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as a whole is "permeated" by a metaphorical apocalypse that "echoes of the Bible". Despite the apocalyptic nature of the story, Gomel observes that, as a whole, the novel's happy ending (a unique feature among Wells’ novels) describes the technological advances stemming from the invasion as being
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s destruction as exemplifying "behaviour as (outwardly) dignified in the face of indignity". According to Young, "the ironclad (and its anonymous crew) is depicted as dying a valiant death against a faceless and non-human enemy, to the sound of cheers from the fearful audience looking on." Young
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s attack against the
Martians as "one of the great depictions of modern warfare in world literature". According to her, the scene is "rendered through an almost cinematic montage of many partial and distorted viewpoints", resulting in a chapter that "feels strikingly modern". A similar view is
400:. The ship continues to attack, bringing down one of the fighting machines with its gun, even as it succumbs. The flaming wreckage of the ironclad finally rams into a second fighting-machine, destroying it. When the black smoke and super-heated steam banks dissipate, both the
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and extensively discussed by naval officers of the era, is in reality an "illusory" "armchair tactic". Ferreiro bases his stance on an observation that such ramming attacks were "almost never" used effectively in real life, with the notable exception of the sinking of the
625:, contemporary American military forces use tanks and attack helicopters against the alien Tripods, again without success. Earlier in the film, civilian ferries trying to escape from the Tripods are trapped and easily sunk, with no intervention by a warship.
612:. The player is placed in control of the ironclad and must sail it down a river while using its cannons to destroy Martian machines and settlements; the level ends in a climactic confrontation with Tempest, a powerful Martian war machine.
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signals to the main fleet and steams at full speed towards the
Martians without firing. The Martians, whom the narrator suggests are unfamiliar with large warships (having come from an arid planet) at first use only a
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as an example of how Wells' writing "imagines the collapse of fossil fuel modernity and explores alternate forms of energy". According to Otjen, Wells depicts how the fossil fuel technology represented by
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s success in damaging its enemy with a ramming attack stands in contrast to the near-complete lack of success by real-world vessels designed for ramming.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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was written as an account of fictional events early in the 20th century (possibly the summer of 1901) and the lead ship of the class,
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In the novel Wells gives only a rough description of the ship. After the narrator talks about his brother, he introduces us to the
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jet bomber; the atomic bomb proves useless, because the
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is commonly omitted from some adaptations or replaced outright with technology more appropriate to the updated settings.
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Science
Fiction, Alien Encounters and the Ethics of Posthumanism: Beyond the Golden Rule
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Fiction, Alien Encounters and the Ethics of Posthumanism: Beyond the Golden Rule
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Fiction, Alien Encounters and the Ethics of Posthumanism: Beyond the Golden Rule
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is only able to combat the
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occupies the
Martians long enough for three Royal Navy warships of the main
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beneficial for the whole world. Along similar lines, Nathaniel Otjen uses
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in chapter 17, describing her thus: "About a couple of miles out lay an
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s use of a ram, while a "standard fixture" in ships between 1870 and
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expressed by Leslie
Sheldon, who calls the scene "almost cinematic".
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s demise in combat against the Martians in the context of ethics of
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Battleships of the World: Struggle for Naval Supremacy, 1820–1945
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Please help to demonstrate the notability of the topic by citing
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The Last Days of Thunder Child: Victorian Britain in Chaos!
475:. John Fidler reaches a similar conclusion, describing how
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Jeff Wayne's Musical Version of ''The War of the Worlds''
375:". A few paragraphs later, it is stated that "It was the
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Fictional warship in The War of the Worlds by H. G. Wells
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direct-to-DVD Pendragon feature adaptation of the novel
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and the third fighting-machine are gone. The attack by
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Jeff Wayne's Musical Version of The War of the Worlds
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19:"Thunder Child" redirects here. For other uses, see
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866:. Palgrave Macmillan. p. 45.
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763:. Palgrave Macmillan. p. 37.
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1130:H. G. Wells
564:atomic bomb
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471:during the
461:World War I
412:to arrive.
377:torpedo ram
336:H. G. Wells
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1621:Categories
1470:Television
1451:Highlights
1206:Derivative
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557:George Pal
537:'s famous
394:gas attack
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672:See also
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416:Analysis
369:ironclad
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