211:. Right from the start, the citizens, together with the representatives of the clergy and the nobility, donated materials from their personal collections to make up the collection of the museum, which within a couple of years required a significant expansion, certified by the two commemorative epigraphs of its benefactors (from 1828 and 1830) still preserved today. Carlo Malmusi, directing curator, established the institution's guiding principles in 1830 as: "serv{ing} archeology", "for the memory of illustrious ancestors" with "finds from the Roman age." The catalogue immediately prompted an influx of antiques and sepulchral tombs which, until the late seventeenth century, had been placed in the churchyard near the southern side of
333:’s widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the
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in 1634, it was adapted from the older family d'Este castle into a modern suburban residence for the court. Wall paintings, stucco decorations, sculptures, fountains and vistas still convey a sense of baroque "delight" today, despite the palace having long remained in the shadows of public knowledge.
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dating from the thirteenth to the eighteenth century. The
Pinacoteca, unlike the Galleria Estense, focuses more specifically on artistic production during the earlier half of the Estensi history, from their promotion as dukes of Ferrara in 1296 to their forced relocation to Modena in 1598. Such dukes
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Gathered by aristocratic collectors with multiple interests, the Este collections include a collection of paintings dating from the fourteenth to the eighteenth centuries, including a group from the Po Valley school of painting, various sculptures in marble and terracotta; a large number of high
253:, it has been considered by some Italian scholars as one of the most important art-historical libraries in Europe, not least due to the sheer variety of subject-matter documented by its folios. Works of exceptionally rare quality from the 4th century in Egypt to the 1930s, including the famed
281:) as well as several other psalters, encyclopaedias and maps of a regal, political and theological nature, each exclusive to the European dukes and duchesses of Emilia-Romagna, may be consulted, some of which require official permission.
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providing a testament to the quality of its collection. Sheet music dating from the
Renaissance, evangelical texts written in Greek Unical font, various French manuscripts from the 14th century, a family tree of the Byzantine theologian
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quality decorative objects which formed part of the furnishings in the various ducal residences, as well as collections of drawings, bronzes, majolica, medals, ivories and musical instruments. Among the works by famous artists are a
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on the lower floor, hosting temporary exhibitions of contemporary art since 1992, the
Pinacoteca houses an altogether more historic collection of paintings and sculptures by artists of the
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throughout their years as leaders of
Ferrara, but mostly focusing on the period following the move of the ducal seat capital from Ferrara to Modena in 1598.
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The museum is dedicated to making art history accessible to all. The collections are perhaps most famous for their variety, touching each realm of the
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the
Estense Gallery includes four salons and sixteen exhibition rooms dedicated to the artistic heritage nurtured by the dukes and duchesses of
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223:. The practice of raising funerary monuments had already been established in the pre-humanist era, following the example of nearby
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After many years under military administration and a complex restoration project, the palace was definitively taken over by the
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Rich in ancient codices, musical scores, cartography, drawings, prints and exquisite illuminated manuscripts, The
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is a network of three museums and a library, bringing together the collective fruits of artistic production from
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196:(1800-1823), but with an emphasis on civilians: aiming to glorify the past of the city from its Roman origins.
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region of
Northern Italy. The galleries aim to preserve the historic heritage left by the influential
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460:'s many on-going projects to marry the old with the new: minimalist pieces from the renowned
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The
Estense Lapidary Museum was the first public museum established in Modena. Founded by
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now hang in the frames previously filled by the duke's favourite contemporary paintings.
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Gallerie
Estensi, "Palazzo Ducale di Sassuolo App," Apple App Store, Vers.1.5 (May 2018)
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The museum want to be "a single and purposeful voice of a shared cultural identity."
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Arranged chronologically, the exhibition begins with a room dedicated to late
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residences in northern Italy. A summer residence built by the architect
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from antiquity to the 18th century. This includes a large collection of
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The initial nucleus consisted of some pieces already preserved in the
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in Europe, a rare group of decorative musical instruments as well as
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sculpture, fresco and panel painting, progressing through to the
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lost
Ferrara to papal rule. Highlights of the tour include the
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in 2004. It's stuccoed apartments currently host one of
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Ministry of
Cultural Heritage and Activities and Tourism
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Pinacoteca Nazionale di Ferrara - Exhibition catalogue
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inheritance. Established around the same time as the
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and located since 1894 at its current address in the
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60:; perhaps one of the most extensive collections of
557:. Bologna: Nuova Alfa Editoriale. pp. 9–30.
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522:. Modena: Edizioni Il Fiorino. pp. 5–23.
542:. Firenze: Nardini Editore. pp. 13–245.
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325:in 1447). It was founded in 1836 by the
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260:The library has been coveted by the
182:Maffeiano Lapidary Museum of Verona
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245:stands as a key player in the d’
231:Biblioteca Estense Universitaria
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508:. Modena: Franco Cosimo Panini.
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291:Pinacoteca Nazionale in Ferrara
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398:are still visible in Modena's
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132:Portrait of Francesco I d'Este
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540:Biblioteca Estense di Modena
518:Giordani, Nicoletta (2003).
339:Not to be confused with the
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98:Francesco V of Austria-Este
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553:Bentini, Jadranka (1992).
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317:'s Renaissance jewel, the
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178:Francis IV of Austria-Este
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617:Museums in Emilia-Romagna
425:Palazzo Ducale (Sassuolo)
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538:Milano, Ernesto (1987).
504:Casciu, Stefano (2015).
431:Ducal Palace of Sassuolo
520:Museo Lapidario Estense
449:Duke Francesco I d'Este
327:Municipality of Ferrara
172:Estense Lapidary Museum
166:Museo Lapidario Estense
96:Established in 1854 by
65:bronze medals and coins
482:"Mission & Vision"
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201:Ducal Palace of Modena
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255:Bible of Borso d’Este
435:The Ducal Palace in
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420:Il Libro dell’arte.
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366:Alfonso II d’Este.
237:Biblioteca Estense
213:Modena's cathedral
190:Chiaramonti Museum
148:Francesco I d'Este
124:Madonna with Child
120:Cima da Conegliano
103:Palazzo dei Musei,
396:Carracci workshop
376:early Renaissance
268:and in 1859 with
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194:the Vatican
62:Renaissance
44:The concept
606:Categories
491:2019-07-24
468:References
160:Guido Reni
380:Mannerism
362:Alfonso I
209:Novellara
205:Brescello
136:Velázquez
128:Correggio
458:Gallerie
437:Sassuolo
384:Cesare I
358:Ercole I
350:Leonello
348:include
331:Napoleon
266:Cesare I
156:Crucifix
144:El Greco
140:Triptych
69:frescoes
30:Sassuolo
441:baroque
301:Ferrara
225:Bologna
188:in the
152:Bernini
54:Baroque
32:in the
22:Ferrara
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404:fresco
372:Gothic
329:after
217:Modena
154:and a
26:Modena
408:panel
354:Borso
116:PietĂ
73:panel
559:ISBN
364:and
295:The
247:Este
219:and
207:and
138:, a
130:, a
122:, a
108:Este
75:and
28:and
16:The
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410:or
192:in
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