114:
141:, a women's house of correction, sometimes referred to as an insane asylum. Historian Patrick Hunt describes it as "virtual prison for destitute and diseased prostitutes as well as an asylum for the mentally unhinged. Geertje probably lived up to the latter requisite by ranting and raving 'most vehemently'". Historians have had differing views about the facts behind this dispute. It seems that her brother and nephew, along with a number of Geertje's neighbours, supported some of Rembrandt's claims against her. She was condemned to twelve years' confinement. In 1652 she petitioned for her release, but was refused. In 1655 she became ill. A friend of hers named Trijn Jacobs eventually managed to persuade the council to intervene on her behalf and Geertje was freed from prison, having been confined for five years.
110:. The couple separated and Rembrandt came to an agreement with Geertje that he would pay her 160 guilders, plus an annual stipend of 60 guilders for the rest of her life, as long as she did not change her will which named Titus as her heir. In June, Geertje rented a room above a seamens' bar on Rapenburg. By October, Geertje had requested additional support from Rembrandt, having pawned a diamont ring given to her by Rembrandt to maintain her livelihood. Although he was not legally required to do so, Rembrandt paid her 200 guilders to redeem the jewellery and agreed to increase her stipend to 160 guilders a year, on the continued condition that she would not change her will.
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filed a counter-suit and secured an order that her brother Peter must not leave the
Netherlands as he was required as a witness (he was intending to work as a carpenter on board a ship bound for India). On 8 August 1656 Geertje is listed as one of Rembrandt's seven major creditors. She probably died shortly after this.
55:" (a euphemism for seduction under promise to marry), in which she claimed maintenance from Rembrandt. On Rembrandt's initiative, she was eventually imprisoned in a workhouse on charges of having descended into a life of loose morals. After her release she made attempts to sue Rembrandt for wrongful imprisonment.
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After her release she prepared a complaint against
Rembrandt for wrongful imprisonment on grounds of slander and false testimonies. According to Christoph Driessen, “he audacity and tenaciousness she showed to fight the highly respected and established Rembrandt command one’s admiration”. Rembrandt
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Geertje, however, refused to accept this settlement, claiming that it would not cover her expenses if she became seriously ill or infirm. When
Geertje came to sign the agreement with Rembrandt in the presence of a notary, she refused to sign to the agreement. She summoned Rembrandt before the
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and took his gifts such as a diamond ring to a pawnbroker's to fund the case. The commissioners raised the annual sum to 200 guilders. The court particularly stated that
Rembrandt had to pay a maintenance allowance, provided that Titus remained her only heir and she sold none of Rembrandt's
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98:, a gesture not much appreciated by Saskia's family. A few years later Geertje expected Rembrandt to marry her, but such an arrangement would have resulted in his losing an inheritance from Saskia.
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However, Geertje continued to demand money from
Rembrandt, possibly to the point of blackmail. In the summer of 1650, Rembrandt participated in an effort to have Geertje sent to the "spinhuis" in
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94:. During this time she and Rembrandt apparently entered into a relationship, an arrangement which was not uncommon. He gave her a number of rings that had belonged to his deceased wife,
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Rembrandt's financial situation had deteriorated seriously during this period, and
Geertje's new demands may have been the "final straw" that led to his filing for bankruptcy.
79:. At some point she was married to Abraham Claesz, a trumpeter, but her husband died at sea. After that she lodged with her brother Pieter, a ship's carpenter in
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Schwartz, G. (1987) Rembrandt, zijn leven, zijn schilderijen. Een nieuwe biografie met alle beschikbare schilderijen in kleur afgebeeld, p. 240-1.
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In literature author Simone van der Vlugt sets out to rehabilitate
Geertje's reputation offering a surprising perspective in her 2019 historical novel
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Rembrandt's
Bankruptcy: The Artist, His Patrons, and the Art World in Seventeenth-Century Holland, Cambridge University Press, 2006, p.41.
