Homeric Hymns - Knowledge

1205: 1401: 1940: 45: 1702: 455: 839: 10483: 156: 10304: 689:. Many of the hymns end with a verse indicating that another song will follow, sometimes specifically a work of heroic epic. Over time, however, at least some may have lengthened and been recited independently of other works. The hymns which currently survive as shorter works may equally be abridgements of longer works, retaining the introduction and conclusion of a poem whose central narrative has been lost. 493:

determining for certain whether a poem with characteristic features of oral poetry was in fact composed orally, or composed using writing but in imitation of an oral-poetic style. Modern scholarship tends to avoid a sharp distinction between oral and written composition, seeing the poems as traditional texts originating in a strongly oral culture.

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was common in Greek culture. It is unclear how far the hymns were composed orally, as opposed to with the use of writing, and scholars debate the degree of consistency or "fixity" likely to have existed between early versions of the hymns in performance. The debate is clouded by the impossibility of

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may date to late antiquity. References to the shorter poems as being within the corpus begin to be found in sources dating from the second and third centuries CE. The assemblage of the thirty-three hymns listed today as "Homeric" dates to no earlier than the third century CE. Between the

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with that of the Homeric epics, writing that the gods are the primary focus of the hymns, with mortals serving primarily to witness the gods' actions, whereas the epics focus primarily on their mortal characters and use the gods to support the portrayal of human affairs. The poems also make use of

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may have been composed to be recited at religious festivals, perhaps at singing contests: several directly or indirectly ask the god's support in competition. Some allude to the deity's cult at a specific place and may have been composed for performance within that cult, though the latter did not

1754:: this has been used to suggest that the hymns were used as educational texts by this period. At least the longer hymns seem to have been collected into a single edition at some point during the Hellenistic period (323–30 BCE). Alexander Hall has argued that Hymns 1–26, except 6 (the 779:

wind instrument. It is unlikely that early Greek music was written down; instead, compositions were transmitted aurally and passed on through tradition. Until the fourth century BCE, few compositions appear to have been intended for repeat performance or long-term transmission.

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probably in the 1460s, published the hymns at the end of a collection of the other works then considered Homeric. This arrangement became standard in subsequent editions of Homer's works, and played an important role in establishing the perceived relationship between the hymns, the

723:. The earliest surviving ancient Greek musical compositions date to the end of the fifth century BCE, after the composition of nearly all of the hymns. Originally, the hymns appear to have been performed by singers accompanying themselves on a stringed instrument, such as a 629:

are unlike the Homeric epics in that they employ iterative narration (accounts of events which repeatedly or habitually occur), which is relatively rare in ancient Greek literature, within passages of singulative narration (accounts of specific events related in sequence).

10307: 1842:, often bundling them with other works such as the hymns of Callimachus, continued to be made during the Byzantine period. The surviving medieval manuscripts of the poems date to the fifteenth century and are drawn primarily from the late-antique compilation of the 524:, who wrote around the beginning and the end of the fifth century BCE respectively. This attribution may have reflected the high esteem in which the hymns were held, as well as their stylistic similarities with the Homeric poems. The dialect of the hymns, 334:(that is, until 1453), but continued to be copied in manuscripts of Homeric poetry; all the surviving manuscripts of the hymns date to the fifteenth century. They were also read and emulated widely in fifteenth-century Italy, and indirectly influenced 2052:

had been in a "state of chaos" before Baumeister's edition, though their text was still considered problematic at the turn of the 20th century: Thomas Leyden Agar wrote in 1916 of the "manifold and manifest" errors of tradition in the hymns. In 1984,

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was composed considerably later and may date from as late as the fifth century CE. Although the individual hymns can rarely be dated with certainty, the longer poems (Hymns 2–5) are generally considered archaic in date. The earliest of the

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has suggested that, throughout antiquity, manuscripts of the text may have circulated which intentionally included two different versions ("doublets") of the same word: Alexandrian scholars developed the practice of marking these with a dotted

698:) date from the first century BCE. In concept, an ancient hymn was an invocation of a deity, often connected with a specific cult or sanctuary associated with that deity. The hymns often cover the deity's birth, arrival on 609:

may suggest that they were no longer considered to be his work by this period. However, few direct statements denying Homer's authorship of the hymns survive from antiquity: in the second century CE, the Greek geographer

7381:(2016). "The Hercules and Cacus Episode in Augustan Literature: Engaging the Homeric Hymn to Hermes in Light of Callimachus' and Apollonius' Reception". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.). 478:

of Greek history, though they often retell much older stories. The earliest of the hymns date to the seventh century BCE; most were probably composed between that century and the sixth century BCE, though the

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as "communal", usually making only generalised reference to their place of composition or the identity of the speaker. This made the hymns suitable for recitation by different speakers and for different audiences.

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and may have been inspired by the poems, but it is difficult to be certain whether the correspondences reflect direct contact with the hymns or simply the commonplace nature of their underlying mythic narratives.

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Göransson, Kristian (2021). "Francavilla di Sicilia: A Greek Settlement in the Hinterland of Naxos". In Karivieri, Arja; Prescott, Christopher; Göransson, Kristian; Campbell, Peter; Tusa, Sebastiano (eds.).

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tendencies, with the Homeric epics. Notopoulos argued that this demonstrated that they were composed orally, a view echoed by Norman Postlethwaite for the shorter hymns in 1979. Other scholars, such as

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in 1624, as part of his complete translation of Homer's works. Although they received relatively little attention in English poetry in the seventeenth and eighteenth centuries, the playwright and poet

260:, was involved in their creation. They may initially have served as preludes to the recitation of longer poems, and have been performed, at least originally, by singers accompanying themselves on a 1248:

in Egypt and probably written by a student for a local festival. It also influenced the "Strasbourg Cosmogony", a poem composed around 350 CE (possibly by the poet and local politician

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has referred to them as "contracts", by which the praise of the deity in the hymn invites reciprocity from that deity in the form of favour or protection for the singer or their community.

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in 1424, which he stated he had acquired in Constantinople; Aurispa's manuscript has also been suggested as being Ω. As of 2016, a total of twenty-nine manuscripts of the hymns are known.

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published his readings of two medieval manuscripts, known as A and C. The hymns' text was a matter of considerable scholarly attention in the nineteenth and early twentieth centuries.

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published two editions, as part of larger editions of Homer, in 1794 and 1807. The first modern edition of the hymns as a separate text, without the Homeric epics, was made in 1796 by

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accounts of religious cults, specific rituals, aspects of a deity's iconography and responsibilities, or of aspects of human technology and culture. The hymns have been considered as

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Faulkner, Andrew (2016b). "Theodoros Prodromos' Historical Poems: A Hymnic Celebration of John II Komnenos". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

5451:, p. 124. Gelzer suggests that Μ was copied in Italy and should be dated after 1439; Simelidis argues for a date earlier in the 1430s and for production in Constantinople. 763:. These lyres generally had four strings in the early period of the hymns' composition, though seven-stringed versions became more common during the seventh century BCE. A 330:), they influenced both pagan and Christian literature, and their collection as a corpus probably dates to this period. They were comparatively neglected during the succeeding 1990:

published a German edition of the hymns: this was both the first modern edition in a vernacular language (that is, not in Latin) and the only edition to date that has printed

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progressed considerably over the nineteenth century, particularly in German scholarship, though the text continued to present substantial difficulties into the twentieth. The

1995: 1782: 1004:, who moved to Italy between around 80 and 70 BCE and died around 40 to 35 BCE, has been suggested as a possible originator for the movement of manuscripts of the 275:

in Greek poetry from around 600 BCE; they appear to have been used as educational texts by the early fifth century BCE, and to have been collected into a single

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in 1777 sparked a series of scholarly editions of the poem in Germany, and its first translations into German (in 1780) and Latin (in 1782). It was also an influence on

985:, who wrote in the second century BCE, may have had access to a collection of the hymns and considered them Homeric in origin. The first century BCE historian 7355:

Ciccolella, Federica (2020). "Maximos Margounios (c. 1549–1602), His Anacreontic Hymns, and the Byzantine Revival in Early Modern Germany". In Constantinidou, Natasha;

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after the third century CE. Their influence on Greek literature and art was relatively small until the third century BCE, when they were used extensively by

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generally place greater focus on single events than the Homeric epics, and cover a shorter span of time, resulting in what he calls a comparatively "slow" narration.

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published an edition of the hymns in 1711, which was the first to attempt to explain textual issues by citing parallels in other texts considered to be Homeric.

1762:), were initially collected into what he calls a "proto-collection", probably no earlier than the Hellenistic period, with the remaining hymns later added as an 1362: 2457: 2876: 2003: 9464:

Shapiro, H. Alan (2002). "Demeter and Persephone in Western Greece: Migrations of Myth and Cult". In Bennett, Michael; Paul, Aaron J.; Iozzo, Mario (eds.).

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suggests that the earlier poems may initially have been composed orally, but dictated by rhapsodes for writing at a relatively early stage in their history.

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suggested that variations found in the manuscript tradition as to the reading of particular passages may have been considered equally-correct alternations (

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In 1962, James Notopoulos established that the longer hymns share characteristic features of oral poetry, such as the use of repeated formulae and certain

2087:, which became the basis of the 1904 edition of the hymns he co-produced with Edward Ernest Sikes. In 1912, Allen published an edition of the hymns in the 2010:

had previously been done by German scholars, and that "little of importance" had recently been written, apart from Goodwin's edition, on them in English.

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with his own music and alterations to the libretto made by an unknown collaborator, including a newly-added passage quoting Congreve's translation of the

1430: 1592:. It became an important nexus of the debate as to the nature of early Greek religion in early-nineteenth-century German scholarship. The anthropologist 631: 1307:

were known and transmitted in the Byzantine period, they were only rarely referenced, and never quoted, in Byzantine literature. The sixth-century poet

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necessarily follow from the former. They seem likely to have been performed frequently in various contexts throughout antiquity, such as at banquets or

2097:; Sikes refused to collaborate on it, but remained credited as an editor. The first commentary on a single hymn was that of Nicholas Richardson on the 1858:. In fifteenth-century Italy, the hymns were copied widely. A manuscript known by the siglum V, commissioned by the Byzantine-born Catholic cardinal 2128:

List of the Homeric Hymns in their conventional order, with their dedicatees, the number of surviving lines, and a synopsis of their subject matter

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The hymns vary considerably in length, between 3 and 580 surviving lines. They are generally considered to have originally functioned as preludes (

2054: 1980: 702:, and dealings with human beings. Several discuss the origins of the god's cult or the founding of a major sanctuary dedicated to them. Some are 221:: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the 663:

she loves deeds of war, the sack of cities and the shouting and the battle. It is she who saves the people as they go out to war and come back.

159: 8478:(2016). "The Homeric Hymn to Aphrodite in Ovid and Augustan Literature". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.). 1923:

discovered Μ in a barn outside Moscow. All surviving manuscripts, apart from Μ, have among their sources a lost one known by the siglum Ψ (

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was a partial exception, as it was frequently taught in schools. It is possibly alluded to in an anonymous third-century poem praising a

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Hatzichronoglou, Lena (2020). "Cavafy's 'Interruption': The Ancient Myth, the Modern Poem and Their Meaning for Us". In Davis, Gregson;

1642:: Canto I concludes with parts of the hymns to Aphrodite, in both Latin and English. In modern Greek poetry, the 1901 "Interruption" by 9402:

in Romantic Heidelberg: J. H. Voss and 'the Eleusinian Document'". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

3548:/, ceased to be used in most Greek dialects during the Archaic period. It does not appear in manuscripts of the Homeric epics or the 1008:

into the Roman world, and consequently for their reception into Latin literature. His own works quoted from the hymns to Demeter and

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Faulkner, Andrew (2011a). "The Collection of Homeric Hymns: From the Seventh to the Third Centuries BC". In Faulkner, Andrew (ed.).

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Faulkner, Andrew (2011b). "Introduction: Modern Scholarship on the Homeric Hymns: Foundational Issues". In Faulkner, Andrew (ed.).

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may contain allusions to the hymns to Aphrodite, Dionysus and Hermes. A few fifth-century painted vases show myths depicted in the

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conception of the Olympian pantheon, with Zeus as its head, and therefore in promoting the cultural unity of Greeks from different

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references "an old hymn to Demeter" while undergoing a journey reminiscent of the Eleusinian Mysteries. Joyce also drew upon the

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or from other works narrating the same myths. The hymns have also been cited as an inspiration for the twelfth-century poetry of

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Hymnes de la Grèce antique : approches littéraires et historiques. Actes du colloque international de Lyon, 19–21 juin 2008

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A page from the manuscript known as M, written in the fifteenth century and rediscovered in 1777. This page shows part of the

8595: 8508:(2014). "A Brief Account of the Development of the Field of Music Archaeology". In Westenholz, Joan Goodnick; Maurey, Yossi; 1927:), which probably dates to the twelfth or thirteenth century. This may be a manuscript mentioned in a letter by the humanist 952:

for his own hymns, and is the earliest-known poet to use them as inspiration for multiple works. The hymns were also used by

9767: 7264:(2011). "The Homeric Hymns as Poetic Offerings: Musical and Ritual Relationships with the Gods". In Faulkner, Andrew (ed.). 3565:

Sometimes divided into two: the "Hymn to Delian Apollo" (ending either at line 178 or 181) and the "Hymn to Pythian Apollo".

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along with Orphic and other hymnic poetry. They all descend from a single, now-lost manuscript, known in scholarship by the

1276:. They may also have been a model, alongside the hymns of Callimachus, for the fourth-century Christian hymns known as the 7772:

Hymns of Ancient Greece: Literary and Historical Approaches. Acts of the International Colloqium in Lyon, 19–21 June 2008

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was particularly influential as one of the few sources, and the earliest source, for the religious rituals known as the

2070:) available to a rhapsode, and therefore that attempts to discriminate between them in modern editions were misguided. 10230: 10196: 9997: 9966: 9896: 9869: 9850: 9815: 9756: 9721: 9545: 9473: 9454: 9419: 9388: 9366: 9332: 9302: 9254: 9235: 9212: 9190: 9072: 9041: 9007: 8918: 8895: 8827: 8798: 8738: 8688: 8629: 8568: 8529: 8495: 8465: 8394: 8372: 8345: 8298: 8271: 8248: 8225: 8191: 8169: 7966: 7944: 7917: 7890: 7868: 7833: 7806: 7779: 7748: 7721: 7658: 7602: 7547: 7528: 7509: 7476: 7447: 7417: 7398: 7368: 7322: 7303: 7281: 7251: 7189: 7166: 7083: 7064: 7037: 7007: 6975: 6618: 2019: 8355:

Jaillard, Dominique (2011). "The Seventh Homeric Hymn to Dionysus: An Epiphanic Sketch". In Faulkner, Andrew (ed.).

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of Alexandria, though they were used and adapted by Alexandrian poets, particularly of the third century BCE.

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made the first English translation of them in 1624. Part of their text was incorporated, via a 1710 translation by

7294:(2006). "Biographical Obscurities and Problems of Composition". In Rengakos, Antonios; Tsakmakis, Antonis (eds.). 573:, who expressed his doubts about it around 200 CE. Other hypotheses in ancient times included the belief that the 10542: 10349: 10247: 6187: 2079: 1725:, Italy, used between the sixth and the fourth centuries BCE. Persephone's abduction forms the focus of the 2329:

The first three days of Hermes' life: his abduction of the cattle of Apollo and his crafting of a tortoiseshell

10281: 10166: 10144: 9947: 9687: 9624: 9605: 9280: 9120: 9094: 8985: 8093: 7996: 7345: 1976: 8036: 7789:

Faulkner, Andrew (2016a). "Introduction". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

6989: 566:: short, set phrases with particular metrical characteristics that could be repeated as a compositional aid. 10537: 10532: 9349:

Seen Through the Eyes of English Poets". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

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Notopoulos, James A. (1962). "The Homeric Hymns as Oral Poetry; A Study of the Post-Homeric Oral Tradition".

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are quoted comparatively rarely in ancient literature. There are sporadic references to them in early Greek

3533:: Pound disparaged Dartona's work as "thin clear Tuscan stuff", as opposed to the "mellow phrase" of Divus. 1920: 1894:

By the end of the eighteenth century, twenty-five Byzantine manuscripts were known. One, known as M or the

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painted around 470 BCE shows a youth, seated, holding a scroll with the first two words of the second

1340: 9833:: Some Fifteenth-Century Approaches". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.). 8639:

Musso, Olimpio (1976). "Un verso dell'inno omerico a Demetra e un frammento di Saffo" [A Verse of the

10503: 10271: 2059: 7432: 1327:, may have drawn upon them, but it is often unclear whether their allusions are drawn directly from the 796:, could have been composed for performance at a royal or aristocratic court, perhaps of a family in the 8702: 1495: 986: 379: 6941:(1936). "Preface". In Allen, Thomas William; Halliday, William Reginald; Sikes, Edward Ernest (eds.). 10497: 10261: 8928: 2094: 2040:

published an edition of the hymns in 1860, which was the first to integrate readings based on the Θ (

771:(a seven-stringed instrument of the lyre family), and contrasts this style of music with that of the 586: 214: 209:

and retell mythological stories, often involving a deity's birth, their acceptance among the gods on

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The honours paid to Hestia in banquets, and an invitation to Hermes and Hestia to attend the singer

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in their text. The present conventional order of the hymns was established by the Oxford edition of

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drew on the hymns: Aristides used them in his orations, while Lucian parodied them in his satirical

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Fish, Jeffrey; Sanders, Kirk R. (2011). "Introduction". In Fish, Jeffrey; Sanders, Kirk R. (eds.).

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Ritual, Myth and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce, Eliot and Woolf

2045: 1972: 1884: 1693:, arguing that the allusions in the novel's text are "subliminal" but become explicit in the film. 1647: 1369: 352: 10188: 9989: 9842: 9807: 9748: 9713: 9537: 9446: 9411: 9358: 8487: 8364: 8217: 8006:

Fraser, Jennifer (1999). "Intertextual Turnarounds: Joyce's Use of the Homeric 'Hymn to Hermes'".

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Depew, Mary (2009) . "Enacted and Represented Dedications: Genre and Greek Hymn". In Depew, Mary;

7390: 7273: 6610: 2241:, Demeter's attempt to recover her from the Underworld, and the origin of the cult of Demeter at 1262: 8679:(2011). "The Earliest Phases in the Reception of the Homeric Hymns". In Faulkner, Andrew (ed.). 8340:. Cambridge Classical Journal Supplements. Vol. 43. Oxford: Oxbow Books. pp. 173–186. 1916:, but both were lost at some point after its creation and remained unknown until 1777, when the 1182:, particularly the five longer poems. In the second century CE, the Greek-speaking authors 10206: 10176: 10154: 10128: 10088: 10048: 8407:(2002). "Myth, Festival, and Poet: The 'Homeric Hymn to Hermes' and Its Performative Context". 8319:. New Oxford History of Music. Vol. 1. London: Oxford University Press. pp. 336–403. 7980: 6963: 3575: 2106: 2102: 2089: 1479: 1475: 1405: 896:. Few definite references to the hymns can be dated to the fourth century BCE, though the 611: 364: 178: 8243:. Cambridge Classical Journal Supplements. Vol. 43. Oxford: Oxbow Books. pp. 13–31. 9704:

in Greek Vase Painting". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

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argument of Gentili, choosing instead to posit a correct reading for each known alternation.

1964: 1643: 1570: 1228:(that is, from around the third to the sixth centuries CE), the direct influence of the 1192: 419: 415: 10133: 9224: 7056: 1435: 10471: 10382: 8143: 7017: 6938: 6886: 6842: 6802: 6766: 6722: 6678: 6653: 6628: 5596: 3504:, once attributed to Theocritus but now generally considered spurious, also alludes to the 2899:

Pan's wanderings through woods and mountains, his conception, birth and arrival on Olympus

2074: 1589: 1530: 1285: 972: 874:, which were influenced by the equivalent Homeric hymns, as possibly was Alcaeus's hymn to 636: 569:

The attribution to Homer was sometimes questioned in antiquity, such as by the rhetorician

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in Aelius Aristides". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

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Printing of the first edition commenced in 1488, but was not completed until January 1489.

712:, or gifts offered to deities on behalf of a community or social group. In this capacity, 8: 10457: 10342: 9342: 9312: 9290: 9264: 8613: 8579: 8404: 8208:

and Horatian Lyric". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

7936: 7878: 6891: 6632: 4785: 2741: 1815: 1593: 1518: 1308: 1293: 863: 727:; later, they may have been recited, rather than sung, by an orator holding a staff. The 407: 217:. In antiquity, the hymns were generally, though not universally, attributed to the poet 7774:]. Lyon: Maison de l'Orient et de la Méditerranée Jean Pouilloux. pp. 171–176. 6601:

in Late Antiquity". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

767:, probably written in 138 BCE, mentions the accompaniment of hymnic singing with a 10116: 10076: 10036: 9926: 9697: 9675: 9663: 9584: 9512: 9297:. Penguin Classics. Translated by Cashford, Jules. London: Penguin. pp. vii–xxxv. 9269: 9166: 9109: 8964: 8862: 8804: 8773: 8664: 8618: 8584: 8432: 8259: 8124: 8023: 7637: 7562: 7482: 7244:: Hellenic Studies Presented to Bernard M. W. Knox on the Occasion of his 65th Birthday 7220: 7121: 6874: 6830: 6754: 6710: 6585: 3582:: this attribution is now considered unsound on philosophical and philological grounds. 3485:, rejected the legitimacy of Notopoulos's approach and argued for written composition. 2889:

After 500 BCE, probably before 323 BCE, and probably slightly later than the

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The birth of Dionysus, and possibly also the binding of Hera and Dionysus's arrival on

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after Goodwin's death in 1892, though Allen omitted his own name from the publication.

