376:. Now I never understood what was going on in those movies, I just knew I loved them. I knew something bad was happening because of the music, so I started crying and crying. My mother told me that Cagney was going to the chair because he was a bad guy, and that he was going to die. I didn't know what that was, so she explained dying to me. It seemed pretty horrible, but then my mother told me that he wasn't really going to die because he was in a movie. Well, it just all seemed to click then! That was the way to beat it! I could see James Cagney die a million times, but he was always there. This year I didn't believe it really happened. I kept expecting Cagney to get up.
721:, because she notes that when a film is made, everyone working on it puts more than a year of their lives into making it, so she wants that year to be happy and fun. Heckerling, who loved Travolta, was ecstatic to work with him, though many people consider the film's release to be during the end of a low point in Travolta's career. The film has been Heckerling's highest-grossing film to date, earning $ 296,999,813. After the film's release, Heckerling was able to cross off the second of two goals that she had set for herself in college, the first being to make a studio feature, which she did with
659:-style spoof of gangster movies, but it failed to catch fire at the box office upon its initial release. Heckerling attributes the film's failure to the public's lack of familiarity with the gangster movies that the film was poking fun at. "It was pure satire of something nobody remembers. I think that was the main problem, because all the actors and writers did great jobs. But we were definitely satirizing something ... I mean, unless you watch 1930s movies on TV at night, people don't remember. Somebody told me that during a screening they were sitting next to
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419:. Her father made just slightly over the cut-off for financial aid for the school, so Heckerling had to take out a large loan to cover her expenses. She claims this caused considerable stress in her life, and she was unable to pay them off until the end of her twenties. When Heckerling was in high school and focused on directing, her father was opposed to the idea, wishing that she had chosen a more practical aspiration. Despite this, he gave her
483:, using the editing studios at night to finish the project after work. As soon as she finished the edit and sent it away to be processed, she was in a car collision with a drunk driver who hit the side of her car, landing her in the hospital with a collapsed lung, bruised kidney, and mild amnesia, causing her to be fired from her editing job because she could not remember where certain footage was.
960:(1982), Heckerling has focused on women finishing high school and going into what would be their adult lives. Her characters are constantly going against the norms that women are pushed into within society. Heckerling has a tendency to prioritize the female friendships within her films, along with a larger discussion of gender positioning within teenagers' lifestyles.
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both of her parents who were very ill (her father was in the hospital and her mother had cancer). Though
Heckerling dislikes the baggage that the film carries and is upset about it not being released theatrically, she says that the experience was significant for her because she loved working with Rudd and Pfeiffer in England. Heckerling also directed an episode of the
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however draw on many of her observations, especially the tendency of teenage girls to groom themselves constantly. "You would think that within, you know, the few minutes that they've been in class, that their makeup wouldn't be needing so much repair and yet they're constantly painting and sculpting and ... doing to themselves."
692:. With it, Heckerling scored her second solid hit, earning $ 74,964,621 at the box office. The film, like many of Heckerling's films, received poor reviews from critics but proved to be very popular with audiences. Heckerling, despite being well educated and loving the work of such intellectual writers as
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as a television show because she loved to write the character of Cher who she described as a "happy, optimistic, California girl", and wanted to explore all of her adventures, but after she pitched it to her agent she was told that it would make a great feature. To research for the script, Heckerling
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without any advertisement. Once the film opened, it was a huge success so the studio quickly opened it at theaters around the country. It became an instant hit right out of the gate, eventually going on to become a pop culture touchstone. The film earned $ 27,092,880 at the box office in the USA. It
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who was one of her professors, she later reflects on her time at the school as sloppy and unprofessional, claiming that she used very low-quality equipment and had a lot of technical problems. During her time at NYU, Heckerling was making mostly musicals. "I was the only one doing them and they were
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I was really annoyed because I thought that if an idiot like that guy could say he wanted to be a director, then so could I, and certainly I should be a director more than he should. It had never occurred to me that that was a job possibility. He put the thought in my head because until then I would
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as Jeff
Spicoli, who was launched into stardom by his performance. Heckerling describes casting Penn, whom she first met while he was sitting on the floor outside of the casting office, as a feeling of being overwhelmed by his intensity, even though all he had done was look up at her. She knew that
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When asked about film's ability to grant a form of immortality, Heckerling describes the experience during the accident: "There was the whole thing-the yellow light and all that stuff-and what went through my mind right then was, 'Well, at least I got the film to the lab.' So it's not going to save
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release domestically, despite fairly good notices. Production of the film was troubled by financial issues, including the rights to distribution being sold off without
