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Helen Dryden

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engineering. Studebaker described the interior of the 1937 cars as "refreshingly ventilated and generously roomy, …tastefully and distinctively styled by famous Helen Dryden, America's "first lady" of design." Similar advertisements mentioning Helen Dryden by name appeared in popular magazines and many newspapers, an unusual effort "to publicize a specific designer, especially a woman, in car advertising" at that time. She was considered "one of the top industrial designers and one of the few women in the automotive field." Dryden worked with Loewy through 1940.
226:. This was Dryden’s "most prolific working period" and her inspiration is also often associated with the start of Art Deco" with "has graceful, feminine forms" showing "whimsical, imaginative, and notably decorative illustrations of full figures." Dryden stopped working for Vogue in mid-1923 and began designing wallpaper patterns and illustrated advertisements for companies making dress fabrics, towels, and hats. In the late 1920s, Dryden designed the covers for the fashion and dressmaking magazine 33: 610:
Helen Dryden was a great artist from New York. She was an interiorist, and did a lot of wood interiors, and so Dura was paying her $ 35,000 a year, and that was a lot of money for Dura Company, and then when the cut down came with everybody being fired, she was thrown out. That's when I went in and
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when she was seven. Then she moved to Mrs. Comegys School. During her early childhood years, Dryden showed unusual artistic ability, designing and selling clothes for paper dolls. As part of a school project, she made a collection of paper dolls and dresses, which became a feature in a newspaper's
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After 1940, Dryden's career faded mysteriously and vanished from the public eye. Her story turned to her living on welfare in an East Village hotel in New York City. By 1956, Dryden was again living in a $ 10-a-week hotel room paid for by the city's Welfare Department. At the time, she referred
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that established Helen Dryden as an important twentieth-century industrial designer. The advertisements by the automaker proclaimed, "It's styled by Helen Dryden." Dryden designed the Studebaker President throughout, and the press marveled that a woman had attained this eminence in mechanical
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Dryden was primarily self-trained, describing her works as "a combination of things I like, in the way I want to do them." Her artistic education consisted of four years of training in landscape painting under Hugh Breckinridge and one summer school session at the
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After moving to New York in 1909, Dryden spent a year trying to interest fashion magazines in her drawings. None, however, showed any interest in her work, and many were harshly critical. Dryden was particularly disappointed in her rejection by
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contract that led to a 13-year collaboration (1909–1922) during which she produced many fashion illustrations and magazine covers. Her "essentially romantic style produced some of the most appealing, yet fantastical images on
290:. It seems Dryden never fully recovered from this blow. Christopher Gray wrote, "The 1925 census recorded her living at 9 East 10th Street with her 25-year-old Philippine-born cook and butler, Ricardo Lampitok." 271: 877: 1170: 1165: 653:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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covers, frequently depicting imagined rather than realistic representations of dress." She also illustrated other Condé Nast titles, including
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Dryden "has faded into obscurity and anonymity in the fast-paced modern world." Her groundbreaking achievements have not been recognized.
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and set out to make changes. Upon seeing Dryden's drawings, they directed the fashion editor to contact her immediately. The result was a
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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
851: 144:. Her future as a socialite changed when the family encountered a "break-down of a sugar refining business." The family moved to 821: 106: 1476: 472: 963: 443: 1200: 560: 723: 570: 482: 170: 128:
as being the highest-paid woman artist in the United States, though she lived in comparative poverty in later years.
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1932 honorable mention as a commercial designer in the automotive field by the National Alliance of Art and Industry
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from 1935 to 1938, reportedly earning $ 100,000 per year ($ 2,164,539 in 2023 dollars ). Automotive designer
