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40:
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1889:. In 1878 James wrote with sadness about the lack of contemporary attention paid to Balzac, and lavished praise on him in four essays (in 1875, 1877, 1902, and 1913). In 1878 James wrote: "Large as Balzac is, he is all of one piece and he hangs perfectly together". He wrote with admiration of Balzac's attempt to portray in writing "a beast with a hundred claws". In his own novels James explored more of the psychological motives of the characters and less of the historical sweep exhibited by Balzac—a conscious style preference; he stated: "the artist of the
1950:
255:
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1701:, in contrast to descriptions of the weather and wildlife in the countryside. "If in Paris", Rogers says, "we are in a man-made region where even the seasons are forgotten, these provincial towns are nearly always pictured in their natural setting". Balzac said, "the streets of Paris possess human qualities and we cannot shake off the impressions they make upon our minds." His labyrinthine city provided a literary model used later by English novelist Charles Dickens and Russian author
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664:" ("Look how the academy returns the pretty ones we send them!") Balzac himself attributed his condition to "intellectual congestion", but his extended confinement in the "alcove" was surely a factor. (Meanwhile, his father had been writing a treatise on "the means of preventing thefts and murders, and of restoring the men who commit them to a useful role in society", in which he heaped disdain on prison as a form of crime prevention.)
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1426:. These works lacked firsthand knowledge; Saintsbury points out that "cœlebs cannot talk of with much authority". In late April the newly-weds set off for Paris. His health deteriorated on the way, and Ewelina wrote to her daughter about Balzac being "in a state of extreme weakness" and "sweating profusely". They arrived in the French capital on 20 May, his fifty-first birthday.
1055:), a fable-like tale about a despondent young man named Raphaël de Valentin who finds an animal skin which promises great power and wealth. He obtains these things, but loses the ability to manage them. In the end, his health fails and he is consumed by his own confusion. Balzac meant the story to bear witness to the treacherous turns of life, its "serpentine motion".
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977:, Balzac paints the revolutionaries in a sympathetic light—even though they are the center of the book's most brutal scenes. This was the first book Balzac released under his own name, and it gave him what one critic called "passage into the Promised Land". It established him as an author of note (even if its historical fiction-genre imitates that of
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power", he wrote in 1830. The timing of the decision was also significant; as Robb explained: "The disappearance of the father coincides with the adoption of the nobiliary particle. A symbolic inheritance." Just as his father had worked his way up from poverty into respectable society, Balzac considered toil and effort his real mark of nobility.
1110:, a weekly magazine of society and politics. He tried to enforce strict impartiality in its pages and a reasoned assessment of various ideologies. As Rogers notes, "Balzac was interested in any social, political, or economic theory, whether from the right or the left." The magazine failed, but in July 1840 he founded another publication, the
655:, his 1832 novel about a young boy studying at an Oratorian grammar school at Vendôme. The narrator says : "He devoured books of every kind, feeding indiscriminately on religious works, history and literature, philosophy and physics. He had told me that he found indescribable delight in reading dictionaries for lack of other books."
436:. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists
1018:(which claimed widespread popular support) was disorganized and unprincipled, in need of a mediator to keep the political peace between the King and insurgent forces. He called for "a young and vigorous man who belongs neither to the Directoire nor to the Empire, but who is 1830 incarnate...." He planned to be such a
572:, who is commemorated on 16 May, four days before Balzac's birthday) was actually the second child born to the Balzacs; exactly one year earlier, Louis-Daniel had been born, but he lived for only a month. Honoré's sisters Laure and Laurence were born in 1800 and 1802, and his younger brother Henry-François in 1807.
1281:) had been a failure from the outset. In this letter, Balzac also reveals that the young woman had just come to tell him she was pregnant with his child. In 1834, 8 months after the event, Maria Du Fresnay's daughter by Balzac, Marie-Caroline Du Fresnay, was born. This revelation from French journalist
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The only absolute authority which the imagination has been able to conceive, the authority of God, works according to rules which He has imposed on
Himself. He can destroy all His worlds and return to His rest, but while He allows them to exist, they continue to be governed by the laws which together
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was also substantially influenced by Balzac. Praising his portrayal of society while attacking his prose style, Flaubert once wrote: "What a man he would have been had he known how to write!" While he disdained the label of "realist", Flaubert clearly took heed of Balzac's close attention to detail
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At the same time, the characters depict a particular range of social types: the noble soldier, the scoundrel, the proud workman, the fearless spy, the alluring mistress. That Balzac was able to balance the strength of the individual against the representation of the type is evidence of the author's
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Balzac". He followed his father in the surname Balzac but added the aristocratic-sounding nobiliary particle to help him fit into respected society, a choice based on skill rather than by right. "The aristocracy and authority of talent are more substantial than the aristocracy of names and material
801:, who convinced the author to write short stories, which Le Poitevin would then sell to publishers. Balzac quickly turned to longer works, and by 1826 he had written nine novels, all published under pseudonyms and often produced in collaboration with other writers. For example, the scandalous novel
467:
An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was apprenticed
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Balzac influenced writers of his time and beyond. He has been compared to
Charles Dickens and is considered one of Dickens' significant influences. Literary critic W. H. Helm calls one "the French Dickens" and the other "the English Balzac", while another critic, Richard Lehan, states that "Balzac
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light meal at five or six in the afternoon, then sleep until midnight. He then rose and wrote for many hours, fueled by innumerable cups of black coffee. He often worked for fifteen hours or more at a stretch; he claimed to have once worked for 48 hours with only three hours of rest in the middle.
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Balzac's work habits were legendary. He wrote from 1 A.M. to 8 A.M. every morning and sometimes even longer. Balzac could write very rapidly; some of his novels, written with a quill, were composed at a pace equal to thirty words per minute on a modern typewriter. His preferred method was to eat a
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convinced many mothers of the time to nurse their own children, sending babies to wet nurses was still common among the middle and upper classes.) When the Balzac children returned home, they were kept at a frosty distance from their parents, which affected the author-to-be significantly. His 1835
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tried to dissuade him from reading these early works of Balzac. American critic Samuel Rogers, however, notes that "without the training they gave Balzac, as he groped his way to his mature conception of the novel, and without the habit he formed as a young man of writing under pressure, one can
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Balzac revised obsessively, covering printer's proofs with changes and additions to be reset. He sometimes repeated this process during the publication of a book, causing significant expense both for himself and the publisher. As a result, the finished product quite often was different from the
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After writing several novels, in 1832 Balzac conceived the idea for an enormous series of books that would paint a panoramic portrait of "all aspects of society". The moment the idea came to him, Balzac raced to his sister's apartment and proclaimed: "I am about to become a genius!" Although he
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In 1819 Passez offered to make Balzac his successor, but his apprentice had had enough of the Law. He despaired of being "a clerk, a machine, a riding-school hack, eating and drinking and sleeping at fixed hours. I should be like everyone else. And that's what they call living, that life at the
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Representations of the city, countryside, and building interiors are essential to Balzac's realism, often serving to paint a naturalistic backdrop before which the characters' lives follow a particular course; this gave him a reputation as an early naturalist. Intricate details about locations
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A nearly infinite reserve of energy propels the characters in Balzac's novels. Struggling against the currents of human nature and society, they may lose more often than they win—but only rarely do they give up. This universal trait is a reflection of Balzac's own social wrangling, that of his
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of learning at the school. As a result, he was frequently sent to the "alcove", a punishment cell reserved for disobedient students. (The janitor at the school, when asked later if he remembered Honoré, replied: "Remember M. Balzac? I should think I do! I had the honour of escorting him to the
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Balzac's vision of a society in which class, money and personal ambition are the key players has been endorsed by critics of both left-wing and right-wing political persuasions. Marxist
Friedrich Engels wrote: "I have learned more than from all the professional historians, economists and
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books, strengthens the realist representation. "When the characters reappear", notes Rogers, "they do not step out of nowhere; they emerge from the privacy of their own lives which, for an interval, we have not been allowed to see". He also used a realist technique which French novelist
1064:, his first best-seller. The tale of a young lady who inherits her father's miserliness, it also became the most critically acclaimed book of his career. The writing is simple, yet the individuals (especially the bourgeois title character) are dynamic and complex. It is followed by
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to 1820s Paris in order to rage at a society bereft of all love save the love of money. The centrality of a father in this novel matches Balzac's own position—not only as mentor to his troubled young secretary, Jules
Sandeau, but also the fact that he had fathered a child,
632:, where he studied for seven years. His father, seeking to instill the same hardscrabble work ethic which had gained him the esteem of society, intentionally gave little spending money to the boy. This made him the object of ridicule among his much wealthier schoolmates.
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Balzac suffered from health problems throughout his life, possibly owing to his intense writing schedule. His relationship with his family was often strained by financial and personal drama, and he lost more than one friend over critical reviews. In 1850, Balzac married
1372:'s fortune. In Balzac Countess Ewelina found a kindred spirit for her emotional and social desires, with the added benefit of feeling a connection to the glamorous capital of France. Their correspondence reveals an intriguing balance of passion, propriety and patience;
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of Paris like many of his characters. "In the first place he was too busy", explains
Saintsbury, "in the second he would not have been at home there.... e felt it was his business not to frequent society but to create it". However, he often spent long periods at the
1289:, a certain "Maria", turns out to be Maria Du Fresnay herself. Balzac had also long been suspected of being attracted to males as well. When the official records of homosexuals once maintained by the Paris police were finally released, his name was found listed.
1626:, "writers use whatever literary device seems capable of giving the greatest intensity of life to their characters". "Balzac's characters", Robb notes, "were as real to him as if he were observing them in the outside world". This reality was noted by playwright
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In the late 1820s Balzac dabbled in several business ventures, a penchant his sister blamed on the temptation of an unknown neighbour. His first enterprise was in publishing which turned out cheap one-volume editions of French classics including the works of
1528:. "Finished articles" were frequently revised between editions. This piecemeal style is reflective of the author's own life, a possible attempt to stabilize it through fiction. "The vanishing man", wrote Sir Victor Pritchett, "who must be pursued from the
1415:(Russia's former banking city in present-day Ukraine), where they were married by Abbot Ożarowski. The ten-hour journey to and from the ceremony took a toll on both husband and wife: her feet were too swollen to walk, and he endured severe heart trouble.
1127:, 1843). The novel concerns Lucien de Rubempré, a young poet trying to make a name for himself, who becomes trapped in the morass of society's darkest contradictions. Lucien's journalistic work is informed by Balzac's own failed ventures in the field.
472:, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts.
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Balzac concerned himself overwhelmingly with the darker essence of human nature and the corrupting influence of middle and high societies. His mission was to observe humankind in its most representative state, frequently wandering through the streets
1171:). The conniving and wrangling over wills and inheritances reflect the expertise gained by the author as a young law clerk. Balzac's health was deteriorating by this point, making the completion of this pair of books a significant accomplishment.