Heckerling's knowledge, making it difficult for her to sell the film to a studio. At the time, Heckerling was also taking care of
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survivors. "Most of them had tattoos on their arms and for me there was a feeling that all of these people had a story to tell. These were interesting formative experiences." Both of her parents worked full-time, so she frequently moved back and forth from her home in the Bronx, where
Heckerling
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where she observed how teenagers acted, though she admits that most of it was made up. She notes that teenagers at the high school did not dress in high fashion every day as the characters do in the film and that in reality the students there dressed just as frumpily as everyone else. She did,
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that stood out to her. Although she loved the script, she felt that it bore the marks of excessive studio interference, so she read the novel, determined which parts were strongest, and sat down with Crowe to rework the script. The film helped launch the careers of numerous stars including
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Heckerling's films have been characterized as having a proto-feminist perspective. One of the biggest focuses of
Heckerling's directorial style is her anti-hierarchal and boundary-blurring aesthetic. Heckerling focuses on the female life at pivotal turning points. With films such as
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you from anything, obviously, but something about it pulls you forward." Eventually, she finished the film and held a screening that gained a very positive response, causing
Heckerling to call it one of the best days of her life. Her next step was to use the film to get a job.
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and stayed up watching films all night with her grandmother. At this time
Heckerling loved television, where she watched numerous cartoons and old black and white movies. Her favorites were gangster movies, musicals and comedies. She had a particular fondness for
597:. I was one of those obnoxious teenagers that thought that the music I liked was great and everything else sucked. Getting that Oingo Boingo song in the film was a big fight. But I had to make some compromises and put in some songs that I didn't like at all."
427:. Heckerling pored over the book, marking off films that she had seen until she had eventually watched most of them. She claims that by the time she got to NYU, because of this book, she had seen almost all of the films that they had to watch in her classes.
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upon moving to LA from NYC, especially because NYC's public transportation had made it unnecessary for her to learn to drive. When she did eventually learn, she adjusted to LA life and started working. Her first studio job was lip-syncing
396:. On her first day of school there, Heckerling realized that she wanted to be a film director. During their first assignment, writing about what they wanted to do in life, Heckerling wrote that she wanted to be a writer or artist for
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read for the role of Leigh's character Stacy
Hamilton, but Heckerling decided that she wanted someone that seemed younger and more fragile (though Jennifer Jason Leigh was born more than four months earlier than Ally Sheedy).
495:, showed a lot of interest in Heckerling but because she was not backed by an agent they could not hire her. After months of struggling to find an agent, Mount called Heckerling up on the phone and asked her to make a film.
1034:(although she ultimately only produced, rather than directed it). Heckerling's daughter Mollie disputes his claims saying that, although Heckerling and Kattan had an affair, it occurred when the film was already shooting.
479:, about a girl that wants to lose her virginity before she turns twenty and the adventures she has before midnight of her twentieth birthday. Heckerling continued to work on the film after she graduated from AFI with her
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388:, where Heckerling felt more out of place than ever. She did not get along with other kids in her school there, nor did she want to continue to be classmates with them through high school, so she enrolled at the
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briefly when she first moved to Los
Angeles. Though they later broke up, they remained good friends. Heckerling's first marriage was to David Brandt, from 1981 to 1983. In 1984, Heckerling married director
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The studio was unsure of how to market the film, and
Heckerling guesses that they did not think that anyone would want to watch it. The studio decided to just open it in a few hundred or so theaters on the
801:, it quickly caught on with teenagers and went on to become a significant pop culture reference point. The film went on to gross $ 56,631,572 and helped launch the careers of most of the cast, including
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992:, though Heckerling claims that her daughter never wanted to be a "girly girl" and distanced herself from much of her work, never adding any input to the lives of characters such as those in
901:, about two vampires living in New York City as best friends and roommates. The film was released to theatres on November 2, 2012, followed by a DVD release on November 13. On July 4, 2016,
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Alumni Medal celebrating her creative talents and artistic achievements. She struggled to break out into big films and was snubbed by Hollywood, up until the release of her breakout film
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717:. Heckerling got the idea for the film while she was pregnant with her daughter and developed it into a feature. Heckerling says that she loves to write comedies, such as
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The couple's daughter, Mollie Israel, was born in 1985. Mollie was led to believe Israel was her biological father until 2004, when it was revealed to her that in fact
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1007:“He’s like, ‘Oh what, do they need some atta boys? Make ’em an atta-boy sandwich.’ To him, to compliment anybody on anything, it’s like you’re being a phony schmuck."
