201:
screening with his tartan cloak a man seated on a bucket whose bare knee, feet, and profile alone are visible. His face is distorted by his cry, that of an
Edinburgh character to whom Dundas was compared, see BMSats 8103, 8146. 'Running two miles for a Halfpenny'. He runs in profile to the left, his breeches bestride a staff which he carries against his shoulder. Though barelegged he wears shoes and socks. 'Sweep Hell for a Farthing'. He stands directed to the left holding two small heather-brooms against his left shoulder; he shouts with gaping, twisted mouth. 'On a Journey to London'. He leans against a post to rub his back, scratching his shoulders with a twisted expression. His staff and breeches (as in 3) lie beside him. 'Booing to a Scots Servant, to get him into a Place'. He bows low, cap in hand. 'Marching after his Mistress to Church in his new Livery'. He walks stiffly in profile to the right with a long tasselled cane, the right leg almost horizontal, a book under his right arm. He wears livery with tags on the shoulder, cocked hat, ruffled shirt, and powdered hair. 'Gets to be a Nobleman's Porter - won't take in a Petition without a shilling fee'. He stands in profile to the left, his head thrown back, arrogantly taking a pinch of snuff from a mull. He has grown obese. Epaulettes take the place of tags. 'Gets to be Steward - Lending his honest savings to his Master'. He bends forward in profile to the right with an obsequious grimace, his right hand on his breast, holding out a money-bag. 'Insults his Master when he knows he can't return the money'. He stands with hands on hips, his head turned in profile to the left and thrown back with an arrogant scowl. 'Rules the Roost in the Family and Horsewhips the Servants'. He stands, legs wide apart, arms raised, flourishing a whip. 'Makes love to a rich Widow and Marries her'. He kneels on one knee, his hands on his heart, his back curved, with a smile of obsequious cunning. He wears a bag-wig and sword, his hat is on the ground. 'An Essay to be a Member of Parliament making a Speech from the Hustings'. He stands in profile to the left, leaning forward, legs apart, holding out his right arm, and clutching his cocked hat in his left hand. 'Gets into the House and assumes an air of importance'. He stands in profile to the left, his head thrown back, his stomach thrown out, his arms behind his back. He has a bag-wig and 'chapeau-bras'. 'Thus ends this strange eventful History'. He sits full-face, wearing a baron's coronet, in an ornate arm-chair whose back and arms are decorated with coronets.
154:
38:
535:
343:
149:
336:
144:
292:
329:
155:
376:
282:
678:
276:
590:
94:
739:
148:
143:
663:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as
200:
A sequence of fifteen figures arranged in three rows. 'On a
Journey from the Highlands to Edinburgh'. The Scot, barelegged and barefoot and wearing a very short kilt, walks in profile to the left, carrying only the thick stick with which he walks. 'Wha Wants me'. He stands facing the left,
562:
because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
761:
60:
56:
52:
48:
42:
73:
105:
496:
Newton etched a companion plate, 'Progress of an
Irishman', pub. Holland, Apr. 1794 (A. de R. iv. 146-7), of which BMSat 8562 is probably a copy or adaptation.
749:
204:
The first six figures wear tartan with a Scots cap. The second figure, imitated from BMSat 8103, connects the subject with Dundas. 22 April 1794
335:
515:
398:
639:
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
385:
494:(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942)
417:
811:
603:
404:
789:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
669:
689:
738:
733:
64:
37:
684:
Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar,
629:
443:
911:
411:
957:
664:
when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate
792:
If the file has been modified from its original state, some details may not fully reflect the modified file.
275:
328:
504:
113:
534:
424:
638:
625:
437:
8:
801:
266:
757:
342:
100:
685:
665:
313:
621:
616:
598:
558:
451:
430:
391:
778:
375:
281:
291:
826:
312:
260:
706:
Click on a date/time to view the file as it appeared at that time.
380:
602:
in its country of origin and other countries and areas where the
522:© The Trustees of the British Museum, released as CC BY-NC-SA 4.0
267:
505:
https://www.britishmuseum.org/collection/object/P_1868-0612-1247
361:
213:
551:
325:
51° 31′ 10″ N, 0° 07′ 37″ W
88:
288:
240:
217:
Associated with: Henry Dundas, 1st
Viscount Melville
772:
469:
78:(2,500 × 1,938 pixels, file size: 568 KB, MIME type:
704:
255:
112:
Commons is a freely licensed media file repository.
