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80:. Although his debut season was not an unqualified success, he showed considerable promise, and he was invited back by Covent Garden's management, appearing there again in 1903, 1907–08, and 1913. During these subsequent Covent Garden seasons he sang even more impressively than he had during his first London season, and was now much admired in the Wagnerian roles of Tristan, Siegfried, Tannhauser, Erik, Walther and Lohengrin.
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Knote had a handsome stage presence and possessed a strong, smooth, resonant voice with a lively, but rarely intrusive, vibrato. He was additionally praised by music critics of the day for the clarity of his diction. Vocal historians regard him as being one of
Germany's best ever Wagnerian tenors.
97:. He was so successful in this and other Wagner operas that during his three seasons with the Met company, his popularity was said to have almost rivalled that of the Met's superstar tenors
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The seeds of Knote's international reputation as a top-flight exponent of
Wagnerian operatic parts were planted in 1901 when he sang for the first time at the
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52:. Munich remained his base for the rest of the 19th century, although he did also appear at other German opera houses during this period.
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Opera. He sang in the United States for the last time in 1923-24, appearing as
Tristan, Walther and Rienzi with a German opera company.
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Gradually Knote's voice, which had begun as a light lyric tenor, grew in size and stamina. By 1900, he was able to undertake
Manrico in
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Knote made a large number of recordings of operatic arias from circa 1906 to 1930. Some of these are available on CD transfers.
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Opera in 1917. After the war, Munich once again became his artistic home although he was engaged for a short time by the
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44:, he studied in that Bavarian city with Emmanuel Kirschner before joining the Munich Opera in 1892, debuting in
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He retired from the operatic stage in Munich in 1932 and taught singing. At the age of 82, he died in
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Opera; but this was cancelled suddenly in 1909 after a dispute with management. Knote spent the
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style of vocalism.) He did, however, enter into a contract with the artistically esteemed
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30:(26 November 1870 – 15 January 1953) was an outstanding
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period in
Germany and became the principal tenor of the
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211:History of the Tenor - Sound Clips and Narration
162:Encyclopedia of the Opera: New Enlarged Edition
108:Surprisingly enough, Knote never sang at the
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251:20th-century German male opera singers
246:19th-century German male opera singers
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176:The Concise Oxford Dictionary of Opera
256:Musicians from the Kingdom of Bavaria
171:, Volume 1. London; Duckworth, 1977.
174:Harold Rosenthal and John Warrack,
101:and, from the previous generation,
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37:with an international reputation.
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164:. New York; Hill and Wang, 1963.
202:Works by or about Heinrich Knote
182:. Oxford University Press, 1979.
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23:Heinrich Knote as Siegfried
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193:Works by Heinrich Knote
241:German operatic tenors
137:Garmisch-Partenkirchen
91:on 3 December 1904 in
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169:The Record of Singing
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236:Singers from Munich
16:German opera singer
89:Metropolitan Opera
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197:Project Gutenberg
110:Bayreuth Festival
94:Die Meistersinger
74:Royal Opera House
65:as well as heavy
50:Der Waffenschmied
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206:Internet Archive
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155:References
147:Recordings
85:American
46:Lortzing
40:Born in
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130:Hamburg
118:Dresden
69:roles.
67:Wagner
42:Munich
32:German
57:Verdi
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