448:(the Guild's second Master, 1900–1910). St George’s Farm was built here in 1907-8. More land was bought by Guild Companions eager to live a "Ruskinian" life, notably those involved in the Liverpool Ruskin Society. As such, by 1889, Thomas and Margaret Harley (née Cox) established a fruit farm on land bought from Baker (St John's Cottage); Companion and Guild historian, Edith Hope Scott, settled at a cottage, Atholgarth, in the Wyre Forest (from 1908); Harrison and Margaret Fowler settled at Oak Grove (1912–1920); Uncllys Farm and some adjacent land was purchased by the Guild in 1929. More land was acquired by the Guild in the 1930s (St George's Bungalow was built in 1938), and the Guild remains a significant presence today in the Wyre Forest; Ruskinland is a national nature reserve;
233:, was serialised in 1860, and published with an additional preface in book-form in 1862. In lectures, letters and other published writings, he denounced modern, industrial capitalism, and the theorists and politicians who served it. He considered that the ugliness, pollution and poverty it caused were undermining the nation. His conviction that human society and the natural environment had been corrupted and ruptured motivated him to seek practical means of redemption, reform and reconstruction.
1323:
282:), but the schools, like the dress and coins, never materialised. In part, this is because soon after Ruskin started the Guild he began to show signs of emotional disturbance and in 1878 suffered the first of a series of mental breakdowns that increasingly limited his activity. In reality, the Guild has always operated on a modest scale, its activities being suggestive rather than transformational, but always dynamic, adapting to changing circumstances and needs.
245:
535:. Its first curator was Henry Swan (1825-1889), a former pupil of Ruskin's at the London Working Men's College, and he was assisted by his wife, Emily (1835-1909). The museum, which was free to enter, was open until 9pm, on Sunday afternoons, and by appointment at other times, in order to maximise its accessibility for working people.
40:
539:
coins, seals, and a multitude of other beautiful and precious items. Through the Museum, Ruskin aimed to bring to the working man many of the sights and experiences otherwise confined to the wealthy who could afford to travel through Europe. (The original Museum has been recreated "virtually" online.)
236:
Through the Guild, which married medieval (i.e. pre-industrial) values and a progressive belief in social improvement, Ruskin hoped to establish communities to challenge the profit-motive driving modern industry, and to provide alternatives to mass production. He drew inspiration from medieval craft
538:
The museum housed the increasingly bountiful collection of artworks (pencil sketches, architectural drawings, watercolours, copies of Old
Masters and so on), minerals, geological specimens, casts of sculpture, illuminated manuscripts (most of them medieval in origin), books (many of them rare),
273:
In principle, Ruskin worked out different grades of "Companion" for his hierarchical Guild. He also wrote codes of practice, described styles of dress and even designed the Guild’s own coins. He also wished to establish St George’s
Schools, and published various volumes to aid its teaching (his
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are sympathetically cultivated. A rebuilt barn, called the "Ruskin Studio", acts as a base for the Wyre
Community Land Trust, which engages with a wide range of local projects, promoting rural crafts and skills, hosting events and receiving educational visits. The Guild funded the national
270:, or personal donation, of ÂŁ7000. He set about acquiring land which could be cultivated sustainably, as far as possible using traditional methods (hand-labour, wind and water-power), and assembling an educational collection of beautiful and precious books, art-works and other objects.
259:
His utopian ideal was to stimulate greater happiness and improved health by promoting sound and responsible personal conduct, and by reconnecting society with the ennobling beauty of nature. By means of his "Letters to the
Workmen and Labourers of Great Britain",
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at Styal, in
Cheshire. All but two, which were sold, remain in the Guild’s hands. (A generous benefactor, Mrs Greg, who became a companion in the 1930s, gifted to the Guild her own nature diaries and other precious items, and Green Pastures bungalow in
266:(1871–1884), he sought to recruit "Companions" (the name he gave to members of the Guild) to join him in an effort to establish "a National Store instead of a National Debt". As the Guild’s Master, Ruskin endowed it with a
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The Guild strives to maintain Ruskin’s principles and achieve his aims in the twenty-first century. It is funding a nine-year cycle of
Triennial Exhibitions there. The Guild still manages and lets its properties at
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recognised the Guild on 25 October 1878, granting it legal status, so all of its land and property was incorporated in 1879, but Ruskin had already made purchases and some donations had been provisionally accepted.
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but in the
Derbyshire countryside. It came to be known as St George’s Farm. The early work of this co-operative farming scheme met with only limited success, and was undermined by a series of disagreements (see
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and is still associated with it; arts and crafts and rural economy are fostered; scholarships and awards are sometimes granted; and symposia are held to discuss issues of contemporary concern and debate.
