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dangers of fatherless parenthood before half heartedly inseminating a lesbian; and Helen awkwardly proffers an abortion to a white dope-smoking hippy who has accidentally received the sperm of an 'African donor' ("Oh my God, that's wild!" exclaims the girl, who later philosophically decides to have the baby). The burden of James
Stevens' script, which seems to have been culled from an awkwardly dispassionate Fifties sex manual, falls on the uneasy principals, Kate O'Mara and Paul Freeman, who between sessions of grim-faced copulation cope as best they can with such lines as, "Every time we make love I feel like some sort of sperm-disposal machine, not a woman"."
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wrote: "A jolly tone of ludicrous implausibility characterises this saga of the joys and hazards of artificial insemination – frequently undercut by an insidiously condescending attitude towards homosexuality and miscegenation in some ineptly appended subplots. Benson ponderously discusses the
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British film of the 1970s is a
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340:References
261:as Michael
209:drama film
162:90 minutes
111:Production
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88:Ken Hodges
48:Written by
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178:English
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