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instruments or switching intervals of melody, or composing interlocking melodies shared between instruments. Hocket technique typically implied sharing a vocal on the vowels or having a sequence of notes spliced between instruments or vocals with certain notes in the melody being the moments of exchange. Interlocking notes are not a phenomenon in music unique to hocketing, alternating melody techniques have many uses through composition such as enabling certain vocals or instruments to become more audible than others, or effectively combining into a sequential chord, or by splitting the vocals or instruments between audio sources. While hoquet is an antiquated term and in contemporary practice is usually used alongside other melodic compositional devices and experimentation, it has found use in
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174:, in which it was found in sacred vocal music and string compositions. In the 14th century, this compositional device was most often found in secular vocal music. Although the term is in reference to this secular music of the 13th and 14th centuries in France, the technique under other names can be heard in different types of music across the world.
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have used hocketing and other antiquated techniques prominently as an element of their music, experimenting with instruments as well as vocals in the style of hocketing or melodic intervals, particularly with interlocking or alternating melodies, though not all these techniques are explicitly the
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The use of hocketing is in reference to a broken melody line between two or more instruments or vocals, many contemporary artists freely integrate hocketing techniques with other composition devices such as alternating melodies, trading multiple melodic sections, or translating them between
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197:), French, late 13th century. Observe the quick alternation of sung notes and rests between the upper two voices. While this example is textless, the hocket was usually done on a vowel sound.
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thus: “(in medieval music) an interruption of a voice-part (usually of two or more parts alternately) by rests, so as to produce a broken or spasmodic effect; used as a contrapuntal device.”
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In
European music, hocket or hoquet was used primarily in vocal and choral music of the 13th and early 14th centuries. It was a predominant characteristic of music of the
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has expressed his interest and surprise in the medieval origins of the experimental techniques in use by the band.
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is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests.
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music (two panpipe sets sharing the full number of pitches); Ukrainian and
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687:(1980) – Reference D8072, Reissue (text by Robert Gottlieb)
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363:'s "Braggin' in Brass" are a rare jazz instance of hocket.
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The swing era : the development of jazz, 1930-1945
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The term originated in reference to medieval French
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form, is played in hocket. Computer-generated file.
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519:. New York: Oxford University Press. p. 94.
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431:) meaning "a shock, sudden interruption, hitch,
205:, though the technique remains in common use in
617:The New Grove Dictionary of Music and Musicians
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262:(interlocking patterns shared between two
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606:(2001). "Hocket". In
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185:In seculum
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441:(h)oketus
411:Etymology
304:skuduÄŤiai
668:"Hocket"
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309:handbell
266:—called
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160:History
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133:is the
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429:ocquet
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243:, and
203:motets
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427:, or
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321:Haiti
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94:JSTOR
80:books
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