms the Parisian monument into an open door to the unknown, both through the external device and through the internet portal which invites visitors to ask questions including answers other questions
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presented the HybertmarchĂ© exhibition in collaboration with the University of LĂŒnebourg. Involving the UR company, the project consists of: having an inventory of objects present in Hyber's work, ordering or sending them, receiving them and placing them on the shelf publicly after the opening of the
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Hybert has suggested that his work explores ‘the enormous reservoir of the possible’ (Eyestorm 2007) via a deconstruction of language and communication. To this end he deploys a very wide range of media for the purpose of expanding the range of his creative practice, deconstructing language in order
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Announced in 2006 by President Chirac, the commission for a public work dedicated to the abolition of slavery was entrusted to Fabrice Hyber. Inaugurated in 2007, the 3.7m high polychrome bronze sculpture represents three chain rings held vertically by golden wedges representing French institutions
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In 2001, to mark the 20th anniversary of the appearance of AIDS, the Sidaction association launched a call for projects for the creation of a commemorative monument. Detached from the aesthetic of commemoration, Fabrice Hyber's project reflects the social, emotional or medical aspects linked to the
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Sensitive to biology, astronomy or even mathematics and physics, Fabrice Hyber transposes the scientific question into his work, both through the subjects treated and by exposing the creative process, like research tables. The Homeopathic Paintings by Fabrice Hyber highlight the body, the landscape
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Developing his experiments and artistic works, Fabrice Hyber sets up a sculpture garden in Japan, another in Texas. He also collaborates with the architectural firm Jakob + MacFarlane for the Euronews headquarters in Lyon (2015). In 2018, Fabrice Hyber delivered the painted decoration for the glass
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Born in 1991, POFs (Prototypes of in operation objects) are inspired by everyday life. Hybrid, absurd, subversive and yet very close to everyday objects, POFs start from reality and slide it towards the point where logical perception is undermined. Conceived as invitations to the appropriation and
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In 2022 and 2023, the exhibitions presented at the Cartier Foundation and at the Domain of Chaumont-sur-Loire illustrate the environmental issues that Fabrice Hyber questions in his work. At the Cartier Foundation, transmission is also played out in a process of environmental education through the
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On the other hand, some of his projects look like exercises in visual language, his square football is not especially bewildering. It is quite simply a functional object that is turned into an ideal form (the cube). His idealised, cubed football maps onto the horror of function that characterises
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From September to November 2000, Fabrice Hybert invests the Arc de Triomphe and its surroundings as part of a national demonstration confident seven national monuments to seven artists. Wishing to create a green setting around the monument, Fabrice Hyber deploys a belt of a hundred birch trees in
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Invited to use the French pavilion at the 47th Venice Biennale in 1997, Fabrice Hyber transforms space into a place of creation in permanent change and not into a place of presentation of works of art. Named Eau d'Or, Eau Dort, Odor, the event transforms the French pavilion into an experimental
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Wishing to forge partnerships with private companies and to maintain a form of independence in his projects, their production and their distribution, Fabrice Hyber founded the SARL UR: Unlimited Responsibility in 1994. Used by Fabrice Hyber, the SARL UR is also open to other creators. So little
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Attached to nature, economics, commerce and science, he has created systems around artistic production with companies, scientists and laboratories around the world. Renowned artist, he works in many diverse ways - accumulating, proliferating, hybridizating - sliding between painting, sculpture,
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Eager to see art out of museums and centers dedicated, Fabrice Hybert It develops its first Hyber(t) Rally in Tokyo in 2001 - the same year he also exhibited at Watari Hum. Developed since in VassiviĂšre, Paris, Reunion island, Toulon, etc., the device invites spectators to take part in a vast
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Responding to a public commission for the town of Bessines (Deux-SĂšvres), Fabrice Hyber undertakes to disperse six bronze men painted green in the village. At a height of 87 cm, half the size of the artist, each sculpture is pierced by eleven holes from which jets of water shoot out. In
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Golden Lion at the Venice Biennale in 1997, he created a multifaceted work from the practice of painting. Artist in dialogue, he has collaborated with companies, launched the Organoide program at the Institut Pasteur, and since 2012 has been developing the production network "the directors".
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The reality of environmental issues is also salient in the work of Fabrice Hyber. Sowing trees in his Vendée valley, he devotes part of his work to researching ecosystems in several parts of the world. The place of renewable energies and electrical uses is also at the heart of its thinking.
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In 1999, it was at the Wacoal Art Center in Tokyo that Fabrice Hyber developed a proposal according to the Venetian device. Through Spiral TV, the artist produces and broadcasts live (on cable and internet), twelve hours of daily programs under the name "It's Tomorrow Now", for five days.
270:, and exhibited in 1984 at the International Drawing Biennial of Saint-Étienne and in 1986 during the International Workshops of the Pays de la Loire at the Royal Abbey of Fontevraud. That same year, he presented his first personal exhibition, "Mutation", at Nantes. 561:
Adapted to their territory of performance, the C’Hyber(t) Rallies also have the objective of revealing landscapes or human constructions. The search for a work of art outside its traditional location serves as a medium between the place and the people within.
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and the fragility of a situation that can tip over. Dark, one of the faces of the sculpture presents the words "Elsewhere", "Decimated", "Exterminated", "Deported", "Death", "Inhuman", "Slave". The other side reveals a blood system attached to the living.
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virus. Spanning 1001 m2, the ensemble is made up of ceramics designed by the artist and produced in Monterrey, Mexico. Produced from 2002 to 2006, the work installed in the Parc de la Villette resembles, by its rhizomatic aspect, a vast storyboard.
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diversion of the ordinary, the POFs are initially marketed by UR and can be made by each person according to an indication given by Fabrice Hyber. By questioning his daily life or by fabricating, the viewer becomes a stakeholder in the work. The
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or the object, echoing the act of creation which is explained from beginning to end. Thus, calculations, research documents, sketches, or the artist's moods are constitutive of each work as much they are the visible matrix.
2882:"Un programme artistique pour permettre Ă  de jeunes artistes de trouver de nouveaux moyens de production de leurs oeuvres en partenariat avec des entreprises et avec le soutien d'Ă©coles d'art et de commerce du monde entier" 374:
on the issue of stem cells, or, regularly, with the Institut Pasteur and the Professor Olivier Schwartz. Often present in Fabrice Hyber's work, viral notions are also bring up by the artist during the COVID-19 crisis.