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in Paris. At his memorial service, Victor Hugo pronounced "Today we have people in black because of the death of the man of talent; a nation in mourning for a man of genius". The funeral was attended by "almost every writer in Paris", including
1581:, he wrote: "the author firmly believes that details alone will henceforth determine the merit of works". Plentiful descriptions of décor, clothing, and possessions help breathe life into the characters. For example, Balzac's friend
1192:, 1835) opens with a broad panorama of Paris but becomes a closely plotted novella of only fifty pages. According to the literary critic Kornelije Kvas, "Balzac's use of the same characters (Rastignac, Vautrin) in different parts of
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Jean-Baptiste
Guillonnet-Merville for three years he trained and worked at the office of the notary Édouard-Victor Passez, a family friend. During this time Balzac began to understand the vagaries of human nature. In his 1840 novel
885:. His inexperience and lack of capital caused his ruin in these trades. He gave the businesses to a friend (who made them successful) but carried the debts for many years. As of April 1828 Balzac owed 50,000 francs to his mother.
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explained, "She was certainly drily aware that she had been given to an old husband as a reward for his professional services to a friend of her family and that the capital was on her side. She was not in love with her husband".
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In 1814 the Balzac family moved to Paris, and Honoré was sent to private tutors and schools for the next two and a half years. This was an unhappy time in his life, during which he attempted suicide on a bridge over the river
1276:
In 1833, as he revealed in a letter to his sister, Balzac entered into an illicit affair with fellow writer Maria Du
Fresnay, who was then aged 24. Her marriage to a considerably older man (Charles du Fresnay, Mayor of
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describes it—"in a garret furnished in the most
Spartan fashion, with a starvation allowance and an old woman to look after him", while the rest of the family moved to a house twenty miles (32 km) outside Paris.
1141:) in a convoluted and disastrous plan to regain social status. The book undergoes a massive temporal rift; the first part (of four) covers a span of six years, while the final two sections focus on just three days.
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at Balzac's funeral. Some modern researchers have attributed a factor in his death to excessive coffee consumption or a caffeine overdose (Balzac reportedly drank over 50 cups a day) but this has yet to be proved.
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sometimes stretch for fifteen or twenty pages. As he did with the people around him, Balzac studied these places in depth, traveling to remote locations and comparing notes that he had made on previous visits.
733:
The loss of this opportunity caused serious discord in the Balzac household, although Honoré was not turned away entirely. Instead, in April 1819 he was allowed to live in the French capital—as
English critic
509:
Honoré de Balzac was born into a family which aspired to achieve respectability through its industry and efforts. His father, born
Bernard-François Balssa, was one of eleven children from an artisan family in
1376:
says it is "like an experimental novel in which the female protagonist is always trying to pull in extraneous realities but which the hero is determined to keep on course, whatever tricks he has to use".
1264:, the home of his friend Jean de Margonne, his mother's lover and father to her youngest child. Many of Balzac's tormented characters were conceived in the chateau's small second-floor bedroom. Today the
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715:, he wrote that a young person in the legal profession sees "the oily wheels of every fortune, the hideous wrangling of heirs over corpses not yet cold, the human heart grappling with the Penal Code".
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Balzac visited the Château de Saché in Touraine which was owned by his friend Jean de Margonne (who was also his mother's lover), between 1830 and 1837, and wrote many of his novels in the series
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Leone, Giuseppe (1999). "Honoré de Balzac, una creatività "sempre recidiva, mai stanca" – Con lui il romanzo s'è fatto uomo", su "Ricorditi di me...", in "Lecco 2000", Lecco, febbraio 1999
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Delahanty, James J. (September 1963). "Catholic Political Thought 1789–1848. Edited by Bela Menczer. (South Bend, Ind.: University of Notre Dame Press. 1962. Pp. viii, 205. $ 1.95.)".
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he wrote: "Christianity, above all, Catholicism, being ... a complete system for the repression of the depraved tendencies of man, is the most powerful element of social order".
1803:
beheaded in his person all fathers of families." Nevertheless, his keen insight regarding working-class conditions earned him the esteem of many socialists, including Marxists.
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in Paris. Her family's wealth was a considerable factor in the match: she was eighteen at the time of the wedding, and François Balzac fifty. As the author and literary critic
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similarly learned from the Realist example; he adored Balzac and studied his works carefully, although he criticised what he perceived as Balzac's "vulgarity". Balzac's story
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Jean-Louis Dega, La vie prodigieuse de Bernard-François Balssa, père d'Honoré de Balzac : Aux sources historiques de La Comédie humaine, Rodez, Subervie, 1998, 665 p.
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is half smothered by the historian". Still, both authors used the form of the realist novel to probe the machinations of society and the myriad motives of human behavior.
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novels, designed to sell quickly and titillate audiences. In Saintsbury's view, "they are curiously, interestingly, almost enthrallingly bad". Saintsbury indicates that
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reveal sympathy for those who are pushed to one side by society. As part of the 19th-century evolution of the novel as a "democratic literary form", Balzac wrote that "
1448:, in the presence of his mother—his wife, Eve de Balzac (formerly Countess Hańska) had gone to bed. He had been visited that day by Victor Hugo, who later served as a
1620:
Balzac sought to present his characters as real people, neither fully good nor fully evil, but completely human. "To arrive at the truth", he wrote in the preface to
6907:
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805:(1822)—banned for its depiction of nearly-incestuous relations and, more egregiously, of a married priest—attributed to a "Horace de Saint-Aubin". These books were
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grindstone, doing the same thing over and over again.... I am hungry and nothing is offered to appease my appetite". He announced his intention to become a writer.
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1630:, who said: "One of the greatest tragedies of my life is the death of Lucien de Rubempré.... It haunts me in my moments of pleasure. I remember it when I laugh".
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936:, and he included in it all the fiction that he had published in his lifetime under his own name. This was to be Balzac's life work and his greatest achievement.
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1922:, who said 1984: "I'm sure that my life in France would have been very different had I not met Balzac. the way that country and its society works." In 1970
1524:
remained unfinished at the time of his death—Balzac had plans to include numerous other books, most of which he never started. He frequently flitted between
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Although Balzac was "by turns a hermit and a vagrant", he managed to stay in tune with the social spheres which nourished his writing. He was friends with
658:
Balzac often fell ill, finally causing the headmaster to contact his family with news of a "sort of a coma". When he returned home, his grandmother said: "
1713:; the scene of a young man coming into the city to find his fortune is ubiquitous in the realist novel, and appears repeatedly in Balzac's works, such as
6565:
6526:
3744:
Chancerel, Pierrot (October–November 1955), "La véritable Eugénie Grandet : Marie du Fresnay" [The real Eugénie Grandet: Marie du Fresnay],
1600:—a more pessimistic and analytical form of realism, which seeks to explain human behavior as intrinsically linked with the environment. French novelist
1577:
style of Scottish novelist Walter Scott, Balzac sought to depict human existence through the use of particulars. In the preface to the first edition of
1612:
saw the world through a colored lens, the naturalist sees through a clear glass—precisely the sort of effect Balzac attempted to achieve in his works.
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Balzac's extensive use of detail, especially the detail of objects, to illustrate the lives of his characters made him an early pioneer of literary
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1392:, the couple finally received permission to wed. On 14 March 1850, with Balzac's health in serious decline, they travelled by carriage from her
1380:
Marshal Hański died in 1841, and his widow and her admirer finally had the chance to pursue their affections. A rival of the Hungarian composer
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1312:, hoping that his anonymous critic would see it. Thus began a fifteen-year correspondence between Balzac and "the object of sweetest dreams":
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464:. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all."
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among the masses of Parisian society to undertake his research. He used incidents from his life and the people around him, in works like
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and read the entire work to his family; they were unimpressed. He followed this effort by starting (but never finishing) three novels:
778:. Although it pales by comparison with his later works, some critics consider it a good-quality text. When he finished, Balzac went to
1778:
Balzac was a legitimist; in many ways, his views are the antithesis of Victor Hugo's democratic republicanism. He wrote, in his essay
7240:
1939:
1026:. But after a near-fatal accident in 1832 (he slipped and cracked his head on the street), Balzac decided not to stand for election.
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1964:
Balzac has also influenced popular culture. Many of his works have been made into popular films and television serials, including:
1817:
famously read Balzac in the middle of meetings of the Central Committee, much to the consternation of his colleagues and comrades.
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Once his studies were completed, Balzac was persuaded by his father to follow him into the Law; after a stint in the office of the
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1876:, 1822), in which minute details are followed by deep personal reflections, is a clear forebear of the style which Proust used in
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Balzac's literary mood evolved over time from one of despondency and chagrin to that of solidarity and courage—but not optimism.
874:. This business failed miserably, with many of the books "sold as waste paper". Balzac had better luck publishing the Memoirs of
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584:; the following year he was joined by his sister Laure and they spent four years away from home. (Although Genevan philosopher
428:
Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of
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These dismal business efforts—and his misadventures in Sardinia—provided an appropriate milieu in which to set the two-volume
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dungeon more than a hundred times!") Still, his time alone gave the boy ample freedom to read every book which came his way.
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Loosely translated by Pritchett from a letter written by Balzac to his sister August 15th, 1821. See Correspondance, Pierrot
990:—about a 30-year-old man who kills his father (Balzac was 30 years old at the time). This was the first work signed "Honoré
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1996:). Balzac is mentioned, along with Chaucer and Rabelais, to humorous effect (as authors of allegedly unreliable morals) in
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1882:. However, Proust wrote later in life that the contemporary fashion of ranking Balzac higher than Tolstoy was "madness".
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533:(he had also changed his name to the more noble sounding "Balzac", his son later adding—without official recognition—the
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later termed "retrospective illumination", whereby a character's past is revealed long after she or he first appears.
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Balzac worked these scenes from his boyhood—as he did many aspects of his life and the lives of those around him—into
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1738:, among his earliest novels, is a pessimistic tale of confusion and destruction. But the cynicism declined as his
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1677:. Balzac spoke often of a "nervous and fluid force" between individuals, and Raphaël de Valentin's decline in
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there. It is now a museum dedicated to Balzac where one can see his writing desk and quill pen and chair.
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there. Near the end of his life Balzac was captivated by the idea of cutting 20,000 acres (81 km) of
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3497:"Campaign of General Buonaparte in Italy, during the fourth and fifth years of the French republic /"
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in 1843 and won her heart. After a series of financial setbacks, health problems and objections from
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3932:"The Death of Balzac (1799–1850) and the Treatment of Heart Failure During the Nineteenth Century"
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Balzac borrowed money from his family and friends and tried to build a printing business, then a
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in 1955 confirmed what was already suspected by several historians: the dedicatee of the novel
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had a good knowledge of hanging wallpaper. Balzac transferred this to his descriptions of the
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extends to a thousand pages after starting inauspiciously in a small-town print shop, whereas
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1946:, sometimes called "the Balzac of Mexico", cited Balzac as a major influence on his writing.
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skill. One critic explained that "there is a center and a circumference to Balzac's world".
1512:
at Place Pablo-Picasso. Rodin featured Balzac in several of his smaller sculptures as well.