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Athena's role as a goddess of war, and a prayer to her for good fortune and happiness

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gave lectures in which he advanced an allegorical reading of the opening of the first

993:, another historian writing in the first century BCE, quoted verses of the first 10375: 10226: 10192: 10162: 10140: 10108: 10068: 10028: 9993: 9962: 9943: 9918: 9892: 9865: 9846: 9811: 9786: 9752: 9717: 9683: 9655: 9620: 9601: 9576: 9541: 9504: 9469: 9450: 9415: 9384: 9362: 9328: 9298: 9276: 9250: 9231: 9208: 9186: 9158: 9116: 9090: 9068: 9037: 9003: 8981: 8956: 8914: 8891: 8854: 8823: 8794: 8765: 8734: 8684: 8656: 8625: 8601: 8591: 8564: 8547: 8525: 8491: 8461: 8424: 8390: 8368: 8341: 8320: 8294: 8267: 8244: 8221: 8187: 8165: 8147: 8116: 8089: 8068: 8015: 7992: 7962: 7940: 7913: 7886: 7864: 7829: 7802: 7775: 7744: 7717: 7692: 7654: 7629: 7598: 7582: 7569: 7557: 7543: 7524: 7505: 7472: 7443: 7413: 7394: 7364: 7341: 7318: 7299: 7277: 7247: 7212: 7185: 7162: 7113: 7079: 7060: 7033: 7003: 6971: 6951: 6926: 6866: 6822: 6790: 6746: 6702: 6666: 6641: 6614: 6577: 3556:

of the poems sometimes leaves traces of where it previously occurred in spoken Greek.

2795: 2288:'s search for a place for Apollo to be born, and Apollo's search for a place for his 2037: 1718: 1383: 1352: 1344: 1272: 1249: 1214: 1161: 1106: 1067: 871: 805: 672: 496:

The name "Homeric Hymns" derives from the attribution, in antiquity, of the hymns to

391: 335: 10266: 7668:

Faulkner, Andrew (2010). "St. Gregory of Nazianzus and the Classical Tradition: The

5930: 5850: 3696:, p. iv. For a more detailed chronological hypothesis for the early hymns, see 2093:

series. He published an updated version of his 1904 edition in 1936, co-edited with

2028:, in which he condemned Barnes's then-standard 1711 edition and the 1722 edition of 1959:

of the hymns' manuscripts was made between that of Chalkokondyles in 1488 and 1749.

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were copied and adapted widely in fifteenth-century Italy, for example by the poets

10403: 10218: 10184: 10100: 10060: 10020: 9985: 9884: 9838: 9803: 9744: 9709: 9647: 9568: 9533: 9528:

in Byzantium". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.).

9496: 9442: 9407: 9354: 9320: 9150: 9060: 9029: 8948: 8883: 8878:

The "Homeric Hymn to Aphrodite" and Related Texts: Text, Translation and Commentary

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Hosty, Matthew (2021). "'Have You Ever Known What It Is Like to Be an Orphan?' The

8308: 8286: 8213: 8179: 7976: 7932: 7905: 7856: 7821: 7794: 7736: 7709: 7684: 7621: 7590: 7386: 7269: 7105: 7052: 7025: 6995: 6858: 6814: 6782: 6738: 6694: 6606: 6569: 2691: 2029: 1985: 1968: 1956: 1928: 1662: 1598: 1453: 1187: 990: 433: 360: 331: 257: 10161:. Loeb Classical Library. Vol. 496. Cambridge, MA: Harvard University Press. 264:

or another stringed instrument. Performances of the hymns may have taken place at

9178: 9082: 7984: 7954: 7766:. In Bouchon, Richard; Brillet-Dubois, Pascale; Le Meur-Weissman, Nadine (eds.). 7467:(2018). "The Homeric Hymns". In De Temmerman, Koen; van Emde Boas, Evert (eds.). 7378: 7291: 7199:

Bungard, Christopher (2011). "Lies, Lyres and Laughter: Surplus Potential in the

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The Scroll and the Marble: Studies in Reading and Reception in Hellenistic Poetry

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A short description of Artemis as a huntress, a dancer, and the sister of Apollo

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Characterization in Ancient Greek Literature: Studies in Ancient Greek Narrative

1955:

received relatively little attention from classical scholars or translators. No

10547: 10396: 10335: 8509: 7236: 7232: 4690: 3610: 3451:, as it does not address a deity. It is transmitted in some manuscripts of the 1905: 1901: 1888: 1478:

in 1707 but never performed. Congreve published the libretto in 1710; in 1744,

1461: 1449: 1279: 1225: 1146:, written and revised between 2 and around 14 CE, likewise references the 776: 475: 356: 316: 206: 135: 128: 10064: 10024: 9572: 9500: 9064: 8952: 6573: 3402:

An entreaty to all hosts, reminding them of their sacred duty of hospitality (

10526: 10222: 10112: 10072: 10032: 9922: 9798:

Thomas, Oliver (2011). "The Homeric Hymn to Pan". In Faulkner, Andrew (ed.).

9790: 9659: 9580: 9508: 9376: 9324: 9319:. Cambridge Greek and Latin Classics. Cambridge: Cambridge University Press. 9162: 9137:

Postlethwaite, Norman (1979). "Formula and Formulaic: Some Evidence from the

9033: 9017: 8960: 8858: 8786: 8769: 8660: 8578:

Lincoln, Stoddard (1984). "The Lyrics and Librettos of William Congreve". In

8551: 8539: 8428: 8382: 8120: 8072: 8019: 7959:

The Homeric Hymn to Demeter: Translation, Commentary, and Interpretive Essays

7909: 7696: 7633: 7594: 7464: 7427: 7261: 7216: 7134: 7117: 6985: 6930: 6870: 6826: 6794: 6786: 6750: 6706: 6645: 6581: 5739:, p. 217. On Sikes's refusal to collaborate on the updated edition, see 3553: 3530: 3486: 3482: 3477: 3405: 2198: 2033: 1960: 1805: 1622: 1170: 1165: 1111: 937: 713: 699: 656: 617: 525: 276: 245: 210: 94: 8620:

Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages

7625: 7176:

Bodley, Lorraine Byrne (2016). "From Mythology to Social Politics: Goethe's

7020:(2024). "Introduction". In Barchiesi, Alessandro; Rosati, Gianpiero (eds.). 5302: 3525:

owned a copy of Dartona's translation, which was bound alongside one of the

378:

in 1777 led to a resurgence of European interest in the hymns. In the arts,

10429: 8698: 8676: 8605: 8475: 8457: 8312: 8151: 7688: 7573: 7093: 6955: 6670: 4213: 1821: 1781:

was comparatively little edited by the Hellenistic scholars of Alexandria.

1312: 1292:

quoted and adapted the hymns; from that time onwards, other poets, such as

1142: 917: 855: 818: 563: 535: 253: 50: 9888: 8887: 8730: 8521: 8324: 8290: 7029: 6999: 5410: 10408: 10179:(2011). "The First Homeric Hymn to Dionysus". In Faulkner, Andrew (ed.). 7497: 7182:

Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism

7047:

Barker, Elton; Christensen, Joel (2021). "Epic". In Ogden, Daniel (ed.).

2708:

Salutation to the goddess and description of her love of sound and music

1924: 1680: 1672: 1667: 1607:

made use of the same hymn, and possibly Frazer's work, in his 1922 novel

1604: 1544: 1441: 1316: 1245: 1237: 1037: 977: 945: 743:. References to instruments of the lyre family (known interchangeably as 703: 686: 539: 489: 443: 428: 423: 284: 10040: 9930: 8866: 8668: 8162:

Trinacria, 'An Island Outside Time': International Archaeology in Sicily

8128: 8027: 7224: 6132: 4265: 3376:

The role of the Dioscuri as protectors of mortals, especially seafarers

2445:

Dionysus's capture by pirates and transfiguration of them into dolphins

10482: 9739:". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.). 9667: 9437:". In Faulkner, Andrew; Vergados, Athanassios; Schwab, Andreas (eds.). 9170: 8436: 7641: 7356: 6305: 5335:, p. 43. For the textual and manuscript history of the hymns, see 3871: 3522: 2914: 2673: 2238: 1747: 1635: 1626: 1510: 1253: 1001: 968: 964: 960: 953: 901: 889: 606: 521: 454: 403: 288: 280: 163: 10120: 10080: 10007:

Volk, Katharina (2010). "Lucretius's Prayer for Peace and the Date of

9588: 9516: 8968: 8777: 7540:

Pindar and Greek Religion: Theologies of Mortality in the Victory Odes

7184:. Newcastle-upon-Tyne: Cambridge Scholars Publishing. pp. 35–67. 7125: 6970:(2nd ed.). Baltimore and London: Johns Hopkins University Press. 6878: 6834: 6758: 6714: 6589: 4405: 4281: 2032:. The first modern textual criticism of the hymns dates to 1749, when 1998:

in 1893, following that employed by the manuscript M: previously, the

1062:, composed between 29 and 19 BCE. The encounter in Book 1 of the 804:. The hymns' narrative voice has been described by Marco Fantuzzi and 7024:. Vol. 1. Cambridge: Cambridge University Press. pp. 1–48. 6116: 5327:, p. 33. For the suggestion of Ω as a minuscule manuscript, see 4586: 3782: 3703: 3518: 3498: 3403: 2883: 2758: 2357:

Unknown: generally considered among the oldest, and earlier than the

2351: 2110: 2065: 1917: 1859: 1855: 1794: 1375: 1013: 893: 884: 793: 789: 744: 707: 693: 680: 582: 578: 570: 296: 265: 9680:

The Politics of Olympus: Form and Meaning in the Major Homeric Hymns

9651: 9154: 8791:

Time in Ancient Greek Literature: Studies in Ancient Greek Narrative

8281:

Haynes, Kenneth (2007). "Modernism". In Kallendorf, Craig W. (ed.).

7235:(1979). "Kynaithos, Polycrates, and the Homeric Hymn to Apollo". In 6846: 6726: 6682: 5666: 1797:(ↄ), evidence of which can be found in surviving manuscripts of the 1090:

is based upon that of the theft of Apollo's cattle by Hermes in the

1024:, written around the mid 50s BCE, has correspondences with the 10436: 10313: 10104: 10091:(1981). "The Singing of Homer and the Modes of Early Greek Music". 8980:. Bryn Mawr Greek Commentaries. Bryn Mawr: Bryn Mawr Commentaries. 8761: 8420: 8387:

Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction

7361:

Receptions of Hellenism in Early Modern Europe: 15th–17th Centuries

7109: 6862: 6818: 6742: 6698: 5514: 5498: 5454: 5139: 3810: 3619: 2982: 2727: 2422: 2242: 2175: 1763: 1722: 1685: 1505:

The hymns were frequently read, praised and adapted by the English

1465: 1415: 1297: 1252:) in commemoration of the mythical origins of the Egyptian city of 1217:: a fifteenth-century painting indirectly influenced by the second 1156: 1083: 1075: 1029: 867: 746: 438: 300: 65:

around 530 BCE, possibly showing the narrative of the seventh

8264:

Euphrosyne: Studies in Ancient Philosophy, History, and Literature

7929:

Myths of the Underworld in Contemporary Culture: The Backward Gaze

6265: 6029: 5566: 2718: 2044:) family of manuscripts (a sub-family of those descended from Ψ). 1813:

were generally transcribed in an edition which also contained the

892:

composed in the fifth century BCE by the Athenian playwright

838: 10464: 10450: 7651:

The Homeric Hymn to Aphrodite: Introduction, Text, and Commentary

6988:(2020). "The Language of Homer". In Pache, Corinne Ondine (ed.). 6656:; Halliday, William Reginald; Sikes, Edward Ernest, eds. (1936). 6509: 4113: 3579: 3444: 2506: 2488: 2215: 1991: 1891:, was the first to include line numbers and a Latin translation. 1826: 1739: 1603:

his influential 1890 work of comparative mythology and religion.

913: 843: 768: 740: 508: 240: 202: 113: 62: 7180:". In Vlastos, George; Levidou, Katerina; Romanou, Katy (eds.). 7076:

Romantic Paganism: The Politics of Ecstasy in the Shelley Circle

6950:(2nd ed.). Oxford: Oxford University Press. pp. v–vi. 4987: 4897: 4895: 1509:

of the early nineteenth century. In 1814, the essayist and poet

912:

The hymns do not appear to have been studied by the Hellenistic

659:, guardian of the city, I begin to sing. Dread is she, and with 10443: 10389: 9959:

The "Homeric Hymn to Hermes": Introduction, Text and Commentary

9057:

Brill's Companion to Greek and Latin Epyllion and Its Reception

8235:

Hall, Alexander E. W. (2021). "The Evolving Arrangement of the

6461: 5187: 4880: 3875: 3614: 3347: 3328: 3295: 3056: 2695: 2578: 2563:

Aphrodite's beauty, and a prayer to her for musical excellence

2404: 2310: 2289: 2277: 2263: 1847: 1289: 1183: 1175: 1058: 1049: 1045: 1041: 1009: 941: 875: 859: 822: 801: 517: 308: 304: 225:, may have been composed as late as the fifth century CE. 9230:(Updated ed.). Berkeley: University of California Press. 8818:

Ogden, Daniel (2021). "Introduction". In Ogden, Daniel (ed.).

6094: 6092: 6090: 6088: 6086: 6084: 5838: 4089: 3770: 3758: 1074:, in which Venus's Greek counterpart seduces Aeneas's father, 989:

also quoted from the hymns and referred to them as "Homeric".

244:, also traditionally attributed to Homer. They share the same 10422: 10359: 9226:

The Homeric Hymns: A Translation, with Introduction and Notes

7612:

Faulkner, Andrew (2005). "Review: Homeric Hymns and Hesiod".

5426: 5290: 4951: 4892: 4309: 4015: 4013: 3153: 3117:

The Muses and Apollo as the patrons of singers and musicians

3093: 2491:

and a prayer to him for courage, tranquillity and moderation

2281: 2041: 1851: 1708: 1706: 1671:, particularly for the character of Lisa Freemont, played by 1578: 1522: 1267: 1087: 929: 797: 772: 764: 732: 502: 497: 459: 234: 218: 56: 54: 35: 16:

Ancient Greek poems composed between c. 800 BCE and c. 500 CE

9768:"A Chronological Study of the Editions of the Homeric Hymns" 9634:

Stange, G. Robert (1954). "Tennyson's Mythology: A Study of

9247:

The Solo English Cantatas and Italian Odes of Thomas A. Arne

7843:

Ferrari, Franco (2007). "Orality and Textual Criticism: The

6497: 6485: 6473: 5204: 5202: 5163: 5103: 4941: 4939: 4937: 4907: 4841: 4829: 4739: 4737: 4497: 4485: 3932: 3930: 3851: 3849: 3724: 3722: 3636: 3253: 3004:

Poseidon's role as a god of the sea, earthquakes and horses

466:, after a Hellenistic version of the second century BCE 10217:. Cambridge: Cambridge University Press. pp. 224–241. 9089:. Vol. 1: 1300–1850. Oxford: Oxford University Press. 8338:

Poems Without Poets: Approaches to Anonymous Ancient Poetry

8241:

Poems Without Poets: Approaches to Anonymous Ancient Poetry

7855:

Supplements. Vol. 280. Leiden: Brill. pp. 53–65.

7849:

Politics of Orality: Orality and Literacy in Ancient Greece

7504:. Cambridge, MA: Harvard University Press. pp. 59–80. 7442:

Supplements. Vol. 339. Leiden: Brill. pp. 39–53.

6525: 6401: 6355: 6353: 6328: 6326: 6324: 6235: 6233: 6153: 6151: 6081: 6045: 6005: 5342: 4924: 4922: 4706: 4353: 4297: 4253: 4241: 4101: 3998: 3734: 3448: 3258: 3182:

Artemis's prowess as a huntress, and as a dancer at Delphi

3078:

Invitation to Hestia to enter and bless the singer's house

3019: 2861: 2740:

Brief biography of Heracles, including his deification and

2686: 2615: 2464: 2330: 2285: 1098: 928:, an account of the god's birth and invention of the lyre. 736: 724: 692:

The first known sources referring to the poems as "hymns" (

660: 312: 261: 198: 192: 107: 9468:. Cleveland: The Cleveland Museum of Art. pp. 82–97. 8444:

Kearns, Emily (2004). "The Gods in the Homeric Epics". In

6365: 5790: 5554: 5530: 5230: 5115: 5043: 5011: 4381: 4201: 4079: 4077: 4075: 4010: 1621:

in the characterisation of both Dedalus and his companion

8452:. Cambridge: Cambridge University Press. pp. 59–73. 6994:. Cambridge: Cambridge University Press. pp. 70–79. 6449: 6437: 6425: 6377: 6104: 5993: 5486: 5398: 5359: 5357: 5266: 5254: 5199: 5091: 5079: 5067: 5055: 4934: 4805: 4773: 4761: 4734: 4678: 4526: 4524: 4341: 4129: 3927: 3846: 3719: 3313:

Helios's birth, and chariot-borne journey across the sky

3088: 2480:; also argued as possibly as early as the 3rd century BCE 2002:

had been placed first. Reviewing Goodwin's work in 1894,

1448:. The first English translation of the hymns was made by 10209:(2012) . "Towards a Chronology of Early Greek Epic". In 9862:

Epic Lessons: An Introduction to Ancient Didactic Poetry

9429:

Schwab, M. Elisabeth (2016). "The Rebirth of Venus: The

9111:

The Image of the Poet: British Poets and Their Portraits

6413: 6389: 6350: 6338: 6321: 6230: 6220: 6218: 6203: 6148: 5882: 5388: 5386: 5384: 5175: 4999: 4919: 4870: 4868: 4853: 4817: 4666: 4634: 4509: 4393: 4229: 4177: 4141: 3746: 1904:

in the first half of the fifteenth century, possibly in

1733: 1355:

used them for examples in his 1478 grammatical treatise

731:

makes reference to a chorus of maidens on the island of

666:

Hail, goddess, and give us good fortune with happiness!

10357: 9881:

Early Greek Epic: Language, Interpretation, Performance

9682:(2nd ed.). Princeton: Princeton University Press. 8822:. Oxford: Oxford University Press. pp. xxi–xxxii. 8514:

Music in Antiquity: The Near East and the Mediterranean

7904:. Cambridge: Cambridge University Press. pp. 1–8. 5278: 5151: 4963: 4473: 4429: 4417: 4330:, p. 110, citing the original 1989 publication of 4165: 4072: 4050: 4048: 4046: 4044: 3942: 3915: 2676:, and a prayer to Demeter to protect the singer's city 1561:, written in 1822, were most closely influenced by the 1232:

was comparatively limited until the fifth century. The

558:, the hymns are composed in the rhythmic form known as 422:. Their influence has also been traced in the works of 9249:. Newcastle-upon-Tyne: Cambridge Scholars Publishing. 7430:(2012). "The Homeric Hymns". In de Jong, Irene (ed.). 6293: 6281: 6175: 6163: 5870: 5766: 5642: 5614: 5369: 5354: 5242: 5127: 4521: 3798: 1537:

into heroic couplets; in July 1820, he translated the

593:, and the hymns' comparative absence, relative to the 585:, a circle of poets claiming descent from Homer. Some 295:. They were also an influence on Roman poets, such as 9984:. Oxford: Oxford University Press. pp. 165–186. 9837:. Oxford: Oxford University Press. pp. 277–300. 9802:. Oxford: Oxford University Press. pp. 151–173. 9743:. Oxford: Oxford University Press. pp. 145–164. 9532:. Oxford: Oxford University Press. pp. 243–260. 9441:. Oxford: Oxford University Press. pp. 301–324. 9406:. Oxford: Oxford University Press. pp. 345–366. 9353:. Oxford: Oxford University Press. pp. 325–344. 9345:(2016). "'Those Miraculous Effusions of Genius': The 8683:. Oxford: Oxford University Press. pp. 280–333. 8482:. Oxford: Oxford University Press. pp. 109–126. 8359:. Oxford: Oxford University Press. pp. 113–150. 7820:. Oxford: Oxford University Press. pp. 261–274. 7708:. Oxford: Oxford University Press. pp. 175–205. 7568:. Loeb Classical Library. London: William Heinemann. 7340:] (in Italian). Milan: Fondazione Lorenzo Valla. 7268:. Oxford: Oxford University Press. pp. 334–358. 7051:. Oxford: Oxford University Press. pp. 283–300. 6605:. Oxford: Oxford University Press. pp. 221–240. 6537: 6215: 6057: 6017: 5894: 5602: 5542: 5381: 4865: 4749: 3986: 3954: 3665: 3663: 3648: 3578:

as the work of the fifth-century CE philosopher

9976:

Vergados, Athanassios (2016). "The Reception of the

9942:. Philosophia Antiqua. Vol. 90. Leiden: Brill. 9700:(2016). "Visualizing Divinity: The Reception of the 9466:

Magna Graecia: Greek Art from South Italy and Sicily

9317:

Three Homeric Hymns to Apollo, Hermes, and Aphrodite

9183:

Greek Poems to the Gods: Hymns from Homer to Proclus

8590:. Washington, D.C.: Folger Books. pp. 116–132. 8107:

1.314–20 and the 'Hymn to Aphrodite' Reconsidered".