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Wijnman, H. F. (1968) EEN EPISODE UIT HET LEVEN VAN REMBRANDT: DE GESCHIEDENIS VAN GEERTJE DIRCKS, Jaarboek
Amstelodamum, p. 106-19.
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In May 1649 she and
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She entered Rembrandt's service in around 1643, as a childless widow. She lived with Rembrandt for six years in the
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She may be the model for a number of Rembrandt's works, but there is disagreement about which images depict her.
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Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands
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Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands
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Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands
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Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands
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Rembrandt's bankruptcy: the artist, his patrons, and the art market in seventeenth-century Nederlands
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she is depicted as a highly unpleasant, shrewish and conniving woman. She is portrayed by
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after the death of his wife Saskia. She was hired as a nurse to the painter's son
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Notarial deeds with Geertghe Dircx, Hendrickje Stoffels and Rembrandt
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83:. It was possibly through him that she got to know Rembrandt.
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This drawing by Rembrandt is believed to depict Geertje Dircx.
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In television she is depicted by Jenny Tanghe in the drama
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
197:(1999) and by Marieke Heebink in the Dutch 2011 series
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Amsterdam: A History of the World's Most Liberal City
432:. Dordrecht: Springer Science+Business Media B.V.
430:A Corpus of Rembrandt Paintings the Self-Portraits
240:. Dordrecht: Springer Science+Business Media B.V.
238:A Corpus of Rembrandt Paintings the Self-Portraits
75:. Between 1630 and 1640, she worked in an inn in
43:1610–1615 – c. 1656) was the lover of
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129:Commissioners of Marital Affairs on a charge of
708:Bust of a Man Wearing a Gorget and Plumed Beret
1585:Self-Portrait Wearing a White Feathered Bonnet
1625:Self-Portrait with Beret and Turned-Up Collar
1609:Self-Portrait in a Black Beret and Gold Chain
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1012:The Archangel Raphael Leaving Tobias' Family
1573:Portrait of a Young Man with a Golden Chain
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186:played by Elisabeth Flickenschildt.
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1514:Portrait of a Man with Arms Akimbo
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193:(1963), by Caroline van Houten in
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1232:The Anatomy Lesson of Dr. Deijman
1036:Landscape with the Good Samaritan
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1880:Cultural depictions of Rembrandt
1649:Self-Portrait as Zeuxis Laughing
1136:Abraham Serving the Three Angels
502:Rembrandt — Chronology 1636-1650
1824:The Virgin and Child with a Cat
1498:Portrait of Catharina Hooghsaet
932:The Prodigal Son in the Brothel
844:The Storm on the Sea of Galilee
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473:. Cambridge: University Press.
428:Wetering, Ernst van de (2005).
399:. Cambridge: University Press.
366:. Cambridge: University Press.
314:. Cambridge: University Press.
281:. Cambridge: University Press.
236:Wetering, Ernst van de (2005).
1832:Christ Presented to the People
1673:Self-Portrait at the Age of 63
1657:Self-Portrait with Two Circles
1593:Self-Portrait at the Age of 34
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1120:The Holy Family with Angels
1104:The Woman Taken in Adultery
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1028:The Wedding Feast of Samson
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36:[ˈɣeːrtɕəˈdɪr(ə)ks]
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1704:Joseph and Potiphar's Wife
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1394:Portrait of Nicolaes Ruts
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1352:Young Woman with a Lapdog
1280:The Denial of Saint Peter
812:Philosopher in Meditation
804:Old Man with a Gold Chain
700:The Baptism of the Eunuch
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246:10.1007/978-1-4020-4441-0
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1728:The Artist and his Model
1522:Portrait of Dirck van Os
1442:Oval Portrait of a Woman
1044:Still Life with Peacocks
956:The Entombment of Christ
756:Anna and the Blind Tobit
740:The Artist in his Studio
521:Ariel Books, 2007, p.89.
508:, retrieved June 6, 2011
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1736:The Death of the Virgin
1376:Landscape with a Castle
1248:Courtesan at her Mirror
820:The Abduction of Europa
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277:Crenshaw, Paul (2006).