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669:, and he was in hysterics. If you studied those movies, you know what we were doing." In subsequent years, however, it has garnered a substantial cult audience.
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Heckerling is not especially fond of the sycophantic nature present in the film industry. She likens the idea to a term initially coined by her brother:
747:. The film added another baby to the storyline and was a moderate success. Heckerling then produced, but did not direct, the third and final sequel,
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Newman, Emily (2018). "REFOCUS: THE FILMS OF AMY HECKERLING Ed. Frances Smith and Timothy Shary. Edinburgh UP, 2016. 265 Pp. $ 120.00 Hardcover".
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for outstanding women who, through endurance and excellence, have helped to expand the role of women within the entertainment industry.
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Heckerling was discriminating about the film's soundtrack. Originally, the film was supposed to have music in it by bands like the
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never have thought of saying that I wanted to do that; it didn't seem to be one of the jobs in the world that could be open to me.
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514:(1982), based on the non-fiction account of a year in the life of California high school students as observed by undercover
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Though Heckerling considered her time at NYU to be a great time where she learned a lot and made great connections, such as
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524:. When Heckerling first signed on to do a feature for Universal, she read a lot of scripts, but it was Crowe's script for
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in Los Angeles where she felt there would be more opportunities to break into the business. Heckerling experienced severe
223:(born May 7, 1954) is an American writer, producer, and director. Heckerling started out her career after graduating from
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movement at its schlumpiest. With this, I sort of infused a 1930s idiotic grace that didn't go with the post-
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was her biological father. Heckerling has included Mollie in some of her films in bit parts, including
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After graduating from NYU, Heckerling decided that she wanted to follow her friend Martin Brest to the
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upbringing and remembers that the apartment building where she spent her early childhood was full of
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this was her Spicoli, even though they had seen other people who had read better for the role.
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2192:"Mixing Marriage and Movies Is a Mirthly Delight for Directors Amy Heckerling and Neal Israel"
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In addition, it marks early appearances by several actors who later became stars, including
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mentality that was prevalent at the time. They were weird films, but they got me into AFI."
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1937:"Hormonal pyrotechnics 101: Amy Heckerling on life, love and other high-school explosives"
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kids, or story about a girl losing her virginity. Eventually she found her next film.
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Hurd, Mary G. Women Directors and Their Films. Westport, Conn: Praeger, 2007. Print.
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She graduated from high school in 1970, focused on directing and studying film at
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2323:"Amy Heckerling's Daughter Responds to Chris Kattan's Claims of Sexual Coercion"
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1959:"Amy Heckerling – The Uncool – The Official Site for Everything Cameron Crowe"
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award for Best Screenplay Written Directly for the Screen for her screenplay,
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for a television show, where she started making connections in the business.
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weird. It was the mid-70s and it was a bizarre combination of long hair with
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received a developmental lab in New York City. A previous workshop starring
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sitting at home all day watching television, to her grandmother's home in
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2078:"'Clueless' Off Broadway Musical Announces Full Cast; Opening Date Set"
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298:(1999). Many of Heckerling’s films were adapted as television series.
2151:"Femininity, ageing and performativity in the work of Amy Heckerling"
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During her second year at AFI, Heckerling made her first short film,
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2299:"Chris Kattan's Got a Disturbing Story About Lorne Michaels and
2254:"The Story of Harold Ramis and Amy Heckerling's Secret Daughter"
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Baby, Don't Hurt Me: Stories and Scars from Saturday Night Live
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to have sex with Heckerling so she would direct the 1998 film
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posted an in-depth 81-minute interview with Heckerling on his
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exam, the family became more financially stable and moved to
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National Society of Film Critics Award for Best Screenplay
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as a 1990s teen comedy about wealthy teenagers living in
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2349:"Amy Heckerling – Awards & Nominations – MSN Movies"
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2132:"Made in New York: An interview with Amy Heckerling"
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which she enjoyed much better. Here, she frequented
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Breaking In: How 20 Film Directors Got Their Start.
