243:
325:
360:
429:
356:. Koetsu was given clay by Donyu II, the grandson of the first Raku potter, Chōjirō I. Even though Kōetsu form was inspired by the Raku family tradition, he was such a great artist he added his own character to his tea bowls. One of these (called "Fuji-san") is designated a National Treasure. In all of Kōetsu's surviving correspondence, only one letter in fact concerns swords. He is believed to have passed on his professional obligations in this matter to his adopted son Kōsa and grandson Kōho.
50:
448:, and whether this land grant was generous, or a form of exile. Nevertheless, it was here that Hon'ami would develop his unique style of painting and design which would later develop into the Rinpa school. The retreat was called Taikyo-an, and was used for prayer meetings and meditation, in addition to its function as an artist colony. A number of important figures, including the historian
402:
Lacquer was yet another field in which Kōetsu was innovative and very active. Though earlier works attributed to him are quite conservative, towards the end of the 16th century and beginning of the 17th, he began to employ a number of innovative techniques. He specialized in designs using tin, lead
419:
and paint. The two worked very closely for about fifteen years after the turn of the 17th century, and some scholars believe the two artists were related by marriage. Sōtatsu was a major member of the Rinpa school, and his paintings most likely reflect some degree of Hon'ami's influence and style.
558:
Rosenfield, John M. (1999). Extraordinary
Persons: Works by Eccentric, Nonconformist Japanese Artists of the Early Modern Era (1580–1868) in the Collection of Kimiko and John Powers. Cambridge, Massachusetts: Harvard Art
443:
In 1615, Hon'ami began an artist community northwest of Kyoto, in a place called
Takagamine granted him by Tokugawa Ieyasu. Scholars disagree on whether this community was more focused on art or on religion, specifically
463:, one of the first American collectors and critics of Japanese art, is quoted as writing that Hon'ami is the only artist of what Fenollosa called the Early Modern period worthy of being compared to the earlier masters.
335:
Although trained as a swordpolisher (not a "swordsmith" in the standard
Western sense; in Japan the tasks of forging and finishing a blade are performed by different craftsmen), Hon'ami became accomplished in pottery,
316:
of actors who lived near the Hon'ami family compound in northern Kyoto. He may have performed in Nō productions as a chanter, and designed a number of works for use by the actors or the theater.
301:; he would advise the Maeda on swords, paintings, and other art objects. Kōetsu would meet many members of the art community through his connections with the Maeda, including tea master
452:, visited there towards the end of Kōetsu's life. After his death in 1637, the colony was disbanded and the land was returned to the shogunate by Hon'ami Kōho, Kōetsu's grandson.
399:). Though he created a number of works in this classical style, Kōetsu also developed his own personal style of calligraphy, and taught it to many of his students.
242:
372:
297:, in payment for his services as a sword connoisseur. Kōetsu would continue this relationship of his family with the Maeda, and with their domain in
367:
He was also one of the greatest calligraphers of his period, inspired as many of Japan's greatest calligraphers were, by the court writings of the
593:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Honami Kōetsu (see index)
313:
503:
616:
587:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Honami Kōetsu
631:
584:
621:
379:. He produced a wide variety of works, all in a flowing cursive style that recalled those classical traditions. Along with
254:
Kōetsu was born into a family of sword polishers and connoisseurs who had served the imperial court as well as such major
482:
590:
324:
274:
of
Buddhism. Kōetsu's great-grandfather, Hon'ami Honkō (Kiyonobu), became a devout follower of the Nichiren priest
129:
574:
Fisher, Felice (2000). The Arts of Hon'ami Koetsu, Japanese
Renaissance Master. Philadelphia Museum of Art.
641:
636:
626:
513:
384:
359:
230:
wrote that in Japan, Kōetsu is "a national treasure several times over, about as famous there as
221:
571:
Fister, Pat (1985). "Hon'ami Kōetsu." Kodansha
Encyclopedia of Japan<. Tokyo: Kodansha Ltd.
