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Feste

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266: 312:. He has apparently been there for some time, as he was a "fool that the Lady Olivia's father took much delight in" (2.4). Although Olivia's father has died within the last year, it is possible that Feste approaches or has reached middle age, though he still has the wit to carry off good 'fooling' when he needs to, and the voice to sing lustily or mournfully as the occasion demands. He is referred to by name only once during the play, in answer to an inquiry by Orsino of who sang a song that he heard the previous evening. Curio responds "Feste, the jester, my lord; a fool that the lady Olivia's father took much delight in. He is about the house" (2.4). Throughout the rest of the play, he is addressed only as " 1877: 161: 1105: 1751: 66: 25: 1761: 331:(2.4).) His habit of roaming gets him into trouble with Olivia: when we first see him, he must talk his way out of being turned out—a grim fate in those days—for being absent, as it were, without leave. He succeeds, and once back in his lady's good graces, he weaves in and out of the action with the sort of impunity that was reserved for a person nobody took seriously. 358:
is constantly present in the scenes that reveal the plot—in fact he is the narrator at the start of the film, describing the shipwreck and the separation of the twins. He is then shown watching Viola arrive in Illyria and the film ends with him watching the various supporting players leave
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There are instances in the play where Feste is believed to be an almost omniscient presence. Some critics have suggested that there are moments where it seems Feste knows more about
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Feste seems to leave Olivia's house and return at his pleasure rather too freely for a servant. (At the very least he is doing some free-lance entertaining over at the house of
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While portraying the part of the perfect fool, Feste illustrates his intelligence and distinct understanding of events by saying "Better a witty fool than a foolish wit."
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Olivia's estate. When Viola removes her "Cesario" disguise he gives her a golden necklace which she discarded when first shipwrecked on Illyria's shores.
366:, though he slips in and out of Olivia's estate at his will. He plays a number of musical instruments and, like most of the cast, displays a mixture of 80: 1508: 1561: 190: 647: 351: 1126: 1063: 1058: 343:/Cesario's disguise than he lets on and certain stage and film adaptations have taken this approach with their portrayal of the fool. 1463: 1907: 1797: 1739: 1417: 2088: 1930: 1579: 1478: 1574: 1006: 2078: 1075: 1652: 1155: 1014: 1913: 1901: 1764: 1518: 1488: 640: 230: 212: 142: 52: 183: 123: 1556: 1551: 1483: 95: 1531: 1526: 1446: 1498: 1270: 1085: 1045: 1399: 102: 265: 1754: 1621: 1437: 1090: 738: 682: 633: 1790: 1427: 1388: 1375: 1249: 781: 2083: 1595: 1313: 1141: 1080: 1040: 731: 710: 109: 1936: 1924: 1919: 1896: 1891: 1841: 1614: 1609: 1566: 1442: 1240: 173: 1473: 1422: 1412: 1393: 1380: 1120: 752: 177: 169: 91: 1196: 760: 603: 1985: 1876: 1836: 1831: 1783: 1775: 1626: 1353: 1291: 1211: 1134: 745: 724: 664: 328: 309: 194: 38: 1851: 1826: 1718: 1632: 1601: 1503: 1166: 897: 807: 788: 340: 622:, Elizabeth Story Donno, ed. 1985 (w/additional material, 2003). (New Cambridge Shakespeare) 2012: 1861: 1541: 1328: 1306: 886: 837: 816: 796: 696: 673: 8: 1806: 1712: 1694: 1493: 1335: 1299: 1232: 1189: 1148: 717: 656: 295: 283: 1706: 1664: 1546: 1284: 1182: 987: 305: 271: 2036: 1977: 1676: 994: 921: 913: 2028: 2004: 1700: 1688: 1682: 1277: 1204: 1104: 978: 971: 963: 940: 933: 906: 879: 865: 317: 116: 1456: 1068: 956: 872: 391: 1953: 1856: 949: 689: 363: 2072: 2054: 1811: 1724: 1670: 1432: 774: 300: 255: 1658: 1360: 1024: 355: 2020: 1451: 1263: 1019: 767: 347: 362:
Kingsley's Feste dresses in old clothes and appears to be a wanderer of
