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122:, although there remains some doubt as to when the individual members first became aware of his music, which was certainly later than when they were a group in the 1890s. The group was distinguished by its rebelliousness, and by studying abroad they stood apart from the conservative wider English musical establishment.
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argued that "today is difficult to regard as anything other than a damp squib in the history of
English music". Of them all, he said, only Roger Quilter is remembered not as a name but for his music - although only his songs have made an impact.
138:
or "the truly
English qualities of grandeur, hopefulness and glory". Most rebellious were Grainger and Scott, whose music often crossed the boundaries of accepted musical convention. Scott's work for a time gave up the use of
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composers, arguing that they were musically distinguished from other
British composers by "an excessive emotionality ... particularly a tragic or sentimental or wistful or pathetic emotionality", reached through a focus on
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and was a believer in fostering the individuality of his pupils. The
Frankfurt group were united more by their friendship and their non-conformity than by any common aim, though they did share a dislike of
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but established themselves as composers in
England. Although they did not study in Frankfurt all at the same time they remained close friends from their student days onwards.
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Howes, Frank (1966). "Tributaries from
Frankfurt, Birmingham and Elsewhere".
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Knorr, though German-born, was strongly influenced by
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Stephen
Banfield. 'Roger Quilter: A Centenary Note'
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361:. London: Secker & Warburg. pp. 192–202.
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118:. All of them had a predilection for the music of
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337:, Vol. 118 No. 1617, November 1977, pp. 903-906
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256:Payne, Anthony. 'Classical: On the Air' in
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50:in the late 1890s. The group included
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380:. Woodbridge: Boydell & Brewer.
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353:, Frankfurt am Main: Kramer, 1979.
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377:Roger Quilter: His Life and Music
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125:Grainger described the group as
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359:The English Musical Renaissance
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273:Sensibility and English Song
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374:Langfield, Valerie (2002).
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90:, and a resistance to the
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104:Charles Villiers Stanford
304:The Pre-Raphaelite Cello
72:Frederick Septimus Kelly
401:Lloyd, Stephen (2005).
108:English Pastoral School
686:Viennese preclassicism
320:, Stone Records (2011)
151:and highly individual
112:Ralph Vaughan Williams
318:Delius and his Circle
750:Culture in Frankfurt
136:musical architecture
19:For other uses, see
755:Composition schools
576:Grupo de los cuatro
541:English Virginalist
459:Composition schools
404:H. Balfour Gardiner
271:Banfield, Stephen.
260:, 26 November, 1999
149:dissonant harmonies
106:, and of the later
94:of the self-styled
92:musical nationalism
74:, who were born in
52:H. Balfour Gardiner
591:Khrennikov's Seven
147:, while employing
30:, also called the
16:Composition school
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571:Grupo de los ocho
561:Generación del 51
556:Ears Open Society
335:The Musical Times
234:, pp. 15–16.
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44:Hoch Conservatory
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68:Percy Grainger
56:Norman O'Neill
36:Frankfurt Five
32:Frankfurt Gang
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418:. Retrieved
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391:. Retrieved
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631:Ny Enkelhed
476:Ars antiqua
60:Cyril Scott
744:Categories
720:West Coast
643:Notre Dame
621:New Jewish
616:New German
611:Neapolitan
596:Manchester
511:Burgundian
506:Boston Six
420:2017-11-28
393:2017-11-28
344:Literature
291:Lloyd 2005
220:Lloyd 2005
205:Howes 1966
172:References
40:Iwan Knorr
682:Viennese
526:Darmstadt
367:930472265
88:Beethoven
76:Australia
678:Venetian
638:New York
601:Mannheim
521:Colorist
483:Ars nova
663:Les Six
516:Cologne
496:Bologna
42:at the
34:or the
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501:Boston
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159:Legacy
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693:]
653:Roman
333:, in
409:ISBN
382:ISBN
363:OCLC
143:and
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114:and
102:and
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62:and
26:The
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23:.
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