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Horror fiction

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War, crime, and other forms of social violence came with civilization and humans started preying on each other, but by and large daily life calmed down. We began to feel restless, to feel something missing: the excitement of living on the edge, the tension between hunter and hunted. So we told each other stories through the long, dark nights. when the fires burned low, we did our best to scare the daylights out of each other. The rush of adrenaline feels good. Our hearts pound, our breath quickens, and we can imagine ourselves on the edge. Yet we also appreciate the insightful aspects of horror. Sometimes a story intends to shock and disgust, but the best horror intends to rattle our cages and shake us out of our complacency. It makes us think, forces us to confront ideas we might rather ignore, and challenges preconceptions of all kinds. Horror reminds us that the world is not always as safe as it seems, which exercises our mental muscles and reminds us to keep a little healthy caution close at hand.
540: 81: 1574: 861: 1454:). These are what can be collectively referred to as "children's horror". Although it is unknown for sure why children enjoy these movies (as it seems counter-intuitive), it is theorized that it is, in part, grotesque monsters that fascinate kids. Tangential to this, the internalized impact of horror television programs and films on children is rather under-researched, especially when compared to the research done on the similar subject of violence in TV and film's impact on the young mind. What little research there is tends to be inconclusive on the impact that viewing such media has. 54: 1065: 687: 1267: 1463: 5086: 4154: 5074: 4166: 458: 1759: 760: 1518:, readers in the modern era seek out feelings of horror and terror to feel a sense of excitement. However, Barrette adds that horror fiction is one of the few mediums where readers seek out a form of art that forces themselves to confront ideas and images they "might rather ignore to challenge preconceptions of all kinds." 1617:) to quickly share, collate, and act upon new information is what leads to the destruction of the vampire. This is one of many interpretations of the metaphor of only one central figure of the canon of horror fiction, as over a dozen possible metaphors are referenced in the analysis, from the religious to the 1493:, or physical response within readers that causes them to react with fear. One of H. P. Lovecraft's most famous quotes about the genre is that: "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." the first sentence from his seminal essay, " 1656:
takes place before an event happens, horror is a feeling of revulsion or disgust after an event has happened. Radcliffe describes terror as that which "expands the soul and awakens the faculties to a high degree of life," whereas horror is described as that which "freezes and nearly annihilates them."
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month," 20.8% "Several times a month," 7.3% "Once a week," and 10.2% "Several times a week." Evidently, then, most respondents (81.3%) claimed to use horror media several times a year or more often. Unsurprisingly, there is a strong correlation between liking and frequency of use (r=.79, p<.0001).
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In addition to those essays and articles shown above, scholarship on horror fiction is almost as old as horror fiction itself. In 1826, the gothic novelist Ann Radcliffe published an essay distinguishing two elements of horror fiction, "terror" and "horror." Whereas terror is a feeling of dread that
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The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and the principle of the thing embodied in the person. These manifested in stories of beings such as demons, witches, vampires, werewolves, and ghosts. European
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The old "fight or flight" reaction of our evolutionary heritage once played a major role in the life of every human. Our ancestors lived and died by it. Then someone invented the fascinating game of civilization, and things began to calm down. Development pushed wilderness back from settled lands.
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Art-horror requires evaluation both in terms of threat and disgust. ... some emotional states are the cognitive-evaluative sort. And, of course, I would hold that art-horror is one of these. ... The audience's psychological state, therefore, diverges from the psychological state of characters in
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To assess frequency of horror consumption, we asked respondents the following question: "In the past year, about how often have you used horror media (for example, horror literature, film, and video games) for entertainment?" 11.3% said "Never," 7.5% "Once," 28.9% "Several times," 14.1% "Once a
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are literary awards for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic works. Other important awards for horror literature are included as subcategories within general awards for fantasy and science fiction in such awards as the
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Taken together with the rapture and tribulation themes in evangelical apocalyptic horror movies, this zombie connection testifies to the variety of ways that Revelation feeds into deep, largely repressed correspondences between religion and horror in contemporary
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has stated, "In the simplest sense, a horror story is one that scares us" and "the true horror story requires a sense of evil, not in necessarily in a theological sense; but the menaces must be truly menacing, life-destroying, and antithetical to happiness."