932:(literally 'Studies of manners', or 'The Ways of the World') it eventually became known as
922:
769:. Realizing he would have trouble finding a composer, however, he turned to other pursuits.
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Henry James, The Art of Fiction, 'The Lesson of Balzac', p.102 of the 1956 Vintage edition
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2007:
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statisticians put together". Balzac has received high praise from critics as diverse as
1709:
is key to Balzac's legacy as a realist. "Realism is nothing if not urban", notes critic
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Although he married late in life, Balzac had already written two treatises on marriage:
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6709:
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and unvarnished depictions of bourgeois life. This influence shows in Flaubert's work
1504:. Cast in bronze, the Balzac Monument has stood since 1939 nearby the intersection of
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735:
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233:
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Balzac (1994) . "Maximes et pensées". In d'Aurevilly, Barbey; Menczer, Béla (eds.).
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Robb and Sir Victor Pritchett cite specific examples, included in Biography, above.
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894:. It resurfaced painfully later when—as a renowned and busy author—he traveled to
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reflects his real-life difficulties, and includes scenes from his own experience.
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3032:
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1985:
1911:
1896:
1847:
was the bridge between the comic realism of Dickens and the naturalism of Zola".
1792:
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1369:
1338:
1224:
original text. Although some of his books never reached completion, some—such as
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1144:
999:
838:
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features a cruel governess named Miss Caroline, modeled after his own caregiver.
561:
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522:
496:), a Polish aristocrat and his longtime love. He died in Paris six months later.
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219:
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Perciaccante, A.; Riva, M. A.; Coralli, A.; Charlier, P.; Bianucci, R. (2016).
3060:
2799:
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2362:
2338:
2298:
2164:
1943:
1923:
1915:
1570:
1153:
625:
614:
604:
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416:
407:
406:; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The
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5129:
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2012:
2002:
1993:
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Balzac was influenced by the counter-revolutionary philosopher and statesman
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1562:
1501:
1397:
1015:
826:
696:
695:, lectured on French and classical literature; and, most influential of all,
636:
556:
Balzac's mother, born Anne-Charlotte-Laure Sallambier, came from a family of
445:
45:
6117:. Vol. 3 (11th ed.). Cambridge University Press. pp. 298–301.
5590:
5588:
5586:
4720:
1885:
Perhaps the author most affected by Balzac was American expatriate novelist
1601:
514:, a region in the south of France. In 1760 he set off for Paris with only a
437:
6744:
6209:
6139:
5324:
Scènes de la vie poitique : L'Envers de l'histoire contemporaine, etc.
3955:
3055:
1989:
1965:
1825:
1814:
1670:
1529:
1278:
882:
779:
515:
198:
5023:
4618:
1319:
6829:
5927:
5583:
3837:
2908:
2076:
2016:. Truffaut believed Balzac and Proust to be the greatest French writers.
1954:
1886:
1809:
1627:
1609:
1574:
1440:
Five months after his wedding, on Sunday, 18 August 1850, Balzac died of
1400:
1393:
1381:
1373:
1244:
970:
965:
819:
765:
752:
699:'s courses on philosophy encouraged his students to think independently.
661:
Voilà donc comme le collège nous renvoie les jolis que nous lui envoyons!
557:
550:
453:
421:
6102:
6092:
5983:
Dictionnaire biographique des personnages fictifs de la comédie humaine.
5922:
1740:
960:
7356:
6463:
6151:
5950:
5889:
2689:
1958:
1698:
1593:, making the wallpaper speak of the identities of those living inside.
1449:
1208:
1029:
1007:
760:
469:
141:
7126:
6498:
2236:
1300:" ("The Foreigner")—expressing sadness at the cynicism and atheism in
1082:, 1835) was his next success, in which Balzac transposes the story of
871:
629:
608:
6804:
6730:
6358:
5169:. 1837, Société belge de librairie, etc. Hauman, Cattoir et cie. 1837
2673:
2594:
2522:
1934:
1796:
1552:
1412:
1137:, 1847) continues Lucien's story. He is trapped by the Abbé Herrera (
1084:
1019:
984:
Soon afterwards, around the time of his father's death, Balzac wrote
822:
suggests that as he discovered the Novel, Balzac discovered himself.
806:
581:
530:
6224:
6071:
4392:
Tensions of Order and Freedom: Catholic Political Thought, 1789–1848
1333:
6194:
1862:. "What Balzac started", observes Lehan, "Flaubert helped finish".
1681:
exemplifies the danger of withdrawing from other people's company.
1441:
1350:
1323:
956:
895:
748:
6129:. Edited by Harold Bloom. Philadelphia: Chelsea House Publishers.
3663:. Lanham, Boulder, New York, London: Lexington Books. p. 26.
705:
7066:
6470:
6190:
3314:
3312:
3310:
3308:
3306:
3304:
3302:
2791:
2546:
1586:
1354:
1304:
and its negative portrayal of women. His response was to place a
1265:
1196:
is a consequence of the realist striving for narrative economy".
1138:
3300:
3298:
3296:
3294:
3292:
3290:
3288:
3286:
3284:
3282:
1148:
Portrait of Honoré de Balzac by Jean Alfred Gérard-Séguin (1842)
7248:
6087:, Vol. I. Philadelphia: Avil Publishing Company, pp. vii–xivi.
3929:
2976:
1804:
1541:
1453:
1293:
1023:
834:
1271:
848:
718:
3279:
1669:
family, and an interest in the Austrian mystic and physician
1652:
1261:
669:
546:
374:
68:
1637:
Balzac's use of repeat characters, moving in and out of the
1174:
Many of his novels were initially serialized, like those of
981:) and provided him with a name outside his past pseudonyms.
4830:Études philosophiques : La Recherche de l'absolu, etc.
1361:
1292:
In February 1832 Balzac received an intriguing letter from
899:
6313:
5884:. English version by Richard Monges. New York: NYU Press.
4633:
Scènes de la vie militaire et Scènes de la vie de campagne
3969:
https://www.nytimes.com/2008/07/29/opinion/29iht-edjohnson
2019:
His life was dramatised as the 1950 Australian radio play
913:
825:
During this time Balzac wrote two pamphlets in support of
1928:
955:
After the collapse of his businesses, Balzac traveled to
907:
334:
325:
4678:
Scènes de la vie privée : Maison du chat-qui-pelote
5945:. New York: Charles Scribner's Sons, pp. 109–159.
4940:
Scènes de la vie de province : Les Rivalités, etc.
4911:
Scènes de la vie privée : Contrat de mariage, etc.
4784:
4782:
4780:
1813:
also makes some references to the works of Balzac, and
1241:
Pierre-Marie-Charles de Bernard du Grail de la Villette
1014:, but not without qualifications. He felt that the new
5835:(1986). "Le Père Goriot devant la critique anglaise".
3078:
Encyclopedia of Literary Translation Into English: A-L
2957:
2955:
7415:
6242:
Balzac on mimetism, language, desire for the absolute
5221:. 1902, Société d'éditions littéraires et artistiques
4796:. 1876, Calmann Lévy & Maison Michel Lévy. 1876.
1807:
declared that Balzac was his favorite writer. Marx's
386:
346:
337:
331:
6121:
Stowe, William W. (1983). "Systematic Realism". In:
4777:
4293:"Balzac: A Fight Against Decandence and Materialism"
1596:
Some critics consider Balzac's writing exemplary of
1544:
can construct a settled dwelling only in his work".
973:
royalist forces. Although he was a supporter of the
858:
772:
In 1820 Balzac completed the five-act verse tragedy
377:
371:
328:
322:
2952:
1899:wrote a short story about Balzac in his 1971 book,
1337:Portrait of Balzac in his famous dressing gown, by
910:in Ukraine and transporting it for sale in France.
368:
319:
4545:Literature and Art: Selections from Their Writings
1904:or Don't Go But If You Must Say Hello To Everybody
722:Drawing of Balzac in the mid-1820s, attributed to
679:, where he studied under three famous professors:
4708:. 1831, Charles Gosselin & Urbain Canel. 1831
4205:Histoire des Treize: Ferragus, chef des dévorants
3775:, Quintes-Feuilles, Paris 2012, pp26-427 passim;
3737:
3733:. Bureau de la Revue de Paris. 1960. p. 122.
3482:
3480:
1573:. While he admired and drew inspiration from the
1247:. Nevertheless, he did not spend as much time in
7451:
4735:Études philosophiques : Louis Lambert, etc.
4543:Marx, Karl and Engels, Frederick Engels (1947).
1500:) was created by the celebrated French sculptor
1022:, appealing especially to the higher classes in
959:and stayed with the De Pommereul family outside
5936:. London: Macmillan & Co., pp. 84–189.
3357:Balzac (1840). "Le Notaire". Quoted in Robb, 44
7525:19th-century French dramatists and playwrights
6247:Reader's Guide: Themes in the Novels of Balzac
5959:. Madison: The University of Wisconsin Press.
5876:Balzac and the Tradition of the European Novel
3477:
837:, illustrated his lifelong admiration for the
7342:
7234:
7112:
6299:
5598:Études philosophiques : Les Marana, etc.
5269:Splendeurs et misères des courtisanes, vol. I
4458:
4456:
3661:The Boundaries of Realism in World Literature
1097:, who had been his source of inspiration for
545:(1793–94), François Balzac was despatched to
19:"Balzac" redirects here. For other uses, see
6123:
5981:
4269:
4267:
3609:
3607:
1749:
1268:is a museum dedicated to the author's life.
889:
860:
703:
659:
6233:by Professor Albert Keim and M. Louis Lumet
5784:. 1900, The Gebbie Publishing Company. 1900
5732:. 1900, The Gebbie Publishing Company. 1900
4584:
4018:"Honoré de Balzac – La grande chancellerie"
1296:—with no return address and signed simply "
1272:Marriage, romantic relationships, and death
1070:, arguably the most sublime of his novels.
969:(1829), a tale of love gone wrong amid the
7349:
7335:
7241:
7227:
7119:
7105:
6306:
6292:
6097:
4567:"James Baldwin, The Art of Fiction No. 78"
4453:
3762:, Volume 1, Routledge, Abingdon 1990, p105
3318:
1795:, and once remarked that "hen it beheaded
1232:, 1841)—are nonetheless noted by critics.
38:
16:French novelist and playwright (1799–1850)
6257:Victor Hugo's eulogy for Honoré de Balzac
5706:. 1837, Société typographique belge. 1837
4321:
4264:
3839:Адреса музею Оноре де Бальзака у Верхівні
3743:
3703:"Musée Balzac – Les châteaux de la Loire"
3604:
1360:, a wealthy Polish landowner living near
742:
525:; by 1776 he had become Secretary to the
6217:: text, concordances and frequency lists
6052:. New York: W. W. Norton & Company.
4369:. London: Croom Helm. pp. 260–261.
