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manner, with coarse brushstrokes and wet ink washes. While these painters were also respected by the two younger Yuan masters, the restrained thinness of Ni Zan and the almost embroidered richness of Wang Meng distinguished their work from that of their immediate predecessors.
119:
Huang
Gongwang and Wu Zhen belonged to the earlier generation of artists in the Yuan period and consciously emulated the work of ancient masters, especially the pioneering artists of the
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The work of the Four
Masters spurred experimentation with novel brushstroke techniques, with a new attention to the vocabulary of brush manipulation.
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Grouping of major
Chinese painters during the Yuan dynasty period (1271–1368)
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187:. British Museum Press. pp. 115–116, 339–340.
74:) is a name used to collectively describe the four
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131:, who rendered landscape in a broad, almost
98:(1271–1368). They were revered during the
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217:The British Museum Book of Chinese Art
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154:Six Masters of the early Qing period
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149:Four Masters of the Ming dynasty
54:Four Masters of the Yuan dynasty
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94:, who were active during the
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102:and later periods as major
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181:Rawson, Jessica (2007).
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49:
240:Yuan dynasty painters
106:of the tradition of “
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50:
39:Ge Zhichuan Moving
211:Farrer, Anne, in
194:978-0-7141-2446-9
108:literati painting
16:(Redirected from
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123:period, such as
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121:Five Dynasties
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100:Ming dynasty
96:Yuan dynasty
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71:Yuán Sì Jiā
234:Categories
206:References
158:Four Wangs
78:painters:
41:(葛稚川移居图),
125:Dong Yuan
113:wenrenhua
104:exponents
92:Wang Meng
35:Wang Meng
245:Quartets
143:See also
84:Wu Zhen
76:Chinese
58:Chinese
47:Beijing
223:
215:(ed).
191:
90:, and
88:Ni Zan
68::
66:pinyin
60::
165:Notes
129:Juran
221:ISBN
189:ISBN
127:and
52:The
110:” (
62:元四家
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173:^
86:,
82:,
64:;
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160:)
156:(
56:(
20:)
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