5983: 5981: 5979: 5977: 5918: 5906: 5814: 4975: 4602: 4574: 4041: 2637:

Hera's beauty and honour as the sister-wife of Zeus

10183:. Oxford: Oxford University Press. pp. 29–43. 9708:. Oxford: Oxford University Press. pp. 29–52. 8563:. Vancouver: Fairleigh Dickinson University Press. 8212:. Oxford: Oxford University Press. pp. 79–94. 7385:. Oxford: Oxford University Press. pp. 55–78. 5990:, p. 45 (dating the Homeric Hymns in general). 5975: 5973: 5971: 5969: 5967: 5965: 5963: 5961: 5959: 5957: 5778: 4727:, p. iv. For the dates of late antiquity, see 4189: 4153: 4060: 2967:Apollo as a subject of song for humans and animals 2909: 2368:The love of Aphrodite for the mortal hero Anchises 1908:or Italy. This manuscript preserved both the first 1529:, published posthumously in 1818. In January 1818, 1425:Georgius Dartona made the first translation of the 1374:('Stanzas for the Joust'), written in the 1470s by 252:, and make use of short, repeated phrases known as 10132: 9268: 9223: 9108: 8875: 8617: 8583: 8336:and Its Absent Author". In Kayachev, Boris (ed.). 7979:(1997). "Oral Tradition and Its Implications". In 7793:. Oxford: Oxford University Press. pp. 1–26. 7735:. Oxford: Oxford University Press. pp. 1–28. 7561: 7431: 6890: 6652: 5826: 5744: 5654: 4441: 3675: 3660: 2753: 2538: 2378: 2342: 1638:, written between 1915 and 1960, also draw on the 719:Little is known about the musical settings of the 542:dialects of Greek, is similar to that used in the 8103:Gladhill, C. W. (2012). "Sons, Mothers, and Sex: 7239:; Burkert, Walter; Putnam, Michael C. J. (eds.). 7046: 6665:(2nd ed.). Oxford: Oxford University Press. 6597:Agosti, Gianfranco (2016). "Praising the God(s): 6560:Agar, Thomas Leyden (1916). "The Homeric Hymns". 6197: 6069: 5802: 3435: 3433: 3360: 3127: 2977: 2790: 2417: 2166: 2146: 1809:fourth and the thirteenth centuries CE, the 956:, Callimachus's approximate contemporary, in his 920:, the chief librarian at Alexandria, adapted the 197:) are a collection of thirty-three ancient Greek 10524: 10159:Homeric Hymns. Homeric Apocrypha. Lives of Homer 9940:Proclus' Hymns: Essays, Translations, Commentary 9381:Ancient Science Through the Golden Age of Greece 8837:Olson, S. Douglas (2011). "Immortal Encounters: 5954: 3542:The letter digamma (ϝ), representing the sound / 3463: 3461: 3166: 3156:: how the nymphs raised and now follow Dionysus 2647: 2501: 2210: 1288:. In the fifth century, the Greek-speaking poet 1260:did influence the fourth-century Christian poem 1199: 792:. It has been suggested that the fifth hymn, to 462:, considered in antiquity to be the poet of the 268:banquets, religious festivals and royal courts. 10051:(1970). "The Eighth Homeric Hymn and Proclus". 8257: 7502:Matrices of Genre: Authors, Canons, and Society 6805:(1897b). "The Text of the Homeric Hymns: III". 5145: 3323: 3290: 3218: 3192: 3051: 2942: 2932:Hephaistos's teaching of craft to human beings 2827: 2573: 2301: 2254: 1883:, was made by the Florence-based Greek scholar 256:. It is unclear how far writing, as opposed to 10215:Relative Chronology in Early Greek Epic Poetry 9559:by T. W. Allen, W. R. Halliday, E. E. Sikes". 9398:Schwab, Andreas (2016). "The Reception of the 8793:. Vol. 2. Leiden: Brill. pp. 53–62. 8723:Illuminating the Word in the Early Middle Ages 8542:(1966). "Formular Language and Oral Quality". 7587:Tradition and Innovation in Hellenistic Poetry 7580: 7471:. Vol. 4. Leiden: Brill. pp. 64–79. 6200:, pp. xxvi, 276, 285, 292, 333, 388, 392. 4459: 4315: 3430: 3386: 2006:judged that most of the important work on the 1675:. Judith Fletcher has traced allusions to the 1395: 1323:. Later authors, such as the eleventh-century 402:of the early nineteenth century, particularly 10343: 9136: 9051:Petrovic, Ivana (2012). "Rhapsodic Hymns and 8586:British Theatre and the Other Arts, 1600–1800 3776: 3458: 3368: 3346:The radiance of Selene and her conception of 3333: 3300: 3263: 3226: 3200: 3174: 3135: 3099: 3061: 3024: 3014: 2987: 2950: 2919: 2888: 2835: 2800: 2763: 2732: 2700: 2655: 2620: 2610: 2583: 2546: 2511: 2455: 2427: 2386: 2356: 2315: 2268: 2220: 2180: 2013:In the first half of the eighteenth century, 1804:The grouping of the hymns into their current 1542: 842:A fragmentary painting, showing Hermes, from 9937: 9696: 9674: 9428: 9185:. Berkeley: University of California Press. 9055:". In Baumbach, Manuel; Bär, Silvio (eds.). 8184:Inventing Homer: The Early Reception of Epic 7556: 6962: 6531: 6098: 6039: 4886: 4712: 4411: 4331: 4271: 4004: 3903: 3740: 3642: 3394: 2874: 2469: 2361:. Possibly 1st half of 7th century BCE. 2118: 1879:) of the works of Homer, which included the 1569:. The 1889 poem "Demeter and Persephone" by 1502:, first published as a prose work in 1778. 1429:into Latin, which was published in Paris by 800:claiming descent from Aphrodite via her son 529: 7899: 7885:. Vol. 1. Chicester: Wiley-Blackwell. 7521:Girls and Women in Classical Greek Religion 7161:. Ann Arbor: University of Michigan Press. 6901:] (in Latin). Vol. 5: Hymns, etc ( 4562: 4546: 1895: 1872: 1521:adapted part of the same hymn in the fifth 1464:, in 1710. Congreve also wrote an operatic 1356: 1277: 1017: 10350: 10336: 9341: 9311: 9289: 9263: 8785:Nünlist, René (2007). "Homeric Hymns". In 8747: 8645:Zeitschrift für Papyrologie und Epigraphik 7877: 7354: 7312: 6627: 6255: 6193: 5760: 5708: 5560: 5504: 5476: 5444: 5324: 5312: 5220: 5208: 5109: 5097: 5049: 5029: 5017: 4957: 4945: 4901: 4799: 4387: 4359: 4287: 4275: 4247: 4107: 4095: 4083: 4019: 3948: 3936: 3855: 3764: 3728: 3208:The birth of Athena from the head of Zeus 2407:, and acceptance at the court of the gods 2320: second half of 6th century BCE 2276:The foundation of Apollo's sanctuaries at 1533:made a translation of some of the shorter 1440:in 1538. Around 1570, the French humanist 685:) to recitations of longer works, such as 648: 620:has contrasted the narrative focus of the 414:. Later poets to adapt the hymns included 232:share compositional similarities with the 43: 10189:10.1093/acprof:oso/9780199589036.003.0002 9990:10.1093/acprof:oso/9780198728788.003.0009 9843:10.1093/acprof:oso/9780198728788.003.0015 9808:10.1093/acprof:oso/9780199589036.003.0008 9749:10.1093/acprof:oso/9780198728788.003.0008 9730: 9714:10.1093/acprof:oso/9780198728788.003.0002 9538:10.1093/acprof:oso/9780198728788.003.0013 9523: 9447:10.1093/acprof:oso/9780198728788.003.0016 9412:10.1093/acprof:oso/9780198728788.003.0018 9397: 9359:10.1093/acprof:oso/9780198728788.003.0017 9207:. Cambridge: Cambridge University Press. 9028:. Cambridge: Cambridge University Press. 8808: 8725:. Cambridge: Cambridge University Press. 8624:. Lincoln: University of Nebraska Press. 8612: 8558: 8488:10.1093/acprof:oso/9780198728788.003.0006 8389:. Cambridge: Cambridge University Press. 8365:10.1093/acprof:oso/9780199589036.003.0007 8307: 8218:10.1093/acprof:oso/9780198728788.003.0004 8186:. Cambridge: Cambridge University Press. 8158: 7961:. Princeton: Princeton University Press. 7826:10.1093/acprof:oso/9780198728788.003.0014 7815: 7799:10.1093/acprof:oso/9780198728788.003.0001 7788: 7741:10.1093/acprof:oso/9780199589036.003.0001 7730: 7714:10.1093/acprof:oso/9780199589036.003.0009 7703: 7589:. Cambridge: Cambridge University Press. 7542:. Cambridge: Cambridge University Press. 7537: 7486: 7391:10.1093/acprof:oso/9780198728788.003.0003 7274:10.1093/acprof:oso/9780199589036.003.0014 7016: 6611:10.1093/acprof:oso/9780198728788.003.0012 6332: 6251: 6051: 5688: 5632: 5492: 5432: 5296: 5272: 5181: 5085: 5073: 4993: 4928: 4913: 4859: 4847: 4835: 4823: 4696: 4655:, pp. 113–114. For the dates of the 4628: 4530: 4515: 4503: 4491: 4479: 4463: 4435: 4399: 4371: 4235: 4223: 4219: 4207: 4183: 4171: 4035: 3887: 3840: 3820: 3788: 3752: 3713: 3280:The abundance and blessings of the Earth 2817:The conception and birth of the Dioscuri 2024:wrote a book of notes on the text of the 1164:adapts a section of the hymn to convince 386:as an inspiration for his 1778 melodrama 10181:The Homeric Hymns: Interpretative Essays 9975: 9956: 9878: 9800:The Homeric Hymns: Interpretative Essays 9617:Traditional Themes and the Homeric Hymns 9554: 9483:Sikes, Edward Ernest (1894). "Goodwin's 9081: 9050: 8681:The Homeric Hymns: Interpretative Essays 8403: 8357:The Homeric Hymns: Interpretative Essays 8354: 8266:. Berlin: De Gruyter. pp. 253–269. 8200: 8178: 8102: 8088:] (in Italian). Milan: Feltrinelli. 7926: 7757: 7733:The Homeric Hymns: Interpretative Essays 7706:The Homeric Hymns: Interpretative Essays 7667: 7648: 7611: 7266:The Homeric Hymns: Interpretative Essays 7137:The Homeric Hymns: Interpretative Essays 6142: 6023: 6011: 5936: 5900: 5888: 5860: 5736: 5520: 5480: 5169: 4791: 4700: 4684: 4623:, pp. 109–110. For the date of the 4596: 4423: 4374:, pp. 200–201; on Sappho, see also 4327: 4303: 4291: 4259: 3175:Probably before the 5th century BCE 1938: 1887:in 1488–1489. The 1566 edition, made by 1700: 1399: 1351:made a translation of them around 1462; 1203: 837: 817:played a role in the establishment of a 614:maintained their attribution to Homer. 453: 9905: 9600:. Lanham: University Press of America. 9598:Catullus: A Reader's Guide to the Poems 9463: 9016: 8904: 8784: 8577: 8285:. Oxford: Blackwell. pp. 101–114. 8164:. Oxford: Oxbow Books. pp. 13–18. 8135: 8079: 7842: 7564:Hesiod, the Homeric Hymns, and Homerica 7463: 7426: 7331: 7290: 7231: 7198: 7132: 7092: 7073: 5876: 5856: 5772: 5759:, p. 200. Richardson's edition is 5676: 5672: 5648: 5635:, p. 3. On the Θ manuscripts, see 5592: 5576: 5524: 5464: 5404: 5308: 5284: 5260: 5248: 5224: 5193: 5157: 5037: 4969: 4545:, pp. 125–126. On Philodemus, see 4123: 4034:, p. 34. For a contrary view, see 3992: 3972: 3960: 3883: 2780:Asclepius's birth and role as a healer 2077:published a series of four articles in 1951:Until the later twentieth century, the 1661:has also been cited as an influence on 1116:published in 8 CE, references the 10525: 9938:van den Berg, Rudolphus Maria (2001). 9859: 9824: 9797: 9633: 9375: 9177: 9022:The Rhetoric of the Roman Fake: Latin 8975: 8927: 8516:. Berlin: De Gruyter. pp. 11–15. 8504: 8443: 8283:A Companion to the Classical Tradition 8280: 8142:(in Latin). Completed, uncredited, by 8034: 8005: 7518: 7377: 7260: 7246:. Berlin: de Gruyter. pp. 53–62. 7175: 6984: 6841: 6801: 6765: 6721: 6677: 6596: 6515: 6503: 6491: 6479: 6467: 6419: 6407: 6395: 6371: 6359: 6344: 6315: 6311: 6299: 6287: 6275: 6271: 6239: 6224: 6209: 6169: 6157: 6126: 5704: 5700: 5696: 5692: 5620: 5536: 5448: 5416: 5375: 5363: 5348: 5328: 5133: 5121: 5061: 5005: 4874: 4811: 4779: 4767: 4755: 4743: 4724: 4660: 4608: 4347: 4135: 4066: 4054: 3980: 3976: 3921: 3909: 3899: 3709: 3693: 1717:, from the sanctuary of Persephone at 1513:published a translation of the second 1382:, and were in turn an inspiration for 866:composed hymns around 600 BCE to 500:, then believed to be the poet of the 160:Hesiod, the Homeric Hymns and Homerica 10331: 9765: 9595: 9482: 9221: 9199: 9103: 8994: 8907:Classical Myth in Alfred Hitchcock's 8873: 8836: 8817: 8638: 8474: 8381: 8331: 8082:Poesia e pubblico nella Grecia antica 7975: 7953: 7495: 7407: 7057:10.1093/oxfordhb/9780190650988.013.20 6937: 6885: 6631:; Sikes, Edward Ernest, eds. (1904). 6543: 6519: 6455: 6443: 6431: 6383: 6181: 6138: 6122: 6110: 6063: 5999: 5987: 5944: 5940: 5924: 5912: 5844: 5832: 5820: 5756: 5740: 5724: 5720: 5636: 5608: 5588: 5572: 5548: 5392: 5332: 4795: 4672: 4652: 4640: 4620: 4592: 4580: 4558: 4542: 4375: 4119: 3836: 3816: 3804: 3669: 3654: 1934: 1734:Ancient and early modern transmission 1729:, which may have been known at Locri. 755:and other archaic texts, such as the 671:—Hymn 11, "To Athena", translated by 601:, from the work of scholars based in 398:were also influential on the English 10205: 10175: 10153: 10127: 10087: 10047: 10006: 9614: 9524:Simelidis, Christos (2016). "On the 9244: 8720: 8697: 8675: 8538: 8234: 7902:Epicurus and the Epicurean Tradition 7156: 7022:A Commentary on Ovid's Metamorphoses 6925:). Oxford: Oxford University Press. 6559: 6075: 6035: 5948: 5864: 5808: 5796: 5784: 5660: 5591:, p. 199. Goodwin's edition is 5508: 5460: 5420: 5336: 5236: 4981: 4728: 4568: 4447: 4195: 4159: 4147: 4031: 3867: 3832: 3792: 3697: 3681: 3423: 1573:, reinterprets the narrative of the 971:, and by the similarly contemporary 488:were composed in a time period when 10139:. Oxford: Oxford University Press. 9555:Sinclair, Thomas Alan (1936). "The 9275:. Oxford: Oxford University Press. 9115:. Oxford: Oxford University Press. 9059:. Leiden: Brill. pp. 149–176. 8649:Journal of Papyrology and Epigraphy 8311:(1969) . "Ancient Greek Music". In 8146:. Oxford: Oxford University Press. 8086:Poetry and Public in Ancient Greece 7991:. Leiden: Brill. pp. 146–173. 7931:. Oxford: Oxford University Press. 7653:. Oxford: Oxford University Press. 7363:. Leiden: Brill. pp. 215–232. 6847:"The Text of the Homeric Hymns: IV" 6727:"The Text of the Homeric Hymns: II" 6640:(1st ed.). London: Macmillan. 2048:wrote in 1894 that the text of the 1404:A scene from a 2019 performance of 13: 9982:The Reception of the Homeric Hymns 9835:The Reception of the Homeric Hymns 9741:The Reception of the Homeric Hymns 9706:The Reception of the Homeric Hymns 9530:The Reception of the Homeric Hymns 9439:The Reception of the Homeric Hymns 9404:The Reception of the Homeric Hymns 9351:The Reception of the Homeric Hymns 9087:A History of Classical Scholarship 8480:The Reception of the Homeric Hymns 8210:The Reception of the Homeric Hymns 7937:10.1093/oso/9780198767091.001.0001 7818:The Reception of the Homeric Hymns 7791:The Reception of the Homeric Hymns 7383:The Reception of the Homeric Hymns 6683:"The Text of the Homeric Hymns: I" 6603:The Reception of the Homeric Hymns 5723:, p. 184. Allen's edition is 2924: 2nd half of 5th century BCE 2733:Probably 6th century BCE 2701:Probably 7th century BCE 2156: 1696: 1319:in a poem which borrowed from the 1012:. In Roman poetry, the opening of 858:, such as the works of Pindar and 205:. The hymns praise deities of the 14: 10559: 10241: 9731:Strolonga, Polyxeni (2016). "The 9000:: A Semantic Study of Greek Piety 8750:The American Journal of Philology 7861:10.1163/ej.9789004145405.i-380.18 7434:Space in Ancient Greek Literature 3613:, composed from lines taken from 3543: 2229: early 6th century BCE 1577:as an allegory for the coming of 1456:published a version of the first 351:were first published in print by 10481: 10302: 9383:. New York: Dover Publications. 