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opposition to the mineral character of the place. Changing green lighting is projected onto the Arc de Triomphe while an historical room is dedicated to viewing the inconnu.net website.
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After a childhood in Vendée, Fabrice Hyber studied mathematics and physics. From 1979 to 1985, he was trained at the Nantes School of Arts. In 1981, he produced his first painting, the
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Emblematic of this work, the largest soap in the world was created in 1991. With the Compagnie des DĂ©tergents et du Savon de Marseille, it produced a 22-tons molded soap approved by
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roof of the Parisian palace Lutetia, he also produced, for Beaupassage, "Les Deux ChĂȘnes" from the double molding of a three-hundred-years-old tree from its VendĂ©e valley.
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On March 7, 2022, Fabrice Hyber was appointed Chairman of the Board of Directors of the Center National des Arts Plastiques (France) by order of the Minister of Culture.
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In March 2022, he collaborated with luxury leather goods designer Camille Fournet and created a limited and numbered edition capsule of products using his Hyber green.
288:, a public commission commemorating the abolition of slavery. At the same time, he continues a process launched around 1990 by sowing trees in his childhood valley. 3801: 343:) is Hyber's Swing (POF No 3), 1990. This is a playground swing with the addition of ‘two phallic protuberances on the seat, one hard, one soft’ (Eyestorm 2007). 3463: 4165: 273:
Since 1986, he presents personal exhibitions in Montreal, Limoges, Poitiers, Strasbourg, Tokyo, New York, San Francisco, Zurich, Bruges, SĂšte or Guadalajara.
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Among other projects in partnership with companies, Fabrice Hyber is helping to develop the Frisson d'Hyber gin in 2021 with the company Conquérant Spirits.
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post-Duchampian fine art that rose into dominance in the international art world in the 1960s. Fabrice ironically refers to such functionless objects as
3162: 3906: 612: 65: 3348: 3319: 3148: 3119: 2945: 2709: 2607: 2828:"Fabrice Hybert: "généreux générique".Le savant désordre du pavillon français a obtenu le lion d'or. Pavillon français "Eau d'or, eau dort, odor"" 3876: 3776: 3672: 636: 3404: 3247: 646: 4131: 2149:
TrĂ©sors publics 20 ans de crĂ©ation dans les Fonds rĂ©gionaux d'art contemporain. L'État des choses. L'Objet dans l'art de 1960 Ă  aujourd'hui
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Elisabeth Lebovici, Ce que le sida m'a fait, Art et activisme à la fin du XXe siÚcle, p.15, JRP éditions, Seconde édition février 2021
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Fabrice Hybert seeks to work with the scientific community. In 2007, for example, he collaborated with the American biotechnologist
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Emmanuelle Jardonnet, « Le peintre Fabrice Hyber fait Ă©cole Ă  la Fondation Cartier Ă  Paris Â», Le Monde, 7 dĂ©cembre 2022
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Officer in the French Order of Arts and Letters since January 2012, Fabrice Hyber was elected to the Fine Arts Academy in 2018.
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A prolific artist, Fabrice Hyber gradually builds a production made up of paintings, charcoal drawings, collages, videos, etc.
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In 2021, Fabrice Hyber becomes ambassador of the “ONF-Agir pour la forĂȘt” fund (National Forests Office (France)).
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Laboratoires, Damien Hirst, Fabrice Hybert, Kiki Smith, Patrick Van Caeckenberg, pour une expérience du corps
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L'Artùre Le jardin des dessins Une Ɠuvre de Fabrice Hyber Paris, Parc de la Villette, dossier de presse
2795:"Le fonds " ONF-Agir pour la forĂȘt " accueille son premier ambassadeur, l'artiste-semeur Fabrice Hyber" 3884: 3780: 3680: 207: 3635: 631: 3920: 518: 4125: 4105:
Bourriaud, Nicolas. 2002. Relational aesthetics, Documents sur l'art. Dijon: Les presses du réel.
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which is to say art that engages with people and everyday life (Bourriaud 2002). He also writes.
70: 61: 3763:"Au Palais Royal, à la découverte de la joyeuse troupe des petits hommes verts de Fabrice Hyber" 3588: 537: 4155: 3853: 2808: 2051:, Hiroshima - MOCA / Sapporo - Hokkaido museum of modern art / Tokyo - Setagaya museum, Japan 3446: 4150: 3938: 3730: 3831: 8: 3476: 2918: 2655: 411:
exhibition, modifying them according to what they are in his mind, putting them on sale.
46: 3280:"À Venise, une 47e Biennale sans audace
 - 4 juillet 1997 - Le Journal des Arts - n° 41" 1178:
La BeautĂ© au quotidien de l’Égypte antique", SĂ©phora, Les Champs-ÉlysĂ©es, Paris, France
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is an evolving firm that invites the public to manipulate, try and question themselves.
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Collection du CAPC musĂ©e : Absalon, Richard Fauguet, Fabrice Hybert, Didier Marcel
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establishment of a school with a cycle of courses and conferences within the system.
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https://www.ouest-france.fr/fabrice-hyber-ce-drole-dartiste-entrepreneur-234116
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for the new building of the Nantes Art School. A place of experimentation, the
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CONTOUR 7 biennale voor bewegend beeld a moving image biennale in Mechelen
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https://galeriequatre.wordpress.com/2016/08/30/lentier-par-fabrice-hyber/
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L'Homme de Bessines in the gardens of the Palais Royal in Paris (2022).
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L'Homme de Bessines in the gardens of the Palais Royal in Paris (2022).
3464:"Watari-um, where the world of art is accessible to 'ordinary people'" 2725: 4070:
Jean-Pierre Changeur, Alice Dautry, Annick Perrot, Olivier Schwartz,
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ComitĂ© national pour la mĂ©moire et l’histoire de l’esclavage (2007).
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arising from contributions from artists, writers, scientists, etc.
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F2004@Shanghai, Année de la France en Chine, La Fabrique, Shanghai
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are among the most emblematic of the 160 POFs created since 1991.