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1906:Breaking In: How 20 Film Directors Got Their Start
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2011:. Charlie Rose. November 13, 1996. Archived from
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699:In 1989, Heckerling had her biggest success with
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425:Classics of the Foreign Film: A Pictorial Legacy
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560:. Most notable, however, is the appearance of
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2056:"Amy Heckerling | Film | Interview"
2155:Alphaville: Journal of Film and Screen Media
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1945:, July 26, 2000. Accessed February 10, 2008.
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2105:Journal of Popular Film & Television
759:that was largely written by Heckerling.
3290:Television producers from New York City
2280:"True Confessions of a Female Director"
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839:(2000), a romantic college comedy with
324:Heckerling was born on May 7, 1954, in
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2278:Zoladz, Lindsay (February 16, 2017).
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909:. In July 2017, a musical version of
606:also spawned a short-lived series on
3255:High School of Art and Design alumni
2513:National Lampoon's European Vacation
1811:Episode: "Bonfire of the Vanna Tea"
1182:National Lampoon's European Vacation
675:National Lampoon's European Vacation
461:American Film Institute Conservatory
434:and noted screenwriter and satirist
253:National Lampoon’s European Vacation
3285:Screenwriters from New York (state)
3230:American women television producers
3220:American women television directors
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1862:"Amy Heckerling Biography (1955?-)"
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782:. Heckerling originally thought of
286:(2012). She was also a producer on
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3265:Jewish American television writers
2190:McMurran, Kristin (May 13, 1985).
2009:"An interview with Amy Heckerling"
1842:List of New York University people
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3250:Film directors from New York City
3235:American women television writers
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879:In 2011, Heckerling directed the
833:Heckerling directed and produced
672:The following year, she directed
292:(1998) and executive producer on
2221:Swartz, Tracy (April 18, 2018).
1044:National Society of Film Critics
963:
762:In 1995, she wrote and directed
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332:, to a bookkeeper mother and an
244:She has also directed the films
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2054:Murray, Noel (March 20, 2008).
1829:Episode: "Kick Your Shoes Off"
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508:Heckerling's first feature was
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3245:American comedy film directors
2252:Ramis, Violet (June 5, 2018).
1984:"Fast Times at Ridgemont High"
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27:American filmmaker (born 1954)
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3260:Jewish American screenwriters
3225:American television directors
3210:American women film producers
3205:American women film directors
2117:10.1080/01956051.2018.1486649
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390:High School of Art and Design
3215:American women screenwriters
2497:Fast Times at Ridgemont High
2297:Neilan, Dan (May 29, 2019).
1136:Fast Times at Ridgemont High
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1062:. In 1999, she received the
1054:. In 1998, she received the
1042:In 1995, Heckerling won the
957:Fast Times at Ridgemont High
798:Fast Times at Ridgemont High
737:sequels would follow—1990's
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621:Fast Times at Ridgemont High
526:Fast Times at Ridgemont High
511:Fast Times at Ridgemont High
380:After her father passed his
372:, Cagney was walking to the
316:that ran from 1996 to 1999.
300:Fast Times at Ridgemont High
238:Fast Times at Ridgemont High
7:
2553:I Could Never Be Your Woman
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1366:I Could Never Be Your Woman
1020:claimed in his 2019 memoir
850:I Could Never Be Your Woman
689:National Lampoon's Vacation
277:I Could Never be Your Woman
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2376:. Filmbug. August 18, 2002
935:on November 20, 2018 with
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1826:Cindy McMann, uncredited
1683:Episode: "Three Strikes"
1024:that he was pressured by
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768:, reworking and updating
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3027:Joel Coen and Ethan Coen
2130:Weston, Hillary (2016).
1048:Writers Guild of America
1012:Affair with Chris Kattan
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417:Tisch School of the Arts
320:Early life and education
302:evolved into the series
3195:AFI Conservatory alumni
2149:Smith, Frances (2015).
1602:" and "Monstrous Ball"
1060:American Film Institute
915:helmed by Tony nominee
369:Angels with Dirty Faces
229:American Film Institute
2842:and Daniel Yost (1989)
2529:Look Who's Talking Too
2412:2001. 142–156. Print.
2301:A Night at the Roxbury
1297:A Night at the Roxbury
1251:Look Who's Talking Now
1228:Look Who's Talking Too
1038:Awards and nominations
1031:A Night at the Roxbury
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750:Look Who's Talking Now
740:Look Who's Talking Too
443:, the tail end of the
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289:A Night at the Roxbury
3280:People from the Bronx
1656:Episode: "Victor Ha"
1056:Franklin J. Schaffner
1005:
787:sat in on classes at
713:and a baby voiced by
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233:Franklin J. Schaffner
3270:Jewish women writers
2426:1998. 81–85. Print.
