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Grueby's work incited mass-market competition and the company went bankrupt in 1909. Grueby emerged from bankruptcy and began limited production runs that included statues, pottery, and tiles until 1911. There was a fire in the manufactory in 1913, but Grueby rebuilt. In 1917, the C. Pardee Works in
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vases designed by George
Prentiss Kendrick. Beginning in 1897 and 1898, Grueby introduced matte glazes, including the matte cucumber green that became the company's hallmark.
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350:"Journal of the American Art Pottery Association, "The Grueby Faience Murals of Scranton, Pennsylvania: A Documentation", November/December 2008, Vol. 24, No. 6"
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design in the United States. Graves and
Kendrick were eventually replaced by the architect Addison LeBoutillier and Henry Belknap, who had worked with
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subway stations in New York and making up the thirty-six original tile murals in the main lobby of
Scranton, Pennsylvania's
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Perth Amboy, New Jersey, bought out the company's works; the Grueby company closed for good in 1920.
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131:'s shop in Paris, L'Art Nouveau, which gave a name to the progressive art movement, and through
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Grueby
Pottery: A New England Arts and Crafts Venture : The William Curry Collection,
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incorporated Grueby tiles in his stands and tables, shared a stand with Grueby at the
308:"Charges Pottery Concern: Receiver Appointed for Grueby Faience Company of Boston."
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81:. During its first years, the company produced glazed architectural terra cotta and
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Affirmation and
Rediscovery: Objects from the Society of Arts & Crafts, Boston
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278:"Its success has brought out a number of imitations." (William Percival Jervis,
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The
Ceramics of William H. Grueby: The Spirit of New Idea in Artistic Handicraft
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Metropolitan Museum of Art: Grueby vase, design attributed to
Kendrick,
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Barbara Bell, "The
Potteries of New England, Part IV: Grueby" (on-line)
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Grueby's work won two gold medals and one silver medal at the 1900
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Grueby
Faience Company, which still remains better known for its
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in Los
Angeles, which introduced its matte green glaze in 1916.
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The Arts and Crafts Society: "Grueby Faience Company of Boston"
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Grueby Faience stood in the mainstream of Arts and Crafts and
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A Grueby Faience vase by Wilhelmina Post, made around 1910
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in Chicago the previous year; and the architect-designer
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Alice in Wonderland tiles by the Grueby Faience Company
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173:The standard monograph is Susan J. Montgomery,
85:tiles. The company initially focused on simple
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16:American ceramics company (1894β1920)
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164:Interborough Rapid Transit Company
58:company that produced distinctive
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181:is catalogued by Montgomery,
106:Louisiana Purchase Exposition
96:in Paris; medals at the 1901
280:The Encyclopedia of Ceramics
75:World's Columbian Exposition
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69:The company was founded in
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410:Grueby Faience and Pottery
337:New York City Subway tiles
177:, 1993. The collection at
46:A 1906 Grueby Faience vase
139:used Grueby lamp bases.
23:Grueby tile panel at the
426:Arts and Crafts movement
405:Cleveland Public Library
314:: accessed 26 March 2010
292:Rookwood Pottery Company
168:Lackawanna Train Station
64:Arts and Crafts Movement
396:Grueby Pottery Examples
170:(restored in 2007-09).
145:Pan-American Exposition
98:Pan-American Exposition
412:, an art dealer's site
390:Grueby Faience Company
251:"JMW Gallery, Boston,
94:Exposition Universelle
52:Grueby Faience Company
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27:subway station in the
121:Louis Comfort Tiffany
71:Revere, Massachusetts
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431:American art pottery
392:at Wikimedia Commons
333:Arts and Crafts Tile
60:American art pottery
29:New York City Subway
187:, Dartmouth College
135:in New York, where
310:The New York Times
185:Hood Museum of Art
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388:Media related to
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179:Dartmouth College
133:Tiffany & Co.
102:Buffalo, New York
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125:Rookwood Pottery
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79:William Graves
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364:. Retrieved
357:the original
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288:Teco pottery
284:on-line text
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263:. Retrieved
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436:Art Nouveau
156:art pottery
129:Samuel Bing
117:Art Nouveau
87:art pottery
25:Astor Place
420:Categories
366:2010-06-29
265:2010-03-26
219:1894-1911)
193:References
160:revetments
110:St. Louis
189:, 1994.
56:ceramics
294:and at
255:, 1997"
83:faience
335:; see
282:1902 (
360:(PDF)
353:(PDF)
323:Bell.
290:, by
240:Bell.
50:The
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162:of
108:in
100:in
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