232:
646:https://creativecommons.org/publicdomain/mark/1.0/
489:
179:
479:
93:
510:
221:
189:
526:
500:
162:
14:
341:
652:Creative Commons Public Domain Mark 1.0
762:Satirical prints in the British Museum
756:British Museum public domain uploads (
589:
124:
584:
227:date QS:P571,+1794-00-00T00:00:00Z/9
774:The following page uses this file:
670:Commons:When to use the PD-scan tag
13:
787:
690:Commons:When to use the PD-Art tag
676:
555:
194:
125:
71:
979:
794:
818:Date and time of data generation
588:
533:
374:
334:
327:
290:
280:
274:
153:
147:
142:
92:
21:
964:Date metadata was last modified
764:1794 image 2 of 2 #7,036/12,043
195:
701:
168:Print made by: Richard Newton
26:
1:
958:Adobe Photoshop CS2 Macintosh
172:Published by: William Holland
31:
769:
668:tag instead. For usage, see
608:life plus 100 years or fewer
547:
264:
136:
7:
938:Date and time of digitizing
784:
10:
984:
632:) before January 1, 1929.
366:
356:
348:
320:
306:
298:
287:
262:
134:
132:
127:
946:File change date and time
637:
464:institution QS:P195,Q6373
370:
360:
352:
324:
310:
302:
263:
135:
16:
628:(or registered with the
99:This is a file from the
36:
755:
688:may be applicable. See
246:Height: 404 millimetres
138:Progress of a Scotsman
103:. Information from its
681:
249:Width: 523 millimetres
184:Progress of a Scotsman
106:description page there
41:Size of this preview:
895:Horizontal resolution
680:
630:U.S. Copyright Office
556:This image is in the
362:www.britishmuseum.org
207:Hand-coloured etching
887:Number of components
614:This work is in the
596:This work is in the
65:2,500 × 1,938 pixels
967:17:02, 23 July 2007
949:17:02, 23 July 2007
941:16:58, 23 July 2007
903:Vertical resolution
821:16:58, 23 July 2007
798:Camera manufacturer
501:Source/Photographer
474:Prints and Drawings
47:Other resolutions:
871:Compression scheme
853:Bits per component
734:17:43, 13 May 2020
682:
61:1,280 × 992 pixels
971:
970:
879:Pixel composition
767:
698:
697:
693:
673:
644:
643:
583:
582:
544:
543:
519:
516:Reusing this file
461:
460:
121:
120:
101:Wikimedia Commons
975:
795:
746:
708:
683:
679:
662:
659:
656:
653:
650:
647:
606:is the author's
592:
591:
585:
579:
576:
573:
570:
565:
564:
552:
537:
513:
480:Accession number
470:Current location
454:
447:
446:
434:
433:
421:
420:
408:
407:
405:0000000123428817
395:
394:
378:
345:
339:
338:
332:
331:
315:
295:
294:
284:
278:
272:
269:
261:
199:
157:
151:
146:
140:
133:
117:
96:
95:
89:
83:
81:
68:
57:991 × 768 pixels
53:619 × 480 pixels
49:310 × 240 pixels
43:773 × 599 pixels
983:
982:
978:
977:
976:
974:
973:
972:
783:
768:
752:
744:
700:
699:
694:
677:
657:
654:
651:
648:
645:
624:because it was
577:
574:
571:
568:
550:
545:
538:
485:
475:
465:
462:
457:
450:
442:
441:
429:
428:
416:
415:
403:
402:
390:
389:
333:
326:
317:
289:
271:
228:
214:Depicted people
209:
208:
185:
175:
139:
130:
123:
122:
111:
110:
109:is shown below.
