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discusses the development around the opulence of the
Rothschild style: "the Rothschilds moved into the market for what were known at the time as 'curiosities' rather than 'antiques' in the 1840s... In the 1870s they came to dominate that market in Europe through their number and their enthusiasm,
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and parquet flooring. This heavy abundance is combined with eighteenth-century, mostly French, furniture. For the
Rothschilds, furniture and works of art often were of royal provenance. The family bought only the best which was on the market at that time, with preference for the reigns of
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for 'the
Rothschild taste') describes a detailed, elaborate style of interior decoration and living which had its origin in France, Britain, Austria, and Germany during the nineteenth century, when the rich, famous, and powerful
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The "Goût
Rothschild" was until the end of the 1920s and in a less opulent way until the 1960s the preferred style of people who amassed their fortunes in the late 19th century. Families like the
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419:. The Great Hall was decorated with an immense antique fireplace removed from a French château and antique French tapestries of royal provenance bearing the monograms of
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was one of the leading companies whose designs came close to the "Goût
Rothschild", though in a less opulent way. Among their clients were the administration of
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was at its height. The
Rothschild aesthetic and life-style later influenced other rich and powerful families, including the
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or
English castles and country houses and shipped these elements of European aristocratic taste to the
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and others. The houses "Rosecliff" and "Marble House" were used as film locations in the 1974 film
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in the "Goût
Rothschild". During this period they bought whole interiors of French
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in 1789, there were some excellent pieces to buy, including many from the
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their increasing knowledge, their apparently limitless resources".
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continued into the twentieth century, affecting such designers as
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include lavish use of extravagant heavy textile fabrics (like
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Yves Saint
Laurent & Pierre Bergé: The Collection
51:. Unsourced material may be challenged and removed.
259:beside masterworks of art, sculpture, and armour.
226:ceilings, and precious (and often antique) wooden
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430:The "Goût Rothschild" was especially popular in
652:. Buckinghamshire, U.K.: Rothschild Waddesdon.
411:installed a 20-meter long ballroom of a French
630:, p. 12. Published by Collection Rolf Heyne (
529:Drawing room at Villa Ephrussi de Rothschild
308:were much impressed by the interiors of the
370:where they were installed in houses like
354:and others furnished their residences in
139:The Grey Drawing Room at Waddesdon Manor.
111:Learn how and when to remove this message
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200:The decorative interior elements of the
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415:which once belonged to a courtier of
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49:adding citations to reliable sources
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756:Rothschild family residences
650:A Hundred Years at Waddesdon
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152:[ləɡuʁɔtˈʃild]
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736:Architectural styles
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456:interior decoration
316:The preferred style
472:Duchess of Windsor
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302:Yves Saint Laurent
186:Yves Saint Laurent
182:le goût Rothschild
144:Le goût Rothschild
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717:978-3-8296-0507-6
708:Gloria Vanderbilt
693:978-3-8296-0507-6
684:Gloria Vanderbilt
636:978-3-89910-430-1
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372:The Breakers
348:Rockefellers
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306:Pierre Bergé
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257:horror vacui
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101:January 2013
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43:Please help
38:verification
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468:White House
340:Vanderbilts
253:Renaissance
218:) and much
170:Vanderbilts
730:Categories
659:0952780925
615:References
502:in England
438:, and the
394:Mia Farrow
290:, and the
178:Gilded Age
148:pronounced
71:newspapers
668:695587648
517:in France
417:Louis XIV
376:Rosecliff
241:Louis XVI
233:Louis XIV
228:panelling
603:See also
458:company
364:chateaux
352:Du Ponts
272:châteaux
237:Louis XV
486:Gallery
476:mansion
454:-based
413:château
403:on 871
274:in the
220:gilding
212:brocade
85:scholar
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474:whose
432:France
350:, the
346:, the
344:Astors
342:, the
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224:stucco
216:velvet
214:, and
208:damask
166:Astors
157:French
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452:Paris
388:with
92:JSTOR
78:books
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689:ISBN
664:OCLC
654:ISBN
632:ISBN
450:The
423:and
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64:news
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