2167:10.33178/alpha.10.03
1600:Father and the Bride
1470:Life on the Flipside
1109:Getting It Over With
663:, who had just done
539:Jennifer Jason Leigh
477:Getting it Over With
198: 1984;
169: 1981;
2408:Jarecki, Nicholas.
2015:on October 22, 2013
1904:Jarecki, Nicholas.
1802:Nel Erving (voice,
1016:Actor and comedian
413:New York University
225:New York University
90:New York University
3240:Jewish film people
3200:American actresses
2864:David Webb Peoples
2796:Bruce Jay Friedman
2521:Look Who's Talking
2505:Johnny Dangerously
2483:Films directed by
2035:Look Who's Talking
1935:Donadoni, Serena.
1612:The Carrie Diaries
1205:Look Who's Talking
1159:Johnny Dangerously
986:Look Who's Talking
939:in the lead role.
895:Alicia Silverstone
803:Alicia Silverstone
735:Look Who's Talking
719:Look Who's Talking
702:Look Who's Talking
630:Johnny Dangerously
493:Universal Pictures
336:father. She had a
259:Look Who’s Talking
247:Johnny Dangerously
48:Heckerling in 2017
3177:
3176:
3147:Ryusuke Hamaguchi
3059:Richard Linklater
2880:Quentin Tarantino
2728:Marshall Brickman
2660:Penelope Gilliatt
2571:
2570:
2422:Singer, Michael.
2233:on April 18, 2018
2119:– via FIAF.
2084:. October 9, 2018
1922:Singer, Michael.
1866:Filmreference.com
1833:
1832:
1768:
1767:
1406:
1405:
903:Gilbert Gottfried
855:Michelle Pfeiffer
853:(2007), starring
345:claims she was a
314:television series
227:and entering the
218:
217:
138:Years active
16:(Redirected from
3302:
3170:
3162:
3154:
3142:
3134:
3122:
3111:Armando Iannucci
3106:
3098:
3095:Kenneth Lonergan
3090:
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3070:
3054:
3046:
3038:
3030:
3022:
3014:
3006:
2998:
2990:
2978:
2970:
2962:
2943:
2940:Kenneth Lonergan
2935:
2927:
2919:
2907:
2895:
2887:
2875:
2867:
2859:
2856:David Cronenberg
2851:
2843:
2835:
2827:
2819:
2811:
2799:
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2763:
2755:
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2575:
2574:
2477:
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2454:
2453:
2386:
2385:
2383:
2381:
2374:"Amy Heckerling"
2370:
2361:
2360:
2358:
2356:
2351:. Movies.msn.com
2345:
2339:
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2334:
2319:
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2288:
2287:
2275:
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2264:
2249:
2243:
2242:
2240:
2238:
2229:. Archived from
2218:
2209:
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2206:
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2187:
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2178:
2146:
2140:
2139:
2127:
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2005:
1992:
1991:
1980:
1974:
1973:
1971:
1969:
1955:
1946:
1933:
1927:
1920:
1909:
1908:. 2001. 142–156.
1902:
1877:
1876:
1874:
1872:
1858:
1775:
1774:
1771:Television roles
1413:
1412:
1082:
1081:
943:Filmmaking style
921:Taylor Louderman
891:Sigourney Weaver
684:Beverly D'Angelo
312:(1995) became a
203:
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174:
172:
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102:AFI Conservatory
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3115:David Schneider
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2983:Alexander Payne
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2959:Julian Fellowes
2957:
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2932:Charlie Kaufman
2930:
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2916:Brian Helgeland
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2848:Charles Burnett
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2327:www.vulture.com
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2227:Chicago Tribune
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2111:(46): 125–126.