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Gilles Coudert, Alice Dautry, Pascal Rousseau, Olivier Schwartz,
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Philippe Forest, Bernard Marcadé, Olivier Schwartz, Yves Jammet,
1018: 898: 3749:"Fabrice Hyber fait le printemps pour la maison Camille Fournet" 3189:"Fabrice Hyber fait le printemps pour la maison Camille Fournet" 3084: 3082: 2978:"Fabrice Hyber rencontre Pierre-Marie Lledo et Olivier Schwartz" 1913:(Fabrice Hybert et Uri Tzaig), musée d'Israël, Jérusalem, Israël 982: 905: 891: 838: 720: 558:
treasure hunt intended to find POFs hidden in everyday spaces.
227: 164: 2247:, The 21st century museum of contemporary art, Kanazawa, Japan 1549:
Jean Dubuffet et Fabrice Hyber, Galerie Nathalie Obadia, Paris
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Françoise Ninghetto, « Hybert Fabrice (1961- ) Â»,
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Circuit céramique à SÚvres. La ScÚne française contemporaine
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Spiral TV it's tomorrow now (3 Ă©dition du festival art life)
1888:, Art et Essai Gallery (Rennes 2 University), Rennes, France 3513:
MusĂ©e national d’art moderne-Centre Pompidou (2020-08-28).
1213:, Contemporary Art Center of Vassiviùre en Limousin, France 770: 3717:"Fabrice Hyber fait son retour à New York à la galerie RX" 3363:"E. T. ‱ Arc de Triomphe Paris, Changement de temps un..." 2449:
Retour Ă  l'intime la collection Giuliana et Tommaso Setari
2157:, Galerie Beaubourg, ChĂąteau Notre-dame-des-Fleurs, France 1956:, École nationale supĂ©rieure des beaux-arts, Paris, France 4067:, Éditions du musĂ©e d'Art moderne de Saint-Étienne, 1995. 3607: 1727:
Des ateliers, une collection du FRAC des Pays de la Loire
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and tools are available to assist in formatting, such as
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CAPC MusĂ©e d’art contemporain de Bordeaux (2020-12-10).
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Galeries Lafayette, Galerie des galleries, Paris, France
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Jean-Louis Froment, Pierre Giquel, Catherine Strasser,
3828:"" Coup de Foudre " de Fabrice Hyber et Nathalie Talec" 2770:"Fabrice Hyber, pour Emerige, Paris 7Ăšme (Beaupassage)" 2541:
Donaugalerie ein skulpturenprojekt der stadt Tuttlingen
2512:, Historial de la Vendée, Les Lucs-sur-Boulogne, France 2488:, Lieu d'art et d'action contemporaine, Dunkirk, France 1708:
1st international Istanbul Contemporary Art Exhibitions
1344:, Bernard Anthonioz Art House, Nogent-sur-Marne, France 3610:"Programme d'entreprise indéterminée by Fabrice Hyber" 3477:
http://www.artoftheday.info/q699-hybert-en-pole-rallye
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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http://www.universalis.fr/encyclopedie/fabrice-hybert/
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Bernard Marcadé, Bart de Baere, Pierre Giquel (2009).
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Simulacres et Détournements dans les années 1980 et 90
1153:, Changements de temps, Arc de Triomphe, Paris, France 4091:
Olivier Kaeppelin, Bernard Marcadé, Pascal Rousseau,
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Myriam Lefraire (dir.), Alexandrine Dhainaut (2018).
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We Humans are Free : from the collection of SMAK
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France troisiÚme génération Exposition internationale
1683: 4081:, Moscow, Maison de la photographie de Moscou, 2010. 3035:"Fabrice Hyber | Domaine de Chaumont-sur-Loire" 1530:, MUP IDF, Bondy/Cachan/Boulogne-Billancourt, France 4086:
POF Prototypes d'objets en fonctionnement 1991-2012
4036: 1615:, Gilles Drouault, galerie/multiples, Paris, France 1483:, der Stadt Tuttlingen Gallery, Tuttlingen, Germany 1319:, La Briqueterie, Ciry-le-Noble, Le Creusot, France 2825: 2752:"Fabrice Hyber, l'acadĂ©micien qui sĂšme des arbres" 2531:, Fondation François-Schneider, Wattwiller, France 1851:, Museum der StadtenwĂ€sserung, Zurich, Switzerland 1284:, Kunstraum leuphana universitat LĂŒneburg, Germany 1216:Tokyo c'hybert rallye - VassiviĂšre c'hybert rallye 972:EIGEN+ART, Leipzig (D) - Kunsthalle Lophem, Bruges 652: 511: 4060:, CapcMusĂ©e d'Art contemporain de Bordeaux, 1993. 