8450:The Cambridge Companion to Homer 7412:. Abingdon: Taylor and Francis. 7298:. Leiden: Brill. pp. 3–32. 7133:Bernabé, Alberto (7 June 2012). 7049:The Oxford Companion to Heracles 6245: 5750: 5745:Allen, Halliday & Sikes 1936 5730: 5714: 5682: 5626: 5582: 5470: 5438: 5318: 5214: 5023: 3882:7b. For Thucydides's dates, see 3603: 3594: 3585: 3568: 3559: 3536: 1596:discussed the hymn at length in 1150:. Ovid further makes use of the 625:different narrative styles: the 213:, or the establishment of their 154: 10093:The Journal of Hellenic Studies 9619:. Wauconda: Bolchazy-Carducci. 9205:Religions of the Ancient Greeks 8820:The Oxford Handbook of Heracles 8707:The Center for Hellenic Studies 8643:and a Fragment of Sappho]. 7313:Carpentier, Martha C. (2013) . 7296:Brill's Companion to Thucydides 7098:American Journal of Archaeology 6851:The Journal of Hellenic Studies 6807:The Journal of Hellenic Studies 6731:The Journal of Hellenic Studies 6687:The Journal of Hellenic Studies 6552: 5223:, p. 1. For the vase, see 4718: 4646: 4614: 4552: 4536: 4453: 4365: 4321: 4025: 3966: 3893: 3861: 3511: 3492: 3470: 2080:The Journal of Hellenic Studies 1418:includes translations from the 1168:of his worthiness for her. The 526:an artificial literary language 10319:Bibliography (to 1989) on the 9957:Vergados, Athanassios (2012). 9735:Turn into Dialogues: Lucian's 8905:Padilla, Mark William (2018). 5691:, p. 3. The articles are 4561:, n. 30. For the dates of the 3687: 2428:Unclear: tentatively dated to 2136: 1900:, was written by the polymath 1311:celebrated the restoration of 1082:, the account of the theft of 1066:between Aeneas and his mother 449: 1: 10149:– via Internet Archive. 9909:(1894). "The Homeric Hymns". 9285:– via Internet Archive. 9240:– via Internet Archive. 9132:– via Internet Archive. 8634:– via Internet Archive. 8608:– via Internet Archive. 8239:". In Kayachev, Boris (ed.). 7576:– via Internet Archive. 6958:– via Internet Archive. 6933:– via Internet Archive. 6673:– via Internet Archive. 6648:– via Internet Archive. 6198:Barker & Christensen 2021 3630: 3334: 3301: 3264: 3227: 3201:Possibly 5th century BCE 3136: 3100: 3062: 3025: 2988: 2951: 2920: 2848: 2837: 2801: 2764: 2656: 2621: 2584: 2547: 2512: 2470: 2429: 2403:Aphrodite's birth, travel to 2387: 2316: 2221: 2181: 1871:. The first printed edition ( 1634:by Joyce's friend and mentor 1200:Late antiquity to Renaissance 589:denied his authorship of the 320: 77: 10282:Text and translation of the 10272:Resources in other libraries 9779:Man in the Space of Language 9596:Small, Stuart G. P. (1983). 7074:Barnett, Suzanne L. (2018). 6991:The Cambridge Guide to Homer 5743:, p. v. The edition is 3902:, p. v. On the Homeric 3418: 3404: 3369:Possibly before 600 BCE 2721:To Heracles the Lion-Hearted 2111: 2066: 1971:and followed by editions by 1921:Christian Frederick Matthaei 1496:Johann Wolfgang von Goethe's 1266:and a third-century hymn to 833: 828: 745: 735:, who sang hymns to Apollo, 708: 694: 681: 641:has also suggested that the 587:ancient biographies of Homer 271:There are references to the 193: 7: 10504:Contest of Homer and Hesiod 10312:public domain audiobook at 9879:Tsagalis, Christos (2022). 9271:The Homeric Hymn to Demeter 8913:. Lanham: Lexington Books. 8703:"Homeric Hymn to Aphrodite" 8561:Ezra Pound and Neoplatonism 7847:". In Cooper, Craig (ed.). 3886:; for those of Pindar, see 3395:Unknown; before 200 CE 3338: 5th century BCE 3305: 5th century BCE 3235: 6th century BCE 3144: 6th century BCE 3108: 6th century BCE 3070: 6th century BCE 3033: 6th century BCE 2996: 6th century BCE 2959: 6th century BCE 2864:, Hermes's mother, by Zeus 2809: 6th century BCE 2772: 6th century BCE 2687:"To the Mother of the Gods" 2664: 6th century BCE 2629: 6th century BCE 2592: 6th century BCE 2555: 6th century BCE 2520: 6th century BCE 2437: 6th century BCE 2395: 6th century BCE 2083:on textual problems in the 1396:Early modern period onwards 1120:, while other parts of the 534:) derived largely from the 516:was attributed to Homer by 246:artificial literary dialect 81: 7th century BCE 10: 10564: 10286:at Perseus Digital Library 9615:Sowa, Cora Angier (1984). 9431:Homeric Hymns to Aphrodite 8874:Olson, S. Douglas (2012). 8317:Ancient and Oriental Music 8051:and the Collection of the 7143:Bryn Mawr Classical Review 7096:(1948). "Hymn to Hermes". 6964:Athanassakis, Apostolos N. 4460:Fantuzzi & Hunter 2009 4316:Fantuzzi & Hunter 2009 3591:An abridgement of Hymn 33. 2672:Invocation of Demeter and 2015:Jacques Philippe d’Orville 1854:) and possibly written in 1549:. Of Shelley's own poems, 1240:named Theon, preserved by 1101:made extensive use of the 1026:Homeric Hymn to Aphrodite, 987:Dionysius of Halicarnassus 380:Johann Wolfgang von Goethe 248:of Greek, are composed in 182: 85: 5th century CE 10498:Ancient accounts of Homer 10490: 10479: 10367: 10267:Resources in your library 10065:10.1017/S0009838800036260 10025:10.1017/S0009838809990486 9907:Tyrrell, Robert Yelverton 9573:10.1017/S0009840X00077891 9501:10.1017/S0009840X0018792X 9222:Rayor, Diane J. (2014) . 9065:10.1163/9789004233058_008 8978:The Shorter Homeric Hymns 8953:10.1017/S0017383500022932 8843:Homeric Hymn to Aphrodite 8559:Liebregts, Peter (2004). 7927:Fletcher, Judith (2019). 7762:Homeric Hymn to Aphrodite 7758:Faulkner, Andrew (2013). 7649:Faulkner, Andrew (2008). 7538:Eisenfeld, Hanne (2022). 7519:Dillon, Matthew (2003) . 7332:Càssola, Filippo (1975). 6574:10.1017/S0009840X00009471 4731:, p. 20, with n. 14. 3600:An abridgement of Hymn 4. 3382: 3356: 3319: 3286: 3249: 3214: 3188: 3162: 3123: 3089:"To the Muses and Apollo" 3084: 3047: 3010: 2973: 2938: 2905: 2870: 2823: 2786: 2749: 2714: 2682: 2643: 2606: 2569: 2534: 2497: 2451: 2413: 2374: 2338: 2297: 2250: 2206: 2162: 2155: 2152: 2149: 2143: 2140: 2135: 2095:William Reginald Halliday 1683:'s 2002 children's novel 1659:Homeric Hymn to Aphrodite 1613:, in which the character 1490:. The rediscovery of the 1420:Homeric Hymn to Aphrodite 1380:Homeric Hymn to Aphrodite 1219:Homeric Hymn to Aphrodite 1086:'s cattle by the monster 1072:Homeric Hymn to Aphrodite 944:, drew on the same poem. 153: 146: 134: 123: 100: 90: 73: 42: 32: 23: 10223:10.1017/CBO9780511921728 9825:Thomas, Oliver (2016). " 9325:10.1017/CBO9780511840296 9034:10.1017/CBO9780511732331 8789:; Nünlist, René (eds.). 8262:; Burian, Peter (eds.). 8136:Goodwin, Alfred (1893). 7989:A New Companion to Homer 7910:10.1017/CBO9780511921704 7760:"The Performance of the 7595:10.1017/CBO9780511482151 6787:10.1017/CBO9781139523783 6775:The Journal of Philology 6470:, pp. 11–12, 41–42. 5847:, pp. xiv, 99, 116. 3254:"To Gaia, Mother of All" 3041:Zeus's power and wisdom 2046:Robert Yelverton Tyrrell 1885:Demetrios Chalkokondyles 1691:its 2009 film adaptation 1392:, painted in the 1480s. 1378:, paraphrase the second 1136:. Ovid's account of the 353:Demetrios Chalkokondyles 61:painted by the Athenian 10053:The Classical Quarterly 10013:The Classical Quarterly 9864:. Abingdon: Routledge. 9860:Toohey, Peter (2013) . 9400:Homeric Hymn to Demeter 8976:Pearcy, Lee T. (1989). 8721:Nees, Lawrence (2023). 8641:Homeric Hymn to Demeter 8080:Gentili, Bruno (1984). 8035:Gelzer, Thomas (1994). 7883:The Homer Encyclopaedia 7523:. Abingdon: Routledge. 7317:. Abingdon: Routledge. 6769:(1897a). "Notes on the 6314:, pp. 7–8, 31–34; 5479:, p. xxiv, citing 5331:, pp. 142–143 and 4547:Fish & Sanders 2011 2073:Between 1894 and 1897, 1715:Abduction of Persephone 1707: 1677:Homeric Hymn to Demeter 1652:Homeric Hymn to Demeter 1646:references the myth of 1555:, written in 1820, and 1263:The Vision of Dorotheus 1174:of Ovid's contemporary 1138:abduction of Persephone 930: 846:, first century CE 813:has suggested that the 751:) occur throughout the 649:Content and performance 376:Homeric Hymn to Demeter 374:The rediscovery of the 55: 10543:Hymns in ancient Greek 9961:. Berlin: De Gruyter. 9883:. Berlin: De Gruyter. 9766:Taida, Ichiro (2015). 9636:Demeter and Persephone 9245:Rice, Paul F. (2020). 8995:Peels, Saskia (2015). 8882:. Berlin: De Gruyter. 8810:10.1163/j.ctv29sftrn.8 8544:Yale Classical Studies 8506:Kilmer, Anne Draffkorn 8458:10.1017/CCOL0521813026 7689:10.1524/phil.2010.0005 7488:10.1163/j.ctv29sfv4t.9 7201:Homeric Hymn to Hermes 6194:Allen & Sikes 1904 5709:Allen & Sikes 1904 5707:. The 1904 edition is 4563: 3904: 3517:The twentieth-century 3506:Homeric Hymn to Hermes 3110:, probably 6th century 2103:Loeb Classical Library 2090:Oxford Classical Texts 1948: 1896: 1873: 1752:Homeric Hymn to Hermes 1730: 1558:With a Guitar, to Jane 1543: 1484:a version of the opera 1480:George Frideric Handel 1422: 1357: 1321:Homeric Hymn to Hermes 1278: 1270:transmitted among the 1221: 1124:make reference to the 1092:Homeric Hymn to Hermes 1018: 1000:The Greek philosopher 922:Homeric Hymn to Hermes 880:Homeric Hymn to Hermes 847: 668: 530: 467: 367:'s 1744 musical drama 365:George Frideric Handel 9889:10.1515/9783110981384 9775:Žmogus kalbos erdvėje 9737:Dialogues of the Gods 8911:and Grace Kelly Films 8888:10.1515/9783110260748 8731:10.1017/9781009193870 8522:10.1515/9783110340297 8291:10.1002/9780470996775 8041:und zur Sammlung der 8008:James Joyce Quarterly 7626:10.1093/clrevj/bni218 7408:Daley, Brian (2006). 7030:10.1017/9781139047272 7018:Barchiesi, Alessandro 7000:10.1017/9781139225649 6939:Allen, Thomas William 6887:Allen, Thomas William 6843:Allen, Thomas William 6803:Allen, Thomas William 6773:by J. P. D'Orville". 6767:Allen, Thomas William 6723:Allen, Thomas William 6679:Allen, Thomas William 6654:Allen, Thomas William 6629:Allen, Thomas William 6506:, pp. 13, 45–46. 6494:, pp. 12, 44–45. 6482:, pp. 12, 42–43. 6258:, p. 1 (for the 5799:, pp. 29, 31–32. 5595:; it was finished by 5311:, pp. lxv–lxvi; 5239:, pp. 22–23, 26. 4996:, p. 346, n. 12. 3975:, p. 64, citing 2843:, and later than the 1965:Friedrich August Wolf 1942: 1704: 1644:Constantine P. Cavafy 1571:Alfred, Lord Tennyson 1403: 1364:Stanze per la giostra 1207: 1193:Dialogues of the Gods 1178:also make use of the 940:about the heavens by 841: 653: 457: 420:Constantine P. Cavafy 416:Alfred, Lord Tennyson 10538:6th-century BC books 10533:7th-century BC books 9561:The Classical Review 9489:The Classical Review 9343:Richardson, Nicholas 9313:Richardson, Nicholas 9291:Richardson, Nicholas 9265:Richardson, Nicholas 8701:(12 December 2018). 8651:] (in Italian). 8614:Mathiesen, Thomas J. 8580:Kenny, Shirley Strum 8405:Johnston, Sarah Iles 8144:Thomas William Allen 7879:Finkelberg, Margalit 7614:The Classical Review 7410:Gregory of Nazianzus 7157:Bing, Peter (2009). 6562:The Classical Review 6410:, pp. 9, 36–37. 6141:, pp. 114–115; 6125:, pp. 295–296; 5597:Thomas William Allen 5351:, pp. 281, 298. 5146:Hatzichronoglou 2020 4699:, pp. 163–164; 4571:, pp. 127, 131. 4462:, pp. 370–371; 4222:, pp. 336–338; 4150:, pp. 123, 129. 4098:, pp. xiv–xvii. 3839:, pp. 163–164; 3767:, pp. 354, 368. 2075:Thomas William Allen 1819:of Callimachus, the 1769:Unlike those of the 1590:Eleusinian Mysteries 1531:Percy Bysshe Shelley 1300:, made use of them. 1286:Gregory of Nazianzus 973:Apollonius of Rhodes 412:Percy Bysshe Shelley 293:Apollonius of Rhodes 124:Published in English 10458:Capture of Oechalia 10368:Attributed to Homer 10291:Translation of the 10135:Ancient Greek Music 9698:Strauss Clay, Jenny 9676:Strauss Clay, Jenny 8409:Classical Philology 8260:Strauss Clay, Jenny 6458:, pp. 126–127. 6446:, pp. 122–125. 6434:, pp. 119–120. 6386:, pp. 115–116. 6374:, pp. 8–9, 36. 6113:, pp. 291–293. 6002:, pp. 279–286. 5867:, pp. 286–287. 5539:, pp. 250–251. 5435:, pp. 259–260. 5299:, pp. 252–253. 5172:, pp. 117–119. 5148:, pp. 259–260. 5124:, pp. 545–547. 5032:, p. 326. For 4960:, pp. 326–327. 4904:, pp. 336–337. 4889:, pp. 301–302. 4850:, pp. 249–251. 4838:, pp. 248–249. 4814:, pp. 225–226. 4794:, pp. 80, 86; 4782:, pp. 237–238. 4770:, pp. 231–232. 4746:, pp. 221–225. 4703:, pp. 185–186. 4675:, pp. 121–124. 4663:, pp. 124–125. 4643:, pp. 113–114. 4506:, pp. 176–177. 4494:, pp. 193–194. 4466:, p. 195 (for 4306:, pp. 174–175. 4262:, pp. 173–174. 4138:, pp. 354–356. 3795:, pp. 153–174. 3272: 300 BCE 2852: 470 BCE 2841: 500 BCE 2189: 600 BCE 2132: 2130: 2004:Edward Ernest Sikes 1838:Manuscripts of the 1738:Only a few ancient 1594:James George Frazer 1565:, particularly the 1519:Thomas Love Peacock 1294:Musaeus Grammaticus 981:. The mythographer 474:mostly date to the 408:Thomas Love Peacock 9201:Price, Simon R. F. 8043:Homerischen Hymnen 7558:Evelyn-White, Hugh 7237:Bowersock, Glen W. 7078:. Cham: Springer. 6260:terminus ante quem 5947:, pp. 75–85; 5064:, pp. 70, 79. 4916:, p. 2, n. 3. 4798:, pp. 28–29; 4595:, pp. 57–58; 3777:Postlethwaite 1979 3365:Castor and Pollux 2478: 500 CE 2131: 2126: 1979:in 1806. In 1886, 1949: 1935:Modern scholarship 1832:Orphic Argonautica 1777:, the text of the 1731: 1552:The Witch of Atlas 1474:, set to music by 1423: 1389:The Birth of Venus 1333:Theodore Prodromos 1242:a papyrus fragment 1222: 1210:The Birth of Venus 1040:on the wedding of 882:also inspired the 848: 811:Jenny Strauss Clay 605:(323–30 BCE) 579:Kynathios of Chios 560:dactylic hexameter 468: 341:The Birth of Venus 328: 600 CE 250:dactylic hexameter 141:Dactylic hexameter 10520: 10519: 10376:Batrachomyomachia 10358:Works related to 10248:Library resources 9295:The Homeric Hymns 9002:. Leiden: Brill. 8941:Greece & Rome 8597:978-0-918016-65-2 8334:Batrachomyomachia 8309:Henderson, Isobel 8202:Harrison, Stephen 8180:Graziosi, Barbara 8049:Codex Mosquiensis 8039:Codex Mosquiensis 7581:Fantuzzi, Marco; 6986:Bakker, Egbert J. 6968:The Homeric Hymns 6532:Athanassakis 2004 6422:, pp. 9, 37. 6398:, pp. 36–37. 6362:, pp. 8, 35. 6347:, pp. 8, 34. 6242:, pp. 6, 30. 6212:, pp. 6, 29. 6160:, pp. 5, 28. 6099:Athanassakis 2004 6054:, pp. 15–16. 6040:van den Berg 2001 5467:, pp. 97–98. 5407:, pp. 97–98. 5263:, pp. 53–54. 5112:, pp. 71–72. 5008:, pp. 38–39. 4887:M. E. Schwab 2016 4713:M. E. Schwab 2016 4687:, pp. 93–94. 4414:, esp. pp. 29–32. 4412:Strauss Clay 2016 4332:Strauss Clay 2006 4272:Strauss Clay 2006 4250:, pp. x–xii. 4210:, pp. 39–43. 4005:Evelyn-White 1914 3924:, pp. v–vii. 3890:, pp. 18–19. 3807:, pp. 40–41. 3779:, pp. 16–17. 3741:Athanassakis 2004 3716:, pp. 15–16. 3657:, pp. ix, 4. 3645:, pp. 32–34. 