1536: 823: 44: 625: 1468: 1320: 1256: 844: 703: 1969: 1961: 1846: 1225: 1218: 1050: 858: 851: 1805: 830: 371: 367: 610:, Abraham gives his son Virgil the middle name Feste. 2070: 308:(royal jester) attached to the household of the 182:but its sources remain unclear because it lacks 555:'Gainst knaves and thieves men shut their gate, 459:My poor corpse, where my bones shall be thrown. 1791: 641: 382:Feste, as a fool, has a repertoire of songs: 1588: 79:Please help improve this article by adding 53:Learn how and when to remove these messages 1798: 1784: 648: 634: 584:And we'll strive to please you every day. 400:O, stay and hear; your true-love's coming, 264: 497:This song is interrupted partway through. 476: 231:Learn how and when to remove this message 213:Learn how and when to remove this message 143:Learn how and when to remove this message 655: 455:On my black coffin let there be strown. 443:My shroud of white, stuck all with yew, 398:O mistress mine, where are you roaming? 2071: 573:With tosspots still had drunken heads, 542:When that I was and a little tiny boy, 1779: 1400:Complete Works of William Shakespeare 629: 582:But that's all one, our play is done, 419:⁠Then come kiss me, sweet-and-twenty, 580:With hey, ho, the wind and the rain. 571:With hey, ho, the wind and the rain, 562:With hey, ho, the wind and the rain, 553:With hey, ho, the wind and the rain, 544:With hey, ho, the wind and the rain, 413:Present mirth hath present laughter; 154: 59: 18: 1760: 575:For the rain, it raineth every day. 566:For the rain, it raineth every day. 564:By swaggering could I never thrive, 557:For the rain, it raineth every day. 467:Sad true lover never find my grave, 426: 13: 1575:Shakespeare's influence on Tolkien 578:A great while ago the world begun, 548:For the rain it raineth every day. 463:A thousand thousand sighs to save, 435:And in sad cypress let me be laid. 385: 14: 2100: 501: 421:Youth's a stuff will not endure. 411:What is love? 'tis not hereafter; 406:⁠Journeys end in lovers' meeting, 404:Trip no further, pretty sweeting; 402:⁠That can sing both high and low: 34:This article has multiple issues. 1875: 1759: 1750: 1749: 1103: 551:But when I came to man's estate, 457:Not a friend, not a friend greet 453:Not a flower, not a flower sweet 447:My part of death, no one so true 439:I am slain by a fair cruel maid. 415:⁠What's to come is still unsure: 159: 64: 23: 560:But when I came, alas, to wive, 535: 408:Every wise man's son doth know. 334: 75:only references primary sources 42:or discuss these issues on the 1580:Works titled after Shakespeare 597: 546:A foolish thing was but a toy, 417:In delay there lies no plenty; 377: 1: 2089:Male Shakespearean characters 1740:Shakespeare and other authors 613: 569:But when I came unto my beds, 81:secondary or tertiary sources 1622:Shakespeare Birthplace Trust 433:Come away, come away, death, 294:is a fictional character in 7: 2079:Characters in Twelfth Night 1428:English Renaissance theatre 1271:The Second Maiden's Tragedy 1250:The Merry Devil of Edmonton 782:The Two Gentlemen of Verona 524:Cries "Ah ha" to the devil. 485:Tell me how thy lady does. 10: 2105: 1596:Folger Shakespeare Library 1142:The Phoenix and the Turtle 732:The Merry Wives of Windsor 522:In his rage and his wrath, 487:My lady is unkind, perdy. 437:Fly away, fly away breath, 389: 16:Character in Twelfth Night 2047: 1996: 1945: 1884: 1873: 1819: 1734: 1645: 1615:Royal Shakespeare Theatre 1610:Royal Shakespeare Company 1517: 1374: 1345: 1174: 1165: 1112: 1101: 1033: 1005: 896: 806: 739:A Midsummer Night's Dream 683:All's Well That Ends Well 672: 663: 589: 279: 263: 253: 248: 753:Pericles, Prince of Tyre 530:Adieu, good man devils. 520:Who with dagger of lath, 483:Hey Robin, jolly Robin, 168:This article includes a 761:The Taming of the Shrew 512:I'll be with you again, 197:more precise citations. 1443:Lord Chamberlain's Men 1354:The Passionate Pilgrim 1127:comparison to Petrarch 746:Much Ado About Nothing 725:The Merchant of Venice 587: 533: 528:"Pare thy nails, dad." 494: 477:Hey Robin, Jolly Robin 474: 424: 1633:Shakespeare Institute 1602:Shakespeare Quarterly 1121:Shakespeare's sonnets 789:The Two Noble Kinsmen 539: 518:Your need to sustain. 