2371:, HĂŽtel HĂšbre de Saint-ClĂ©ment, Rochefort, France 1695:Ateliers internationaux des Pays de la Loire 1986 1536:, Cyrille Putman et galerie quatre, Arles, France 613:21st Century Museum of Contemporary Art, Kanazawa 570: 191:Visual artist, assembly, video, painting, drawing 4142: 4007:Bernard MarcadĂ©, Baert de Baere, Pierre Giquel, 3088: 2960:"Le couple explosif Robert Langer-Fabrice Hyber" 2525:, CAPC-Contemporary Art Museum, Bordeaux, France 2457:, FRAC Languedoc-Roussillon, Montpellier, France 2138:, FRAC Ile-de-France / Le plateau, Paris, France 2119:, CAPC-Contemporary Art Museum, Bordeaux, France 1919:, CAPC-Contemporary Art Museum, Bordeaux, France 1798:, FRAC Languedoc-Roussillon, Montpellier, France 1773:, CAPC-Contemporary Art Museum, Bordeaux, France 1760:, CAPC-Contemporary Art Museum, Bordeaux, France 1464:, Maeght Foundation, Saint-Paul-de-Vence, France 825:, Art center Le Creux de l’enfer, Thiers, France 3777:"[Pof] : Exposition Fabrice Hyber" 2389:, Centro cultural metropolitano, Quito, Ecuador 1925:, La Motta swimming pool, Fribourg, Switzerland 1697:, Royal abbey of Fontevraud, Fontevraud, France 276:In 2000 he was entrusted with a project on the 4095:, Saint-Paul de Vence, Fondatien Maeght, 2012. 2553:Biennale de Busan 2014 : Habiter le monde 2296:, Art and History Museum, Saint-Brieuc, France 2175:, Modern Art Museum, Villeneuve-d'Ascq, France 2113:, FRAC Normzndie, Sotteville-lĂšs-Rouen, France 1966:47th Venice Biennale; Eau d'or, eau dort, ODOR 1839:, Museum van Hedendaagse kunst, Ghent, Belgium 1445:Maeght Foundation, Saint-Paul-de-Vence, France 3636:"Peinture homĂ©opathique n°6 by Fabrice Hyber" 3021:VendĂ©e, regards sur la crĂ©ation contemporaine 2749: 2735:Caroline Cros, Laurent Le Bon (dir.) (2008). 249:Fabrice Hyber drawing in his workshop in 2022 3347:: CS1 maint: multiple names: authors list ( 3318:: CS1 maint: multiple names: authors list ( 3147:: CS1 maint: multiple names: authors list ( 3118:: CS1 maint: multiple names: authors list ( 2944:: CS1 maint: multiple names: authors list ( 2708:: CS1 maint: multiple names: authors list ( 2086:Narcisse blessĂ©, autoportraits contemporains 1837:This is the show and the show is many things 1496:, Galerie Nathalie Obadia, Brussels, Belgium 1235:, Dourven Gallery, TrĂ©dez-LocquĂ©meau, France 49:, which are uninformative and vulnerable to 3461: 2549:, Metropolitan museum, Manille, Philippines 2455:L'Âne musicien (DĂ©chire tout et recommence) 2432:, JĂ©rĂŽme de Noirmont Gallery, Paris, France 2014:, Centro civico La Grancia, Rapolano, Italy 1420:, JĂ©rĂŽme de Noirmont Gallery, Paris, France 1401:Moscow, Nijni Novgorod, Krasnoyarsk, Russia 1376:, JĂ©rĂŽme de Noirmont Gallery, Paris, France 1338:, JĂ©rĂŽme de Noirmont Gallery, Paris, France 1313:, Frac des Pays de la Loire, Nantes, France 865:Fabrice Hybert : Ɠuvres de 1981 Ă  1993 64:and maintains a consistent citation style. 4166:Academic staff of the École des Beaux-Arts 3403:: CS1 maint: location missing publisher ( 3246:: CS1 maint: location missing publisher ( 2473:Abu Dhabi Art's Arts, Talks and sensations 2352:, Guerlain Foundation, Les Mesnuls, France 1222:, Anne-de-Villepoix Gallery, Paris, France 128: 2377:, Contemporary art center, Moscow, Russia 2321:, CRAC Languedoc-Roussillon, SĂšte, France 2045:, Museo de las artes, Guadalajara, Mexico 1917:Collection : Absalon, Hyber, MouillĂ© 1729:, FRAC Auvergne, Clermont-Ferrand, France 1517:, CRAC Languedoc Roussillon, SĂšte, France 1259:, House of the Department, Évreux, France 1174:, Götenborg Kunstmuseum, Göteborg, Sweden 1147:, Museo de las Artes, Guadalajara, Mexico 637:CAPC musĂ©e d'art contemporain de Bordeaux 106:Learn how and when to remove this message 4032:, Paris, Bernard Chauveau Ă©diteur, 2014. 3976:, Nantes, Éditions Joca Seria, 1992-1994 3935:"Exposition "Vous Êtes Un Arbre !"" 3608:Frac des Pays de la Loire (2020-08-28). 2535:Le Mur. La collection Antoine de Galbert 2500:, Centre Georges Pompidou, Paris, France 2414:, Centre Georges Pompidou, Paris, France 2308:, Centre Georges Pompidou, Paris, France 2228:, Centre Georges Pompidou, Paris, France 2024:Cet et Ă©tĂ© lĂ ... Exposition des variĂ©tĂ©s 1894:, Centre Georges-Pompidou, Paris, France 1845:, Centre Georges Pompidou, Paris, France 1635: 1596:, Nathalie Obadia Gallery, Paris, France 1534:« L’entier Â» par Fabrice Hyber 1477:, Nathalie Obadia Gallery, Paris, France 647:MusĂ©e d'Art Contemporain du Val-de-Marne 536: 517: 420: 252: 244: 4018:, Nantes, Éditions CĂ©cile Defaut, 2009. 3877:"Galerie Nathalie Obadia: Current Show" 3673:"Galerie Nathalie Obadia: Current Show" 3093:. France: Flammarion. pp. 319–320. 3064:(in French). 2006-10-26. Archived from 2917:, consultĂ© le 26 aoĂ»t 2020. URL : 2664:, Power Station of Art, Shanghai, Chine 2574:, Centre Georges-Pompidou, Metz, France 2498:La Donation Florence et Daniel Guerlain 1882:, Froment Putman Gallery, Paris, France 1876:, FRAC Champagne Ardenne, Reims, France 1648:, Camille Fournet’s shop, Paris, France 1437:POF, Prototype d'objets en fonctionnent 1272:, Gustave Fayet Space, SĂ©rignan, France 1270:Entrejambe – Espace privĂ©/Espace public 1162:Listaasafn Reykjavik, Reykjavik, Island 1128:Peter Kilchmann Gallery, Zurich, Suisse 1116:Erna HĂ©cey, Art Fair Basel, Switzerland 792:, Froment-Putman gallery, Paris, France 323:than it is to classic narrative, it is 14: 4143: 4046:, Nantes, La Maison de l'avocat, 1986. 