3643:Strauss Clay 2016 3424:Explanatory notes 3416: 3415: 3361:"To the Dioscuri" 3152:Dionysus and the 2860:The seduction of 2796:Castor and Pollux 2791:"To the Dioscuri" 2487:A list of Ares's 2237:The abduction of 2105:edition of 2003, 2038:August Baumeister 1977:Gottfried Hermann 1902:Ioannes Eugenikos 1756:Hymn to Aphrodite 1719:Locri Epizephyrii 1488:Hymn to Aphrodite 1458:Hymn to Aphrodite 1446:Hymn to Aphrodite 1384:Sandro Botticelli 1353:Giovanni Tortelli 1345:Francesco Filelfo 1309:Paul Silentiarius 1273:Sibylline Oracles 1215:Sandro Botticelli 1152:Hymn to Aphrodite 1130:Hymn to Aphrodite 1107:Apollo and Daphne 1105:: his account of 862:. The lyric poet 673:Hugh Evelyn-White 392:textual criticism 336:Sandro Botticelli 191: 169: 168: 10555: 10485: 10352: 10345: 10338: 10329: 10328: 10306: 10305: 10236: 10211:Andersen, Øivind 10202: 10172: 10150: 10138: 10124: 10084: 10044: 10003: 9972: 9953: 9934: 9902: 9875: 9856: 9821: 9794: 9772: 9762: 9727: 9693: 9671: 9630: 9611: 9592: 9551: 9520: 9479: 9460: 9433:and Poliziano's 9425: 9394: 9372: 9338: 9308: 9286: 9274: 9260: 9241: 9229: 9218: 9196: 9179:Powell, Barry B. 9174: 9133: 9131: 9129: 9114: 9100: 9083:Pfeiffer, Rudolf 9078: 9047: 9013: 8991: 8972: 8924: 8901: 8881: 8870: 8833: 8814: 8812: 8781: 8744: 8717: 8715: 8713: 8694: 8672: 8635: 8623: 8609: 8589: 8574: 8555: 8535: 8501: 8471: 8440: 8400: 8378: 8351: 8328: 8304: 8277: 8254: 8231: 8197: 8175: 8155: 8132: 8099: 8076: 8058: 8031: 8002: 7985:Powell, Barry B. 7972: 7955:Foley, Helene P. 7950: 7923: 7896: 7874: 7839: 7812: 7785: 7754: 7727: 7700: 7664: 7645: 7608: 7577: 7567: 7553: 7534: 7515: 7492: 7490: 7460: 7458: 7456: 7437: 7423: 7404: 7379:Clauss, James J. 7374: 7351: 7328: 7309: 7292:Canfora, Luciano 7287: 7257: 7228: 7195: 7172: 7153: 7151: 7149: 7129: 7089: 7070: 7043: 7013: 6981: 6959: 6934: 6896: 6882: 6838: 6798: 6762: 6718: 6674: 6649: 6624: 6593: 6547: 6541: 6535: 6529: 6523: 6513: 6507: 6501: 6495: 6489: 6483: 6477: 6471: 6465: 6459: 6453: 6447: 6441: 6435: 6429: 6423: 6417: 6411: 6405: 6399: 6393: 6387: 6381: 6375: 6369: 6363: 6357: 6348: 6342: 6336: 6330: 6319: 6309: 6303: 6297: 6291: 6285: 6279: 6269: 6263: 6249: 6243: 6237: 6228: 6222: 6213: 6207: 6201: 6191: 6185: 6179: 6173: 6167: 6161: 6155: 6146: 6136: 6130: 6120: 6114: 6108: 6102: 6096: 6079: 6073: 6067: 6061: 6055: 6049: 6043: 6033: 6027: 6021: 6015: 6009: 6003: 5997: 5991: 5985: 5952: 5934: 5928: 5922: 5916: 5910: 5904: 5898: 5892: 5886: 5880: 5874: 5868: 5854: 5848: 5842: 5836: 5830: 5824: 5818: 5812: 5806: 5800: 5794: 5788: 5782: 5776: 5770: 5764: 5754: 5748: 5734: 5728: 5718: 5712: 5686: 5680: 5670: 5664: 5658: 5652: 5646: 5640: 5630: 5624: 5618: 5612: 5606: 5600: 5586: 5580: 5570: 5564: 5558: 5552: 5546: 5540: 5534: 5528: 5518: 5512: 5502: 5496: 5490: 5484: 5474: 5468: 5458: 5452: 5442: 5436: 5430: 5424: 5414: 5408: 5402: 5396: 5390: 5379: 5373: 5367: 5361: 5352: 5346: 5340: 5322: 5316: 5306: 5300: 5294: 5288: 5282: 5276: 5270: 5264: 5258: 5252: 5246: 5240: 5234: 5228: 5218: 5212: 5206: 5197: 5191: 5185: 5179: 5173: 5167: 5161: 5155: 5149: 5143: 5137: 5131: 5125: 5119: 5113: 5107: 5101: 5095: 5089: 5083: 5077: 5071: 5065: 5059: 5053: 5047: 5041: 5027: 5021: 5015: 5009: 5003: 4997: 4991: 4985: 4979: 4973: 4967: 4961: 4955: 4949: 4943: 4932: 4926: 4917: 4911: 4905: 4899: 4890: 4884: 4878: 4872: 4863: 4857: 4851: 4845: 4839: 4833: 4827: 4821: 4815: 4809: 4803: 4789: 4783: 4777: 4771: 4765: 4759: 4753: 4747: 4741: 4732: 4722: 4716: 4710: 4704: 4694: 4688: 4682: 4676: 4670: 4664: 4650: 4644: 4638: 4632: 4618: 4612: 4606: 4600: 4590: 4584: 4578: 4572: 4566: 4556: 4550: 4540: 4534: 4528: 4519: 4513: 4507: 4501: 4495: 4489: 4483: 4477: 4471: 4457: 4451: 4445: 4439: 4433: 4427: 4421: 4415: 4409: 4403: 4397: 4391: 4385: 4379: 4369: 4363: 4362:, p. xxiii. 4357: 4351: 4345: 4339: 4325: 4319: 4313: 4307: 4301: 4295: 4285: 4279: 4269: 4263: 4257: 4251: 4245: 4239: 4233: 4227: 4217: 4211: 4205: 4199: 4193: 4187: 4181: 4175: 4169: 4163: 4157: 4151: 4145: 4139: 4133: 4127: 4117: 4111: 4110:, p. xviii. 4105: 4099: 4093: 4087: 4081: 4070: 4064: 4058: 4052: 4039: 4029: 4023: 4017: 4008: 4002: 3996: 3990: 3984: 3979:, p. 7 and 3970: 3964: 3958: 3952: 3946: 3940: 3934: 3925: 3919: 3913: 3907: 3897: 3891: 3865: 3859: 3853: 3844: 3835:, pp. 1–2; 3830: 3824: 3814: 3808: 3802: 3796: 3786: 3780: 3774: 3768: 3762: 3756: 3750: 3744: 3738: 3732: 3726: 3717: 3707: 3701: 3691: 3685: 3679: 3673: 3667: 3658: 3652: 3646: 3640: 3624: 3607: 3601: 3598: 3592: 3589: 3583: 3572: 3566: 3563: 3557: 3547: 3540: 3534: 3515: 3509: 3496: 3490: 3474: 3468: 3465: 3456: 3447:, rather than a 3437: 3409: 3396: 3388: 3370: 3362: 3340: 3339: 3336: 3325: 3307: 3306: 3303: 3292: 3274: 3273: 3269: 3266: 3255: 3237: 3236: 3232: 3229: 3220: 3202: 3194: 3176: 3168: 3146: 3145: 3141: 3138: 3129: 3111: 3109: 3105: 3102: 3090: 3072: 3071: 3067: 3064: 3053: 3035: 3034: 3030: 3027: 3016: 2998: 2997: 2993: 2990: 2979: 2961: 2960: 2956: 2953: 2944: 2926: 2925: 2922: 2911: 2893: 2880: 2854: 2853: 2850: 2842: 2839: 2829: 2811: 2810: 2806: 2803: 2792: 2774: 2773: 2769: 2766: 2755: 2734: 2724: 2702: 2688: 2666: 2665: 2661: 2658: 2649: 2631: 2630: 2626: 2623: 2612: 2594: 2593: 2589: 2586: 2575: 2557: 2556: 2552: 2549: 2540: 2522: 2521: 2517: 2514: 2503: 2481: 2479: 2475: 2472: 2461: 2439: 2438: 2434: 2431: 2419: 2397: 2396: 2392: 2389: 2380: 2362: 2348: 2323: 2321: 2318: 2307: 2270: 2260: 2231: 2230: 2226: 2223: 2212: 2191: 2190: 2186: 2183: 2172: 2158: 2150:Surviving lines 2138: 2133: 2129: 2125: 2114: 2101:in 1974. In his 2069: 2063: 2030:Michel Maittaire 2023: 1989: 1969:Karl David Ilgen 1929:Giovanni Aurispa 1910:Hymn to Dionysus 1899: 1897:Codex Mosquensis 1878: 1791: 1712: 1663:Alfred Hitchcock 1599:The Golden Bough 1548: 1515:Hymn to Dionysus 1454:William Congreve 1439: 1376:Angelo Poliziano 1373: 1360: 1341:Michael Marullus 1283: 1254:Hermopolis Magna 1188:Aelius Aristides 1134:Hymn to Dionysus 1023: 995:Hymn to Dionysus 991:Diodorus Siculus 935: 750: 711: 697: 684: 675: 640: 577:was the work of 562:and make use of 533: 458:A Roman bust of 436:, and the novel 434:Alfred Hitchcock 361:William Congreve 332:Byzantine period 329: 325: 322: 283:poets including 258:oral composition 196: 194:Homērikoì húmnoi 186: 184: 158: 157: 86: 82: 79: 60: 47: 38: 28: 21: 20: 10563: 10562: 10558: 10557: 10556: 10554: 10553: 10552: 10523: 10522: 10521: 10516: 10486: 10477: 10363: 10356: 10323:at Academia.edu 10303: 10278: 10277: 10276: 10256: 10255: 10251: 10244: 10239: 10233: 10199: 10169: 10147: 10009:De Rerum Natura 10000: 9969: 9950: 9899: 9872: 9853: 9818: 9770: 9759: 9724: 9690: 9652:10.2307/2871934 9627: 9608: 9548: 9476: 9457: 9422: 9391: 9369: 9335: 9305: 9283: 9257: 9238: 9215: 9193: 9155:10.2307/1087847 9127: 9125: 9123: 9097: 9075: 9044: 9010: 8988: 8933:Hymn to Demeter 8921: 8898: 8830: 8801: 8741: 8711: 8709: 8691: 8632: 8598: 8571: 8532: 8510:Seroussi, Edwin 8498: 8468: 8397: 8375: 8348: 8301: 8274: 8251: 8228: 8194: 8172: 8096: 8056: 7999: 7969: 7947: 7920: 7893: 7871: 7836: 7809: 7782: 7751: 7724: 7661: 7605: 7583:Hunter, Richard 7550: 7531: 7512: 7479: 7454: 7452: 7450: 7420: 7401: 7371: 7348: 7325: 7306: 7284: 7254: 7233:Burkert, Walter 7192: 7169: 7147: 7145: 7086: 7067: 7040: 7010: 6978: 6621: 6555: 6550: 6542: 6538: 6530: 6526: 6514: 6510: 6502: 6498: 6490: 6486: 6478: 6474: 6466: 6462: 6454: 6450: 6442: 6438: 6430: 6426: 6418: 6414: 6406: 6402: 6394: 6390: 6382: 6378: 6370: 6366: 6358: 6351: 6343: 6339: 6331: 6322: 6310: 6306: 6298: 6294: 6286: 6282: 6270: 6266: 6256:Richardson 2010 6250: 6246: 6238: 6231: 6223: 6216: 6208: 6204: 6196:, p. 253; 6192: 6188: 6184:, p. xxvi. 6180: 6176: 6168: 6164: 6156: 6149: 6137: 6133: 6121: 6117: 6109: 6105: 6097: 6082: 6074: 6070: 6062: 6058: 6050: 6046: 6034: 6030: 6022: 6018: 6010: 6006: 5998: 5994: 5986: 5955: 5935: 5931: 5923: 5919: 5911: 5907: 5899: 5895: 5887: 5883: 5875: 5871: 5863:, p. 206; 5855: 5851: 5843: 5839: 5831: 5827: 5819: 5815: 5807: 5803: 5795: 5791: 5783: 5779: 5771: 5767: 5761:Richardson 1974 5755: 5751: 5735: 5731: 5719: 5715: 5687: 5683: 5675:, p. 305; 5671: 5667: 5659: 5655: 5647: 5643: 5631: 5627: 5619: 5615: 5607: 5603: 5587: 5583: 5575:, p. 156; 5571: 5567: 5561:Finkelberg 2011 5559: 5555: 5547: 5543: 5535: 5531: 5523:, p. 392; 5519: 5515: 5505:Richardson 2010 5503: 5499: 5491: 5487: 5477:Richardson 2003 5475: 5471: 5459: 5455: 5445:Richardson 2010 5443: 5439: 5431: 5427: 5423:, p. 22, n. 23. 5419:, p. 124; 5415: 5411: 5403: 5399: 5391: 5382: 5374: 5370: 5362: 5355: 5347: 5343: 5325:Richardson 2010 5323: 5319: 5313:Richardson 2010 5307: 5303: 5295: 5291: 5283: 5279: 5271: 5267: 5259: 5255: 5247: 5243: 5235: 5231: 5221:Richardson 2010 5219: 5215: 5209:Richardson 2010 5207: 5200: 5192: 5188: 5180: 5176: 5168: 5164: 5156: 5152: 5144: 5140: 5132: 5128: 5120: 5116: 5110:Carpentier 2013 5108: 5104: 5098:Carpentier 2013 5096: 5092: 5084: 5080: 5072: 5068: 5060: 5056: 5050:Richardson 2016 5048: 5044: 5030:Richardson 2016 5028: 5024: 5018:Richardson 2016 5016: 5012: 5004: 5000: 4992: 4988: 4980: 4976: 4968: 4964: 4958:Richardson 2016 4956: 4952: 4946:Richardson 2016 4944: 4935: 4927: 4920: 4912: 4908: 4902:Richardson 2016 4900: 4893: 4885: 4881: 4873: 4866: 4858: 4854: 4846: 4842: 4834: 4830: 4822: 4818: 4810: 4806: 4800:Ciccolella 2020 4790: 4786: 4778: 4774: 4766: 4762: 4754: 4750: 4742: 4735: 4723: 4719: 4711: 4707: 4695: 4691: 4683: 4679: 4671: 4667: 4651: 4647: 4639: 4635: 4619: 4615: 4607: 4603: 4591: 4587: 4579: 4575: 4564:De rerum natura 4557: 4553: 4541: 4537: 4529: 4522: 4514: 4510: 4502: 4498: 4490: 4486: 4478: 4474: 4458: 4454: 4446: 4442: 4434: 4430: 4422: 4418: 4410: 4406: 4402:, pp. 5–6. 4398: 4394: 4390:, p. xxiv. 4388:Richardson 2003 4386: 4382: 4370: 4366: 4360:Richardson 2003 4358: 4354: 4346: 4342: 4326: 4322: 4314: 4310: 4302: 4298: 4288:Richardson 2010 4286: 4282: 4276:Richardson 2010 4270: 4266: 4258: 4254: 4248:Richardson 2003 4246: 4242: 4234: 4230: 4218: 4214: 4206: 4202: 4194: 4190: 4182: 4178: 4170: 4166: 4158: 4154: 4146: 4142: 4134: 4130: 4118: 4114: 4108:Richardson 2003 4106: 4102: 4096:Richardson 2003 4094: 4090: 4084:Richardson 2010 4082: 4073: 4065: 4061: 4053: 4042: 4030: 4026: 4022:, p. viii. 4020:Richardson 2003 4018: 4011: 4003: 3999: 3991: 3987: 3971: 3967: 3959: 3955: 3949:Richardson 2010 3947: 3943: 3937:Richardson 2003 3935: 3928: 3920: 3916: 3898: 3894: 3866: 3862: 3856:Richardson 2003 3854: 3847: 3831: 3827: 3823:, pp. 4–5. 3815: 3811: 3803: 3799: 3787: 3783: 3775: 3771: 3765:Notopoulos 1962 3763: 3759: 3755:, pp. 3–7. 3751: 3747: 3739: 3735: 3731:, p. xiii. 3729:Richardson 2003 3727: 3720: 3708: 3704: 3692: 3688: 3684:, pp. 1–2. 3680: 3676: 3668: 3661: 3653: 3649: 3641: 3637: 3633: 3628: 3627: 3608: 3604: 3599: 3595: 3590: 3586: 3573: 3569: 3564: 3560: 3541: 3537: 3516: 3512: 3497: 3493: 3475: 3471: 3466: 3459: 3443:is strictly an 3438: 3431: 3426: 3421: 3337: 3304: 3271: 3267: 3234: 3230: 3143: 3139: 3107: 3104: late 7th 3103: 3069: 3065: 3032: 3028: 2995: 2991: 2958: 2954: 2923: 2910:"To Hephaistos" 2851: 2840: 2808: 2804: 2771: 2767: 2663: 2659: 2628: 2624: 2591: 2587: 2554: 2550: 2519: 2515: 2477: 2473: 2436: 2432: 2394: 2390: 2359:Hymn to Demeter 2319: 2228: 2225: late 7th 2224: 2188: 2184: 2153:Subject matter 2127: 2124: 2099:Hymn to Demeter 2057: 2017: 1983: 1945:Hymn to Demeter 1937: 1914:Hymn to Demeter 1875:editio princeps 1825:, the hymns of 1785: 1736: 1727:Hymn to Demeter 1699: 1697:Textual history 1650:as told in the 1615:Stephen Dedalus 1586:Hymn to Demeter 1575:Hymn to Demeter 1492:Hymn to Demeter 1462:heroic couplets 1433: 1431:Chrétien Wechel 1398: 1367: 1358:De Orthographia 1349:Marsilio Ficino 1325:Michael Psellos 1315:by the emperor 1202: 1148:Hymn to Demeter 1132:and the second 1126:Hymn to Demeter 1097:The Roman poet 1078:. Later in the 1070:references the 1020:De rerum natura 836: 831: 677: 670: 665: 664: 651: 634: 452: 384:Hymn to Demeter 327: 323: 155: 119: 84: 80: 69: 33: 24: 17: 12: 11: 5: 10561: 10551: 10550: 10545: 10540: 10535: 10518: 10517: 10515: 10514: 10507: 10500: 10494: 10492: 10488: 10487: 10480: 10478: 10476: 10475: 10468: 10461: 10454: 10447: 10440: 10433: 10426: 10419: 10412: 10400: 10393: 10386: 10379: 10371: 10369: 10365: 10364: 10355: 10354: 10347: 10340: 10332: 10326: 10325: 10316: 10300: 10288: 10275: 10274: 10269: 10264: 10258: 10257: 10246: 10245: 10243: 10242:External links 10240: 10238: 10237: 10231: 10203: 10197: 10173: 10167: 10157:, ed. (2003). 10151: 10145: 10125: 10105:10.2307/629848 10085: 10059:(2): 300–304. 10045: 10019:(1): 127–131. 10004: 9998: 9973: 9967: 9954: 9948: 9935: 9903: 9897: 9876: 9870: 9857: 9851: 9822: 9816: 9795: 9763: 9757: 9728: 9722: 9694: 9688: 9672: 9631: 9625: 9612: 9606: 9593: 9567:(6): 217–218. 9552: 9546: 9521: 9495:(4): 156–157. 9480: 9474: 9461: 9455: 9426: 9420: 9395: 9389: 9377:Sarton, George 9373: 9367: 9339: 9333: 9309: 9303: 9287: 9281: 9267:, ed. (1974). 9261: 9255: 9242: 9236: 9219: 9213: 9197: 9191: 9175: 9134: 9121: 9101: 9095: 9079: 9073: 9048: 9042: 9024:Pseudepigrapha 9018:Peirano, Irene 9014: 9008: 8992: 8986: 8973: 8929:Parker, Robert 8925: 8919: 8902: 8896: 8871: 8834: 8828: 8815: 8799: 8787:de Jong, Irene 8782: 8762:10.2307/292918 8756:(4): 337–368. 8745: 8739: 8718: 8695: 8689: 8673: 8636: 8630: 8610: 8596: 8575: 8569: 8556: 8540:Kirk, Geoffrey 8536: 8530: 8502: 8496: 8472: 8466: 8446:Fowler, Robert 8441: 8421:10.1086/449575 8415:(2): 109–132. 8401: 8395: 8383:Janko, Richard 8379: 8373: 8352: 8346: 8329: 8305: 8299: 8278: 8272: 8255: 8249: 8232: 8226: 8198: 8192: 8176: 8170: 8156: 8139:Hymni Homerici 8133: 8100: 8094: 8077: 8067:(1): 113–137. 8032: 8014:(3): 541–557. 8003: 7997: 7973: 7967: 7957:, ed. (2013). 7951: 7945: 7924: 7918: 7897: 7891: 7881:, ed. (2011). 7875: 7869: 7840: 7834: 7813: 7807: 7786: 7780: 7755: 7749: 7728: 7722: 7701: 7670:Poemata Arcana 7665: 7659: 7646: 7620:(2): 392–394. 7616:. New Series. 7609: 7603: 7578: 7554: 7548: 7535: 7529: 7516: 7510: 7493: 7477: 7465:de Jong, Irene 7461: 7448: 7428:de Jong, Irene 7424: 7418: 7405: 7399: 7375: 7369: 7352: 7346: 7329: 7323: 7310: 7304: 7288: 7282: 7262:Calame, Claude 7258: 7252: 7229: 7211:(2): 143–165. 7196: 7190: 7173: 7167: 7154: 7130: 7110:10.2307/500415 7104:(3): 336–340. 7090: 7084: 7071: 7065: 7044: 7038: 7014: 7008: 6982: 6976: 6960: 6935: 6899:Works of Homer 6883: 6863:10.2307/623829 6839: 6819:10.2307/623817 6799: 6763: 6743:10.2307/624075 6719: 6699:10.2307/624065 6675: 6650: 6625: 6619: 6594: 6556: 6554: 6551: 6549: 6548: 6546:, p. 149. 6536: 6524: 6522:, p. 149. 