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Greenwich Village became an artists' colony, it attracted people like Helen Dryden, who was described in
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In addition to her prolific career as an illustrator, in 1914, Dryden launched a successful career as a
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Automotive Design Oral History, Accession 1673, Benson Ford Research Center, University of Michigan
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contracted with her to help him design Studebaker interiors. Her work on the interior of the 1936
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Hendry, Maurice M. (1972). "Studebaker: One can do a lot of remembering in South Bend".
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characterized by streamlined cubist forms as a "reflection of modernity and industry."
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fashion section. It was an opportunity that led to a position as an illustrator for
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nostalgically to "her '$ 200-a-month' 10th Street apartment". She went through
228: 178: 1460: 1415: 1318: 1293: 298: 852:"Helen Who?? Her Life as a Fashion Illustrator, Costume Designer (Part Two)" 624: 278:, producing many designs for tableware, lamps, and other housewares for the 202: 1425: 1236: 822:"A Day in the Life of Cleavelands'd Great Lakes Exposition (advertisement)" 510:"Helen Dryden: Illustrator and Industrial Designer in the Age of Art Deco" 389:
in 1956 as once having been the highest-paid female artist in the country.
1262: 118:(5 November 1882–1972) was an American artist and successful industrial 1216: 1180: 972: 294: 145: 272:
Exposition Internationale des Arts DĂ©coratifs et Industriels Modernes
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A Century of Automotive Style: 100 Years of American Car Design
686: 507: 248:, followed by designs for several other stage plays, including 941: 766:"It's styled by Helen Dryden (1936 Studebaker advertisement)" 282:. She had a highly paid job with the Dura Company until the 244:. She designed scenery and costumes for the musical comedy 122:
in the 1920s and 1930s. She was reportedly described by
1458: 508:Washington University Libraries (17 May 2017). 173:. Deciding that she had no genuine interest in 957: 845: 843: 444:"Fashion illustration Legends - Helen Dryden" 707: 705: 639: 503: 501: 964: 950: 840: 466: 464: 31: 711: 702: 909:Cooper Hewitt, Smithsonian Design Museum 856:Cooper Hewitt, Smithsonian Design Museum 666: 646: 498: 470: 350:Social Security application form OAC-790 140:to a wealthy family that lived near the 718:. Lamm-Morada Publishing. p. 209. 689:"Consumer Price Index (estimate) 1800–" 461: 189: 1459: 902: 875: 849: 745: 562:Founders of American Industrial Design 411: 409: 407: 405: 403: 401: 399: 397: 367: 365: 945: 687:Federal Reserve Bank of Minneapolis. 622: 558: 441: 372:Gray, Christopher (5 December 1996). 286:. At this point, she was replaced by 796:"Are Engineers Designing Creatures?" 611:said, "I'll do it for $ 200 a month. 415: 371: 265: 903:Broman, Elizabeth (19 March 2016). 876:Hadden, Briton (11 November 1935). 850:Broman, Elizabeth (25 March 2016). 712:Lamm, Michael; Holls, Dave (1996). 594:"Reminiscences of George W. Walker" 442:Krull, Anneke (18 September 2012). 394: 362: 205:Publications assumed management of 201:. Less than a year later, however, 13: 535:"Featured Designer - Helen Dryden" 514:Washington University in St. Louis 331:, where she died in October 1972. 14: 1493: 926: 477:. Laurence King. pp. 58–59. 474:100 Years of Fashion Illustration 274:, Dryden turned her attention to 235: 171:Pennsylvania Academy of Fine Arts 105: 896: 869: 814: 788: 758: 739: 616: 586: 1355:Studebaker-Packard Hawk series 1222:Studebaker-Packard Corporation 971: 552: 527: 435: 374:"New York Architecture Images" 359:US Social Security Death Index 353: 344: 1: 1477:American industrial designers 416:Heys, Ed (17 February 2016). 337: 177:, Dryden focused entirely on 1282:Affiliated automotive brands 681:American Antiquarian Society 661:American Antiquarian Society 131: 7: 1314:Flanders Automobile Company 157:'s fashion articles in the 16:American artist (1882–1972) 10: 1498: 1237:Studebaker Proving Grounds 1232:Studebaker National Museum 884:. Vol. 26. p. 64 623:McPherson, Christopher G. 284:stock market crash of 1929 159:Philadelphia Public Ledger 1368: 1281: 1245: 1209: 1143: 997: 979: 828:. 12 July 1937. p. 1 565:. 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Index


Baltimore
Brentwood, New York

designer
The New York Times
Baltimore
Washington Monument
Pittsburgh
Eden Hall
Anne Rittenhouse
Philadelphia Public Ledger
Philadelphia Press
Pennsylvania Academy of Fine Arts
landscape painting
fashion design
Vogue
Condé Nast
The Delineator
costume designer
Clair de Lune
Lionel
Ethel Barrymore
Exposition Internationale des Arts DĂ©coratifs et Industriels Modernes
industrial design
Revere Corporation
stock market crash of 1929
George W. Walker
Studebaker
Raymond Loewy

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