3974:1-1 = 2 Entretiens avec Fabrice Hybert 2677:, Les Franciscaines, Deauville, France 2445:, Astrup Fearnley Museet, Oslo, Norway 2350:Collection Florence et Daniel Guerlain 1820:, Le Confort moderne, Poitiers, France 1679:, Domain of Chaumont-sur-Loire, France 1380:Power plants, la puissance des plantes 1185:, Notre-Dame des Fleurs, Vence, France 1060:, Kunsthalle Saint Gallen, Switzerland 927:, MusĂ©e d'Art moderne de Paris, France 914:, Le Confort moderne, Poitiers, France 465: 337:Prototypes d'objects en fonctionnement 4077:Jacqueline Frydman, Pascal Rousseau, 4058:Fabrice Hybert, Ɠuvres de 1981 Ă  1993 3997:, Paris, Au mĂȘme titre Ă©ditions, 2003 3731:"Fabrice Hyber - la Villette - Paris" 3337:. France: Flammarion. pp. 75–76. 3308:. France: Flammarion. pp. 71–74. 3137:. France: Flammarion. pp. 57–62. 3108:. France: Flammarion. pp. 41–43. 2934:. France: Flammarion. pp. 22–26. 2909: 2907: 2504:Entre-temps... Brusquement et ensuite 2340:, Baron-GĂ©rard Museum, Bayeux, France 2259:, Martin-Gropius-Bau, Berlin, Germany 2188:, Artsonje center, SĂ©oul, South Korea 2076:, Museum of Modern Art, Paris, France 2057:, Artsonje center, SĂ©oul, South Corea 1864:, Serpentine Gallery, London, England 1621:, RX gallery, New-York, United States 1577:, Osaka railway station, Osaka, Japan 950:Froment-Putman Gallery, Paris, France 552: 4063:Bernard Ceysson, Friedemann Malsch, 3802:"Blod de renaud Donnedieu de Vabres" 3262:"Fabrice Hybert - BiĂ©nale de Venise" 3216:La Maison des POF, dossier de presse 3023:. France: lelivredart. pp. 6–9. 2395:, SĂšvres Manufacture, SĂšvres, France 2253:, FRAC Basse-Normandie, Caen, France 2063:, musĂ©e des beaux-arts, Lyon, France 2002:, MusĂ©e du Luxembourg, Paris, France 1944:, Almine Rech Gallery, Paris, France 1253:, Jack Tilton Gallery, New York, USA 1241:, Kunsthalle Lophem, Bruges, Belgium 1207:, Kunsthalle Lophem, Bruges, Belgium 1125:, Eigen+Art Gallery, Berlin, Germany 1110:, Bergen kunstmuseum, Bergen, Norway 1104:, CCAC Institute, San Francisco, USA 969:, Jack Tilton Gallery, New York, USA 877:, Fine Arts Museum of Nantes, France 867:, Contemporary Art Museum C.A.P.C., 837:, La CriĂ©e Contemporary Art Center, 593:Grand Duke Jean Museum of Modern Art 29: 4028:Donatien Grau, Hans Ulrich Obrist, 2593:, France - Paris – Tuileries Garden 2506:(12 biennale de Lyon), Lyon, France 1741:, Cartier Foundation, Paris, France 1666:, Cartier Foundation, Paris, France 1382:, F-A Ducros Space, Grignan, France 1355:MatiĂšre Ă  penser / Food for thought 1332:, Herzliya Museum, Tel Aviv, IsraĂ«l 1168:, Porin Taidemuseoon, Pori, Finland 875:Programme d'entreprise indĂ©terminĂ©e 844:Artsonje center, SĂ©oul, South Corea 705: 618:Herzliya Museum of Contemporary Art 604:Stedelijk Museum voor Actuele Kunst 386: 361: 56:Please consider converting them to 24: 4093:Essentiel peintures homĂ©opathiques 4072:Fabrice Hyber Ă  l'Institut Pasteur 3163:"Un gin aux frontiĂšres de l'Ɠuvre" 2904: 2698:. France: Flammarion. p. 280. 2383:, Hangar Ă  bananes, Nantes, France 2290:, Hangar Ă  bananes, Nantes, France 2284:, Institut français, Wien, Austria 2251:Une proposition de Mathieu Mercier 2200:, MusĂ©e Fabre, Montpellier, France 2169:, Fine arts museum, Nantes, France 2151:, Fine arts museum, Nantes, France 1984:, Fine arts museum, Taipei, TaĂŻwan 1754:, La Poste's Museum, Paris, France 1684:Collective exhibitions (selection) 1462:Essentiel peintures homĂ©opathiques 1439:, MAC VAL, Vitry-sur-Seine, France 1188:Kunsthalle Lophem, Bruges, Belgium 1063:Jack Tilton Gallery, New York, USA 530: 25: 4182: 4109: 4088:, Vitry-sur-Seine, MAC VAL, 2012. 4023:Fabrice Hyber Sans gĂȘne livre DVD 3562: 2420:, Fine Arts Museum Nantes, France 2125:, QuĂ©bec's Museum, QuĂ©bec, Canada 1892:FĂ©minin Masculin le sexe de l'art 1735:, Arlogos Gallery, Nantes, France 1565:RĂ©sidence Yishu 8, Beijing, China 1388:Je s'aime.Watari-Um, Tokyo, Japan 978:, Vleeshal, Middelburg, Nederland 831:, Arlogos gallery, Nantes, France 779:, Arlogos gallery, Nantes, France 736:, Arlogos gallery, Nantes, France 693:Emmanuelle and JĂ©rĂŽme de Noirmont 27:French plastic artist (born 1961) 4074:, Paris, Institut Pasteur, 2010. 4037:Catalogs of personal exhibitions 4016:L'ArtĂšre - Le Jardin des dessins 3937:. 