20:
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74:, Hudson may have begun his career as a dancing master. The first time Hudson's name appears in an official capacity, however, is in 1641, when he was granted membership into
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By
January 1672, Hudson had fallen gravely ill. No longer able to fulfill his compositional duties at the court, Hudson was assisted without fee by
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A Biographical
Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800: Hough to Keyse
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court ensemble of "lutes and voices" by royal warrant. Though Hudson ultimately lost his position during the power struggles of the
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186:(1656), the score and parts for which are now lost. Several of Hudson's dances were published in two of
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139:, Hudson was appointed master of the King's violins, one of the positions of leadership over which the
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166:. Upon Hudson's death, Humphrey and Purcell were appointed to the composer's previous post.
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122:. Later that year, Hudson joined the creative team for Davenant's subsequent work
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A Biographical
Dictionary of English Court Musicians, 1485-1714, Volumes I and II
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198:(1655). Additional sheet music, including original manuscripts, are held at the
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Philip H. Highfill; Kalman A. Burnham; Edward A. Langhans (1973).
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In May 1656, Hudson and several of his colleagues, including
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128:, for which Hudson co-wrote the instrumental music with
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Records of
English Court Music, Volume III (1625-1649)
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472:Music in the London Theatre from Purcell to Handel
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174:Hudson is best known for his contributions to
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210:, and others, both inside and outside of the
48:, Hudson composed the instrumental score for
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261:10.1093/gmo/9781561592630.article.6002278249
82:, he maintained a professional presence in
177:First Day's Entertainment at Rutland House
111:First Day's Entertainment at Rutland House
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33:1615 – 1672) was an English violinist,
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192:Musick's Recreation on the Lyra Viol
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543:Southern Illinois University Press
14:
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607:Henry Purcell: His Life and Times
339:Concise Oxford English Dictionary
162:and Thomas Purcell, the uncle of
715:English male classical composers
700:17th-century classical composers
616:University of Pennsylvania Press
575:Dictionary of National Biography
118:consisting of music, dance, and
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705:17th-century English composers
639:Andrew Ashbee; David Lasocki;
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443:University of California Press
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306:University of California Press
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70:According to his contemporary
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725:English classical violinists
378:Foundations of English Opera
278:UK public library membership
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710:17th-century male musicians
469:; Bruce Wood, eds. (2017).
298:; William Matthews (eds.).
101:, were commissioned by the
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612:Philadelphia, Pennsylvania
477:Cambridge University Press
438:Companion to Baroque Music
387:Cambridge University Press
332:; Ewan West, eds. (1996).
141:Master of the King's Music
37:, singer, and composer of
735:Male classical violinists
695:English Baroque composers
533:. In Joyce Atwood (ed.).
435:Julie Anne Sadie (1998).
301:The Diary of Samuel Pepys
441:. Berkeley, California:
304:. Berkeley, California:
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16:English Baroque composer
730:British male violinists
580:Oxford University Press
513:Oxford University Press
400:Andrew Ashbee (2016) .
349:Oxford University Press
253:Oxford University Press
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643:; Fiona Kisby (2018).
588:10.1093/ref:odnb/67963
566:Andrew Ashbee (2004).
44:In collaboration with
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602:Franklin B. Zimmerman
505:The Musical Antiquary
208:Christ Church Library
108:to compose music for
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539:Carbondale, Illinois
86:as an instructor of
183:The Siege of Rhodes
125:The Siege of Rhodes
51:The Siege of Rhodes
515:: 147. April 1913.
248:Grove Music Online
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720:Baroque musicians
690:English lutenists
276:(subscription or
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657:. p. 1708.
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137:the Restoration
130:Charles Coleman
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46:Charles Coleman
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194:(1652) and
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90:and voice.
679:Categories
578:. Oxford:
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511:. Oxford:
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251:. Oxford:
218:References
149:Davis Mell
114:, a moral
103:impresario
76:the King's
655:Routledge
412:Routledge
383:Cambridge
280:required)
151:and then
80:Civil War
604:(2016).
375:(1928).
341:of Opera
294:(1983).
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99:Lawes
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