398:). It was later run as a moderately successful market garden and nursery for fifty years until 1938 (but had been sold by the Guild to its manager, George Pearson, in 1929). In 1878 Ruskin purchased a
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for the working men of that city and surrounding areas, amd particularly for the local iron workers whom he much admired. It was situated until 1889 in a cottage on high ground in Bell Hagg Road,
227:
in 1871, it adopted its current name and constitution in 1878. Ruskin, an art critic, had turned increasingly to social concerns from the 1850s. His critique of
Victorian political economy,
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in line with Ruskin’s notions of care and justice (charging fair rents and diligently maintaining the properties). One hundred acres of ancient woodland and two smallholdings near
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situated in the former Hayes Wine Store on
Norfolk Street from 1985 to 2001. Since 2001, it has been part of Sheffield's Millennium Gallery.
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The Guild is run by a Board of
Directors, a secretary, and a Master who meet several times a year. Every autumn, Companions attend an
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Advancement of education and training in the field of rural economy, industrial design and craftsmanship, and appreciation of the arts
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Donations from wealthy and committed Companions placed several parcels of land and various properties in the Guild’s care:
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499:, producing cloth goods. Furthermore, Ruskin encouraged independent, but allied, efforts in spinning and weaving at
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but with a worldwide membership, which tries to uphold the values and put into practice the ideas of its founder,
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550:'s London Road campus. However, the collection returned to Sheffield in 1981, and was displayed at the
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Ruskin also wished to see traditional rural handicrafts revived. St George’s Mill was established at
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459:(now an "unimproved" (unspoilt) national nature reserve) donated by Margaret E. Knight in 1936–37;
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1033:"Commemorative issue of Ruskin stamps from the Isle of Man post office - The Guild of St George"
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For a concise but comprehensive, illustrated history of the Guild, see James Shackley Dearden,
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ed. E. T. Cook and Alexander Wedderburn (39 vols.) (George Allen, 1903–12) vol. 30, pp. 3–12.
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issued a set of six Ruskin commemorative stamps to mark the 150th anniversary of the Guild.
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1171:(Brentham Press for the Guild of St George, 1989; revised edn, Guild of St George, 2011).
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and similar organisations. The Guild became a registered charity on 5 January 1971.
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Online reconstruction of Ruskin's original St George's Museum at Walkley, Sheffield
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guilds, and was influenced by his particular interest in the cultural history of
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The Lost Companions and John Ruskin's Guild of St George: A Revisionary History
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Sources for the study of John Ruskin and the history of the Guild of St George
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For the Guild's constitution and articles of association, see John Ruskin,
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Why have our little girls large shoes? Ruskin and The Guild of St George
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In 1890, the relocated and newly styled Ruskin Museum opened at
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and elsewhere, producing linen and other goods exhibited by the
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Ruskin at Walkley: An Illustrated Guide to the Online Museum
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Miss Margaret E. Knight & St George's Field, Sheepscombe
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Produced by Sheffield City Council's Libraries and Archives
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The Ruskinian Industrialist: George Thomson of Huddersfield
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Since 1871, some of the Guild's Companions have included:
1058:"John Ruskin Set and Sheet Set - Isle of Man Post Office"
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in 1872 (sold by the Guild to the local council in 1972);
410:. The Guys moved in 1882, and the land was sold in 1910.
474:, bequeathed by Mrs Mary Hope Greg (1850–1949), whose
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a field of limestone grassland (St George's Field) at
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Thirteen Acres: John Ruskin and the Totley Communists
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Thirteen Acres: John Ruskin and the Totley Communists
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John Ruskin and the Lakeland Arts Revival, 1880–1920
1212:Guild of St George, registered charity no. 231758
223:, established the Guild in the 1870s. Founded as
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1476:The Ruskin - Library, Museum and Research Centre
1114:Ruskin's Faithful Stewards: Henry and Emily Swan
985:Ruskin's Faithful Stewards: Henry and Emily Swan
1010:St. George’s Museum Online (ed. Marcus Waithe)
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562:In 2001, the Guild’s collection moved to the
1155:Roll of Companions of the Guild of St George
824:Roll of Companions of the Guild of St George
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1142:Art and Society: Ruskin in Sheffield, 1876
1137:(Guild of St George, 1985; new edn, 2011).