3771:Collectif (Prefecture de Paris Police),
3683:Balzac, A Biography, Graham Robb, p. 243
2878:Balzac and the Little Chinese Seamstress
2437:Annette et le Criminal (Argow le Pirate)
1948:
1932:, a detailed analysis of Balzac's story
1824:
1751:les livres sont faits pour tout le monde
1651:
1551:
1428:
1332:
1318:
1207:
1143:
1028:
938:
847:
717:
603:
419:French life, is generally viewed as his
7505:19th-century French short story writers
6717:Les Secrets de la princesse de Cadignan
6164:Works by Honoré de Balzac in eBook form
5510:. 1899, Little, Brown and Company. 1896
5113:Mémoires de deux jeunes mariées, Vol. I
4996:. 1839, Méline, Cans et Compagnie. 1839
4607:. New York: Cooper Square Press, 2000.
2587:Les Secrets de la princesse de Cadignan
1754:" ("books are written for everybody").
878:, with whom he also had a love affair.
521:in his pocket, intent on improving his
7452:
5143:. 1898, The Gebbie Publishing Co. 1898
4389:
4364:
3074:
1178:. Their length was not predetermined.
649:. His time at Vendôme is reflected in
635:Balzac had difficulty adapting to the
7540:Obscenity controversies in literature
7330:
7222:
7100:
6640:Splendeurs et misères des courtisanes
6287:
6036:Against Sainte-Beuve and Other Essays
3979:
2355:Splendeurs et misères des courtisanes
1130:Splendeurs et misères des courtisanes
487:
397:
241:Splendeurs et misères des courtisanes
5901:. New Haven: Yale University Press.
5484:. 1897, Henry Holt and Company. 1896
3865:"Distinguished Shrines of Berdichev"
3730:La Revue de Paris, Volume 67, Part 3
3658:
2889:List of works by Alexandre Falguière
2371:L'Envers de l'histoire contemporaine
2032:
1487:, as well as representatives of the
1384:, Balzac visited Countess Hańska in
1106:In 1836 Balzac took the helm of the
1093:, with his otherwise-married lover,
797:In 1821 Balzac met the enterprising
415:, which presents a panorama of post-
7045:Petites misères de la vie conjugale
5354:. 1896, The Macmillan Company. 1896
5045:A distinguished provincial at Paris
4834:. 1860, A. Bourdilliat et cie. 1860
3705:. 30 September 2015. Archived from
1329:miniature by Holz von Sowgen (1825)
1006:in 1830, Balzac declared himself a
888:Balzac never lost his penchant for
687:, was Professor of Modern History;
13:
6182:Works by or about Honoré de Balzac
5139:A Woman of Thirty; A Start in Life
4394:. New Brunswick, NJ: Transaction.
3119:"Généalogie de Honoré BALZAC (de)"
2391:As "Lord Rhône", in collaboration
2252:Un grand homme de province à Paris
1697:: nature defers to the artificial
1604:declared Balzac the father of the
621:At age ten Balzac was sent to the
580:As an infant Balzac was sent to a
14:
7551:
7535:Burials at Père Lachaise Cemetery
6157:
6021:. New York: Alfred A. Knopf Inc.
6000:Prendergast, Christopher (1978).
5810:. 1870, Alexandre Houssiaux. 1870
4682:. 1870, Alexandre Houssiaux. 1870
4324:American Political Science Review
1744:developed, and the characters of
1693:The influence of Paris permeates
1608:. Zola indicated that whilst the
898:in the hopes of reprocessing the
7437:
7425:
6198:
6038:. Harmondsworth: Penguin Books.
5796:
5770:
5744:
5718:
5692:
5666:
5640:
5614:
5571:. 1896, Macmillan & Co. 1896
5557:
5522:
5496:
5470:
5444:
5418:
5392:
5366:
5340:
5328:. 1869, Michel Lévy Frères. 1869
5285:
5259:
5233:
5207:
5181:
5155:
5103:
5077:
5051:
5037:
5008:
4982:
4956:
4944:. 1857, Librairie Nouvelle. 1857
4915:. 1870, Michel Lévy Frères. 1870
4872:
4846:
4751:
4694:
4597:
4578:
4559:
4550:
4547:. New York. Quoted in Rogers, ix
4537:
4528:
4519:
4510:
4501:
4492:
4483:
4474:
4465:
4444:
4435:
4426:
4417:
4408:
4383:
4367:Balzac and the French Revolution
4358:
4315:
4285:
4276:
4255:
4246:
4237:
4228:
4219:
4210:
4207:, XIII, 13; quoted in Rogers, 45
4197:
4188:
4179:
2462:Histoire impartiale des Jésuites
2036:
1984:(1974 BBC mini-series, starring
1515:
963:. There he drew inspiration for
853:Laure Junot, Duchess of Abrantès
364:
315:
300:
253:
7500:French male short story writers
7460:Knights of the Legion of Honour
6429:Mémoires de deux jeunes mariées
6253: (archived 27 October 2009)
4860:. 1856, Libraire Nouvelle. 1856
4170:
4161:
4152:
4143:
4134:
4125:
4116:
4107:
4098:
4089:
4080:
4071:
4062:
4053:
4044:
4035:
4010:
4001:
3988:
3980:Zweig, Stefan (9 August 2019).
3973:
3962:
3923:
3914:
3905:
3896:
3887:
3857:
3830:
3821:
3812:
3803:
3794:
3785:
3765:
3752:
3721:
3695:
3686:
3677:
3652:
3643:
3634:
3625:
3616:
3595:
3586:
3577:
3568:
3559:
3550:
3541:
3532:
3523:
3514:
3489:
3468:
3459:
3450:
3432:
3423:
3414:
3405:
3396:
3387:
3378:
3369:
3360:
3351:
3342:
3333:
3324:
3270:
3257:
3244:
3235:
3226:
3217:
3208:
3199:
3190:
3181:
3172:
3163:
3154:
3145:
3136:
3075:Classe, O. (26 November 2017).
2275:Mémoires de deux jeunes mariées
549:to coordinate supplies for the
284:
7085:Armorial de la Comédie Humaine
5974:Prométhée ou la vie de Balzac.
5406:. 1896, Roberts Brothers. 1896
5087:Une ténébreuse affaire, Vol. I
4970:. 1888, Roberts Brothers. 1888
3994:The full text is available at
3948:10.1016/j.cardfail.2016.09.005
3111:
3102:
3068:
3048:
3033:Merriam-Webster.com Dictionary
3020:
2989:
2964:
2926:
1858:which owes a debt to Balzac's
1729:
1199:
1:
7530:19th-century French novelists
7495:French Roman Catholic writers
6206:Honoré de Balzac's Collection
6085:The Works of Honoré de Balzac
6004:. London: Edward Arnold Ltd.
6002:Balzac: Fiction and Melodrama
5536:. Lulu.com. 19 January 2015.
5458:. 1907, Clarendon Press. 1907
3760:Encyclopedia of Homosexuality
3447:. Retrieved: 27 October 2014.
2945:
1879:À la recherche du temps perdu
1705:. The centrality of Paris in
1673:, who pioneered the study of
1657:The Works of Honoré de Balzac
1615:
1565:at Place Pablo-Picasso, Paris
1409:St. Barbara's Catholic Church
1243:, and he was acquainted with
1190:The Girl with the Golden Eyes
814:hardly imagine his producing
747:Balzac's first project was a
617:– engraving by Armand Queyroy
575:
6847:Scènes de la vie de campagne
6668:Les Comédiens sans le savoir
6544:Scènes de la vie de province
6345:La Maison du chat-qui-pelote
5864:. 20. Garnier Frères. 1999.
2937:Légion d'honneur - Chevalier
2141:Ferragus, chef des Dévorants
2085:La Maison du chat-qui-pelote
1980:(1968 BBC mini-series), and
1902:Letters from 74 rue Taitbout
1494:Later, a statue (called the
1114:. It produced three issues.
833:. The latter, regarding the
691:, a recent arrival from the
499:
7:
7520:French historical novelists
6632:Scènes de la vie Parisienne
6197:(public domain audiobooks)
6066:. New York: Octagon Books.
5882:Balzac and The Human Comedy
5880:Bertault, Philippe (1963).
5806:Les Cent Contes drolatiques
5506:Scènes de la vie parisienne
5117:. 1842, Hippolyte Souverain
5091:. 1842, Hippolyte Souverain
5065:. 1841, Hippolyte Souverain
5047:. London: J.M. Dent. 1897 .
4637:. 1874, Hébert et Cie. 1874
3746:Revue des sciences humaines
3254:. Patay. Quoted in Robb, 15
2855:
2769:Les Cent Contes drolatiques
2475:Incomplete at time of death
2408:As "Horace de Saint-Aubin"
1773:
1349:Rzewuska) was married to a
1010:, supporting King Charles'
675:In 1816 Balzac entered the
10:
7556:
7485:University of Paris alumni
7480:Writers from Tours, France
6971:Un drame au bord de la mer
6837:Une passion dans le désert
6822:Scènes de la vie militaire
6784:Un épisode sous la Terreur
6769:Scènes de la vie politique
6146:. New York: Viking Press.
5933:French Poets and Novelists
5826:
5758:. 1875, Calmann Lévy. 1875
5680:. 1900, Calmann Lévy. 1900
5602:. 1875, Calmann Lévy. 1875
4739:. 1875, Calmann Lévy. 1875
4603:Truffaut, François et al.
4585:Jaggi, Maya (5 May 2001).
3936:Journal of Cardiac Failure
2754:Un épisode sous la Terreur
2698:Un drame au bord de la mer
1839:Victoria and Albert Museum
1780:Society and the Individual
1547:
1435:Cimetière du Père-Lachaise
1424:Scènes de la Vie Conjugale
920:
18:
7370:
7305:
7262:
7200:
7141:
7075:
7054:
7038:La Physiologie du mariage
7029:
6878:
6846:
6821:
6768:
6631:
6543:
6336:
6327:
6191:Works by Honoré de Balzac
6173:Works by Honoré de Balzac
6104:"Balzac, Honoré de"
5917:. London: Eveleigh Nash.
4765:. 1839, Charpentier. 1839
4605:Correspondence, 1945–1984
4336:10.1017/s0003055400287844
4252:Quoted in Prendergast, 26
3267:. Quoted in Pritchett, 29
3098:– via Google Books.
3061:Dictionary.com Unabridged
2872:Balzac Society of America
2808:Les Ressources de Quinola
1918:. He was also praised by
1837:(1892), displayed at the
1820:
1353:twenty years her senior,
1163:(1848) tell the story of
1091:Marie-Caroline Du Fresnay
947:is one of three Parisian
504:
399:[ɔnɔʁed(ə)balzak]
299:
294:
269:
249:
170:
162:
152:
132:
122:
99:
89:
75:
53:
37:
30:
6999:Sur Catherine de Médicis
6894:La Recherche de l'absolu
6215:Honoré de Balzac's works
5874:Adamson, Donald (2001).
5628:. 1831, Charles Gosselin
5432:. 1831, Charles Gosselin
5380:. 1831, Charles Gosselin
4886:. 1836, Ad. Wahlen. 1836
3838:
3659:Kvas, Kornelije (2020).