2101:
2097:
2087:
2085:
2076:
2075:
2071:
2061:
2059:
2058:. The A.V. Club
2052:
2045:
2040:Box Office Mojo
2032:
2028:
2018:
2016:
2007:
2006:
1995:
1988:Box Office Mojo
1982:
1981:
1977:
1967:
1965:
1957:
1956:
1949:
1934:
1930:
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1903:
1880:
1870:
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1773:
1411:
1409:Television work
1080:
1075:
1058:Medal from the
1040:
1014:
966:
945:
863:direct-to-video
831:
807:Brittany Murphy
731:
558:Anthony Edwards
550:Forest Whitaker
506:
501:
491:, president of
457:
366:... when I saw
322:
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202: 1990)
193:
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3043:Asghar Farhadi
3039:
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3011:Tamara Jenkins
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2967:Ronald Harwood
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2904:Monica Johnson
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2892:Amy Heckerling
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2816:Hanif Kureishi
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2792:Babaloo Mandel
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2485:Amy Heckerling
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2444:Amy Heckerling
2439:
2438:External links
2436:
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2329:. May 29, 2019
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1993:
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1928:
1926:. 1998. 81–85.
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1026:Lorne Michaels
1013:
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1000:, and films.
965:
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944:
941:
917:Kristin Hanggi
899:Krysten Ritter
830:
827:
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661:Brian De Palma
635:Michael Keaton
535:Judge Reinhold
505:
502:
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456:
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436:Terry Southern
374:electric chair
321:
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308:(1986), while
221:Amy Heckerling
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36:Amy Heckerling
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3139:Eliza Hittman
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2909:
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2804:Albert Brooks
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2772:Larry Gelbart
2769:
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2736:Paul Mazursky
2733:
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2704:Warren Beatty
2701:
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2308:The A.V. Club
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2161:(10): 49–63.
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1963:Theuncool.com
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1122:Short film –
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1070:
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1067:Crystal Award
1065:
1064:Women in Film
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964:Personal life
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826:
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819:Breckin Meyer
816:
815:Donald Faison
812:
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790:
785:
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780:Beverly Hills
777:
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746:
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711:Kirstie Alley
708:
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633:(1984), with
632:
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595:Dead Kennedys
592:
591:Talking Heads
588:
584:
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568:
563:
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547:
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522:Cameron Crowe
519:
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517:Rolling Stone
513:
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499:Feature films
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465:culture shock
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71:New York City
66:(age 70)
56:
52:
45:
40:
33:
30:
19:
3127:Bong Joon-ho
3103:Greta Gerwig
3083:Tom McCarthy
3075:Wes Anderson
3051:Tony Kushner
3035:Aaron Sorkin
3003:Peter Morgan
2951:2001–present
2891:
2872:Jane Campion
2840:Gus Van Sant
2824:John Boorman
2780:Bill Forsyth
2744:Steve Tesich
2712:Alain Tanner
2700:Robert Towne
2676:George Lucas
2644:Larry Tucker
2620:David Newman
2559:
2551:
2543:
2535:
2527:
2519:
2511:
2503:
2495:
2484:
2424:A Cut Above.
2423:
2409:
2393:Bibliography
2380:November 21,
2378:. Retrieved
2355:November 21,
2353:. Retrieved
2343:
2331:. Retrieved
2326:
2317:
2306:
2300:
2292:
2283:
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2261:. Retrieved
2257:
2247:
2235:. Retrieved
2231:the original
2226:
2201:. Retrieved
2195:
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2144:
2135:
2125:
2108:
2104:
2098:
2086:. Retrieved
2082:Deadline.com
2081:
2072:
2062:November 21,
2060:. Retrieved
2034:
2029:
2019:November 21,
2017:. Retrieved
2013:the original
1987:
1978:
1968:November 21,
1966:. Retrieved
1962:
1940:
1931:
1923:
1905:
1871:November 21,
1869:. Retrieved
1865:
1856:
1819:
1803:
1797:Eek! The Cat
1795:
1764:10 episodes
1745:
1718:
1691:
1664:
1637:
1610:
1579:
1548:
1521:
1513:35 episodes
1494:
1469:
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1387:
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1318:
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1203:
1180:
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1134:
1126:thesis film
1108:
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1029:
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1018:Chris Kattan
1015:
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1002:
993:
989:
985:
982:Harold Ramis
979:
970:Martin Brest
967:
955:
949:
946:
937:Dove Cameron
933:Off-Broadway
928:
924:
910:
884:
878:
871:
848:
834:
832:
829:2000–present
796:
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783:
773:
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761:
754:
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734:
732:
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718:
715:Bruce Willis
700:
698:
687:
678:(1985) with
673:
671:
664:
654:
643:Danny DeVito
628:
620:
619:After doing
618:
611:
599:
583:Oingo Boingo
572:
546:Nicolas Cage
543:
531:Phoebe Cates
525:
515:
509:
507:
485:
476:
474:
458:
441:bell bottoms
432:Martin Brest
429:
424:
421:Parker Tyler
410:
405:
397:
379:
367:
365:
360:James Cagney
355:Coney Island
347:latchkey kid
323:
309:
303:
299:
293:
287:
281:
275:
269:
263:
257:
251:
245:
243:
236:
220:
219:
156:David Brandt
141:1977–present
29:
3190:1954 births
3151:Takamasa Oe
3131:Han Jin-won
3087:Josh Singer
3067:Julie Delpy
3063:Ethan Hawke
2924:Scott Frank
2884:Roger Avary
2832:Ron Shelton
2788:Lowell Ganz
2724:Woody Allen
2716:John Berger
2680:Gloria Katz
2652:Éric Rohmer
2237:October 13,
2088:October 14,
1942:Metro Times
1924:A Cut Above
1737:2 episodes
1710:6 episodes
1639:Suburgatory
1629:3 episodes
1598:Episodes: "
1581:Gossip Girl
1540:4 episodes
1461:3 episodes
1073:Filmography
975:Neal Israel
954:(1995) and
925:Kinky Boots
870:version of
845:Mena Suvari
841:Jason Biggs
823:Stacey Dash
770:Jane Austen
745:Neal Israel
705:, starring
694:Franz Kafka
680:Chevy Chase
651:Peter Boyle
647:Dom DeLuise
639:Joe Piscopo
567:Ally Sheedy
554:Eric Stoltz
520:journalist
280:(2007) and
184:Neal Israel
118:Occupations
64:May 7, 1954
3184:Categories
3167:Samy Burch
3159:Todd Field
3119:Ian Martin
3019:Mike Leigh
2987:Jim Taylor
2760:John Guare
2752:Bo Goldman
2432:1580650007
2418:0767906748
2284:The Ringer
2176:10468/5980
1848:References
1720:Weird City
1567:Episode: "
1550:The Office
1534:Executive
1444:Fast Times
1331:Executive
873:The Office
613:Fast Times
603:west coast
593:, and the
587:The Go-Gos
489:Thom Mount
334:accountant
305:Fast Times
60:1954-05-07
18:Heckerling
2612:1967–2000
2136:criterion
1821:Royalties
1808:segment)
1747:Royalties
1496:Baby Talk
1486:TV movie
1428:Producer
1422:Director
1097:Producer
1091:Director
1078:Film work
859:Paul Rudd
811:Paul Rudd
756:Baby Talk
656:Airplane!
653:, was an
562:Sean Penn
449:Watergate
394:Manhattan
342:Holocaust
326:The Bronx
241:(1982).
83:Education
2537:Clueless
1836:See also
1805:Klutter!
1693:Red Oaks
1688:2015–17
1607:2013–14
1569:Hot Girl
1523:Clueless
1518:1996–99
1491:1991–92
1431:Creator
1274:Clueless
1052:Clueless
994:Clueless
951:Clueless
929:Heathers
912:Clueless
795:As with
784:Clueless
765:Clueless
666:Scarface
423:'s book
351:Brooklyn
310:Clueless
274:(2000),
268:(1995),
265:Clueless
262:(1989),
256:(1985),
250:(1984),
211:Children
127:producer
124:Director
75:New York
2333:June 5,
2263:June 5,
2258:Vulture
2203:May 28,
1425:Writer
1094:Writer
907:podcast
610:called
470:dailies
204:
192:
188:
175:
163:
159:
146:Spouses
3169:(2023)
3161:(2022)
3153:(2021)
3141:(2020)
3133:(2019)
3121:(2018)
3105:(2017)
3097:(2016)
3089:(2015)
3077:(2014)
3069:(2013)
3065:, and
3053:(2012)
3045:(2011)
3037:(2010)
3029:(2009)
3021:(2008)
3013:(2007)
3005:(2006)
2997:(2005)
2989:(2004)
2977:(2003)
2969:(2002)
2961:(2001)
2942:(2000)
2934:(1999)
2926:(1998)
2918:(1997)
2906:(1996)
2894:(1995)
2886:(1994)
2874:(1993)
2866:(1992)
2858:(1991)
2850:(1990)
2834:(1988)
2826:(1987)
2818:(1986)
2810:(1985)
2798:(1984)
2782:(1983)
2774:(1982)
2762:(1981)
2754:(1980)
2746:(1979)
2738:(1978)
2730:(1977)
2718:(1976)
2706:(1975)
2694:(1974)
2686:(1973)
2670:(1972)
2662:(1971)
2654:(1970)
2646:(1969)
2634:(1968)
2626:(1967)
2564:(2012)
2556:(2007)
2548:(2000)
2540:(1995)
2532:(1990)
2524:(1989)
2516:(1985)
2508:(1984)
2500:(1982)
2430:
2416:
2402:
2197:People
1787:Notes
1781:Title
1434:Notes
1419:Title
1100:Notes
1088:Title
821:, and
649:, and
625:preppy
575:Eagles
556:, and
537:, and
455:Career
445:hippie
386:Queens
338:Jewish
130:writer
77:, U.S.