85:
79:
77:
70:
69:
46:
12:
11:
5:
981:
969:
968:
965:
961:
960:
955:
951:
950:
947:
943:
942:
939:
935:
934:
931:
927:
926:
923:
919:
918:
915:
908:
907:
904:
900:
899:
896:
892:
891:
888:
884:
883:
880:
876:
875:
872:
868:
867:
866:
865:
862:
859:
854:
850:
849:
846:
842:
841:
838:
834:
833:
830:
823:
822:
819:
815:
814:
809:
805:
804:
799:
786:
782:
781:
771:
766:
765:
754:
750:
747:
743:2,500 × 1,938
741:
736:
731:
727:
726:
723:
720:
717:
714:
711:
703:
696:
695:
642:
641:
635:
634:
604:copyright term
593:
581:
580:
549:
546:
542:
541:
540:
539:
532:
528:
527:Other versions
524:
523:
520:
508:
507:
502:
498:
497:
491:
487:
486:
484:1868,0612.1247
483:
481:
477:
476:
473:
471:
467:
466:
463:
459:
458:
456:
455:
448:
435:
422:
409:
396:
383:
371:
369:
368:Authority file
365:
364:
359:
355:
354:
351:
347:
346:
323:
319:
318:
311:
309:
305:
304:
303:British Museum
301:
297:
296:
286:
285:
268:British Museum
265:
259:
257:
253:
252:
251:
250:
247:
242:
238:
237:
234:
230:
229:
226:
223:
219:
218:
215:
211:
210:
193:
191:
187:
186:
183:
181:
177:
176:
174:
173:
166:
164:
160:
159:
137:
131:
129:
126:
119:
118:
97:
87:
86:
40:
35:
34:
29:
24:
19:
9:
6:
4:
3:
2:
980:
966:
963:
962:
959:
956:
954:Software used
953:
952:
948:
945:
944:
940:
937:
936:
932:
929:
928:
924:
921:
920:
916:
913:
910:
909:
905:
902:
901:
897:
894:
893:
889:
886:
885:
881:
878:
877:
873:
870:
869:
863:
860:
857:
856:
855:
852:
851:
847:
844:
843:
839:
836:
835:
831:
828:
825:
824:
820:
817:
816:
813:
810:
807:
806:
803:
800:
797:
796:
793:
790:
780:
777:
776:
775:
763:
759:
753:
748:
742:
740:
737:
735:
732:
729:
728:
724:
721:
718:
715:
712:
710:
709:
707:
691:
687:
675:
674:
671:
667:
660:
640:
636:
633:
631:
627:
623:
622:United States
619:
618:
617:public domain
612:
611:
609:
605:
601:
600:
599:public domain
594:
587:
586:
572:Public domain
569:Public domain
567:
566:
561:
560:
559:public domain
554:
553:
536:
531:
530:
529:
525:
521:
517:
512:
509:
506:
503:
499:
495:
492:
488:
482:
478:
472:
468:
453:
449:
445:
439:
436:
432:
426:
423:
419:
413:
410:
406:
400:
397:
393:
387:
384:
382:
377:
373:
372:
367:
363:
357:
349:
344:
337:
330:
321:
316:
307:
299:
293:
283:
277:
270:
258:
254:
248:
245:
244:
243:
239:
235:
231:
224:
220:
216:
212:
206:
205:
203:
198:
192:
188:
182:
178:
171:
170:
169:
165:
161:
156:
150:
145:
141: (
115:
108:
107:
102:
98:
91:
90:
84:
75:
74:Original file
66:
62:
58:
54:
50:
44:
39:
33:
30:
28:
25:
23:
20:
18:
15:
930:Image height
874:Uncompressed
808:Camera model
791:
788:
773:
758:Copyfraud/BM
705:
702:File history
661:
615:
613:
607:
597:
595:
557:
493:
202:
196:
167:
114:You can help
104:
72:
22:File history
922:Image width
779:Comic strip
350:Established
322:Coordinates
300:Native name
190:Description
770:File usage
719:Dimensions
686:{{PD-Art}}
666:{{PD-old}}
511:Permission
256:Collection
241:Dimensions
80:image/jpeg
27:File usage
827:ISO speed
802:Phase One
751:Copyfraud
716:Thumbnail
713:Date/Time
626:published
548:Licensing
431:n79107735
418:500125180
392:134857252
197:English:
933:5,254 px
925:6,776 px
848:5,428 px
840:7,230 px
785:Metadata
745:(568 KB)
452:WorldCat
444:35022119
308:Location
32:Metadata
914:version
906:300 dpi
898:300 dpi
730:current
725:Comment
620:in the
358:Website
128:Summary
76:
845:Height
829:rating
340:
314:London
279:
273:
233:Medium
163:Artist
152:
837:Width
658:false
655:false
578:false
575:false
490:Notes
381:Q6373
236:paper
180:Title
917:0.48
912:Exif
812:P 45
722:User
425:LCCN
412:ULAN
399:ISNI
386:VIAF
353:1753
225:1794
222:Date
17:File
882:RGB
649:PDM
438:NLA
832:50
760:)
610:.
440::
427::
414::
401::
388::
379::
63:|
59:|
55:|
51:|
45:.
890:3
864:8
861:8
858:8
692:.
672:.
518:)
514:(
158:)
116:.
82:)
67:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.