3081:. Taylor & Francis.
2919:
2762:Short Stories Collection
2387:Published pseudonymously
2157:La Recherche de l'absolu
2028:
1856:L'éducation sentimentale
1684:
1446:congestive heart failure
1306:classified advertisement
1058:In 1833 Balzac released
1041:1831 saw the success of
7515:French literary critics
7403:The Duchess of Langeais
7395:The Duchess of Langeais
7363:La Duchesse de Langeais
7076:Related works by others
6915:Le Chef-d'œuvre inconnu
6901:Jésus-Christ en Flandre
6682:La Duchesse de Langeais
6608:Le Cabinet des Antiques
6337:Scènes de la vie privée
6237:Balzac and anthropology
6114:Encyclopædia Britannica
6062:Rogers, Samuel (1953).
5979:Lotte, Fernand (1952).
5972:Maurois, André (1965).
5955:Lehan, Richard (2005).
5654:. 1854, P. Jannet. 1854
4365:Butler, Ronnie (1983).
3366:Quoted in Pritchett, 42
2983:Oxford University Press
2914:Popular novel in France
2634:Le Chef-d'œuvre inconnu
2425:Le Vicaire des Ardennes
2221:Le Cabinet des Antiques
2149:La Duchesse de Langeais
1579:Scènes de la Vie privée
1491:and other dignitaries.
1433:Balzac's statue in the
1366:marriage of convenience
1135:The Harlot High and Low
1067:La Duchesse de Langeais
876:the Duchess of Abrantès
689:Abel-François Villemain
21:Balzac (disambiguation)
7510:French fantasy writers
6985:L'Elixir de longue vie
6855:Le Médecin de campagne
6791:Madame de la Chanterie
6777:Une ténébreuse affaire
6689:La Fille aux yeux d'or
6647:Un prince de la bohème
6594:La Muse du département
6443:La Femme de trente ans
6124:
6064:Balzac & The Novel
5982:
5957:Realism and Naturalism
5061:Ursule Mirouët, Vol. I
4575:. No. 91: Spring 1984.
2936:
2832:Mercadet ou le faiseur
2579:La Fille aux yeux d'or
2468:Code des gens honnêtes
2396:L'Héritière de Birague
2291:La Femme de trente ans
2267:Une ténébreuse affaire
2213:La Muse du département
2133:Le Médecin de campagne
1992:; 1998 film, starring
1961:
1843:
1789:
1750:
1665:
1566:
1510:Boulevard Montparnasse
1462:Père Lachaise Cemetery
1437:
1420:Physiologie du Mariage
1342:
1330:
1220:
1185:La Fille aux yeux d'or
1149:
1038:
1012:Royal House of Bourbon
952:
890:
861:
855:
811:Robert Louis Stevenson
743:First literary efforts
726:
704:
660:
618:
570:Saint-Honoré of Amiens
94:Père Lachaise Cemetery
6879:Études philosophiques
6615:Le Lys dans la vallée
6587:L'illustre Gaudissart
6478:Le Contrat de mariage
6048:Robb, Graham (1994).
5939:James, Henry (1914).
4882:Le Lys dans la vallée
4113:Quoted in Rogers, 161
4068:Quoted in Rogers, 144
3869:The Berdichev Revival
3002:CollinsDictionary.com
2979:UK English Dictionary
2450:Published anonymously
2189:Le Contrat de mariage
2181:Le Lys dans la vallée
1952:
1828:
1784:
1655:
1623:Le Lys dans la vallée
1555:
1432:
1336:
1322:
1230:The Government Clerks
1211:
1147:
1033:Balzac caricature by
1032:
942:
928:originally called it
891:une bonne spéculation
862:Une bonne spéculation
851:
721:
607:
598:Le Lys dans la vallée
586:Jean-Jacques Rousseau
227:Le Lys dans la vallée
7158:The Conquering Power
6759:Les Petits Bourgeois
6485:Un début dans la vie
6408:Autre étude de femme
5624:La Comédie du diable
5273:. 1845, L. de Potter
3875:on 23 September 2015
3773:Le Registre Infamant
3709:on 30 September 2015
3250:Champfleury (1878).
2666:La Comédie du diable
2413:Clotilde de Lusignan
2315:Un début dans la vie
2050:adding missing items
2006:. He is included in
1942:literary criticism.
1460:Balzac is buried at
917:and literary success
841:. In the preface to
803:Vicaire des Ardennes
588:'s influential book
568:Honoré (named after
562:Sir Victor Pritchett
7062:Eugène de Rastignac
6957:Le Réquisitionnaire
6654:Un homme d’affaires
6520:La Messe de l'athée
6450:La Femme abandonnée
6394:La Fausse Maîtresse
6272:Études balzaciennes
6050:Balzac: A Biography
5911:Helm, W.H. (1905).
5857:L'Année balzacienne
5837:L'Année balzacienne
5702:La Messe de l'athée
5299:. 1911, George Wahr
4792:Histoire des Treize
4432:Quoted in Robb, 422
3996:Victor Hugo Central
3902:Quoted in Robb, 404
3538:Quoted in Robb, 190
3321:, pp. 298–301.
2972:"Balzac, Honoré de"
2863:L'Année balzacienne
2784:L'École des ménages
2706:La Messe de l'athée
2650:Le Réquisitionnaire
2283:La Fausse Maîtresse
1870:Une Heure de ma Vie
1165:Les Parents Pauvres
1049:The Wild Ass's Skin
799:Auguste Le Poitevin
693:Collège Charlemagne
683:, who later became
434:European literature
127:University of Paris
7490:French monarchists
7279:Man Without a Name
7030:Études analytiques
6908:Melmoth réconcilié
6887:La Peau de chagrin
6862:Le Curé de village
6710:La Maison Nucingen
6513:Le Colonel Chabert
6415:La Grande Bretèche
6380:Une double famille
6316:La Comédie humaine
6099:Saintsbury, George
6081:"Honoré de Balzac"
6077:Saintsbury, George
5942:Notes on Novelists
5567:La Grande Bretèche
5454:Le Colonel Chabert
4704:La Peau de Chagrin
4587:"The Latin Master"
4565:Elgrably, Jordan.
3893:Pritchett, 261–262
2903:Mme. Eve de Balzac
2642:La Grande Bretèche
2563:Le Colonel Chabert
2531:Une double famille
2456:Du Droit d'aînesse
2245:Le Curé de village
2101:La Peau de chagrin
2048:; you can help by
1962:
1938:and a key work in
1874:An Hour of my Life
1844:
1736:La Peau de Chagrin
1724:La Comédie Humaine
1707:La Comédie Humaine
1679:La Peau de Chagrin
1666:
1659:(1901), including
1567:
1558:Monument to Balzac
1497:Monument to Balzac
1467:Frédérick Lemaître
1438:
1343:
1331:
1302:La Peau de Chagrin
1221:
1213:Initial proofs of
1169:The Poor Relations
1150:
1108:Chronique de Paris
1044:La Peau de chagrin
1039:
953:
934:La Comédie Humaine
923:La Comédie Humaine
915:La Comédie Humaine
856:
843:La Comédie Humaine
816:La Comédie Humaine
727:
646:La Comédie humaine
619:
535:nobiliary particle
475:La Comédie Humaine
412:La Comédie humaine
192:La Peau de chagrin
178:La Comédie humaine
71:, Touraine, France
44:Revised detail of
7413:
7412:
7379:The Eternal Flame
7324:
7323:
7216:
7215:
7094:
7093:
6812:Le Député d'Arcis
6622:Illusions perdues
6387:La Paix du ménage
6262:Special Issue of
6230:Project Gutenberg
6177:Project Gutenberg
5914:Aspects of Balzac
5870:978-2-13-050961-5
5195:. 1844, de Potter
5165:Illusions perdues
4516:James (1914), 115
4507:James (1914), 127
4022:Legiondhonneur.fr
3844:Balzac-museum.com
3781:978-2-9532885-6-8
3670:978-1-7936-0910-6
3252:Balzac au Collège
3088:978-1-884964-36-7
3036:. Merriam-Webster
2539:La Paix du ménage
2502:Le Député d'Arcis
2323:Illusions perdues
2066:
2065:
2008:François Truffaut
1860:Illusions Perdues
1746:Illusions Perdues
1716:Illusions Perdues
1703:Fyodor Dostoevsky
1583:Henri de Latouche
1532:to ...
1526:works in progress
1506:Boulevard Raspail
1310:Gazette de France
1237:Théophile Gautier
1180:Illusions Perdues
1120:Illusions perdues
1080:Old Father Goriot
736:George Saintsbury
493:Contessa Rzewuska
458:François Truffaut
456:, and filmmakers
356:
308:
307:
234:Illusions perdues
163:Years active
153:Literary movement
7547:
7465:Honoré de Balzac
7442:
7441:
7440:
7430:
7429:
7428:
7421:
7358:Honoré de Balzac
7351:
7344:
7337:
7328:
7327:
7250:Honoré de Balzac
7243:
7236:
7229:
7220:
7219:
7208:Maria Du Fresnay
7128:Honoré de Balzac
7121:
7114:
7107:
7098:
7097:
6992:Maître Cornélius
6745:La Cousine Bette
6601:La Vieille Fille
6573:Le Curé de Tours
6352:Le Bal de Sceaux
6321:Honoré de Balzac
6308:
6301:
6294:
6285:
6284:
6274:(Balzac Studies)
6232:
6225:Honoré de Balzac
6210:One More Library
6202:
6201:
6186:Internet Archive
6127:
6125:Honoré de Balzac
6118:
6106:
6015:Pritchett, V. S.
5990:. Paris: Corti.
5989:
5985:
5976:Paris: Hachette.