88:Sint Antoniesbreestraat
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988:The Blinding of Samson
908:Descent from the Cross
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860:Raising of the Cross
71:Geertje was born in
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2080:Dutch female models
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1768:Portrait of Jan Six
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1410:Portrait of a Woman
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796:Christ on the Cross
788:Christ with a Staff
191:Hendrickje Stoffels
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90:and nursed his son
1961:(2008 documentary)
1942:Stealing Rembrandt
1929: (1995 novel)
1926:The Anatomy Lesson
1549:Rembrandt Laughing
1084:David and Jonathan
916:Belshazzar's Feast
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1474:A Polish Nobleman
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156:In the 1936 film
131:breach of promise
102:Legal proceedings
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173:Nightwatching
170:'s 2007 film
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28:Geertje Dircx
21:
2025:(foundation)
2014:
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1969:(2008 novel)
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105:
85:
70:
57:
27:
26:
2065:1656 deaths
1953:(2007 film)
1945:(2003 film)
1921:(1977 film)
1865:Works about
1779:(1647–1649)
1692:(including
1660:(1665–1669)
1371:(1662–1669)
1171:(1650–1652)
1131:(1645–1648)
831:(1632–1633)
2059:Categories
1179:(c. 1652)
660:The Senses
572:(in Dutch)
566:(in Dutch)
560:(in Dutch)
212:References
2037:Contested
2016:Rembrandt
2009:Rembrandt
1986:Namesakes
1934:Rembrandt
1902:Rembrandt
1894:Rembrandt
1886:Rembrandt
1867:Rembrandt
1668:(c. 1669)
1525:(c. 1662)
1386:Portraits
1347:(c. 1665)
1227:(c. 1655)
1047:(c. 1639)
943:(c. 1635)
935:(c. 1635)
892:Artemisia
807:(c. 1631)
759:(c. 1630)
751:(1629–30)
719:(c. 1626)
663:(1624–25)
651:Paintings
639:paintings
622:Rembrandt
489:902528433
456:699651180
415:902528433
382:902528433
330:902528433
297:902528433
264:699651180
195:Rembrandt
183:Rembrandt
178:Jodhi May
159:Rembrandt
81:Waterland
2011:(crater)
1744:The Mill
1694:etchings
1685:Drawings
1578:disputed
1576:(1635) (
1568:(c.1629)
1360:Lucretia
1336:Lucretia
1128:The Mill
635:etchings
547:, p 167.
120:(1645).
2019:(train)
1848:Museums
1339:(1664)
1211:(1655)
924:Minerva
847:(1633)
679:(1620s)
554:Sources
1835:(1655)
1827:(1654)
1819:(1653)
1811:(1652)
1803:(1652)
1795:(1651)
1787:(1650)
1771:(1647)
1763:(1646)
1755:(1643)
1747:(1641)
1739:(1639)
1731:(1639)
1723:(1634)
1715:(1634)
1707:(1634)
1689:prints
1676:(1669)
1652:(1662)
1644:(1662)
1636:(1660)
1628:(1659)
1620:(1658)
1612:(1654)
1604:(1652)
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262:
252:
980:Danaë
884:Flora
139:Gouda
92:Titus
77:Hoorn
49:Titus
1687:and
1096:Ruth
1094:and
1092:Boaz
485:OCLC
475:ISBN
452:OCLC
442:ISBN
411:OCLC
401:ISBN
378:OCLC
368:ISBN
326:OCLC
316:ISBN
293:OCLC
283:ISBN
260:OCLC
250:ISBN
73:Edam
62:Life
434:doi
242:doi
2061::
641:,
637:,
633:,
504:.
483:.
450:.
440:.
409:.
376:.
338:^
324:.
291:.
258:.
248:.
208:.
201:.
41:c.
39:;
1696:)
1580:)
614:e
607:t
600:v
491:.
458:.
436::
417:.
384:.
332:.
299:.
266:.
244::
30:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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