960:"Guild of St George - Charity No. 231758"
607:. The Guild's current Companions include
1218:Charity Commission for England and Wales
574:. In 2011, the gallery was re-named the
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964:Charity Commission of England and Wales
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702:1925–34 Hugh Charles Fairfax-Cholmeley
417:eight cottages on a steep hillside at
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641:Frank Field, Lord Field of Birkenhead
462:nine arts-and-crafts-style houses in
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1144:(2nd edn, Guild of St George, 2011).
886:See Peter Wardle and Cedric Quayle,
509:Home Arts and Industries Association
389:(Ruskin called it Abbeydale), near
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1174:Wardle, Peter and Quayle, Cedric,
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385:In 1876, Ruskin purchased land in
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1512:Organizations established in 1871
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1060:. 30 January 2022. Archived from
949:(Merton Priory Press Ltd., 2004).
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1149:John Ruskin: Late Work 1870-1890
1107:John Ruskin's Guild of St George
812:John Ruskin’s Guild of St George
788:, vol. 28, pp. 417–38 and 13–29.
741:2019–present Dr Rachel Dickinson
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1287:The Seven Lamps of Architecture
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732:2005–09 James Shackley Dearden
523:, in 1875, Ruskin established
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1116:(Ruskin Research Blog, 2024).
987:(Ruskin Research Blog, 2024).
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714:1954–73 Herbert Arthur Hodges
711:1951–54 Alexander Farquharson
699:1920–25 Henry Elford Luxmoore
1271:The King of the Golden River
432:20 acres of woodland in the
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1178:(Guild of St George, 2007).
1162:Ruskin's Guild of St George
1151:(Garland Publishing, 1984).
1130:(Guild of St George, 2016).
1109:(Guild of St George, 2010).
1086:(Guild of St George, 2021).
914:(Guild of St George, 2014).
890:(Guild of St George, 2007).
875:Ruskin's Guild of St George
864:(Guild of St George, 2016).
826:(Guild of St George, 2013).
814:(Guild of St George, 2010).
801:(Ashgate, 2011) pp. 151–64.
799:Ruskin’s Educational Ideals
10:
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1502:Charities based in England
1441:Pre-Raphaelite Brotherhood
1363:The Passion of John Ruskin
1157:(Guild of St George, 2013)
1102:(Museums Sheffield, 2011).
1037:www.guildofstgeorge.org.uk
1000:(Museums Sheffield, 2011).
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299:Sir Hubert Llewellyn Smith
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196:is a charitable Education
185:www.guildofstgeorge.org.uk
27:Charitable education trust
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924:Mary Greg Project Website
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760:The Works of John Ruskin
503:, in other parts of the
323:Katharine Harris Bradley
720:1977–82 Jon B. Thompson
672:Isle of Man post office
255:, founder of the Guild.
55:; 153 years ago
1147:Morley, Catherine W.,
873:See Edith Hope Scott,
723:1982–96 Anthony Harris
696:1910–20 George Thomson
633:Suzanne Fagence Cooper
601:Annual General Meeting
396:William Harrison Riley
331:John Henry Chamberlain
287:Lord Courtauld-Thomson
256:
860:See Sally Goldsmith,
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78:Registration no.
1295:The Stones of Venice
1123:(Anthem Press, 2014.
945:See Sara E. Haslam,
837:"Guild of St George"
707:Thomas Edmund Harvey
593:Campaign for Drawing
572:Millennium Galleries
327:J. Howard Whitehouse
276:Bibliotheca Pastorum
1379:Desperate Romantics
1160:Scott, Edith Hope,
1100:Ruskin in Sheffield
1082:See Stuart Eagles,
998:Ruskin in Sheffield
910:See Stuart Eagles,
717:1973–77 Cyril Tyler
649:Dame Fiona Reynolds
617:David Ogilvy Barrie
485:Holcombe, near Bath
315:Alfred Hoare Powell
225:St George's Company
176:Dr Rachel Dickinson
53:5 January 1871
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18:Guild of St. George
1522:Guild of St George
1421:Guild of St George
1176:Ruskin and Bewdley
1126:Goldsmith, Sally,
1064:on 30 January 2022
996:See Janet Barnes,
888:Ruskin and Bewdley
670:In April 2021 the
548:Reading University
525:St George's Museum
487:(sold in 1962-3)).
373:Land and education
280:Shepherd’s Library
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33:Guild of St George
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1517:Guilds in England
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1382:(2009 miniseries)
1358:(1975 miniseries)
1140:Hewison, Robert,
1133:Harris, Anthony,
797:See Sara Atwood,
775:, vol. 27, p. 14.
625:Sir Quentin Blake
576:Ruskin Collection
339:Benjamin Creswick
303:Sir Evelyn Wrench
291:W. G. Collingwood
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16:(Redirected from
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