5841:
5820:
5819:
5817:
5815:
5800:
5794:
5793:
5791:
5789:
5774:
5768:
5767:
5765:
5763:
5748:
5742:
5741:
5739:
5737:
5722:
5716:
5715:
5713:
5711:
5696:
5690:
5689:
5687:
5685:
5670:
5664:
5663:
5661:
5659:
5644:
5638:
5637:
5635:
5633:
5618:
5612:
5611:
5609:
5607:
5592:
5581:
5580:
5578:
5576:
5561:
5555:
5554:
5552:
5550:
5526:
5520:
5519:
5517:
5515:
5500:
5494:
5493:
5491:
5489:
5480:Le Curé de Tours
5474:
5468:
5467:
5465:
5463:
5448:
5442:
5441:
5439:
5437:
5422:
5416:
5415:
5413:
5411:
5396:
5390:
5389:
5387:
5385:
5370:
5364:
5363:
5361:
5359:
5344:
5338:
5337:
5335:
5333:
5318:
5309:
5308:
5306:
5304:
5289:
5283:
5282:
5280:
5278:
5263:
5257:
5256:
5254:
5252:
5243:La Cousine Bette
5237:
5231:
5230:
5228:
5226:
5211:
5205:
5204:
5202:
5200:
5191:Honorine, vol. I
5185:
5179:
5178:
5176:
5174:
5159:
5153:
5152:
5150:
5148:
5133:
5127:
5126:
5124:
5122:
5107:
5101:
5100:
5098:
5096:
5081:
5075:
5074:
5072:
5070:
5055:
5049:
5048:
5041:
5035:
5034:
5032:
5030:
5012:
5006:
5005:
5003:
5001:
4986:
4980:
4979:
4977:
4975:
4960:
4954:
4953:
4951:
4949:
4934:
4925:
4924:
4922:
4920:
4905:
4896:
4895:
4893:
4891:
4876:
4870:
4869:
4867:
4865:
4850:
4844:
4843:
4841:
4839:
4824:
4815:
4814:
4812:
4810:
4786:
4775:
4774:
4772:
4770:
4755:
4749:
4748:
4746:
4744:
4729:
4718:
4717:
4715:
4713:
4698:
4692:
4691:
4689:
4687:
4672:
4647:
4646:
4644:
4642:
4627:
4616:
4601:
4595:
4594:
4582:
4576:
4572:The Paris Review
4563:
4557:
4554:
4548:
4541:
4535:
4532:
4526:
4523:
4517:
4514:
4508:
4505:
4499:
4498:James (1878), 89
4496:
4490:
4487:
4481:
4478:
4472:
4469:
4463:
4460:
4451:
4448:
4442:
4439:
4433:
4430:
4424:
4421:
4415:
4412:
4406:
4405:
4387:
4381:
4380:
4362:
4356:
4355:
4319:
4313:
4312:
4310:
4308:
4299:. Archived from
4289:
4283:
4280:
4274:
4271:
4262:
4259:
4253:
4250:
4244:
4241:
4235:
4232:
4226:
4223:
4217:
4214:
4208:
4201:
4195:
4192:
4186:
4183:
4177:
4174:
4168:
4165:
4159:
4156:
4150:
4147:
4141:
4138:
4132:
4129:
4123:
4120:
4114:
4111:
4105:
4102:
4096:
4093:
4087:
4084:
4078:
4075:
4069:
4066:
4060:
4057:
4051:
4048:
4042:
4039:
4033:
4032:
4030:
4028:
4014:
4008:
4005:
3999:
3992:
3986:
3985:
3977:
3971:
3966:
3960:
3959:
3927:
3921:
3918:
3912:
3909:
3903:
3900:
3894:
3891:
3885:
3884:
3882:
3880:
3871:. Archived from
3861:
3855:
3854:
3852:
3850:
3834:
3828:
3825:
3819:
3816:
3810:
3807:
3801:
3798:
3792:
3789:
3783:
3769:
3763:
3758:Dynes, Wayne R.
3756:
3750:
3749:
3741:
3735:
3734:
3725:
3719:
3718:
3716:
3714:
3699:
3693:
3690:
3684:
3681:
3675:
3674:
3656:
3650:
3647:
3641:
3638:
3632:
3629:
3623:
3620:
3614:
3611:
3602:
3599:
3593:
3590:
3584:
3581:
3575:
3572:
3566:
3563:
3557:
3554:
3548:
3545:
3539:
3536:
3530:
3527:
3521:
3518:
3512:
3511:
3509:
3507:
3493:
3487:
3484:
3475:
3472:
3466:
3463:
3457:
3454:
3448:
3443:, Introduction.
3440:The Human Comedy
3436:
3430:
3427:
3421:
3418:
3412:
3409:
3403:
3400:
3394:
3391:
3385:
3382:
3376:
3373:
3367:
3364:
3358:
3355:
3349:
3346:
3340:
3337:
3331:
3328:
3322:
3316:
3277:
3274:
3268:
3261:
3255:
3248:
3242:
3239:
3233:
3230:
3224:
3221:
3215:
3212:
3206:
3203:
3197:
3194:
3188:
3185:
3179:
3176:
3170:
3167:
3161:
3158:
3152:
3149:
3143:
3140:
3134:
3133:
3131:
3129:
3115:
3109:
3106:
3100:
3099:
3097:
3095:
3072:
3066:
3065:
3052:
3046:
3045:
3043:
3041:
3024:
3018:
3017:
3015:
3013:
2993:
2987:
2986:
2968:
2962:
2959:
2939:
2930:
2893:statue of Balzac
2868:
2571:Le Curé de Tours
2515:Le Bal de Sceaux
2347:La Cousine Bette
2197:La Vieille Fille
2061:
2058:
2040:
2039:
2033:
1998:Meredith Willson
1982:La Cousine Bette
1953:Mme de Balzac's
1851:Gustave Flaubert
1753:
1675:animal magnetism
1643:
1606:naturalist novel
1489:Légion d'honneur
1444:associated with
1386:Saint Petersburg
1368:to preserve her
1364:. It had been a
1258:Château de Saché
1194:The Human Comedy
1160:La Cousine Bette
1112:Revue Parisienne
1095:Maria Du Fresnay
979:Sir Walter Scott
949:literary museums
945:Maison de Balzac
930:Etudes des Mœurs
893:
864:
831:Society of Jesus
709:
663:
495:
450:Gustave Flaubert
401:
396:
389:
384:
383:
380:
379:
376:
373:
370:
363:
354:
349:
344:
343:
340:
339:
336:
333:
330:
327:
324:
321:
311:Honoré de Balzac
304:
288:
286:
259:Legion of Honour
257:
199:La Cousine Bette
82:
65:
63:
42:
32:Honoré de Balzac
28:
27:
7555:
7554:
7550:
7549:
7548:
7546:
7545:
7544:
7450:
7449:
7448:
7438:
7436:
7426:
7424:
7416:
7414:
7409:
7366:
7355:
7325:
7320:
7301:
7295:Colonel Chabert
7287:Colonel Chabert
7271:Colonel Chabert
7258:
7255:Colonel Chabert
7247:
7217:
7212:
7196:
7190:Eugénie Grandet
7174:Eugenia Grandet
7166:Eugenia Grandet
7150:Eugenia Grandet
7137:
7133:Eugénie Grandet
7125:
7095:
7090:
7082:Fernand Lotte:
7071:
7050:
7025:
6978:L'Auberge rouge
6936:Massimilla Doni
6922:L'Enfant maudit
6874:
6842:
6817:
6764:
6703:César Birotteau
6627:
6580:La Rabouilleuse
6559:Eugénie Grandet
6539:
6436:Une fille d'Eve
6373:Madame Firmiani
6332:
6323:
6312:
6251:Wayback Machine
6222:
6199:
6168:Standard Ebooks
6160:
5987:
5839:
5833:Adamson, Donald
5829:
5824:
5823:
5813:
5811:
5802:
5801:
5797:
5787:
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5052:
5043:
5042:
5038:
5028:
5026:
5014:
5013:
5009:
4999:
4997:
4992:Une Fille d'Ève
4988:
4987:
4983:
4973:
4971:
4966:César Birotteau
4962:
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4957:
4947:
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4303:on 30 June 2016
4291:
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4011:
4006:
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3993:
3989:
3978:
3974:
3967:
3963:
3942:(11): 930–933.
3928:
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3347:
3343:
3338:
3334:
3329:
3325:
3319:Saintsbury 1911
3317:
3280:
3275:
3271:
3263:Balzac (1832).
3262:
3258:
3249:
3245:
3240:
3236:
3231:
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2970:
2969:
2965:
2960:
2953:
2948:
2943:
2942:
2931:
2927:
2922:
2899:Rzewuski family
2866:
2858:
2853:
2738:Massimilla Doni
2658:L'Auberge rouge
2431:La Dernière Fée
2307:La Rabouilleuse
2229:Une fille d'Ève
2205:César Birotteau
2125:Eugénie Grandet
2062:
2056:
2053:
2037:
2031:
1986:Margaret Tyzack
1912:Walter Benjamin
1897:William Saroyan
1891:Comédie Humaine
1842:
1823:
1793:Louis de Bonald
1776:
1764:Eugénie Grandet
1732:
1687:
1641:
1618:
1587:Pension Vauquer
1550:
1522:Comédie Humaine
1518:
1471:Gustave Courbet
1390:Tsar Nicholas I
1339:Louis Boulanger
1287:Eugénie Grandet
1274:
1219:
1202:
1100:Eugénie Grandet
1061:Eugénie Grandet
1000:July Revolution
925:
919:
867:
839:Catholic Church
745:
724:Achille Devéria
681:François Guizot
578:
543:Reign of Terror
523:social standing
507:
502:
462:Jacques Rivette
442:Charles Dickens
394:
387:
367:
358:
357:
347:
318:
314:
290:
287: 1850)
282:
278:
220:La Rabouilleuse
213:Colonel Chabert
185:Eugénie Grandet
123:Alma mater
84:
80:
67:
61:
59:
58:
49:
33:
24:
17:
12:
11:
5:
7553:
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7331:
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7319:
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7314:Oberst Chabert
7309:
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6801:
6794:
6787:
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6765:
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6762:
6755:
6752:Le Cousin Pons
6748:
6741:
6734:
6727:
6720:
6713:
6706:
6699:
6696:Le Père Goriot
6692:
6685:
6678:
6671:
6664:
6657:
6650:
6643:
6635:
6633:
6629:
6628:
6626:
6625:
6618:
6611:
6604:
6597:
6590:
6583:
6576:
6569:
6562:
6555:
6552:Ursule Mirouët
6547:
6545:
6541:
6540:
6538:
6537:
6534:Pierre Grassou
6530:
6527:L'Interdiction
6523:
6516:
6509:
6502:
6495:
6492:Modeste Mignon
6488:
6481:
6474:
6467:
6460:
6453:
6446:
6439:
6432:
6425:
6422:Albert Savarus
6418:
6411:
6404:
6401:Étude de femme
6397:
6390:
6383:
6376:
6369:
6362:
6355:
6348:
6340:
6338:
6334:
6333:
6330:List of titles
6328:
6325:
6324:
6311:
6310:
6303:
6296:
6288:
6282:
6281:
6268:
6259:
6254:
6244:
6239:
6234:
6220:
6218:
6212:
6203:
6188:
6179:
6170:
6159:
6158:External links
6156:
6155:
6154:
6137:
6119:
6109:Chisholm, Hugh
6095:
6074:
6060:
6046:
6032:Proust, Marcel
6029:
6012:
5998:
5977:
5970:
5967:
5953:
5937:
5925:
5909:
5899:Realist Vision
5892:
5878:
5872:
5828:
5825:
5822:
5821:
5795:
5780:Pierre Grassou
5769:
5743:
5717:
5691:
5665:
5639:
5613:
5582:
5556:
5542:
5532:L'Amour masqué
5521:
5495:
5469:
5443:
5417:
5391:
5365:
5339:
5310:
5295:Le Cousin Pons
5284:
5258:
5232:
5217:Modeste Mignon
5206:
5180:
5154:
5128:
5102:
5076:
5050:
5036:
5007:
4981:
4955:
4926:
4897:
4871:
4856:Le Père Goriot
4845:
4816:
4802:
4776:
4761:Eugène Grandet
4750:
4719:
4693:
4648:
4617:
4596:
4577:
4558:
4549:
4536:
4527:
4518:
4509:
4500:
4491:
4482:
4473:
4464:
4452:
4443:
4434:
4425:
4416:
4407:
4401:978-1560001331
4400:
4382:
4375:
4357:
4314:
4284:
4275:
4263:
4254:
4245:
4236:
4227:
4218:
4209:
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4187:
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4169:
4160:
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4142:
4133:
4124:
4115:
4106:
4097:
4088:
4079:
4070:
4061:
4052:
4043:
4034:
4009:
4000:
3987:
3972:
3961:
3922:
3920:Pritchett, 263
3913:
3904:
3895:
3886:
3856:
3829:
3827:Pritchett, 261
3820:
3811:
3802:
3793:
3784:
3764:
3751:
3736:
3720:
3694:
3685:
3676:
3669:
3651:
3642:
3633:
3624:
3615:
3603:
3594:
3585:
3583:Adamson (1986)
3576:
3567:
3565:Pritchett, 155
3558:
3549:
3540:
3531:
3522:
3513:
3488:
3486:Pritchett, 161
3476:
3467:
3458:
3449:
3431:
3422:
3413:
3404:
3395:
3386:
3377:
3368:
3359:
3350:
3341:
3332:
3323:
3278:
3269:
3256:
3243:
3234:
3225:
3216:
3207:
3198:
3189:
3180:
3171:
3162:
3153:
3151:Robb, 4, 167–8
3144:
3135:
3110:
3101:
3087:
3067:
3064:(Online). n.d.