646:
341:
611:
606:
139:
134:
8:
412:
375:, who is said to have taught him the style of the famous classical Chinese calligrapher
279:
290:
203:
278:. Thereafter, the Hon'amis became important patrons of the temple founded by Nisshin,
533:
Kodansha
Encyclopedia of Japan, vol. 3, entry for Hon'ami Koetsu, by Patricia Fister.
445:
231:
187:
460:
477:
472:
263:
345:
302:
467:
428:
380:
293:. Kōetsu's father, Hon'ami Kōji (d. 1603), received a regular stipend from the
285:
Kōetsu's grandfather was counted as one of the "companions and advisors" (同朋衆,
275:
259:
543:
282:, and Koetsu would continue this relationship of his family with that temple.
600:
449:
298:
271:
29:
20:
368:
349:
294:
267:
215:
211:
175:
415:, who is supposed to have decorated many of Hon'ami calligraphic works in
234:
is in the West", even though in the United States he is "scarcely known".
214:. His works are generally considered to have inspired the founding of the
348:. In this art, he is regarded as one of the top pupils of the tea master
207:
195:
376:
508:
416:
392:
353:
226:
199:
388:
344:, which had been revived and refined only a few decades earlier by
49:
591:
Bridge of dreams: the Mary Griggs Burke collection of
Japanese art
337:
255:
24:
270:. For generations, the Hon'ami family had been devotees of the
437:
433:
99:
95:
74:
70:
403:
and other base metals, along with gold and mother-of-pearl.
411:
Hon'ami entertained a close relationship with the painter
309:
308:
Kōetsu would also develop a close relationship with the
387:, he came to be known as one of the Three Brushes or
598:
554:
552:
194:; 1558 – 27 February 1637) was a Japanese
501:
340:, and ceramics as a result of his interest in
585:Momoyama, Japanese Art in the Age of Grandeur
549:
544:https://eishouzan.honpouji.nichiren-shu.jp/
118:Calligrapher, craftsman, lacquerer, potter
48:
466:Hon'ami Kōetsu and his mother appear in
427:
358:
323:
241:
599:
542:Official website of Honpō-ji (Kyoto).
617:17th-century Japanese calligraphers
483:Samurai II: Duel at Ichijoji Temple
423:
13:
363:Calligraphy on Lotus painted paper
14:
658:
578:
406:
371:. He was taught in this field by
565:
486:, which is based on the novel.
329:Writing Box with Pontoon Bridge
210:of swords and a devotee of the
163:Writing Box with Pontoon Bridge
536:
527:
495:
246:Calligraphy of Poems from the
1:
502:Hughes, Robert (2000-10-23).
489:
455:
237:
632:Japanese lacquerware artists
504:"The Subtle Magic of Koetsu"
250:on Paper Decorated with Deer
7:
622:17th-century Japanese poets
10:
663:
476:. Hon'ami is portrayed in
352:and of the style known as
18:
319:
191:
171:
148:
122:
114:
106:
81:
56:
47:
38:
432:Honami Kōetsu's grave,
440:
364:
332:
312:theater, and with the
251:
431:
362:
342:Japanese tea ceremony
327:
245:
262:(1467–1603) such as
441:
397:kan'ei no sanpitsu
365:
333:
291:Ashikaga Yoshimasa
252:
204:landscape gardener
16:Japanese craftsman
642:People from Kyoto
446:Nichiren Buddhism
248:Shinkokin-wakashu
232:Benvenuto Cellini
181:
180:
654:
637:Japanese potters
627:Buddhist artists
560:
556:
547:
540:
534:
531:
525:
524:
522:
521:
512:. Archived from
499:
461:Ernest Fenollosa