6518:, p. iv; 6508: 6496: 6484: 6472: 6460: 6448: 6436: 6424: 6412: 6400: 6388: 6376: 6364: 6349: 6337: 6333:Faulkner 2011b 6320: 6304: 6302:, p. 159. 6292: 6290:, p. 172. 6280: 6278:, p. 172. 6274:, p. 31; 6264: 6254:, p. 15; 6252:Faulkner 2011b 6244: 6229: 6214: 6202: 6186: 6174: 6172:, p. 155. 6162: 6147: 6145:, p. 504. 6131: 6115: 6103: 6080: 6068: 6066:, p. 139. 6056: 6052:Faulkner 2011b 6044: 6028: 6016: 6004: 5992: 5953: 5929: 5917: 5905: 5893: 5891:, p. 147. 5881: 5869: 5859:, p. 61; 5849: 5837: 5825: 5813: 5801: 5789: 5777: 5765: 5749: 5729: 5713: 5689:Faulkner 2011b 5681: 5665: 5653: 5641: 5633:Faulkner 2011b 5625: 5623:, p. 250. 5613: 5611:, p. 156. 5601: 5581: 5565: 5563:, p. 205. 5553: 5551:, p. 198. 5541: 5529: 5513: 5507:, p. 33; 5497: 5495:, p. 252. 5493:Simelidis 2016 5485: 5469: 5463:, p. 43; 5453: 5447:, p. 33; 5437: 5433:Simelidis 2016 5425: 5409: 5397: 5395:, p. 197. 5380: 5378:, p. 153. 5368: 5366:, p. 298. 5353: 5341: 5317: 5301: 5297:Simelidis 2016 5289: 5287:, p. lxv. 5277: 5275:, p. 175. 5273:Faulkner 2011a 5265: 5253: 5241: 5229: 5213: 5198: 5196:, p. 96, n. 8. 5186: 5182:Göransson 2021 5174: 5162: 5160:, p. 229. 5150: 5138: 5136:, p. 105. 5126: 5114: 5102: 5090: 5088:, p. 348. 5086:A. Schwab 2016 5078: 5076:, p. 346. 5074:A. Schwab 2016 5066: 5054: 5052:, p. 342. 5042: 5022: 5020:, p. 326. 5010: 4998: 4994:A. Schwab 2016 4986: 4984:, p. 117. 4974: 4972:, p. 131. 4962: 4950: 4948:, p. 325. 4933: 4931:, p. 130. 4929:Liebregts 2004 4918: 4914:Faulkner 2011b 4906: 4891: 4879: 4877:, p. 279. 4864: 4862:, p. 262. 4860:Faulkner 2016b 4852: 4848:Simelidis 2016 4840: 4836:Simelidis 2016 4828: 4826:, p. 247. 4824:Simelidis 2016 4816: 4804: 4802:, p. 220. 4784: 4772: 4760: 4758:, p. 227. 4748: 4733: 4717: 4715:, p. 301. 4705: 4697:Strolonga 2016 4689: 4677: 4665: 4645: 4633: 4629:Barchiesi 2024 4613: 4601: 4599:, p. 159. 4585: 4583:, p. 136. 4573: 4551: 4535: 4531:Faulkner 2016a 4520: 4518:, p. 176. 4516:Faulkner 2011a 4508: 4504:Faulkner 2011a 4496: 4492:Faulkner 2011a 4484: 4480:Faulkner 2016a 4472: 4464:Faulkner 2011a 4452: 4440: 4436:Faulkner 2016a 4428: 4426:, p. 171. 4416: 4404: 4400:Faulkner 2016a 4392: 4380: 4372:Faulkner 2011a 4364: 4352: 4340: 4320: 4318:, p. 363. 4308: 4296: 4294:, p. 174. 4280: 4264: 4252: 4240: 4238:, p. 338. 4236:Henderson 1969 4228: 4224:Mathiesen 1999 4220:Henderson 1969 4212: 4208:Mathiesen 1999 4200: 4198:, p. 116. 4188: 4186:, p. 253. 4184:Mathiesen 1999 4176: 4172:Mathiesen 1999 4164: 4162:, p. 129. 4152: 4140: 4128: 4126:, p. 162. 4122:, p. 60; 4112: 4100: 4088: 4071: 4059: 4040: 4036:Mathiesen 1999 4024: 4009: 4007:, p. 437. 3997: 3985: 3965: 3953: 3941: 3939:, p. xii. 3926: 3914: 3892: 3888:Eisenfeld 2022 3870:, p. 34; 3860: 3858:, p. vii. 3845: 3841:Faulkner 2011b 3825: 3821:Faulkner 2011b 3819:, p. 40; 3809: 3797: 3789:Faulkner 2011b 3781: 3769: 3757: 3753:Faulkner 2011b 3745: 3743:, p. xvi. 3733: 3718: 3714:Faulkner 2011b 3712:, p. iv; 3702: 3686: 3674: 3659: 3647: 3634: 3632: 3629: 3626: 3625: 3617:'s epic poem, 3602: 3593: 3584: 3567: 3558: 3535: 3510: 3491: 3469: 3457: 3428: 3427: 3425: 3422: 3420: 3417: 3414: 3413: 3411: 3400: 3397: 3392: 3389: 3384: 3380: 3379: 3377: 3374: 3371: 3366: 3363: 3358: 3354: 3353: 3351: 3344: 3341: 3331: 3326: 3321: 3317: 3316: 3314: 3311: 3308: 3298: 3293: 3288: 3284: 3283: 3281: 3278: 3275: 3261: 3256: 3251: 3247: 3246: 3244: 3241: 3238: 3224: 3221: 3216: 3212: 3211: 3209: 3206: 3203: 3198: 3195: 3190: 3186: 3185: 3183: 3180: 3177: 3172: 3169: 3164: 3160: 3159: 3157: 3150: 3147: 3133: 3130: 3125: 3121: 3120: 3118: 3115: 3112: 3097: 3091: 3086: 3082: 3081: 3079: 3076: 3073: 3059: 3054: 3049: 3045: 3044: 3042: 3039: 3036: 3022: 3017: 3012: 3008: 3007: 3005: 3002: 2999: 2985: 2980: 2975: 2971: 2970: 2968: 2965: 2962: 2948: 2945: 2940: 2936: 2935: 2933: 2930: 2927: 2917: 2912: 2907: 2903: 2902: 2900: 2897: 2894: 2891:Hymn to Hermes 2886: 2881: 2872: 2868: 2867: 2865: 2858: 2855: 2845:Hymn to Apollo 2833: 2830: 2825: 2821: 2820: 2818: 2815: 2812: 2798: 2793: 2788: 2784: 2783: 2781: 2778: 2775: 2761: 2756: 2754:"To Asclepius" 2751: 2747: 2746: 2744: 2738: 2735: 2730: 2725: 2716: 2712: 2711: 2709: 2706: 2703: 2698: 2689: 2684: 2680: 2679: 2677: 2670: 2667: 2653: 2650: 2645: 2641: 2640: 2638: 2635: 2632: 2618: 2613: 2608: 2604: 2603: 2601: 2598: 2595: 2581: 2576: 2571: 2567: 2566: 2564: 2561: 2558: 2544: 2541: 2539:"To Aphrodite" 2536: 2532: 2531: 2529: 2526: 2523: 2509: 2504: 2499: 2495: 2494: 2492: 2485: 2482: 2467: 2462: 2453: 2449: 2448: 2446: 2443: 2440: 2425: 2420: 2415: 2411: 2410: 2408: 2401: 2398: 2384: 2381: 2379:"To Aphrodite" 2376: 2372: 2371: 2369: 2366: 2363: 2354: 2349: 2340: 2336: 2335: 2333: 2327: 2324: 2313: 2308: 2299: 2295: 2294: 2292: 2274: 2271: 2266: 2261: 2252: 2248: 2247: 2245: 2235: 2232: 2218: 2213: 2208: 2204: 2203: 2201: 2195: 2192: 2178: 2173: 2164: 2160: 2159: 2154: 2151: 2148: 2145: 2142: 2139: 2123: 2117: 2000:Hymn to Apollo 1996:Alfred Goodwin 1973:August Mattiae 1936: 1933: 1906:Constantinople 1889:Henri Estienne 1799:Hymn to Apollo 1783:Franco Ferrari 1746:are known. An 1742:copies of the 1735: 1732: 1698: 1695: 1619:Hymn to Hermes 1567:Hymn to Hermes 1539:Hymn to Hermes 1507:Romantic poets 1450:George Chapman 1397: 1394: 1280:Poemata Arcana 1234:Hymn to Hermes 1226:late antiquity 1201: 1198: 1118:Hymn to Apollo 1052:drew upon the 835: 832: 830: 827: 806:Richard Hunter 729:Hymn to Hermes 652: 650: 647: 575:Hymn to Apollo 514:Hymn to Apollo 476:archaic period 451: 448: 400:Romantic poets 357:George Chapman 355:in 1488–1489. 317:late antiquity 207:Greek pantheon 183:Ὁμηρικοὶ ὕμνοι 167: 166: 151: 150: 144: 143: 138: 132: 131: 129:George Chapman 125: 121: 120: 118: 117: 111: 104: 102: 98: 97: 92: 88: 87: 75: 71: 70: 48: 40: 39: 34:Attributed to 30: 29: 15: 9: 6: 4: 3: 2: 10560: 10549: 10546: 10544: 10541: 10539: 10536: 10534: 10531: 10530: 10528: 10513: 10512: 10511:Life of Homer 10508: 10506: 10505: 10501: 10499: 10496: 10495: 10493: 10489: 10484: 10474: 10473: 10469: 10467: 10466: 10462: 10460: 10459: 10455: 10453: 10452: 10448: 10446: 10445: 10441: 10439: 10438: 10434: 10432: 10431: 10427: 10425: 10424: 10420: 10418: 10417: 10416:Homeric Hymns 10413: 10410: 10406: 10405: 10401: 10399: 10398: 10394: 10392: 10391: 10387: 10385: 10384: 10380: 10378: 10377: 10373: 10372: 10370: 10366: 10361: 10353: 10348: 10346: 10341: 10339: 10334: 10333: 10330: 10324: 10322: 10321:Homeric Hymns 10317: 10315: 10311: 10310: 10309:Homeric Hymns 10301: 10299: 10298: 10294: 10293:Homeric Hymns 10289: 10287: 10285: 10284:Homeric Hymns 10280: 10279: 10273: 10270: 10268: 10265: 10263: 10260: 10259: 10254: 10253:Homeric Hymns 10249: 10234: 10232:9780511921728 10228: 10224: 10220: 10216: 10212: 10208: 10204: 10200: 10198:9780199589036 10194: 10190: 10186: 10182: 10178: 10174: 10170: 10164: 10160: 10156: 10152: 10148: 10142: 10137: 10136: 10130: 10126: 10122: 10118: 10114: 10110: 10106: 10102: 10098: 10094: 10090: 10086: 10082: 10078: 10074: 10070: 10066: 10062: 10058: 10054: 10050: 10046: 10042: 10038: 10034: 10030: 10026: 10022: 10018: 10014: 10010: 10005: 10001: 9999:9780198728788 9995: 9991: 9987: 9983: 9979: 9978:Homeric Hymns 9974: 9970: 9968:9783110259704 9964: 9960: 9955: 9951: 9945: 9941: 9936: 9932: 9928: 9924: 9920: 9917:(20): 30–49. 9916: 9912: 9908: 9904: 9900: 9898:9783110981384 9894: 9890: 9886: 9882: 9877: 9873: 9871:9781135035341 9867: 9863: 9858: 9854: 9852:9780198728788 9848: 9844: 9840: 9836: 9832: 9828: 9823: 9819: 9817:9780199589036 9813: 9809: 9805: 9801: 9796: 9792: 9788: 9784: 9780: 9776: 9769: 9764: 9760: 9758:9780198728788 9754: 9750: 9746: 9742: 9738: 9734: 9733:Homeric Hymns 9729: 9725: 9723:9780198728788 9719: 9715: 9711: 9707: 9703: 9702:Homeric Hymns 9699: 9695: 9691: 9685: 9681: 9677: 9673: 9669: 9665: 9661: 9657: 9653: 9649: 9645: 9641: 9637: 9632: 9628: 9622: 9618: 9613: 9609: 9603: 9599: 9594: 9590: 9586: 9582: 9578: 9574: 9570: 9566: 9562: 9558: 9557:Homeric Hymns 9553: 9549: 9547:9780198728788 9543: 9539: 9535: 9531: 9527: 9526:Homeric Hymns 9522: 9518: 9514: 9510: 9506: 9502: 9498: 9494: 9490: 9486: 9485:Homeric Hymns 9481: 9477: 9475:9780940717718 9471: 9467: 9462: 9458: 9456:9780198728788 9452: 9448: 9444: 9440: 9436: 9432: 9427: 9423: 9421:9780198728788 9417: 9413: 9409: 9405: 9401: 9396: 9392: 9390:9780486144986 9386: 9382: 9378: 9374: 9370: 9368:9780198728788 9364: 9360: 9356: 9352: 9348: 9347:Homeric Hymns 9344: 9340: 9336: 9334:9780521451581 9330: 9326: 9322: 9318: 9314: 9310: 9306: 9304:9780140437829 9300: 9296: 9292: 9288: 9284: 9278: 9273: 9272: 9266: 9262: 9258: 9256:9781527545052 9252: 9248: 9243: 9239: 9237:9780520282117 9233: 9228: 9227: 9220: 9216: 9214:9780521388672 9210: 9206: 9202: 9198: 9194: 9192:9780520391697 9188: 9184: 9180: 9176: 9172: 9168: 9164: 9160: 9156: 9152: 9148: 9144: 9140: 9139:Homeric Hymns 9135: 9124: 9118: 9113: 9112: 9106: 9102: 9098: 9092: 9088: 9084: 9080: 9076: 9074:9789004233058 9070: 9066: 9062: 9058: 9054: 9049: 9045: 9043:9780511732331 9039: 9035: 9031: 9027: 9023: 9019: 9015: 9011: 9009:9789004304277 9005: 9001: 8997: 8993: 8989: 8983: 8979: 8974: 8970: 8966: 8962: 8958: 8954: 8950: 8946: 8942: 8938: 8937:Homeric Hymns 8934: 8931:(1991). "The 8930: 8926: 8922: 8920:9781498563512 8916: 8912: 8908: 8903: 8899: 8897:9783110260748 8893: 8889: 8885: 8880: 8879: 8872: 8868: 8864: 8860: 8856: 8852: 8848: 8844: 8840: 8835: 8831: 8829:9780190650988 8825: 8821: 8816: 8811: 8806: 8802: 8800:9789004165069 8796: 8792: 8788: 8783: 8779: 8775: 8771: 8767: 8763: 8759: 8755: 8751: 8746: 8742: 8740:9781009193870 8736: 8732: 8728: 8724: 8719: 8708: 8704: 8700: 8699:Nagy, Gregory 8696: 8692: 8690:9780199589036 8686: 8682: 8678: 8677:Nagy, Gregory 8674: 8670: 8666: 8662: 8658: 8654: 8650: 8646: 8642: 8637: 8633: 8631:9780803230798 8627: 8622: 8621: 8615: 8611: 8607: 8603: 8599: 8593: 8588: 8587: 8581: 8576: 8572: 8570:9780838640111 8566: 8562: 8557: 8553: 8549: 8545: 8541: 8537: 8533: 8531:9783110340297 8527: 8523: 8519: 8515: 8511: 8507: 8503: 8499: 8497:9780198728788 8493: 8489: 8485: 8481: 8477: 8476:Keith, Alison 8473: 8469: 8467:9780511998935 8463: 8459: 8455: 8451: 8447: 8442: 8438: 8434: 8430: 8426: 8422: 8418: 8414: 8410: 8406: 8402: 8398: 8396:9780521035651 8392: 8388: 8384: 8380: 8376: 8374:9780199589036 8370: 8366: 8362: 8358: 8353: 8349: 8347:9781913701413 8343: 8339: 8335: 8330: 8326: 8322: 8318: 8314: 8313:Wellesz, Egon 8310: 8306: 8302: 8300:9781405122948 8296: 8292: 8288: 8284: 8279: 8275: 8273:9783110605938 8269: 8265: 8261: 8256: 8252: 8250:9781913701413 8246: 8242: 8238: 8237:Homeric Hymns 8233: 8229: 8227:9780198728788 8223: 8219: 8215: 8211: 8207: 8206:Homeric Hymns 8204:(2016). "The 8203: 8199: 8195: 8193:9780521809665 8189: 8185: 8181: 8177: 8173: 8171:9781789255942 8167: 8163: 8157: 8153: 8149: 8145: 8141: 8140: 8134: 8130: 8126: 8122: 8118: 8114: 8110: 8106: 8101: 8097: 8091: 8087: 8083: 8078: 8074: 8070: 8066: 8063:(in German). 8062: 8054: 8053:Homeric Hymns 8050: 8046: 8044: 8040: 8033: 8029: 8025: 8021: 8017: 8013: 8009: 8004: 8000: 7994: 7990: 7986: 7982: 7978: 7974: 7970: 7968:9781400849086 7964: 7960: 7956: 7952: 7948: 7946:9780191821288 7942: 7938: 7934: 7930: 7925: 7921: 7919:9780511921704 7915: 7911: 7907: 7903: 7898: 7894: 7892:9781780348322 7888: 7884: 7880: 7876: 7872: 7870:9789047408086 7866: 7862: 7858: 7854: 7850: 7846: 7845:Homeric Hymns 7841: 7837: 7835:9780198728788 7831: 7827: 7823: 7819: 7814: 7810: 7808:9780198728788 7804: 7800: 7796: 7792: 7787: 7783: 7781:9782356680310 7777: 7773: 7769: 7765: 7763: 7756: 7752: 7750:9780199589036 7746: 7742: 7738: 7734: 7729: 7725: 7723:9780199589036 7719: 7715: 7711: 7707: 7702: 7698: 7694: 7690: 7686: 7682: 7678: 7674: 7671: 7666: 7662: 7660:9780191553424 7656: 7652: 7647: 7643: 7639: 7635: 7631: 7627: 7623: 7619: 7615: 7610: 7606: 7604:9780511482151 7600: 7596: 7592: 7588: 7584: 7579: 7575: 7571: 7566: 7565: 7559: 7555: 7551: 7549:9781108924351 7545: 7541: 7536: 7532: 7530:9781134365098 7526: 7522: 7517: 7513: 7511:9780674034204 7507: 7503: 7499: 7494: 7489: 7484: 7480: 7478:9789004224384 7474: 7470: 7466: 7462: 7451: 7449:9789004224384 7445: 7441: 7436: 7435: 7429: 7425: 7421: 7419:9781134807277 7415: 7411: 7406: 7402: 7400:9780198728788 7396: 7392: 7388: 7384: 7380: 7376: 7372: 7370:9789004343856 7366: 7362: 7358: 7353: 7349: 7343: 7339: 7338:Homeric Hymns 7335: 7330: 7326: 7324:9781134389506 7320: 7316: 7311: 7307: 7305:9789047404842 7301: 7297: 7293: 7289: 7285: 7283:9780199589036 7279: 7275: 7271: 7267: 7263: 7259: 7255: 7253:9783110077988 7249: 7245: 7241: 7238: 7234: 7230: 7226: 7222: 7218: 7214: 7210: 7206: 7202: 7197: 7193: 7191:9781443896566 7187: 7183: 7179: 7174: 7170: 7168:9780472116324 7164: 7160: 7155: 7144: 7140: 7138: 7131: 7127: 7123: 7119: 7115: 7111: 7107: 7103: 7099: 7095: 7094:Beazley, John 7091: 7087: 7085:9783319547237 7081: 7077: 7072: 7068: 7066:9780190651015 7062: 7058: 7054: 7050: 7045: 7041: 7039:9780521895798 7035: 7031: 7027: 7023: 7019: 7015: 7011: 7009:9781139225649 7005: 7001: 6997: 6993: 6992: 6987: 6983: 6979: 6977:9780801879838 6973: 6969: 6965: 6961: 6957: 6953: 6949: 6948: 6946:Homeric Hymns 6945: 6940: 6936: 6932: 6928: 6924: 6920: 6916: 6912: 6908: 6904: 6900: 6895: 6894: 6888: 6884: 6880: 6876: 6872: 6868: 6864: 6860: 6856: 6852: 6848: 6844: 6840: 6836: 6832: 6828: 6824: 6820: 6816: 6812: 6808: 6804: 6800: 6796: 6792: 6788: 6784: 6780: 6776: 6772: 6771:Homeric Hymns 6768: 6764: 6760: 6756: 6752: 6748: 6744: 6740: 6736: 6732: 6728: 6724: 6720: 6716: 6712: 6708: 6704: 6700: 6696: 6692: 6688: 6684: 6680: 6676: 6672: 6668: 6664: 6663: 6661:Homeric Hymns 6660: 6655: 6651: 6647: 6643: 6639: 6638: 6636:Homeric Hymns 6635: 6630: 6626: 6622: 6620:9780198728788 6616: 6612: 6608: 6604: 6600: 6599:Homeric Hymns 6595: 6591: 6587: 6583: 6579: 6575: 6571: 6567: 6563: 6558: 6557: 6545: 6540: 6534:, p. 92. 6533: 6528: 6521: 6517: 6512: 6505: 6500: 6493: 6488: 6481: 6476: 6469: 6464: 6457: 6452: 6445: 6440: 6433: 6428: 6421: 6416: 6409: 6404: 6397: 6392: 6385: 6380: 6373: 6368: 6361: 6356: 6354: 6346: 6341: 6335:, p. 16. 6334: 6329: 6327: 6325: 6317: 6313: 6308: 6301: 6296: 6289: 6284: 6277: 6273: 6268: 6261: 6257: 6253: 6248: 6241: 6236: 6234: 6227:, p. 30. 6226: 6221: 6219: 6211: 6206: 6199: 6195: 6190: 6183: 6178: 6171: 6166: 6159: 6154: 6152: 6144: 6143:Tsagalis 2022 6140: 6135: 6129:, p. 36. 6128: 6124: 6119: 6112: 6107: 6101:, p. 90. 