3047:
3019:
2988:
2963:
2950:
2949:
2947:
2944:
2941:
2940:
2924:
2923:
2921:
2918:
2917:
2916:
2911:
2906:
2896:
2886:
2874:
2869:
2857:
2854:
2852:
2851:
2837:
2836:
2828:
2820:
2812:
2804:
2800:Pierre Grassou
2796:
2788:
2774:
2773:
2759:
2758:
2750:
2746:Pierre Grassou
2742:
2734:
2726:
2718:
2710:
2702:
2694:
2686:
2678:
2670:
2662:
2654:
2646:
2638:
2630:
2622:
2618:Étude de femme
2608:
2607:
2603:L'Amour masqué
2599:
2591:
2583:
2575:
2567:
2559:
2551:
2543:
2535:
2527:
2519:
2505:
2504:
2499:
2494:
2489:
2484:
2472:
2471:
2465:
2459:
2447:
2446:
2440:
2434:
2428:
2422:
2416:
2406:
2405:
2399:
2384:
2383:
2375:
2367:
2363:Le Cousin Pons
2359:
2351:
2343:
2339:Modeste Mignon
2335:
2327:
2319:
2311:
2303:
2299:Albert Savarus
2295:
2287:
2279:
2271:
2263:
2259:Ursule Mirouët
2255:
2249:
2241:
2233:
2225:
2217:
2209:
2201:
2193:
2185:
2177:
2173:Le Père Goriot
2169:
2161:
2153:
2145:
2137:
2129:
2121:
2113:
2105:
2097:
2089:
2081:
2067:
2064:
2063:
2043:
2041:
2030:
2027:
2010:'s 1959 film,
1978:Le Père Goriot
1944:Carlos Fuentes
1924:Roland Barthes
1916:Camille Paglia
1831:Bust of Balzac
1829:
1822:
1819:
1787:create order.
1775:
1772:
1731:
1728:
1686:
1683:
1662:Le Père Goriot
1617:
1614:
1591:Le Père Goriot
1549:
1546:
1517:
1514:
1327:Ewelina Hańska
1314:Ewelina Hańska
1273:
1270:
1212:
1201:
1198:
1154:Le Cousin Pons
1125:Lost Illusions
1075:Le Père Goriot
1053:The Magic Skin
921:Main article:
918:
912:
866:
857:
818:". Biographer
744:
741:
685:Prime Minister
626:grammar school
577:
574:
541:"). After the
527:King's Council
506:
503:
501:
498:
484:Ewelina Hańska
408:novel sequence
306:
305:
297:
296:
292:
291:
280:
276:Ewelina Hańska
274:
273:
271:
267:
266:
251:
250:Notable awards
247:
246:
245:
244:
237:
230:
223:
216:
209:
206:Le Père Goriot
202:
195:
188:
181:
172:
168:
167:
164:
160:
159:
154:
150:
149:
148:
147:
144:
139:
134:
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129:
124:
120:
119:
118:
117:
112:
109:
106:
101:
97:
96:
91:
87:
86:
83:(aged 51)
79:18 August 1850
77:
73:
72:
55:
51:
50:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
7552:
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7221:
7209:
7206:
7205:
7203:
7199:
7192:
7191:
7187:
7184:
7183:
7182:Cross of Gold
7179:
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2044:This list is
2042:
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2024:
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2017:
2015:
2014:
2013:The 400 Blows
2009:
2005:
2004:
2003:The Music Man
1999:
1995:
1994:Jessica Lange
1991:
1987:
1983:
1979:
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1971:
1967:
1960:
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1940:structuralist
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1920:James Baldwin
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1540:, Italy, and
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1538:Ville d'Avray
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455:
451:
447:
446:Marcel Proust
443:
439:
435:
431:
426:
424:
423:
418:
414:
413:
409:
405:
404:Honoré Balzac
400:
392:
391:
382:
361:
355:more commonly
352:
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298:
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196:
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175:
174:
173:
171:Notable works
169:
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145:
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137:
136:
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131:
128:
125:
121:
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107:
104:
103:
102:
98:
95:
92:
90:Resting place
88:
85:Paris, France
78:
74:
70:
57:Honoré Balzac
56:
52:
48:taken in 1842
47:
46:daguerreotype
41:
36:
29:
26:
22:
7401:
7393:
7385:
7377:
7361:
7357:
7312:
7293:
7285:
7277:
7269:
7253:
7249:
7188:
7180:
7172:
7164:
7156:
7148:
7131:
7127:
7083:
7043:
7036:
7018:
7011:
7004:
6997:
6990:
6983:
6976:
6969:
6962:
6955:
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6941:
6934:
6927:
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6913:
6906:
6899:
6892:
6885:
6867:
6860:
6853:
6835:
6828:
6810:
6803:
6796:
6789:
6782:
6775:
6757:
6750:
6743:
6736:
6729:
6724:Les Employés
6722:
6715:
6708:
6701:
6694:
6687:
6680:
6673:
6666:
6659:
6652:
6645:
6638:
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6606:
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6504:
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6399:
6392:
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6112:
6084:
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6018:
6001:
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5973:
5956:
5941:
5932:
5928:James, Henry
5913:
5898:
5881:
5875:
5861:
5855:
5843:
5836:
5812:. Retrieved
5807:
5804:
5798:
5786:. Retrieved
5779:
5772:
5760:. Retrieved
5755:
5752:
5746:
5734:. Retrieved
5727:
5720:
5708:. Retrieved
5701:
5694:
5682:. Retrieved
5675:
5668:
5656:. Retrieved
5649:
5642:
5630:. Retrieved
5623:
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5604:. Retrieved
5599:
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5573:. Retrieved
5568:
5565:
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5547:. Retrieved
5533:
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5524:
5512:. Retrieved
5507:
5504:
5498:
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5460:. Retrieved
5453:
5446:
5434:. Retrieved
5427:
5420:
5408:. Retrieved
5403:
5400:
5394:
5382:. Retrieved
5375:
5368:
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5351:
5348:
5342:
5330:. Retrieved
5325:
5322:
5301:. Retrieved
5294:
5287:
5275:. Retrieved
5268:
5261:
5249:. Retrieved
5247:. 1846, Manz
5242:
5235:
5223:. Retrieved
5216:
5209:
5197:. Retrieved
5190:
5183:
5171:. Retrieved
5164:
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5145:. Retrieved
5140:
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5119:. Retrieved
5112:
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5093:. Retrieved
5086:
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5067:. Retrieved
5060:
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5044:
5039:
5027:. Retrieved
5017:
5010:
4998:. Retrieved
4991:
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4972:. Retrieved
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4958:
4946:. Retrieved
4939:
4917:. Retrieved
4912:
4909:
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4881:
4874:
4862:. Retrieved
4855:
4848:
4836:. Retrieved
4831:
4828:
4807:. Retrieved
4793:
4790:
4767:. Retrieved
4760:
4753:
4741:. Retrieved
4736:
4733:
4710:. Retrieved
4703:
4696:
4684:. Retrieved
4679:
4676:
4639:. Retrieved
4634:
4631:
4604:
4599:
4591:The Guardian
4590:
4580:
4570:
4561:
4552:
4544:
4539:
4530:
4525:Stowe, 28–31
4521:
4512:
4503:
4494:
4485:
4480:Proust, 56ff
4476:
4467:
4446:
4437:
4428:
4419:
4410:
4391:
4385:
4366:
4360:
4327:
4323:
4317:
4305:. Retrieved
4301:the original
4296:
4287:
4278:
4257:
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4239:
4230:
4221:
4212:
4204:
4199:
4190:
4185:Bertault, 36
4181:
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4136:
4127:
4118:
4109:
4100:
4091:
4082:
4073:
4064:
4055:
4046:
4037:
4025:. Retrieved
4021:
4012:
4003:
3990:
3975:
3964:
3939:
3935:
3925:
3916:
3907:
3898:
3889:
3877:. Retrieved
3873:the original
3868:
3859:
3847:. Retrieved
3843:
3832:
3823:
3814:
3805:
3796:
3787:
3772:
3767:
3759:
3754:
3745:
3739:
3729:
3723:
3711:. Retrieved
3707:the original
3697:
3688:
3679:
3660:
3654:
3645:
3636:
3627:
3618:
3597:
3588:
3579:
3570:
3561:
3552:
3543:
3534:
3525:
3516:
3504:. Retrieved
3501:WorldCat.org
3500:
3491:
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3444:
3438:
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3425:
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3228:
3219:
3210:
3201:
3192:
3183:
3174:
3165:
3156:
3147:
3138:
3126:. Retrieved
3122:
3113:
3104:
3092:. Retrieved
3077:
3070:
3059:
3050:
3038:. Retrieved
3031:
3022:
3010:. Retrieved
3000:
2991:
2975:
2966:
2928:
2902:
2892:
2882:
2876:
2862:
