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who Van Gool claimed had been allowed to become his only pupil "under false pretenses". This phrase was meant to indicate that Van Huysum was willing to let female relatives of family and friends assist him (presumably because they could not sign their own names) but avoided the help of male pupils
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for fear of revealing his technique and creating competition. It is unclear therefore whether he allowed his daughter or his sister Maria to assist him.
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Biography of
Johannes van Huysum in Johan van Gool's "De nieuwe Schouburg der Nederlantsche Kunstschilders en Schilderessen"
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126:. A copy of these pendant paintings with hopelessly overpainted signatures, are now considered autograph and are in the
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122:. The works definitely attributed to her are a pair of pendant paintings dated 1729 and now in the collection of the
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in an auction sale. The copyist Oswald Wijnen later made watercolour copies of these pendants that are now in the
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According to the RKD Francina's works have been formerly attributed to her father Jan and later to her uncle
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and probably assisted him with his work. In the 20 page biography of her father written by
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in 1835 as by Jan van Huysum and whose attribution was repeated in 1928 by
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Sam Segal discovered a note about a pair of pendants purchased by
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82:(1707–1789), was an 18th-century flower painter from the
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136:Cornelis Hofstede de Groot
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120:Sam Segal
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