7 January 2022. Archived from 3703:"Frisson d'Hyber, Fabrice Hyber" 2635:, Palais de Tokyo, Paris, France 2537:, La Maison rouge, Paris, France 2451:, La Maison rouge, Paris, France 2365:, Domaine Pommery, Reims, France 2216:, Domaine Pommery, Reims, France 2098:Air air, celebrating inflatables 2088:, Passage de Retz, Paris, France 2020:, Erna HĂ©cey Gallery, Luxembourg 1990:, Watari-um museum, Tokyo, Japan 1870:, De Appel, Amsterdam, Nederland 1812:Museo Nacional de Artes Visuales 1739:Ateliers de la fondation Cartier 1723:, CREDAC, Ivry-sur-Seine, France 1407:Pasteur Institute, Paris, France 1119:IPM, Art Fair Basel, Switzerland 642:MusĂ©e d'Art contemporain de Lyon 234:). At 56, he was elected to the 34: 4004:, Paris, Éditions Jannink, 2004 3961: 3927: 3913: 3899: 3869: 3846: 3820: 3794: 3769: 3755: 3741: 3723: 3709: 3695: 3665: 3653: 3627: 3601: 3581: 3556: 3532: 3506: 3482: 3470: 3455: 3440: 3411: 3378: 3355: 3326: 3297: 3272: 3254: 3207: 3181: 3155: 3126: 3097: 3050: 3041: 3027: 3012: 2994: 2970: 2952: 2923: 2874: 2849: 2092:La Ville, le Jardin, la MĂ©moire 1938:, Kunstverein, Bregenz, Austria 1826:, Carlton Palace, Paris, France 1602:, Telmah Gallery, Rouen, France 1357:, Le Laboratoire, Paris, France 1247:, ChĂąteauneuf-en-Auxois, France 1113:Bergen’s Museum, Bergen, Norway 812:Arlogos gallery, Nantes, France 653:Private collections (selection) 513:L'ArtĂšre, le jardin des dessins 230:born on 12 July 1961 in Luçon ( 4025:, Paris, AprĂšs Ă©ditions, 2012. 3222:. France. 2018. Archived from 2838: 2819: 2801: 2787: 2762: 2743: 2716: 2687: 2641:, Obadia Gallery Paris, France 1571:, Appartement 22, Rabat, Maroc 1555:, École des Beaux-Arts, Nantes 1433:Palais de Tokyo, Paris, France 1159:, Ace Galery, Los Angeles, USA 700: 571:Public collections (selection) 565: 496: 219:, also known by the pseudonym 60:to ensure the article remains 13: 1: 3966: 3956: 2681: 2652:NapolĂ©on ? Encore ! 2346:, Grand Palais, Paris, France 2271:, Grand Palais, Paris, France 1777:Il faut construire l'hacienda 1654:, Palais Royal, Paris, France 1183:Les Loisirs de Fabrice Hybert 1027:, Arts School, Nantes, France 963:, Kunstraum Luneburg, Germany 4049:Guy Tortosa, Pierre Giquel, 3808:(in French). 14 October 2004 3091:L'art contemporain en France 2443:To be with art is all we ask 2327:, New York; Tokyo; Hong Kong 2094:, Villa MĂ©dicis, Rome, Italy 2082:, City museum, Nagoya, Japan 1646:Limited Edition hyberFournet 1627:, La Villette, Paris, France 1361:C’Hyber Rallye de la RĂ©union 1096:Spiral TV, it’s tomorrow now 1069:, Kanazawa University, Japan 912:500 anniversaire de Rabelais 628:Les Sables-d’Olonne's Museum 408:MusĂ©e d'Art moderne de Paris 261: 7: 4171:French contemporary artists 2888:(in French). Archived from 2826:Elisabeth Lebovici (1997). 2568:, La Monnaie, Paris, France 2463:, Canal Saint Felix, France 2381:Le Sourire du chat (opus 1) 2302:, Canal Saint Felix, France 2222:, Villa Arson, Nice, France 2074:VoilĂ  le monde dans la tĂȘte 1996:, Guggenheim, New-York, USA 1581:Homme(s) de Bessines GĂ©ants 1363:, La RĂ©union island, France 1201:Ace Gallery, Mexico, Mexico 1075:, Riverin-Arlogos Gallery, 850:, le miroir des galleries, 582:Paris' Museum of Modern Art 454:was created as part of the 425: 10: 4187: 4011:, Paris, Flammarion, 2009. 3990:, Paris, UR Ă©ditions, 1999 3662:(consultĂ© le 11 aoĂ»t 2021) 2629:, Paris la DĂ©fense, France 2232:3rd world ceramix biennale 2111:Somewhere over the rainbow 1710:, Ankara, Istanbul, Turkey 769:, Caen Municipal Theater, 624:Fine Arts Museum of Nantes 609:Museum het Domein, Sittard 4099: 3995:Il est interdit de mourir 3089:Catherine Millet (2005). 1804:, Arsenale, Venice, Italy 1502:, M HKA, Antwerp, Belgium 1301:L’Atelier d’hiver d’Hyber 1297:Villa Arson, Nice, France 904:Contemporary Art Center, 632:Frac des Pays de la Loire 195: 187: 179: 171: 139: 127: 120: 4127:Peintures homĂ©opathiques 4065:Plus lourd Ă  l'intĂ©rieur 3266:Les Inrockuptibles 71-74 2982:www.organoide-pasteur.fr 2915:EncyclopĂŠdia Universalis 2861:www.organoide-pasteur.fr 2610:, Foundation EDF, Paris 2100:, Grimaldi forum, Monaco 1968:Venice – France pavilion 1752:Les Couleurs de l'argent 1007:, French pavilion, 47th 1005:Eau d’or, eau dort, ODOR 941:Plus lourd Ă  l'intĂ©rieur 931:Plus lourd Ă  l'intĂ©rieur 675:DolorĂšs and Claude Bonan 479:Eau d’or, eau dort, Odor 304: 286:The Scream, the Written 268:Square meter of lipstick 242:installation and video. 4044:Fabrice Hybert Mutation 3195:(in French). 2022-03-22 3169:(in French). 2021-06-13 2418:InquiĂ©tantes ÉtrangetĂ©s 2363:Nos meilleurs souvenirs 2163:, Donjon de Vez, France 2080:Passage, new french art 2049:Passage, new french art 2008:, Z33, Hasselt, Belgium 2006:Jef Geys-Fabrice Hybert 1677:Sous la forĂȘt, des vies 1660:, LasĂ©cu, Lille, France 1198:Watari-um, Tokyo, Japan 1050:, De Appel Foundation, 208:AcadĂ©mie des Beaux-Arts 3881:www.nathalieobadia.com 3843:, mars Ă  octobre 2019. 