516:Like to the old Vice, 505: 491:She loves another -- 480: 430: 395: 346:A good example is in 2013:Just One of the Guys 1862:Sir Andrew Aguecheek 1489:Spelling of his name 1329:Vortigern and Rowena 1307:Thomas Lord Cromwell 887:Troilus and Cressida 817:Antony and Cleopatra 711:Love's Labour's Lost 697:The Comedy of Errors 489:Alas, why is she so? 320:he is mentioned as " 1807:William Shakespeare 1713:Richard Shakespeare 1695:Gilbert Shakespeare 1627:Shakespeare's Globe 1532:Authorship question 1527:Attribution studies 1494:Stratford-upon-Avon 1336:A Yorkshire Tragedy 1314:Thomas of Woodstock 1300:The Spanish Tragedy 1241:Love's Labour's Won 1233:The London Prodigal 1190:The Birth of Merlin 1149:The Rape of Lucrece 1135:A Lover's Complaint 1015:Quarto publications 718:Measure for Measure 657:William Shakespeare 608:History of the Rain 296:William Shakespeare 284:William Shakespeare 243:Fictional character 1707:Edmund Shakespeare 1665:Hamnet Shakespeare 1562:Screen adaptations 1285:Sir John Oldcastle 1183:Arden of Faversham 274:as Feste, ca. 1899 272:Louis H. Chrispijn 170:list of references 2084:Fictional jesters 2066: 2065: 2037:Dil Bole Hadippa! 1773: 1772: 1677:Elizabeth Barnard 1641: 1640: 1370: 1369: 1099: 1098: 797:The Winter's Tale 469:O, to weep there! 289: 288: 241: 240: 233: 223: 222: 215: 153: 152: 145: 127: 57: 2096: 2005:Kanniyin Kathali 1879: 1800: 1793: 1786: 1777: 1776: 1763: 1762: 1753: 1752: 1701:Joan Shakespeare 1683:John Shakespeare 1586: 1585: 1567:Shakespeare and 1278:Sejanus His Fall 1245: 1205:Double Falsehood 1172: 1171: 1156:Venus and Adonis 1107: 880:Titus Andronicus 866:Romeo and Juliet 670: 669: 650: 643: 636: 627: 626: 465:Lay me, O, where 449:O, did share it. 427:Come Away, Death 318:stage directions 316:," while in the 268: 246: 245: 236: 229: 218: 211: 207: 204: 198: 193:this article by 184:inline citations 163: 162: 155: 148: 141: 137: 134: 128: 126: 85: 68: 67: 60: 49: 27: 26: 19: 2104: 2103: 2099: 2098: 2097: 2095: 2094: 2093: 2069: 2068: 2067: 2062: 2043: 1992: 1941: 1880: 1871: 1815: 1804: 1774: 1769: 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He is a 298:'s comedy 280:Created by 103:newspapers 39:improve it 1885:On screen 1842:Sebastian 1719:John Hall 1709:(brother) 1697:(brother) 1629:(replica) 1569:Star Trek 1557:Memorials 1552:Influence 1542:Festivals 1484:Sexuality 1474:Portraits 1469:New Place 1321:Ur-Hamlet 1257:Mucedorus 1167:Apocrypha 907:King John 898:Histories 845:King Lear 808:Tragedies 704:Cymbeline 259:character 45:talk page 1970:Play On! 1962:Music Is 1847:Malvolio 1755:Category 1703:(sister) 1691:(mother) 1685:(father) 1197:Cardenio 1086:Settings 1034:See also 957:Henry VI 928:Henry IV 674:Comedies 203:May 2024 133:May 2024 1978:Illyria 1946:Musical 1547:Gardens 1423:Editors 1226:Locrine 1219:Fair Em 1051:Henriad 950:Henry V 859:Othello 852:Macbeth 606:novel, 191:improve 117:scholar 92:"Feste" 2040:(2009) 2032:(2006) 2024:(2001) 2016:(1985) 2008:(1949) 1989:(2004) 1981:(2004) 1973:(1997) 1965:(1976) 1957:(1968) 1837:Olivia 1832:Orsino 1744:† Lost 1655:(wife) 1646:Family 1519:Legacy 1091:Scenes 831:Hamlet 590:Quotes 461:  451:  441:  372:pathos 368:comedy 270:Actor 119:  112:  105:  98:  90:  2056:Viola 2048:Opera 1867:Feste 1852:Maria 1827:Viola 1667:(son) 1509:Grave 1499:Style 1464:Music 1381:works 1346:Poems 1175:Plays 1113:Poems 665:Plays 341:Viola 322:Clown 292:Feste 249:Feste 176:, or 124:JSTOR 110:books 1937:1996 1933:(TV) 1931:1992 1927:(TV) 1925:1988 1920:1986 1916:(TV) 1914:1980 1910:(TV) 1908:1970 1904:(TV) 1902:1966 1897:1955 1892:1933 1504:Will 1379:and 1376:Life 370:and 314:Fool 306:fool 96:news 1809:'s 1064:L–Z 1059:A–K 602:In 350:'s 324:." 2075:: 1738:✻ 1200:✻† 374:. 180:, 172:, 48:. 1799:e 1792:t 1785:v 1445:/ 1324:† 1295:✻ 1244:† 998:✻ 979:3 972:2 967:✻ 964:1 941:2 934:1 917:✻ 792:✻ 756:✻ 649:e 642:t 635:v 234:) 228:( 216:) 210:( 205:) 201:( 187:. 146:) 140:( 135:) 131:( 121:· 114:· 107:· 100:· 83:. 77:. 55:) 51:(

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Twelfth Night

Louis H. Chrispijn
William Shakespeare
William Shakespeare
Twelfth Night
fool
Countess Olivia
stage directions
Duke Orsino
Viola

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