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Chiari made what he called "action music" based on a complex method of execution and traditional instruments: music that takes as its essential element random sounds (water, dry leaves, stones). His work "Giuocare con l'acqua e dire la parola acqua" ("Playing with water and saying the word water") is
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group, taking on the role of artist-composer-philosopher. Among his writings are: Music without counterpoint (1969), Untitled (1971), Mother Music (1973); Teatrino (1974) Art (1974), Method for playing (1976); Aesthetik (1984), Doubt harmony (1990) and Music (1994).
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quite remarkable for both the transformation of the pages of the script into an aesthetic object, and the clarity and rigour of the texts that preludes to the later production of statements typical of
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and music composition, in parallel with studies in mathematics and engineering (1946–51).
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A. Bonito Oliva, Il territorio magico. Comportamenti alternativi dall'arte, Firenze 1972
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Giuseppe Chiari e la teoria dell'arte in Fluxus, a cura di E. Pedrini, Napoli 1992
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Chiari experimented with different visual mediums: including painting-
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Claudio
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work conducted between music, speech, gesture and image.
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He is an exponent and main promoter of the group of
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247:. His work
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