424:Artist community
413:Tawaraya Sōtatsu
280:Honpō-ji (Kyoto)
193:
151:
92:27 February 1637
91:
89:
67:
65:
52:
36:
35:
662:
661:
657:
656:
655:
653:
652:
651:
597:
596:
581:
568:
563:
557:
550:
541:
537:
532:
528:
519:
517:
500:
496:
492:
478:Hiroshi Inagaki
458:
426:
409:
322:
264:Tokugawa Ieyasu
240:
167:
149:
144:
102:
93:
87:
85:
77:
68:
63:
61:
43:
41:
34:
17:
12:
11:
5:
660:
650:
649:
644:
639:
634:
629:
624:
619:
614:
609:
595:
594:
588:
580:
579:External links
577:
576:
575:
572:
567:
564:
562:
561:
548:
535:
526:
493:
491:
488:
468:Eiji Yoshikawa
457:
454:
425:
422:
408:
407:Collaborations
405:
381:Konoe Nobutada
321:
318:
260:Sengoku period
239:
236:
184:Hon'ami Kōetsu
179:
178:
173:
169:
168:
166:
165:
160:
154:
152:
146:
145:
143:
142:
137:
132:
126:
124:
123:Known for
120:
119:
116:
112:
111:
108:
104:
103:
94:
83:
79:
78:
69:
58:
54:
53:
45:
44:
40:Hon'ami Kōetsu
39:
15:
9:
6:
4:
3:
2:
659:
648:
645:
643:
640:
638:
635:
633:
630:
628:
625:
623:
620:
618:
615:
613:
610:
608:
605:
604:
602:
592:
589:
586:
583:
582:
573:
570:
569:
555:
553:
545:
539:
530:
516:on 2001-03-06
515:
511:
510:
505:
498:
494:
487:
485:
484:
479:
475:
474:
469:
464:
462:
453:
451:
450:Hayashi Razan
447:
439:
435:
430:
421:
418:
414:
404:
400:
398:
394:
390:
386:
385:Shōkadō Shōjō
382:
378:
374:
373:Prince Sonchō
370:
361:
357:
355:
351:
347:
343:
339:
330:
326:
317:
315:
311:
306:
304:
300:
299:Kaga Province
296:
292:
288:
283:
281:
277:
273:
272:Nichiren sect
269:
265:
261:
257:
249:
244:
235:
233:
229:
228:
223:
222:Robert Hughes
219:
218:of painting.
217:
213:
209:
205:
201:
198:, craftsman,
197:
189:
185:
177:
174:
170:
164:
161:
159:
156:
155:
153:
147:
141:
138:
136:
133:
131:
128:
127:
125:
121:
117:
115:Occupation(s)
113:
109:
105:
101:
97:
84:
80:
76:
72:
59:
55:
51:
46:
37:
32:
31:
26:
22:
21:Japanese name
647:Rinpa school
566:Bibliography
538:
529:
518:. Retrieved
514:the original
507:
497:
481:
471:
465:
459:
442:
410:
401:
396:
369:Heian period
366:
350:Furuta Oribe
346:Sen no Rikyū
334:
328:
314:Kanze family
307:
303:Kobori Enshū
295:Maeda family
289:) of Shōgun
286:
284:
268:Oda Nobunaga
253:
247:
225:
220:
216:Rinpa school
212:tea ceremony
196:calligrapher
183:
182:
176:Rinpa school
162:
157:
150:Notable work
28:
612:1637 deaths
607:1558 births
546:(Japanese).
208:connoisseur
140:Calligraphy
135:Lacquerware
107:Nationality
601:Categories
520:2018-11-13
490:References
456:Collectors
393:Kan'ei Era
377:Wang Xizhi
238:Early life
202:, potter,
158:White Raku
88:1637-02-27
509:Time Asia
470:'s novel
417:gold leaf
354:Raku ware
331:by Kōetsu
227:Time Asia
200:lacquerer
559:Museums.
480:'s film
395:(寛永の三筆,
389:Sanpitsu
256:warlords
188:Japanese
172:Movement
110:Japanese
19:In this
473:Musashi
391:of the
338:lacquer
287:dōbōshū
276:Nisshin
258:of the
130:Pottery
62: (
30:Hon'ami
25:surname
320:Skills
192:本阿弥 光悦
42:本阿弥 光悦
23:, the
438:Japan
434:Kyoto
100:Japan
96:Kyoto
75:Japan
71:Kyoto
383:and
266:and
82:Died
64:1558
60:1558
57:Born
224:of
27:is
603::
551:^
506:.
436:,
310:Nō
305:.
206:,
190::
98:,
73:,
523:.
186:(
90:)
86:(
66:)
33:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.