240:, particularly around issues affecting women. Sistren played a leading role in the Caribbean women's movement, providing feminist analysis of women's issues in Jamaica and entering into transnational alliances with women's organizations in the Caribbean region, North America, the UK, and Europe. Ford-Smith was also a member of the Groundwork Theatre Company, created in 1980 as the repertory arm of the Jamaica School of Drama; it became an autonomous company in 1987.
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232:, a theatre collective of working-class Jamaican women established in 1977. Sistren created its own plays collaboratively, and performed in Jamaica and abroad; the group also worked extensively in
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in 2004. She continues to write, to work in theatre and to teach in
Toronto.
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University of
Wisconsin–Madison College of Letters and Science alumni
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in
Toronto under the Faculty of Environmental & Urban Change.
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from the article and its talk page, especially if potentially
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in 1991, receiving her doctorate in education from the
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245:Lionheart Gal: Life Stories of Jamaican Women
243:She edited and contributed to Sistren's book
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124:Learn how and when to remove this message
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224:Ford-Smith, who studied theatre at the
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523:20th-century Jamaican poets
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385:www.cafra-regional.org
253:My Mother's Last Dance
249:My Mother's Last Dance
200:Honor Maria Ford-Smith
152:Honor Maria Ford-Smith
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493:Writers from Montreal
345:New Theatre Quarterly
280:University of Toronto
265:Let Them Call It Jazz
263:'s 1962 short story "
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