3677:www.nathalieobadia.com 2750:Claire Haubry (2018). 2492:La Tyrannie des objets 2426:, Slick, Paris, France 2234:, Incheon, South Corea 2039:, Spiral, Tokyo, Japan 1962:, Kwangju, South Corea 1900:, Kwangju, South Corea 1779:, C.C.C, Tours, France 1721:Espaces internationaux 1641: 1583:, Marfa, United-States 1276:Les Hommes cellulaires 1040:, Le Confort moderne, 998:, Erna Hecey Gallery, 925:L'HybertmarchĂ© (1-1=2) 719:, Maison de l’avocat, 672:Bredin Prat Foundation 542: 523: 258: 250: 206:(2012), member of the 3193:Connaissance des Arts 2857:"organoide - Accueil" 2739:. France: Flammarion. 2616:, Cartier Foundation 2543:, Tuttlingen, Germany 2375:L'ExpĂ©rience du monde 2161:Pour l'amour de VĂ©nus 1954:Connexions implicites 1814:, Montevideo, Uruguay 1802:L'Image dans le tapis 1639: 1481:Homeopathic paintings 1278:, Carcassonne, France 1083:Prix Paris photo 1998 805:, Interface gallery, 690:Maya and Fared Hariri 540: 521: 421:Selection of projects 256: 248: 202:(1997), Officier des 3983:, Paris, Hazan, 1999 3462:Eriko Arita (2001). 2591:PAD Paris Art Design 2555:, Busan, South Corea 2412:Paris, Delhi, Bombay 2294:Le MusĂ©e cĂŽtĂ© jardin 2265:, Ramatuelle, France 2194:, Ramatuelle, France 2026:, CRAC, SĂšte, France 1808:L'Autre Ă  Montevideo 1475:Interdit aux enfants 1233:Juste aprĂšs la plage 890:, Kunstalle Lophem, 742:, Ussel City House, 661:Fondazione Guastalla 658:Carmignac Foundation 236:Academy of Fine Arts 183:Nantes School of Art 3735:La Villette - Paris 3719:. 3 September 2021. 3479:hyber position.html 3284:Le Journal Des Arts 2886:lesrealisateurs.com 2774:www.culture.gouv.fr 2737:L'art Ă  ciel ouvert 2656:Army Museum (Paris) 2580:, Mechelen, Belgium 2529:L'Image dans l'onde 2510:De Chaissac Ă  Hyber 2319:Sens dessus dessous 2167:Les 20 ans des FRAC 2136:Objets de rĂ©flexion 1960:Biennale de Kwangju 1898:Biennale de Kwangju 1733:BaquiĂ©-Faure-Hybert 1652:L'Homme de Bessines 238:on April 25, 2018. 204:Arts et des Lettres 4134:2021-09-20 at the 2815:(in French). 2022. 2797:. 2 December 2021. 2675:Vous ĂȘtes un arbre 1988:To the living room 1982:Tu parles/J'Ă©coute 1936:Kunst in der stadt 1818:Eros, c'est la vie 1642: 1575:“Coool” #greenbear 1494:Mutations acquises 1431:MatiĂšres premiĂšres 829:Larve d'entreprise 664:FrancĂšs Foundation 553:C’Hyber(t) Rallies 543: 524: 259: 251: 4161:People from Luçon 4129:by Fabrice Hybert 3993:Thierry Laurent, 3979:Pascal Rousseau, 3972:Frederic Bougle, 3862:Fondation Cartier 2633:Notre monde brĂ»le 2566:Take me I'm yours 2486:PoĂ©tique d'objets 2344:La Force de l'art 2325:Mobile Art Chanel 2269:La Force de l'art 1862:Take me I'm yours 1771:PĂ©rils et ColĂšres 1145:Parpadeantes eyes 947:’s Museum, France 937:’s Museum, France 577:Moca, Los-Angeles 468:Homme de Bessines 437:Endless Staircase 214: 213: 116: 115: 108: 66:Several templates 16:(Redirected from 4178: 4121:Hybert's gallery 4116:Hybert's website 4084:Nicolas Setari, 3951: 3950: 3948: 3946: 3931: 3925: 3924: 3923:. 12 March 2021. 3917: 3911: 3910: 3903: 3897: 3895: 3893: 3892: 3883:. Archived from 3873: 3867: 3865: 3850: 3844: 3842: 3840: 3839: 3830:. Archived from 3824: 3818: 3817: 3815: 3813: 3798: 3792: 3791: 3789: 3788: 3779:. Archived from 3773: 3767: 3766: 3765:. 16 April 2022. 3759: 3753: 3752: 3751:. 22 March 2022. 3745: 3739: 3738: 3727: 3721: 3720: 3713: 3707: 3706: 3699: 3693: 3691: 3689: 3688: 3679:. Archived from 3669: 3663: 3657: 3651: 3650: 3648: 3647: 3631: 3625: 3624: 3622: 3621: 3605: 3599: 3598: 3596: 3595: 3585: 3579: 3578: 3576: 3575: 3560: 3554: 3553: 3551: 3550: 3536: 3530: 3529: 3527: 3526: 3510: 3504: 3503: 3501: 3500: 3490:"Fabrice Hybert" 3486: 3480: 3474: 3468: 3467: 3459: 3453: 3452: 3444: 3438: 3437: 3435: 3434: 3425:. 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Langer 362:Art and sciences 153: 149: 147: 132: 118: 117: 111: 104: 100: 97: 91: 89: 78: 38: 37: 30: 21: 4186: 4185: 4181: 4180: 4179: 4177: 4176: 4175: 4141: 4140: 4136:Wayback Machine 4112: 4102: 4042:Pierre Giquel, 4039: 4000:Fabrice Hyber, 3969: 3964: 3959: 3954: 3944: 3942: 3941:on 9 April 2022 3933: 3932: 3928: 3919: 3918: 3914: 3905: 3904: 3900: 3890: 3888: 3875: 3874: 3870: 3864:. 10 June 2023. 3856:Nous les arbres 3852: 3851: 3847: 3837: 3835: 3826: 3825: 3821: 3811: 3809: 3800: 3799: 3795: 3786: 3784: 3775: 3774: 3770: 3761: 3760: 3756: 3747: 3746: 3742: 3729: 3728: 3724: 3715: 3714: 3710: 3701: 3700: 3696: 3686: 3684: 3671: 3670: 3666: 3658: 3654: 3645: 3643: 3632: 3628: 3619: 3617: 3606: 3602: 3593: 3591: 3589:"Fabrice Hyber" 3587: 3586: 3582: 3573: 3571: 3565:"Fabrice Hyber" 3561: 3557: 3548: 3546: 3540:"Fabrice Hyber" 3538: 3537: 3533: 3524: 3522: 3515:"Fabrice Hyber" 3511: 3507: 3498: 3496: 3488: 3487: 3483: 3475: 3471: 3460: 3456: 3445: 3441: 3432: 3430: 3417: 3416: 3412: 3396: 3395: 3393:. France. 