6100: 6095: 6093: 6091: 6089: 6087: 6085: 6077: 6072: 6065: 6060: 6053: 6048: 6041: 6037: 6032: 6025: 6024:Jaillard 2011 6020: 6013: 6012:Jaillard 2011 6008: 6001: 5996: 5989: 5984: 5982: 5980: 5978: 5976: 5974: 5972: 5970: 5968: 5966: 5964: 5962: 5960: 5958: 5950: 5946: 5942: 5938: 5937:Faulkner 2008 5933: 5927:, p. 10. 5926: 5921: 5915:, p. 24. 5914: 5909: 5902: 5901:Vergados 2012 5897: 5890: 5889:Vergados 2012 5885: 5879:, p. 41. 5878: 5873: 5866: 5862: 5861:Graziosi 2002 5858: 5853: 5846: 5841: 5834: 5829: 5823:, p. 30. 5822: 5817: 5810: 5805: 5798: 5793: 5787:, p. 34. 5786: 5781: 5775:, p. 54. 5774: 5769: 5762: 5758: 5753: 5746: 5742: 5738: 5737:Sinclair 1936 5733: 5726: 5722: 5717: 5710: 5706: 5702: 5698: 5694: 5690: 5685: 5679:, p. 54. 5678: 5674: 5669: 5662: 5657: 5651:, p. 31. 5650: 5645: 5639:, p. 45. 5638: 5634: 5629: 5622: 5617: 5610: 5605: 5598: 5594: 5590: 5585: 5579:, p. 30. 5578: 5574: 5569: 5562: 5557: 5550: 5545: 5538: 5533: 5526: 5522: 5521:Faulkner 2005 5517: 5511:, p. 43. 5510: 5506: 5501: 5494: 5489: 5483:, p. 48. 5482: 5481:Pfeiffer 1976 5478: 5473: 5466: 5462: 5457: 5450: 5446: 5441: 5434: 5429: 5422: 5418: 5413: 5406: 5401: 5394: 5389: 5387: 5385: 5377: 5372: 5365: 5360: 5358: 5350: 5345: 5338: 5334: 5330: 5326: 5321: 5315:, p. 33. 5314: 5310: 5305: 5298: 5293: 5286: 5281: 5274: 5269: 5262: 5257: 5251:, p. 53. 5250: 5245: 5238: 5233: 5226: 5222: 5217: 5211:, p. 33. 5210: 5205: 5203: 5195: 5190: 5184:, p. 14. 5183: 5178: 5171: 5170:Fletcher 2019 5166: 5159: 5154: 5147: 5142: 5135: 5130: 5123: 5118: 5111: 5106: 5100:, p. 71. 5099: 5094: 5087: 5082: 5075: 5070: 5063: 5058: 5051: 5046: 5039: 5035: 5031: 5026: 5019: 5014: 5007: 5002: 4995: 4990: 4983: 4978: 4971: 4966: 4959: 4954: 4947: 4942: 4940: 4938: 4930: 4925: 4923: 4915: 4910: 4903: 4898: 4896: 4888: 4883: 4876: 4871: 4869: 4861: 4856: 4849: 4844: 4837: 4832: 4825: 4820: 4813: 4808: 4801: 4797: 4793: 4792:Faulkner 2010 4788: 4781: 4776: 4769: 4764: 4757: 4752: 4745: 4740: 4738: 4730: 4726: 4721: 4714: 4709: 4702: 4701:Vergados 2016 4698: 4693: 4686: 4685:Harrison 2016 4681: 4674: 4669: 4662: 4658: 4654: 4649: 4642: 4637: 4631:, p. 45. 4630: 4626: 4625:Metamorphoses 4622: 4617: 4611:, p. 78. 4610: 4605: 4598: 4597:Gladhill 2012 4594: 4589: 4582: 4577: 4570: 4565: 4560: 4555: 4548: 4544: 4539: 4532: 4527: 4525: 4517: 4512: 4505: 4500: 4493: 4488: 4482:, p. 13. 4481: 4476: 4469: 4465: 4461: 4456: 4450:, p. 34. 4449: 4444: 4438:, p. 10. 4437: 4432: 4425: 4424:Petrovic 2012 4420: 4413: 4408: 4401: 4396: 4389: 4384: 4377: 4373: 4368: 4361: 4356: 4349: 4344: 4337: 4333: 4329: 4328:Johnston 2002 4324: 4317: 4312: 4305: 4304:Faulkner 2013 4300: 4293: 4292:Faulkner 2013 4290:, p. 3; 4289: 4284: 4277: 4274:, p. 7; 4273: 4268: 4261: 4260:Faulkner 2013 4256: 4249: 4244: 4237: 4232: 4226:, p. 32. 4225: 4221: 4216: 4209: 4204: 4197: 4192: 4185: 4180: 4174:, p. 83. 4173: 4168: 4161: 4156: 4149: 4144: 4137: 4132: 4125: 4121: 4116: 4109: 4104: 4097: 4092: 4085: 4080: 4078: 4076: 4068: 4063: 4057:, p. iv. 4056: 4051: 4049: 4047: 4045: 4038:, p. 34. 4037: 4033: 4028: 4021: 4016: 4014: 4006: 4001: 3995:, p. 62. 3994: 3989: 3982: 3978: 3974: 3969: 3963:, p. 70. 3962: 3957: 3950: 3945: 3938: 3933: 3931: 3923: 3918: 3911: 3906: 3901: 3896: 3889: 3885: 3881: 3877: 3873: 3869: 3864: 3857: 3852: 3850: 3842: 3838: 3834: 3829: 3822: 3818: 3813: 3806: 3801: 3794: 3791:, p. 4; 3790: 3785: 3778: 3773: 3766: 3761: 3754: 3749: 3742: 3737: 3730: 3725: 3723: 3715: 3711: 3706: 3699: 3695: 3690: 3683: 3678: 3672:, p. 45. 3671: 3666: 3664: 3656: 3651: 3644: 3639: 3635: 3622: 3621: 3616: 3612: 3606: 3597: 3588: 3581: 3577: 3571: 3562: 3555: 3551: 3550:Homeric Hymns 3546: 3539: 3532: 3531:Andreas Divus 3528: 3524: 3520: 3514: 3507: 3503: 3501: 3495: 3488: 3487:Richard Janko 3484: 3483:Geoffrey Kirk 3479: 3473: 3464: 3462: 3454: 3453:Homeric Hymns 3450: 3446: 3442: 3441:Hymn to Hosts 3436: 3434: 3429: 3412: 3408: 3407: 3401: 3398: 3393: 3390: 3385: 3381: 3378: 3375: 3372: 3367: 3364: 3359: 3355: 3352: 3349: 3345: 3342: 3332: 3330: 3327: 3322: 3318: 3315: 3312: 3309: 3299: 3297: 3294: 3289: 3285: 3282: 3279: 3276: 3262: 3260: 3257: 3252: 3248: 3245: 3242: 3239: 3225: 3222: 3217: 3213: 3210: 3207: 3204: 3199: 3196: 3191: 3187: 3184: 3181: 3178: 3173: 3170: 3165: 3161: 3158: 3155: 3151: 3148: 3134: 3131: 3128:"To Dionysus" 3126: 3122: 3119: 3116: 3113: 3098: 3095: 3092: 3087: 3083: 3080: 3077: 3074: 3060: 3058: 3055: 3050: 3046: 3043: 3040: 3037: 3023: 3021: 3018: 3013: 3009: 3006: 3003: 3000: 2986: 2984: 2981: 2978:"To Poseidon" 2976: 2972: 2969: 2966: 2963: 2949: 2946: 2941: 2937: 2934: 2931: 2928: 2918: 2916: 2913: 2908: 2904: 2901: 2898: 2895: 2892: 2887: 2885: 2882: 2878: 2873: 2869: 2866: 2863: 2859: 2856: 2847:, but before 2846: 2834: 2831: 2826: 2822: 2819: 2816: 2813: 2799: 2797: 2794: 2789: 2785: 2782: 2779: 2776: 2762: 2760: 2757: 2752: 2748: 2745: 2743: 2739: 2736: 2731: 2729: 2726: 2722: 2717: 2713: 2710: 2707: 2704: 2699: 2697: 2693: 2690: 2685: 2681: 2678: 2675: 2671: 2668: 2654: 2651: 2646: 2642: 2639: 2636: 2633: 2619: 2617: 2614: 2609: 2605: 2602: 2599: 2596: 2582: 2580: 2577: 2572: 2568: 2565: 2562: 2559: 2545: 2542: 2537: 2533: 2530: 2527: 2524: 2510: 2508: 2505: 2500: 2496: 2493: 2490: 2486: 2483: 2468: 2466: 2463: 2459: 2454: 2450: 2447: 2444: 2441: 2426: 2424: 2421: 2418:"To Dionysus" 2416: 2412: 2409: 2406: 2402: 2399: 2385: 2382: 2377: 2373: 2370: 2367: 2364: 2360: 2355: 2353: 2350: 2346: 2341: 2337: 2334: 2332: 2328: 2325: 2314: 2312: 2309: 2305: 2300: 2296: 2293: 2291: 2287: 2283: 2279: 2275: 2272: 2267: 2265: 2262: 2258: 2253: 2249: 2246: 2244: 2240: 2236: 2233: 2219: 2217: 2214: 2209: 2205: 2202: 2200: 2196: 2193: 2179: 2177: 2174: 2170: 2165: 2161: 2144:Dedicated to 2134: 2122: 2121:Homeric Hymns 2116: 2113: 2109:rejected the 2108: 2104: 2100: 2096: 2092: 2091: 2086: 2085:Homeric Hymns 2082: 2081: 2076: 2071: 2068: 2061: 2056: 2055:Bruno Gentili 2051: 2050:Homeric Hymns 2047: 2043: 2039: 2035: 2034:David Ruhnken 2031: 2027: 2026:Homeric Hymns 2021: 2016: 2011: 2009: 2008:Homeric Hymns 2005: 2001: 1997: 1993: 1987: 1982: 1981:Albert Gemoll 1978: 1974: 1970: 1966: 1962: 1961:Joshua Barnes 1958: 1954: 1953:Homeric Hymns 1946: 1941: 1932: 1930: 1926: 1922: 1919: 1915: 1911: 1907: 1903: 1898: 1892: 1890: 1886: 1882: 1881:Homeric Hymns 1877: 1876: 1870: 1866: 1861: 1857: 1853: 1849: 1845: 1844:Homeric Hymns 1841: 1840:Homeric Hymns 1836: 1834: 1833: 1828: 1824: 1823: 1818: 1817: 1812: 1811:Homeric Hymns 1807: 1802: 1800: 1796: 1789: 1784: 1780: 1779:Homeric Hymns 1776: 1772: 1767: 1765: 1761: 1758:) and 8 (the 1757: 1753: 1749: 1745: 1744:Homeric Hymns 1741: 1728: 1724: 1720: 1716: 1711: 1710: 1705:A terracotta 1703: 1694: 1692: 1688: 1687: 1682: 1678: 1674: 1670: 1669: 1665:'s 1954 film 1664: 1660: 1655: 1653: 1649: 1645: 1641: 1640:Homeric Hymns 1637: 1633: 1632: 1629: 1624: 1623:Buck Mulligan 1620: 1616: 1612: 1611: 1606: 1602: 1600: 1595: 1591: 1587: 1582: 1580: 1576: 1572: 1568: 1564: 1563:Homeric Hymns 1560: 1559: 1554: 1553: 1547: 1546: 1540: 1536: 1535:Homeric Hymns 1532: 1528: 1524: 1520: 1516: 1512: 1508: 1503: 1501: 1497: 1493: 1489: 1485: 1481: 1477: 1473: 1472: 1467: 1463: 1460:, written in 1459: 1455: 1451: 1447: 1443: 1437: 1432: 1428: 1427:Homeric Hymns 1421: 1417: 1413: 1412: 1407: 1402: 1393: 1391: 1390: 1385: 1381: 1377: 1371: 1366: 1365: 1359: 1354: 1350: 1346: 1342: 1338: 1337:Homeric Hymns 1334: 1330: 1329:Homeric Hymns 1326: 1322: 1318: 1314: 1310: 1306: 1305:Homeric Hymns 1303:Although the 1301: 1299: 1295: 1291: 1287: 1284:, written by 1282: 1281: 1275: 1274: 1269: 1265: 1264: 1259: 1258:Homeric Hymns 1255: 1251: 1247: 1243: 1239: 1235: 1231: 1230:Homeric Hymns 1227: 1220: 1216: 1212: 1211: 1206: 1197: 1195: 1194: 1189: 1185: 1181: 1180:Homeric Hymns 1177: 1173: 1172: 1167: 1163: 1160:16, in which 1159: 1158: 1153: 1149: 1145: 1144: 1139: 1135: 1131: 1127: 1123: 1122:Metamorphoses 1119: 1115: 1113: 1112:Metamorphoses 1108: 1104: 1103:Homeric Hymns 1100: 1095: 1093: 1089: 1085: 1081: 1077: 1073: 1069: 1065: 1061: 1060: 1055: 1054:Homeric Hymns 1051: 1047: 1043: 1039: 1035: 1034:Homeric Hymns 1032:emulated the 1031: 1027: 1022: 1021: 1015: 1011: 1007: 1006:Homeric Hymns 1003: 998: 996: 992: 988: 984: 980: 979: 974: 970: 966: 962: 959: 955: 951: 950:Homeric Hymns 947: 943: 939: 938:didactic poem 934: 933: 927: 923: 919: 915: 910: 907: 906:Homeric Hymns 903: 899: 895: 891: 887: 886: 881: 877: 873: 869: 865: 861: 857: 853: 852:Homeric Hymns 845: 840: 826: 824: 820: 816: 815:Homeric Hymns 812: 807: 803: 799: 795: 791: 786: 785:Homeric Hymns 781: 778: 774: 770: 766: 762: 758: 754: 753:Homeric Hymns 749: 748: 742: 738: 734: 730: 726: 722: 721:Homeric Hymns 717: 715: 714:Claude Calame 710: 705: 701: 696: 690: 688: 683: 676: 674: 667: 662: 658: 657:Pallas Athena 646: 644: 643:Homeric Hymns 638: 633: 628: 627:Homeric Hymns 623: 622:Homeric Hymns 619: 618:Irene de Jong 615: 613: 608: 604: 600: 596: 592: 591:Homeric Hymns 588: 584: 581:, one of the 580: 576: 572: 567: 565: 561: 557: 553: 549: 545: 541: 537: 532: 527: 523: 519: 515: 511: 510: 505: 504: 499: 494: 491: 487: 486:Homeric Hymns 482: 477: 473: 472:Homeric Hymns 465: 464:Homeric Hymns 461: 456: 447: 445: 441: 440: 435: 431: 430: 425: 421: 417: 413: 409: 405: 401: 397: 396:Homeric Hymns 393: 389: 385: 381: 377: 373: 371: 366: 362: 358: 354: 350: 349:Homeric Hymns 345: 343: 342: 337: 333: 318: 314: 310: 306: 302: 298: 294: 290: 286: 282: 278: 274: 273:Homeric Hymns 269: 267: 263: 259: 255: 251: 247: 243: 242: 237: 236: 231: 230:Homeric Hymns 226: 224: 220: 216: 212: 211:Mount Olympus 208: 204: 200: 195: 189: 180: 179:Ancient Greek 176: 175: 174:Homeric Hymns 165: 161: 152: 149: 145: 142: 139: 137: 133: 130: 126: 122: 115: 112: 109: 106: 105: 103: 99: 96: 95:Ancient Greek 93: 89: 76: 72: 68: 64: 59: 58: 52: 46: 41: 37: 31: 27: 26:Homeric Hymns 22: 19: 10509: 10502: 10470: 10463: 10456: 10449: 10442: 10435: 10430:Little Iliad 10428: 10421: 10415: 10414: 10402: 10395: 10388: 10381: 10374: 10362:in antiquity 10320: 10308: 10296: 10292: 10283: 10262:Online books 10252: 10214: 10207:West, Martin 10180: 10177:West, Martin 10158: 10155:West, Martin 10134: 10129:West, Martin 10096: 10092: 10089:West, Martin 10056: 10052: 10049:West, Martin 10016: 10012: 10008: 9981: 9977: 9958: 9939: 9914: 9910: 9880: 9861: 9834: 9830: 9826: 9799: 9782: 9778: 9774: 9740: 9736: 9732: 9705: 9701: 9679: 9646:(1): 67–80. 9643: 9639: 9635: 9616: 9597: 9564: 9560: 9556: 9529: 9525: 9492: 9488: 9484: 9465: 9438: 9434: 9430: 9403: 9399: 9380: 9350: 9346: 9316: 9294: 9270: 9246: 9225: 9204: 9182: 9146: 9142: 9138: 9126:. Retrieved 9110: 9105:Piper, David 9086: 9056: 9052: 9025: 9021: 8999: 8996: 8977: 8944: 8940: 8936: 8932: 8910: 8906: 8877: 8850: 8846: 8842: 8838: 8819: 8790: 8753: 8749: 8722: 8710:. Retrieved 8706: 8680: 8652: 8648: 8644: 8640: 8619: 8585: 8560: 8543: 8513: 8479: 8449: 8412: 8408: 8386: 8356: 8337: 8333: 8316: 8282: 8263: 8240: 8236: 8209: 8205: 8183: 8161: 8138: 8112: 8108: 8104: 8085: 8081: 8064: 8060: 8052: 8048: 8047:[On the 8042: 8038: 8011: 8007: 7988: 7958: 7928: 7901: 7882: 7852: 7848: 7844: 7817: 7790: 7771: 7767: 7761: 7732: 7705: 7683:(1): 78–87. 7680: 7676: 7672: 7669: 7650: 7617: 7613: 7586: 7563: 7539: 7520: 7501: 7498:Obbink, Dirk 7468: 7453:. Retrieved 7439: 7433: 7409: 7382: 7360: 7337: 7334:Inni Omerici 7333: 7314: 7295: 7265: 7243: 7240: 7208: 7204: 7200: 7181: 7177: 7158: 7146:. Retrieved 7142: 7136: 7101: 7097: 7075: 7048: 7021: 6990: 6967: 6947: 6943: 6922: 6918: 6914: 6910: 6906: 6902: 6898: 6893:Homeri opera 6892: 6854: 6850: 6810: 6806: 6778: 6774: 6770: 6734: 6730: 6690: 6686: 6662: 6658: 6637: 6633: 6602: 6598: 6565: 6561: 6553:Bibliography 6539: 6527: 6511: 6499: 6487: 6475: 6463: 6451: 6439: 6427: 6415: 6403: 6391: 6379: 6367: 6340: 6307: 6295: 6283: 6267: 6259: 6247: 6205: 6189: 6177: 6165: 6134: 6118: 6106: 6071: 6059: 6047: 6042:, p. 6. 6031: 6019: 6007: 5995: 5932: 5920: 5908: 5896: 5884: 5877:de Jong 2012 5872: 5857:Burkert 1979 5852: 5840: 5828: 5816: 5804: 5792: 5780: 5773:Ferrari 2007 5768: 5752: 5732: 5716: 5684: 5677:Ferrari 2007 5673:Gentili 1984 5668: 5663:, p. 4. 5656: 5649:Tyrrell 1894 5644: 5628: 5616: 5604: 5593:Goodwin 1893 5584: 5577:Tyrrell 1894 5568: 5556: 5544: 5532: 5525:Bernabé 2012 5516: 5500: 5488: 5472: 5465:Barnett 2018 5456: 5440: 5428: 5412: 5405:Barnett 2018 5400: 5371: 5344: 5339:, p. 22 5320: 5309:Càssola 1975 5304: 5292: 5285:Càssola 1975 5280: 5268: 5261:Ferrari 2007 5256: 5249:Ferrari 2007 5244: 5232: 5225:Beazley 1948 5216: 5194:Shapiro 2002 5189: 5177: 5165: 5158:Padilla 2018 5153: 5141: 5129: 5117: 5105: 5093: 5081: 5069: 5057: 5045: 5038:Barnett 2018 5033: 5025: 5013: 5001: 4989: 4977: 4970:Lincoln 1984 4965: 4953: 4909: 4882: 4855: 4843: 4831: 4819: 4807: 4787: 4775: 4763: 4751: 4720: 4708: 4692: 4680: 4668: 4656: 4648: 4636: 4624: 4616: 4604: 4588: 4576: 4554: 4549:, p. 6. 4538: 4533:, p. 1. 4511: 4499: 4487: 4475: 4467: 4455: 4443: 4431: 4419: 4407: 4395: 4383: 4367: 4355: 4343: 4335: 4323: 4311: 4299: 4283: 4278:, p. 3. 4267: 4255: 4243: 4231: 4215: 4203: 4191: 4179: 4167: 4155: 4143: 4131: 4124:Bungard 2011 4115: 4103: 4091: 4086:, p. 3. 4069:, p. 1. 4062: 4027: 4000: 3993:Nünlist 2007 3988: 3983:, p. 2. 3973:de Jong 2018 3968: 3961:Peirano 2012 3956: 3951:, p. 1. 3944: 3917: 3905:Kunstsprache 3895: 3884:Canfora 2006 3879: 3863: 3843:, p. 4. 3828: 3812: 3800: 3784: 3772: 3760: 3748: 3736: 3705: 3689: 3677: 3650: 3638: 3618: 3605: 3596: 3587: 3570: 3561: 3549: 3538: 3526: 3513: 3505: 3499: 3494: 3472: 3452: 3440: 3167:"To Artemis" 2890: 2844: 2648:"To Demeter" 2502:"To Artemis" 2358: 2345:To Aphrodite 2269:522 BCE 2211:"To Demeter" 2120: 2119:List of the 2098: 2088: 2084: 2078: 2072: 2049: 2025: 2012: 2007: 1999: 1975:in 1805 and 1952: 1950: 1944: 1913: 1909: 1893: 1880: 1868: 1864: 1843: 1839: 1837: 1830: 1822:Orphic Hymns 1820: 1814: 1810: 1803: 1798: 1778: 1774: 1770: 1768: 1760:Hymn to Ares 1759: 1755: 1751: 1743: 1737: 1726: 1713:showing the 1684: 1676: 1666: 1658: 1656: 1651: 1639: 1630: 1627: 1618: 1608: 1597: 1585: 1583: 1574: 1566: 1562: 1556: 1550: 1538: 1534: 1526: 1514: 1504: 1499: 1491: 1487: 1469: 1457: 1445: 1426: 1424: 1419: 1409: 1387: 1379: 1363: 1336: 1328: 1320: 1313:Hagia Sophia 1304: 1302: 1271: 1261: 1257: 1233: 1229: 1223: 1218: 1208: 1191: 1179: 1169: 1155: 1151: 1147: 1141: 1133: 1129: 1125: 1121: 1117: 1110: 1102: 1096: 1091: 1079: 1071: 1063: 1057: 1053: 1038:his epyllion 1033: 1025: 1005: 999: 994: 976: 957: 949: 948:drew on the 925: 924:for his own 921: 918:Eratosthenes 911: 905: 897: 883: 879: 856:lyric poetry 851: 849: 814: 784: 782: 760: 756: 752: 728: 720: 718: 704:aetiological 691: 678: 669: 654: 642: 632:René Nünlist 626: 621: 616: 598: 594: 590: 574: 568: 555: 551: 547: 543: 531:Kunstsprache 513: 507: 501: 495: 485: 481:Hymn to Ares 480: 471: 469: 463: 437: 427: 395: 387: 383: 375: 368: 348: 346: 339: 338:'s painting 272: 270: 239: 233: 229: 227: 223:Hymn to Ares 222: 173: 172: 170: 147: 67:Homeric Hymn 66: 51:Dionysus Cup 25: 18: 10491:About Homer 10099:: 113–129. 