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German Hygiene Museum

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period the museum resumed its role as a communicator of public health information. It produced a wide range of educational material, including short films on subjects such as smoking, breastfeeding, sexually transmitted diseases and teenage pregnancy. In 1988 the museum, working in co-operation with
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There is a regular program of temporary exhibitions on social or scientific issues. Recent examples have included "Religious Energy", "What Is Beautiful?" and "War and Medicine". The museum also organises scientific and cultural events, including talks, meetings, debates, readings, and concerts.
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the museum was reconceived and modernised, starting in 1991. In 2001 it was included in the German government's Blue Book, a list of around 20 so-called "Cultural Lighthouses" – cultural institutions of national importance in the former East Germany – in an association called the
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The museum owns an extensive collection of around 45,000 items documenting the public promotion of bodily awareness and healthy day-to-day behaviour, mostly from the early 20th century onwards.
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in: Sybilla Nikolow (Ed.): Erkenne dich selbst – Strategien der Sichtbarmachung des Körpers in der Arbeit des Deutschen Hygiene-Museums im 20. Jahrhunderts, Böhlau 2015.
218:), the first East German film that dealt with the subject of homosexuality. The museum also commissioned the only HIV/AIDS prevention documentary produced in the GDR, 636: 276:„Kein Museum alten Stiles“. Das Deutsche Hygiene-Museum als Geschäftsmodell zwischen Ausstellungswesen, Volksbildungsinstitut und Lehrmittelbetrieb von 1912 bis 1930 419: 577: 341: 469:. Presented at the Canadian Association of University Teachers of German annual conference on 30 May 2016 in Calgary, Alberta. Retrieved 7 July 2018 140:
The museum was founded in 1912 by Karl August Lingner, a Dresden businessman and manufacturer of hygiene products, as a permanent "public venue for
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Seuchenwissen als Exponat und Argument – Ausstellungen zur Bekämpfung der Geschlechtskrankheiten des Deutschen Hygiene-Museums in den 1920er Jahren
563: 159:, which became the museum's permanent home. One of the biggest attractions was, and remains, a transparent model of a human being, the 246: 26: 235: 626: 258:), covering the human race, the body, and health in its cultural and social contexts, and a children's museum of the senses. 621: 192:(National Vocational Competition) was held there in 1944. Large parts of the building and collection were destroyed by the 631: 299:
Sybilla Nikolow und Thomas Steller. Das lange Echo der Internationalen Hygiene-Ausstellung in: Dresdener Hefte 12 (2011).
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in: Malte Thiessen (Ed.): Infiziertes Europa. Seuchen im langen 20. Jahrhundert. München: Oldenbourg DeGruyter 2014.
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the museum came under the influence of the Nazis, who used it to produce material propagandising their
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The Other Love in the Other Germany: East German Film, Media, and Social Change for Gay Rights, p. 5
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The second International Hygiene Exhibition was held in 1930-31, in a building erected west of the
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Deutsches Hygiene Museum: Monumentale Mischung aus Neoklassik und triumphierender Moderne
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Health, Race and German Politics between National Unification and Nazism, 1870-1945
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Volksbildungsinstitut und Museumskonzern - Das Deutsche Hygiene-Museum 1912-1930
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Volksbildungsinstitut und Museumskonzern. Das Deutsche Hygiene-Museum 1912-1930
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The museum's permanent features are the exhibition "Human Adventure" (
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Poster for the Dresden International Hygiene Exhibition 1911, by
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Kulturberichte 1/01: Stiftung Deutsches Hygiene-Museum
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East German gay and lesbian activists, commissioned
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Index


Dresden
Medicine
health promotion
German Hygiene Museum
‹See Tfd›
German
Dresden
Germany

Franz Stuck
healthcare
International Hygiene Exhibition
Großer Garten
Wilhelm Kreis
Third Reich
racial ideology
eugenics
German Labour Front
Reichsberufswettkampf
bombing of Dresden
East German
DEFA film studios
Die andere Liebe
Liebe ohne Angst
German reunification
KNK

Volksbildungsinstitut und Museumskonzern - Das Deutsche Hygiene-Museum 1912-1930
"A forum for science, culture and society"

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