2006. 3390: 3384: 3383: 3379: 3370: 3368: 3361: 3360: 3356: 3340: 3339: 3331: 3327: 3311: 3310: 3302: 3298: 3289: 3287: 3278: 3277: 3273: 3260: 3259: 3255: 3239: 3238: 3232: 3230: 3226: 3219: 3213: 3212: 3208: 3198: 3196: 3187: 3186: 3182: 3172: 3170: 3161: 3160: 3156: 3140: 3139: 3131: 3127: 3111: 3110: 3102: 3098: 3087: 3080: 3071: 3069: 3058:"Fabrice Hyber" 3056: 3055: 3051: 3046: 3042: 3033: 3032: 3028: 3017: 3013: 3000: 2999: 2995: 2986: 2984: 2976: 2975: 2971: 2958: 2957: 2953: 2937: 2936: 2928: 2924: 2912: 2905: 2895: 2893: 2880: 2879: 2875: 2865: 2863: 2855: 2854: 2850: 2843: 2839: 2824: 2820: 2807: 2806: 2802: 2793: 2792: 2788: 2779: 2777: 2768: 2767: 2763: 2748: 2744: 2733: 2726: 2721: 2717: 2701: 2700: 2692: 2688: 2684: 2658:, Paris, France 2614:Nous les arbres 2547:Brave new world 2282:Suite française 2198:Frantisek Kupka 1950:, New-York, USA 1923:Cabines de bain 1686: 1613:Frisson d'Hyber 1511: 1508: 1506: 1405:Pasteur' Spirit 1307:, Reims, France 1305:Domaine Pommery 1085:, Paris, France 1009:Venice Biennale 897:ZenoX Gallery, 823:Les Deux Étages 708: 703: 678:Michel Poitevin 655: 599:MuHKA - Antwerp 587:Pompidou Centre 573: 568: 555: 541:Le Cri, L'Écrit 535: 532:Le Cri, L'Écrit 516: 501: 486: 471: 456:percent for art 432: 423: 389: 364: 307: 278:Arc de Triomphe 264: 167: 154: 151: 145: 143: 135: 123: 112: 101: 95: 92: 80: 69: 55: 39: 35: 28: 23: 22: 15: 12: 11: 5: 4184: 4174: 4173: 4168: 4163: 4158: 4153: 4139: 4138: 4123: 4118: 4111: 4110:External links 4108: 4107: 4106: 4101: 4098: 4097: 4096: 4089: 4082: 4075: 4068: 4061: 4054: 4051:Fabrice Hybert 4047: 4038: 4035: 4034: 4033: 4026: 4019: 4012: 4005: 3998: 3991: 3984: 3981:Fabrice Hybert 3977: 3968: 3965: 3963: 3960: 3958: 3955: 3953: 3952: 3926: 3912: 3898: 3868: 3845: 3819: 3793: 3768: 3754: 3740: 3722: 3708: 3694: 3664: 3652: 3626: 3600: 3580: 3555: 3531: 3505: 3481: 3469: 3454: 3439: 3410: 3377: 3354: 3325: 3296: 3271: 3253: 3206: 3180: 3154: 3125: 3096: 3078: 3049: 3040: 3026: 3011: 3008:. 29 May 2020. 2993: 2969: 2951: 2922: 2903: 2873: 2848: 2837: 2818: 2800: 2786: 2761: 2742: 2724: 2715: 2685: 2683: 2680: 2679: 2678: 2666: 2665: 2659: 2643: 2642: 2636: 2630: 2627:Les Extatiques 2618: 2617: 2611: 2608:Nathalie Talec 2604:Coup de foudre 2595: 2594: 2582: 2581: 2575: 2569: 2557: 2556: 2550: 2544: 2538: 2532: 2526: 2514: 2513: 2507: 2501: 2495: 2489: 2477: 2476: 2470: 2464: 2458: 2452: 2446: 2434: 2433: 2427: 2424:Dessins exquis 2421: 2415: 2403: 2402: 2401:, Lodz, Poland 2396: 2390: 2384: 2378: 2372: 2366: 2354: 2353: 2347: 2341: 2329: 2328: 2322: 2310: 2309: 2303: 2297: 2291: 2285: 2273: 2272: 2266: 2260: 2254: 2248: 2236: 2235: 2229: 2223: 2217: 2205: 2204: 2201: 2195: 2189: 2177: 2176: 2170: 2164: 2158: 2152: 2140: 2139: 2127: 2126: 2120: 2114: 2102: 2101: 2095: 2089: 2083: 2077: 2065: 2064: 2058: 2055:Made in France 2052: 2046: 2040: 2028: 2027: 2021: 2015: 2009: 2003: 1997: 1991: 1985: 1973: 1972: 1963: 1957: 1951: 1945: 1939: 1927: 1926: 1920: 1914: 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445:Square Balloon 431: 424: 422: 419: 388: 385: 363: 360: 352:relational art 341:Simon Starling 320:Finnegans Wake 306: 303: 263: 260: 223:, is a French 217:Fabrice Hybert 212: 211: 197: 193: 192: 189: 185: 184: 181: 177: 176: 173: 169: 168: 155: 141: 137: 136: 133: 125: 124: 122:Fabrice Hybert 121: 114: 113: 58:full citations 42: 40: 33: 26: 9: 6: 4: 3: 2: 4183: 4172: 4169: 4167: 4164: 4162: 4159: 4157: 4156:Living people 4154: 4152: 4149: 4148: 4146: 4137: 4133: 4130: 4128: 4124: 4122: 4119: 4117: 4114: 4113: 4104: 4103: 4094: 4090: 4087: 4083: 4080: 4079:Fabrice Hyber 4076: 4073: 4069: 4066: 4062: 4059: 4055: 4052: 4048: 4045: 4041: 4040: 4031: 4027: 4024: 4020: 4017: 4013: 4010: 4006: 4003: 3999: 3996: 3992: 3989: 3986:Guy Tortosa, 3985: 3982: 3978: 3975: 3971: 3970: 3940: 3936: 3930: 3922: 3916: 3908: 3902: 3887:on 2021-01-15 3886: 3882: 3878: 3872: 3863: 3860:(in French). 3859: 3857: 3849: 3834:on 2019-11-08 3833: 3829: 3823: 3807: 3803: 3797: 3783:on 2022-06-14 3782: 3778: 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170: 166: 162: 158: 152:(age 63) 150:July 12, 1961 142: 138: 131: 126: 119: 110: 107: 99: 87: 86:documentation 83: 76: 75:documentation 72: 67: 63: 59: 54: 52: 48: 43:This article 41: 32: 31: 19: 18:Fabrice Hyber 4126: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4030:Hyber
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Index

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Luçon
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Simon Starling

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