163:"The images are based on old photographs from Russia which Edmonson uses as raw material - selecting fragments and snippets of characteristics from different individuals, the common people, reinterpreting and creating new faces that are amalgamations of several..." Edmonson's use of shadows metaphorically suggests the fragmentary nature of history and memory - parts hidden from view, others slowly emerging from which we can begin to formulate an understanding of the whole. In a 1994 artist's statement, Edmonson commented that an earlier interest in tar pits in Alberta led to his archeological interpretation of memory: "where amongst the dark matter of tar have been found the remnants of life forms, which act as a kind of physical symbol of how time displaces history and memory."
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attention on boundaries that have come together and have been divided and subdivided and on the tentative foundation on which political, social and religious beliefs are based". "Soviet
Pangaea serves as a metaphor for all political and natural unions. Through this body of work, Edmonson points to the certainty of an everchanging world where history is represented as evolution and evolution results in the individuality of each culture and person."
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Pangaea is a hypothetical landmass that existed when all continents were joined about 200-300 million years ago before breaking up. "In forming the Soviet Union, many borders were disregarded in an attempt to merge cultural identities and alter personal bonds. In this body of work, Edmonson focuses
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Jennifer MacLeod, "Greg
Edmonson: layers of time Fragmented landscapes from Greg Edmonson's Vestige series". Galleries West Magazine, Summer issue, 2002, pg 8-9.
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Burns,K.:"Greg
Edmonson:The Persistence of Memory", Medicine Hat Museum and Art Gallery catalogue, pg.2,December 16, 2000.
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Franklyn
Heisler, "Greg Edmonson:Soviet Pangaea, Muttart Art Gallery Newsletter, Vol. 5, Issue 2, pg.5 March/April 1993.
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Kevin
Costello, "Landscapes please eyes and hearts", Sarasota Herald Tribune, May 21, 2004. Accessed Sept 3, 2007.
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of faces from history. He received his master's degree in fine art from the
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Greg
Edmonson in the University of Lethbridge Art Gallery collection
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Greg
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Greg
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His paintings are seen today in collections including those of
271:Greg Edmonson in the Nickle Arts Museum collection
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69:Learn how and when to remove this message
159:"Indefinite Divisibility", 63x51" (1996)
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32:This article includes a list of general
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191:Art Gallery, the Nickle Galleries, the
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342:21st-century Canadian male artists
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142:"Neutral Ground Exhibition" (1993)
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99:. He is primarily known for his
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193:Art Gallery of Greater Victoria
322:21st-century Canadian painters
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261:Greg Edmonson Archive Website
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307:University of Calgary alumni
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122:which featured large scale
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151:Fractured paintings (1996)
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266:Greg Edmonson Website
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177:Toronto-Dominion Bank
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134:Soviet Pangaea (1993)
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124:portraits
120:paintings
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105:landscape
101:paintings
109:portrait
94:Canadian
116:Pangaea
97:painter
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