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220:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
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writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . some trade presses that publish educational and scholarly film books also take the position
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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that permission is not necessary for reproducing frame enlargements and publicity photographs."
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for US works (depending on the date of the author's death), such as Canada (70 years
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305:العربية
149:(1950).
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730:特尔玛·里特
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.