9785:: 194–203. 9149:(1): 1–18. 8947:(1): 1–17. 8546:: 153–157. 8115:: 159–168. 8061:Hyperboreus 7981:Morris, Ian 7977:Foley, John 7357:Lamers, Han 6857:: 241–267. 6781:: 250–260. 6737:: 251–313. 6693:: 136–183. 6516:Pearcy 1989 6504:Pearcy 1989 6492:Pearcy 1989 6480:Pearcy 1989 6468:Pearcy 1989 6420:Pearcy 1989 6408:Pearcy 1989 6396:Pearcy 1989 6372:Pearcy 1989 6360:Pearcy 1989 6345:Pearcy 1989 6316:Thomas 2011 6312:Pearcy 1989 6300:Thomas 2011 6288:Thomas 2011 6276:Thomas 2011 6272:Pearcy 1989 6240:Pearcy 1989 6225:Pearcy 1989 6210:Pearcy 1989 6170:Dillon 2003 6158:Pearcy 1989 6127:Powell 2022 5705:Allen 1897c 5701:Allen 1897b 5697:Allen 1895b 5693:Allen 1895a 5621:Allen 1897a 5537:Allen 1897a 5449:Gelzer 1994 5417:Gelzer 1994 5376:Sarton 2012 5364:Thomas 2016 5349:Thomas 2016 5329:Allen 1895a 5134:Haynes 2007 5122:Fraser 1999 5062:Stange 1954 5040:, p. 4 5034:Rhododaphne 5006:Bodley 2016 4875:Thomas 2016 4812:Agosti 2016 4780:Agosti 2016 4768:Agosti 2016 4756:Agosti 2016 4744:Agosti 2016 4725:Pearcy 1989 4661:Toohey 2013 4609:Clauss 2016 4348:Kilmer 2014 4136:Calame 2011 4067:Parker 1991 4055:Pearcy 1989 3981:Parker 1991 3977:Kearns 2004 3922:Pearcy 1989 3910:Bakker 2020 3900:Pearcy 1989 3710:Pearcy 1989 3694:Pearcy 1989 3576:Martin West 3574:Claimed by 3324:"To Selene" 3291:"To Helios" 3219:"To Hestia" 3193:"To Athena" 3096:and Apollo 3052:"To Hestia" 2943:"To Apollo" 2828:"To Hermes" 2574:"To Athena" 2169:To Dionysus 2107:Martin West 2058: [ 2018: [ 1984: [ 1918:philologist 1786: [ 1681:Neil Gaiman 1673:Grace Kelly 1668:Rear Window 1605:James Joyce 1545:ottava rima 1527:Rhododaphne 1476:John Eccles 1442:Jean Daurat 1434: [ 1368: [ 1317:Justinian I 1246:Oxyrhynchus 1238:gymnasiarch 983:Apollodorus 978:Argonautica 946:Callimachus 870:and to the 819:panhellenic 635: [ 603:Hellenistic 550:. Like the 490:oral poetry 450:Composition 444:Neil Gaiman 429:Rear Window 426:, the film 424:James Joyce 285:Callimachus 281:Alexandrian 10527:Categories 10168:0674996062 10146:0198148976 9949:9004122362 9911:Hermathena 9689:1853996920 9626:0865160376 9607:0819129062 9282:0198141998 9122:0198173652 9096:0198143427 9026:in Context 8987:0929524624 8841:1 and the 8095:8807890070 7998:9004206086 7677:Philologus 7347:8804390182 7178:Proserpina 6568:(1): 4–6. 6544:Rayor 2014 6520:Rayor 2014 6456:Olson 2012 6444:Olson 2012 6432:Olson 2012 6384:Olson 2012 6182:Ogden 2021 6139:Olson 2012 6123:Olson 2012 6111:Olson 2012 6064:Rayor 2014 6000:Olson 2012 5988:Price 1999 5945:Rayor 2014 5941:Olson 2012 5925:Olson 2012 5913:Peels 2015 5845:Janko 2007 5833:Foley 2013 5821:Foley 2013 5757:Taida 2015 5741:Allen 1936 5725:Allen 1912 5721:Hosty 2021 5637:Olson 2012 5609:Sikes 1894 5589:Taida 2015 5573:Sikes 1894 5549:Taida 2015 5393:Taida 2015 5333:Olson 2012 4796:Daley 2006 4673:Keith 2016 4653:Keith 2016 4641:Keith 2016 4621:Keith 2016 4593:Olson 2011 4581:Small 1983 4559:Keith 2016 4543:Keith 2016 4376:Musso 1976 4350:, fig. 10. 4120:Depew 2009 3872:Thucydides 3837:Foley 1997 3817:Janko 2007 3805:Janko 2007 3670:Price 1999 3655:Piper 1982 3631:References 3552:, but the 3523:Ezra Pound 3391:All hosts 3387:"To Hosts" 3350:with Zeus 3270: – c. 3268: 500 3233: – c. 3231: 7th 3142: – c. 3140: 7th 3106: – c. 3068: – c. 3066: 7th 3031: – c. 3029: 7th 2994: – c. 2992: 7th 2957: – c. 2955: 7th 2915:Hephaistos 2807: – c. 2805: 7th 2770: – c. 2768: 7th 2674:Persephone 2662: – c. 2660: 7th 2627: – c. 2625: 7th 2590: – c. 2588: 7th 2553: – c. 2551: 7th 2543:Aphrodite 2518: – c. 2516: 7th 2476: – c. 2474: 200 2435: – c. 2433: 7th 2393: – c. 2391: 7th 2383:Aphrodite 2239:Persephone 2227: – c. 2187: – c. 2185: 650 2112:adiaphoroi 2067:adiaphoroi 1748:Attic vase 1657:The first 1636:Ezra Pound 1511:Leigh Hunt 1500:Proserpina 1498:melodrama 1250:Andronicus 1002:Philodemus 954:Theocritus 932:Phainomena 914:scholiasts 902:Antimachus 890:satyr play 687:epic poems 607:Alexandria 522:Thucydides 404:Leigh Hunt 388:Proserpina 326: – c. 324: 200 289:Theocritus 164:Wikisource 83: – c. 10113:0075-4269 10073:0009-8388 10033:0009-8388 9923:0018-0750 9791:2424-385X 9678:(2006) . 9660:0013-8304 9581:0009-840X 9509:0009-840X 9379:(2012) . 9163:0031-8299 9085:(1976) . 8961:0017-3835 8909:Wrong Man 8859:0276-9832 8853:: 55–61. 8847:Vergilius 8770:0002-9475 8661:0084-5388 8655:: 37–39. 8552:0084-330X 8429:0009-837X 8385:(2007) . 8121:0276-9832 8109:Vergilius 8073:0949-2615 8020:0021-4183 7853:Mnemosyne 7697:0031-7985 7634:0009-840X 7585:(2009) . 7440:Mnemosyne 7242:Arktouros 7217:0004-0975 7135:"Review: 7118:0002-9114 6931:938405771 6911:Fragmenta 6871:0075-4269 6845:(1897c). 6827:0075-4269 6813:: 45–62. 6795:1751-8490 6751:0075-4269 6725:(1895b). 6707:0075-4269 6681:(1895a). 6646:978029978 6582:0009-840X 6076:West 1970 6036:West 1970 6014:, note 2. 5949:Nagy 2018 5865:Nagy 2011 5809:West 2011 5797:West 2011 5785:West 2011 5661:Agar 1916 5509:West 2011 5461:West 2011 5421:West 2003 5337:West 2003 5237:Hall 2021 4982:Rice 2020 4729:Nees 2023 4569:Volk 2010 4448:Bing 2009 4196:West 1981 4160:West 1992 4148:West 1981 4032:Bing 2009 3868:Bing 2009 3833:Sowa 1984 3793:Kirk 1966 3698:West 2012 3682:Sowa 1984 3519:modernist 3419:Footnotes 3132:Dionysus 3094:The Muses 3015:"To Zeus" 2759:Asclepius 2611:"To Hera" 2352:Aphrodite 2304:To Hermes 2257:To Apollo 1957:collation 1860:Bessarion 1856:minuscule 1795:antisigma 1482:released 1408:'s opera 1244:found at 1014:Lucretius 894:Sophocles 885:Ichneutae 834:Antiquity 829:Reception 794:Aphrodite 612:Pausanias 583:Homeridae 571:Athenaeus 382:used the 297:Lucretius 188:romanised 148:Full text 127:1624, by 10437:Margites 10404:Epigrams 10383:Cercopes 10314:LibriVox 10131:(1992). 10041:40984743 9931:23036515 9315:(2010). 9293:(2003). 9203:(1999). 9181:(2022). 9128:28 March 9107:(1982). 9020:(2012). 8935:and the 8867:41587395 8669:20181152 8616:(1999). 8512:(eds.). 8182:(2002). 8129:43186313 8028:25474056 7987:(eds.). 7675:Hymns". 7560:(1914). 7500:(eds.). 7359:(eds.). 7225:44578359 7205:Arethusa 6966:(2004). 6915:Margites 6889:(1912). 3620:Theogony 3529:made by 3478:prosodic 3171:Artemis 2983:Poseidon 2728:Heracles 2652:Demeter 2489:epithets 2423:Dionysus 2176:Dionysus 1992:digammas 1912:and the 1867:and the 1829:and the 1764:appendix 1723:Calabria 1686:Coraline 1648:Demophon 1466:libretto 1416:libretto 1414:, whose 1298:Coluthus 1157:Heroides 1084:Hercules 1076:Anchises 1030:Catullus 872:Dioscuri 868:Dionysus 823:polities 790:symposia 747:phorminx 709:agalmata 682:prooimia 564:formulae 439:Coraline 390:. Their 301:Catullus 266:sympotic 254:formulae 238:and the 201:and one 101:Genre(s) 91:Language 74:Composed 10472:Thebaid 10465:Phocais 10451:Odyssey 10397:Epigoni 10213:(ed.). 9829:and/or 9827:Homeric 9781:]. 9668:2871934 9171:1087847 9143:Phoenix 9053:Epyllia 8712:6 March 8606:9412947 8582:(ed.). 8448:(ed.). 8437:1215457 8315:(ed.). 8152:4794146 7642:3873780 7574:5919541 7455:9 March 7148:30 June 6956:5087450 6671:5087450 3874:3.102; 3580:Proclus 3554:prosody 3527:Odyssey 3445:epigram 3223:Hestia 3197:Athena 2947:Apollo 2832:Hermes 2742:labours 2507:Artemis 2458:To Ares 2243:Eleusis 2216:Demeter 2199:Olympus 1869:Odyssey 1827:Proclus 1775:Odyssey 1740:papyrus 1610:Ulysses 1525:of his 1361:. The 1140:in his 1109:in the 1056:in his 975:in his 898:Thebaid 864:Alcaeus 844:Stabiae 769:kithara 761:Odyssey 741:Artemis 700:Olympus 599:Odyssey 556:Odyssey 548:Odyssey 509:Odyssey 363:, into 241:Odyssey 203:epigram 190:: 114:Epigram 63:Exekias 10444:Nostoi 10390:Cypria 10250:about 10229: 10195: 10165: 10143: 10121:629848 10119: 10111: 10081:637428 10079: 10071: 10039: 10031: 9996: 9965: 9946: 9929: 9921: 9895: 9868: 9849: 9814: 9789: 9755: 9720: 9686: 9666: 9658: 9623: 9604: 9589:705484 9587: 9579: 9544: 9517:691278 9515: 9507: 9472: 9453: 9435:Stanze 9418: 9387: 9365: 9331: 9301: 9279: 9253: 9234: 9211: 9189: 9169: 9161: 9119: 9093: 9071: 9040: 9006: 8998:Hosios 8984: 8969:643104 8967: 8959: 8917: 8894: 8865: 8857: 8839:Aeneid 8826: 8807: 8797: 8778:292918 8776: 8768: 8737: 8687: 8667: 8659: 8628: 8604: 8594: 8567: 8550: 8528: 8494: 8464: 8435: 8427: 8393: 8371: 8344: 8325:271828 8323: 8297: 8270: 8247: 8224: 8190: 8168: 8150: 8127: 8119: 8105:Aeneid 8092: 8071: 8055:] 8026: 8018: 7995: 7965: 7943: 7916: 7889: 7867: 7832: 7805: 7778: 7747: 7720: 7695: 7657: 7640: 7632: 7601: 7572: 7546: 7527: 7508: 7485: 7475: 7446: 7416: 7397: 7367: 7344: 7321: 7302: 7280: 7250: 7223: 7215: 7188: 7165: 7126:500415 7124: 7116: 7082: 7063: 7036: 7006: 6974: 6954: 6929: 6907:Cyclus 6879:623829 6877: 6869: 6835:623817 6833: 6825: 6793: 6759:624075 6757: 6749: 6715:624065 6713: 6705: 6669: 6644: 6617: 6590:699199 6588: 6580: 5036:, see 4659:, see 4627:, see 4567:, see 4336:passim 3908:, see 3876:Pindar 3615:Hesiod 3348:Pandia 3329:Selene 3296:Helios 3154:nymphs 3057:Hestia 2877:To Pan 2836:After 2696:Cybele 2579:Athena 2405:Cyprus 2311:Hermes 2290:oracle 2278:Delphi 2264:Apollo 2141:Title 1848:siglum 1806:corpus 1631:Cantos 1579:Christ 1471:Semele 1411:Semele 1406:Handel 1335:. The 1290:Nonnus 1256:. The 1184:Lucian 1176:Horace 1128:, the 1080:Aeneid 1064:Aeneid 1059:Aeneid 1050:Virgil 1046:Thetis 1042:Peleus 1028:while 1010:Apollo 958:Idylls 942:Aratus 926:Hermes 878:. The 876:Hermes 860:Sappho 802:Aeneas 777:reeded 695:hymnoi 536:Aeolic 518:Pindar 512:. The 418:, and 370:Semele 309:Horace 305:Virgil 277:corpus 110:(1–33) 10548:Homer 10423:Iliad 10360:Homer 10297:Theoi 10117:JSTOR 10077:JSTOR 10037:JSTOR 9927:JSTOR 9831:Hymns 9777:[ 9771:(PDF) 9664:JSTOR 9585:JSTOR 9513:JSTOR 9167:JSTOR 8965:JSTOR 8863:JSTOR 8805:JSTOR 8774:JSTOR 8665:JSTOR 8647:[ 8433:JSTOR 8125:JSTOR 8084:[ 8057:(PDF) 8037:"Zum 8024:JSTOR 7770:[ 7638:JSTOR 7483:JSTOR 7336:[ 7221:JSTOR 7122:JSTOR 6923:Vitae 6903:Hymni 6897:[ 6875:JSTOR 6831:JSTOR 6755:JSTOR 6711:JSTOR 6586:JSTOR 4657:Fasti 4468:Idyll 3880:Paean 3611:cento 3521:poet 3500:Idyll 3406:xenia 2282:Delos 2147:Date 2062:] 2042:theta 2022:] 1988:] 1865:Iliad 1852:omega 1816:Hymns 1801:. 1790:] 1771:Iliad 1709:pinax 1541:into 1523:canto 1438:] 1372:] 1268:Jesus 1166:Helen 1162:Paris 1143:Fasti 1088:Cacus 1068:Venus 798:Troad 773:aulos 765:paean 757:Iliad 733:Delos 639:] 595:Iliad 552:Iliad 544:Iliad 540:Ionic 503:Iliad 498:Homer 460:Homer 315:. In 235:Iliad 219:Homer 199:hymns 136:Metre 57:kylix 36:Homer 10409:Kiln 10227:ISBN 10193:ISBN 10163:ISBN 10141:ISBN 10109:ISSN 10069:ISSN 10029:ISSN 9994:ISBN 9963:ISBN 9944:ISBN 9919:ISSN 9893:ISBN 9866:ISBN 9847:ISBN 9812:ISBN 9787:ISSN 9753:ISBN 9718:ISBN 9684:ISBN 9656:ISSN 9621:ISBN 9602:ISBN 9577:ISSN 9542:ISBN 9505:ISSN 9470:ISBN 9451:ISBN 9416:ISBN 9385:ISBN 9363:ISBN 9329:ISBN 9299:ISBN 9277:ISBN 9251:ISBN 9232:ISBN 9209:ISBN 9187:ISBN 9159:ISSN 9130:2024 9117:ISBN 9091:ISBN 9069:ISBN 9038:ISBN 9004:ISBN 8982:ISBN 8957:ISSN 8915:ISBN 8892:ISBN 8855:ISSN 8824:ISBN 8795:ISBN 8766:ISSN 8735:ISBN 8714:2024 8685:ISBN 8657:ISSN 8626:ISBN 8602:OCLC 8592:ISBN 8565:ISBN 8548:ISSN 8526:ISBN 8492:ISBN 8462:ISBN 8425:ISSN 8391:ISBN 8369:ISBN 8342:ISBN 8321:OCLC 8295:ISBN 8268:ISBN 8245:ISBN 8222:ISBN 8188:ISBN 8166:ISBN 8148:OCLC 8117:ISSN 8090:ISBN 8069:ISSN 8016:ISSN 7993:ISBN 7963:ISBN 7941:ISBN 7914:ISBN 7887:ISBN 7865:ISBN 7830:ISBN 7803:ISBN 7776:ISBN 7745:ISBN 7718:ISBN 7693:ISSN 7655:ISBN 7630:ISSN 7599:ISBN 7570:OCLC 7544:ISBN 7525:ISBN 7506:ISBN 7473:ISBN 7457:2024 7444:ISBN 7414:ISBN 7395:ISBN 7365:ISBN 7342:ISBN 7319:ISBN 7300:ISBN 7278:ISBN 7248:ISBN 7213:ISSN 7186:ISBN 7163:ISBN 7150:2024 7114:ISSN 7080:ISBN 7061:ISBN 7034:ISBN 7004:ISBN 6972:ISBN 6952:OCLC 6944:The 6927:OCLC 6919:Batr 6867:ISSN 6823:ISSN 6791:ISSN 6747:ISSN 6703:ISSN 6667:OCLC 6659:The 6642:OCLC 6634:The 6615:ISBN 6578:ISSN 5703:and 4470:17). 3449:hymn 3439:The 3259:Gaia 3020:Zeus 2862:Maia 2692:Rhea 2616:Hera 2465:Ares 2365:293 2331:lyre 2326:580 2286:Leto 2280:and 2273:546 2234:495 2157:Ref. 1773:and 1689:and 1584:The 1343:and 1296:and 1186:and 1171:Odes 1099:Ovid 1044:and 967:and 936:, a 888:, a 850:The 783:The 775:, a 759:and 739:and 737:Leto 725:lyre 661:Ares 597:and 554:and 546:and 538:and 520:and 506:and 470:The 446:. 410:and 347:The 313:Ovid 311:and 291:and 262:lyre 228:The 215:cult 171:The 116:(34) 108:Hymn 53:, a 49:The 10295:at 10219:doi 10185:doi 10101:doi 10097:101 10061:doi 10021:doi 10011:". 9986:doi 9885:doi 9839:doi 9804:doi 9745:doi 9710:doi 9648:doi 9640:ELH 9638:". 9569:doi 9534:doi 9497:doi 9487:". 9443:doi 9408:doi 9355:doi 9321:doi 9151:doi 9141:". 9061:doi 9030:doi 8949:doi 8939:". 8884:doi 8845:". 8758:doi 8727:doi 8518:doi 8484:doi 8454:doi 8417:doi 8361:doi 8287:doi 8214:doi 7933:doi 7906:doi 7857:doi 7822:doi 7795:doi 7737:doi 7710:doi 7685:doi 7681:154 7673:qua 7622:doi 7591:doi 7387:doi 7270:doi 7203:". 7106:doi 7053:doi 7026:doi 6996:doi 6921:., 6859:doi 6815:doi 6783:doi 6739:doi 6695:doi 6607:doi 6570:doi 3383:34 3373:19 3357:33 3343:20 3320:32 3310:19 3287:31 3277:19 3250:30 3240:13 3215:29 3205:18 3189:28 3179:22 3163:27 3149:13 3124:26 3085:25 3048:24 3011:23 2974:22 2939:21 2906:20 2896:49 2884:Pan 2871:19 2857:12 2824:18 2787:17 2750:16 2715:15 2694:or 2683:14 2644:13 2607:12 2570:11 2535:10 2484:17 2442:59 2400:21 2194:21 2137:No. 1925:psi 1850:Ω ( 1835:. 1766:. 1721:in 1679:in 1628:The 1581:. 1386:'s 1224:In 1213:by 1154:in 1048:. 1036:in 1016:'s 997:. 900:of 655:Of 442:by 432:by 162:at 10529:: 10411:") 10407:(" 10225:. 10191:. 10115:. 10107:. 10095:. 10075:. 10067:. 10057:20 10055:. 10035:. 10027:. 10017:60 10015:. 9992:. 9925:. 9913:. 9891:. 9845:. 9810:. 9773:. 9751:. 9716:. 9662:. 9654:. 9644:21 9642:. 9583:. 9575:. 9565:50 9563:. 9540:. 9511:. 9503:. 9491:. 9449:. 9414:. 9361:. 9327:. 9165:. 9157:. 9147:33 9145:. 9067:. 9036:. 8963:. 8955:. 8945:38 8943:. 8890:. 8861:. 8851:57 8849:. 8803:. 8772:. 8764:. 8754:83 8752:. 8733:. 8705:. 8663:. 8653:22 8600:. 8524:. 8490:. 8460:. 8431:. 8423:. 8413:97 8411:. 8367:. 8293:. 8220:. 8123:. 8113:58 8111:. 8059:. 8022:. 8012:36 8010:. 7983:; 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