2845:
2840:Tragic verse
2839:
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2195:
2187:
2179:
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2163:
2155:
2147:
2139:
2131:
2123:
2115:
2107:
2099:
2091:
2083:
2075:
2069:
2068:
2057:January 2022
2054:
2020:
2018:
2011:
2001:
1990:Helen Mirren
1981:
1977:
1973:
1969:
1966:Travers Vale
1963:
1933:
1927:
1908:
1900:
1895:
1890:
1884:
1877:
1873:
1869:
1864:
1859:
1855:
1849:
1845:
1830:
1808:
1790:
1785:
1779:
1777:
1767:
1763:
1759:
1756:
1745:
1739:
1735:
1733:
1723:
1721:
1714:
1711:Peter Brooks
1706:
1694:
1692:
1688:
1678:
1671:Franz Mesmer
1667:
1660:
1656:
1638:
1636:
1632:
1621:
1619:
1595:
1590:
1578:
1568:
1556:
1521:
1519:
1495:
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1476:
1459:
1439:
1423:
1419:
1417:
1379:
1346:
1344:
1309:
1301:
1297:
1291:
1286:
1279:Sartrouville
1275:
1248:
1234:
1229:
1226:Les employés
1225:
1222:
1214:
1203:
1193:
1189:
1183:
1179:
1173:
1168:
1164:
1158:
1152:
1151:
1134:
1128:
1124:
1118:
1116:
1111:
1107:
1105:
1098:
1083:
1079:
1073:
1072:
1065:
1059:
1057:
1052:
1048:
1042:
1040:
997:
991:
985:
983:
964:
954:
933:
929:
926:
914:
887:
883:type foundry
880:
868:
842:
824:
815:
802:
796:
791:
787:
783:
780:Villeparisis
773:
771:
764:
756:
746:
732:
728:
712:
701:
692:
674:
666:
657:
650:
644:
642:
634:
620:
596:
589:
579:
567:
558:haberdashers
555:
538:
516:
508:
480:
473:
466:
427:
420:
410:
403:
310:
309:
262:
239:
232:
225:
218:
211:
204:
197:
190:
183:
176:
81:(1850-08-18)
25:
7475:1850 deaths
7470:1799 births
7201:Inspiration
6869:Les Paysans
6830:Les Chouans
6738:Facino Cane
6366:La Vendetta
6278:La Sorbonne
5988:(in French)
5840:(in French)
5728:Facino Cane
5350:Les Paysans
4534:Rogers, vii
4489:Proust, 326
4471:Brooks, 202
4307:26 November
4261:Rogers, 128
4225:Brooks, 131
4158:Rogers, 182
4104:Brooks, 125
4027:26 November
3849:26 November
3748:(in French)
3713:26 November
3640:Rogers, 168
3574:Rogers, 120
3506:26 November
3128:26 November
3094:26 November
2909:Henry James
2867:(in French)
2772:(1832–1837)
2714:Facino Cane
2481:Le Corsaire
2443:Wann-Chlore
2379:Les Paysans
2358:(1838–1847)
2326:(1837–1843)
2294:(1829–1842)
2216:(1832–1837)
2093:La Vendetta
2077:Les Chouans
2000:'s musical
1974:Les Chouans
1970:Père Goriot
1955:dower house
1887:Henry James
1810:Das Kapital
1730:Perspective
1628:Oscar Wilde
1530:rue Cassini
1394:family seat
1382:Franz Liszt
1298:L'Étrangère
1245:Victor Hugo
1200:Work habits
1157:(1847) and
966:Les Chouans
904:Roman mines
820:Graham Robb
766:The Corsair
759:, based on
757:Le Corsaire
753:comic opera
454:Henry James
422:magnum opus
66:20 May 1799
7454:Categories
6964:El Verdugo
6943:Les Marana
6464:Le Message
5814:15 January
5788:15 January
5762:15 January
5736:15 January
5710:15 January
5684:15 January
5676:Le Message
5658:15 January
5632:15 January
5606:15 January
5575:15 January
5549:15 January
5514:15 January
5488:14 January
5462:14 January
5436:14 January
5428:El Verdugo
5410:14 January
5384:14 January
5358:14 January
5332:14 January
5303:14 January
5277:14 January
5251:14 January
5225:14 January
5199:14 January
5173:14 January
5147:14 January
5121:14 January
5095:14 January
5069:14 January
5029:14 January
5000:14 January
4974:14 January
4948:14 January
4919:14 January
4890:14 January
4864:14 January
4838:13 January
4809:13 January
4769:13 January
4743:13 January
4712:13 January
4686:13 January
4641:13 January
4450:Brooks, 27
4441:Brooks, 54
4330:(3): 686.
4234:Lehan, 204
4216:Brooks, 22
4194:Rogers, 62
4077:Brooks, 26
4059:Brooks, 21
4050:Brooks, 16
3622:Rogers, 18
3456:Rogers, 15
3420:Rogers, 23
3393:Rogers, 19
3142:Maurois, 7
2946:References
2824:La Marâtre
2722:Le Succube
2690:Le Message
2555:El Verdugo
2402:Jean-Louis
2046:incomplete
1959:Paris VIII
1926:published
1801:Revolution
1699:metropolis
1695:La Comédie
1616:Characters
1602:Émile Zola
1598:naturalism
1534:Versailles
1450:pallbearer
1008:Legitimist
1002:overthrew
987:El Verdugo
761:Lord Byron
713:Le Notaire
637:rote style
576:Early life
470:law office
438:Émile Zola
417:Napoleonic
142:dramaturgy
111:journalist
100:Occupation
62:1799-05-20
7444:Biography
7020:Séraphîta
6805:Z. Marcas
6731:Sarrasine
6566:Pierrette
6359:La Bourse
6266:on Balzac
5852:1969-6752
5376:Sarrasine
5024:Le Siècle
4556:Robb, 423
4462:Lehan, 48
4423:Lehan, 38
4414:Helm, 124
4352:147289085
4344:0003-0554
4243:Helm, 130
4149:Lehan, 45
4131:Robb, 156
4122:Robb, 254
4095:Robb, 421
4086:Robb, 152
4041:Robb, 405
4007:Robb, 412
3911:Robb, 404
3879:30 August
3818:Robb, 340
3809:Robb, 230
3800:Robb, 227
3692:Robb, 106
3649:Robb, 365
3631:Robb, 326
3613:Robb, 272
3601:Robb, 246
3592:Robb, 258
3556:Robb, 178
3547:Robb, 193
3529:Robb, 162
3520:Robb, 169
3474:Robb, 138
3465:Robb, 130
3411:Robb, 103
3169:Robb, 5–6
3040:22 August
3012:22 August
2674:La Bourse
2595:Z. Marcas
2523:Sarrasine
2492:Falthurne
2165:Séraphîta
1935:Sarrasine
1841:in London
1797:Louis XVI
1760:incognito
1610:Romantics
1413:Berdychiv
1398:Verhivnya
1345:Ewelina (
1085:King Lear
1020:candidate
1004:Charles X
998:When the
902:from the
807:potboiler
788:Falthurne
623:Oratorian
582:wet nurse
531:Freemason
500:Biography
295:Signature
166:1829–1850
6798:L'Initié
6675:Ferragus
6506:Honorine
6195:LibriVox
6142:(1946).
6101:(1911).
6079:(1901).
6072:75-76005
6034:(1994).
6017:(1973).
5930:(1878).
5897:(2005).
5022:. 1858,
4273:Robb, 70
4203:Balzac.
4140:Helm, 23
3982:"Balzac"
3956:27638234
3429:Robb, 63
3402:Robb, 60
3384:Robb, 59
3348:Robb, 48
3339:Robb, 30
3330:Robb, 24
3276:Robb, 22
3232:Robb, 14
3196:Robb, 18
3123:Geneanet
3056:"Balzac"
3028:"Balzac"
2997:"Balzac"
2856:See also
2847:Cromwell
2508:Novellas
2331:Honorine
1976:(1947),
1972:(1915),
1774:Politics
1575:Romantic
1454:eulogist
1452:and the
1442:gangrene
1405:Volhynia
1351:nobleman
1324:Countess
961:Fougères
957:Brittany
908:oak wood
896:Sardinia
829:and the
775:Cromwell
749:libretto
677:Sorbonne
7418:Portals
7317:(opera)
7067:Vautrin
7055:Related
6929:Gambara
6499:Béatrix
6471:Gobseck
6280:, Paris
6249:at the
6184:at the
6111:(ed.).
6093:6314807
5923:2321317
5827:Sources
5754:Gambara
5402:Gobseck
5018:Béatrix
4615:, p. 61
4176:Helm, 5
3214:Robb, 9
3187:Robb, 8
3160:Robb, 5
2792:Vautrin
2730:Gambara
2547:Gobseck
2497:Corsino
2483:(opera)
2237:Béatrix
1815:Trotsky
1639:Comédie
1571:realism
1548:Realism
1355:Marshal
1308:in the
1266:chateau
1260:, near
1216:Béatrix
1176:Dickens
1139:Vautrin
1037:in 1850
872:Molière
835:Jesuits
792:Corsino
755:called
630:Vendôme
612:Oratory
609:Vendôme
430:realism
402:; born
395:French:
289:
281:
157:Realism
115:printer
7432:France
7406:(2007)
7398:(1942)
7390:(1927)
7382:(1922)
7298:(1994)
7290:(1943)
7282:(1932)
7274:(1920)
7193:(1993)
7185:(1965)
7177:(1953)
7169:(1945)
7161:(1921)
7153:(1918)
7136:(1833)
6152:342322
6150:
6144:Balzac
6133:
6091:
6083:. In:
6070:
6056:
6042:
6025:
6019:Balzac
6008:
5994:
5963:
5951:679102
5949:
5921:
5905:
5890:344556
5888:
5868:
5850:
5540:
4800:
4611:
4398:
4373:
4350:
4342:
3954:
3779:
3667:
3085:
2977:Lexico
2933:French
2850:(1819)
2835:(1848)
2827:(1848)
2819:(1842)
2811:(1842)
2803:(1839)
2795:(1839)
2787:(1839)
2757:(1842)
2749:(1839)
2741:(1837)
2733:(1837)
2725:(1837)
2717:(1837)
2709:(1836)
2701:(1834)
2693:(1832)
2685:(1832)
2677:(1832)
2669:(1831)
2661:(1831)
2653:(1831)
2645:(1831)
2637:(1831)
2629:(1830)
2621:(1830)
2606:(1911)
2598:(1840)
2590:(1839)
2582:(1835)
2574:(1832)
2566:(1832)
2558:(1830)
2550:(1830)
2542:(1830)
2534:(1830)
2526:(1830)
2518:(1830)
2487:Sténie
2470:(1826)
2464:(1824)
2458:(1824)
2445:(1826)
2439:(1824)
2433:(1823)
2427:(1822)
2421:(1822)
2415:(1822)
2404:(1822)
2398:(1822)
2382:(1855)
2374:(1848)
2366:(1847)
2350:(1846)
2342:(1844)
2334:(1843)
2318:(1842)
2310:(1842)
2302:(1842)
2286:(1841)
2278:(1841)
2270:(1841)
2262:(1841)
2254:(1839)
2248:(1839)
2240:(1839)
2232:(1838)
2224:(1838)
2208:(1837)
2200:(1836)
2192:(1835)
2184:(1835)
2176:(1835)
2168:(1834)
2160:(1834)
2152:(1834)
2144:(1833)
2136:(1833)
2128:(1833)
2120:(1832)
2112:(1831)
2104:(1831)
2096:(1830)
2088:(1829)
2080:(1829)
2070:Novels
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