2561:Vamps
2545:Loser
1816:2020
1792:1995
1784:Role
1778:Year
1742:2020
1715:2019
1661:2014
1634:2014
1576:2012
1545:2005
1466:1988
1439:1986
1416:Year
1389:Vamps
1384:2012
1361:2007
1343:Loser
1338:2000
1320:Molly
1315:1999
1292:1998
1269:1995
1246:1993
1223:1990
1200:1989
1177:1985
1154:1984
1131:1982
1105:1977
1085:Year
998:OK Go
990:Loser
889:with
886:Vamps
883:film
836:Loser
729:1990s
504:1980s
295:Molly
283:Vamps
271:Loser
194:(
190:
165:(
161:
3149:and
3129:and
3117:and
3085:and
2985:and
2914:and
2902:and
2882:and
2806:and
2794:and
2770:and
2726:and
2714:and
2702:and
2682:and
2642:and
2622:and
2448:IMDb
2428:ISBN
2414:ISBN
2400:ISBN
2382:2012
2357:2012
2335:2019
2265:2018
2239:2018
2205:2019
2090:2018
2064:2012
2021:2012
1970:2012
1873:2012
1752:Yes
1725:Yes
1698:Yes
1671:Yes
1666:Rake
1644:Yes
1617:Yes
1586:Yes
1555:Yes
1537:Yes
1531:Yes
1528:Yes
1510:Yes
1504:Yes
1480:Yes
1455:Yes
1452:Yes
1449:Yes
1397:Yes
1394:Yes
1374:Yes
1371:Yes
1354:Yes
1351:Yes
1348:Yes
1308:Yes
1285:Yes
1282:Yes
1279:Yes
1262:Yes
1236:Yes
1233:Yes
1213:Yes
1210:Yes
1187:Yes
1164:Yes
1141:Yes
1116:Yes
1113:Yes
988:and
897:and
857:and
843:and
775:Emma
733:Two
682:and
579:Fear
200:div.
171:div.
54:Born
2446:at
2171:hdl
2163:doi
2113:doi
2038:at
1761:No
1758:No
1755:No
1734:No
1731:No
1728:No
1707:No
1704:No
1701:No
1680:No
1677:No
1674:No
1653:No
1650:No
1647:No
1626:No
1623:No
1620:No
1595:No
1592:No
1589:No
1564:No
1561:No
1558:No
1507:No
1501:No
1483:No
1477:No
1474:No
1458:No
1400:No
1377:No
1328:No
1325:No
1305:No
1302:No
1259:No
1256:No
1239:No
1216:No
1193:No
1190:No
1170:No
1167:No
1147:No
1144:No
1124:AFI
1119:No
868:NBC
772:'s
608:CBS
541:.
481:MFA
415:'s
399:Mad
392:in
382:CPA
107:MFA
3186::
3113:,
3061:,
2790:,
2678:,
2365:^
2325:.
2305:.
2282:.
2256:.
2225:.
2213:^
2194:.
2169:.
2159:10
2157:.
2153:.
2134:.
2107:.
2080:.
2046:^
1996:^
1986:.
1961:.
1950:^
1939:,
1913:^
1881:^
1864:.
1571:"
893:,
876:.
817:,
813:,
809:,
805:,
709:,
645:,
641:,
637:,
589:,
585:,
581:,
552:,
548:,
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362:.
328:,
196:m.
167:m.
95:BA
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62:)
2597:e
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2476:e
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2384:.
2359:.
2337:.
2311:.
2303:"
2286:.
2267:.
2241:.
2207:.
2179:.
2173::
2165::
2138:.
2115::
2109:2
2092:.
2066:.
2023:.
1990:.
1972:.
1875:.
923:(
214:1
109:)
105:(
97:)
93:(
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20:)
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