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Brian Stableford, "Non-supernatural horror stories tend to be psychological thrillers, often involving criminals of an unusually lurid stripe." "The Discovery of Secondary Worlds:Some Notes on the Aesthetics and Methodology of Heterocosmic Creativity", in
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There are many theories as to why people enjoy being scared. For example, "people who like horror films are more likely to score highly for openness to experience, a personality trait linked to intellect and imagination."
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image of dusty and unused gold, coins from many nations and old unworn jewels, immediately connects Dracula to the old money of a corrupt class, to a kind of piracy of nations and to the worst excesses of the
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blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the
852:. A significant amount of horror fiction of this era was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle. 2636: 3410: 1308:. Beginning in the 1970s, King's stories have attracted a large audience, for which he was awarded by the U.S. National Book Foundation in 2003. Other popular horror authors of the period included 2507:(1971) were all released within a few years of one another...and their immense combined sales indicted to many publishers that horror was now a profitable marketing niche." Simmons, David, 798:. In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator. Once revealed as modern, many found it 2151:
If these books were arranged in a bookstore, one would find all the women writers under 'science fiction.' The Apocalyse, on the other hand, would be found under 'horror literature.'
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Stephen King, brand-name writer, master of the horror story and e-book pioneer, has received an unexpected literary honor: a National Book Award for lifetime achievement.
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A menace that is impure — that violates the generally accepted schemes of cultural categorization. "We consider impure that which is categorically contradictory".
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in Ungaria suis cum regibus compendia data, Typis Academicis Soc. Jesu per Fridericum Gall. Anno MCCCXXIX. Mense Sepembri Die 8. p 188-193, quoted by Farin
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and subgenres that continues to this day. Up until the graphic depictions of violence and gore on the screen commonly associated with 1960s and 1970s
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A menace that is threatening — either physically, psychologically, socially, morally, spiritually, or some combination of the aforementioned.
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respect of belief, but converges on that of characters with respect to the way in which the properties of said monsters are emotively assessed.
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One can see the confrontation of ideas that readers and characters would "rather ignore" throughout literature in famous moments such as
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Kiernan, Dr. Jas. G. "Sexual Perversion, and the Whitechapel Murders." The Medical Standard: IV.5. G. P. Engelhard and Company: Chicago.
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Some writers of fiction normally classified as "horror" tend to dislike the term, considering it too lurid. They instead use the terms
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Stephanie Demetrakopoulos (Autumn 1977). "Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker's "Dracula"".
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Pearce, Laura J.; Field, Andy P. (2016). "The Impact of "Scary" TV and Film on Children's Internalizing Emotions: A Meta-Analysis".
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Influential horror writers of the early 20th century made inroads in these mediums. Particularly, the venerated horror author
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Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both
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In her essay "Elements of Aversion", Elizabeth Barrette articulates the need by some for horror tales in a modern world:
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could not provide. This imagery made these comics controversial, and as a consequence, they were frequently censored.
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Pliny the Younger (1909–14). "LXXXIII. To Sura". In Charles W. Eliot. Letters, by Pliny the Younger; translated by
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A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example,
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before it became a novel in 1910. One writer who specialized in horror fiction for mainstream pulps, such as
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tale dealing with the motif of the living dead harks back to works including H. P. Lovecraft's stories "
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Best-selling book series of contemporary times exist in genres related to horror fiction, such as the
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Raymond T. McNally and Radu R. Florescu (1972). "In Search of Dracula." Houghton Milton. Pages 8–9.
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genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with
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Early cinema was inspired by many aspects of horror literature, and started a strong tradition of
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Menacing villains and monsters in horror literature can often be seen as metaphors for the fears
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that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of
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and supernatural horror, which are in the realm of speculative fiction. Literary historian
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as an evil and outdated notion to be defeated. The depiction of a multinational band of
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pamphlets. A 1499 pamphlet was published by Markus Ayrer, which is most notable for its
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When the Dead Rise: Narratives of the Revenant, from the Middle Ages to the Present Day
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Halberstram articulates a view of Dracula as manifesting the growing perception of the
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In the late 1960s and early 1970s, the enormous commercial success of three books -
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was presented annually to works of horror and dark fantasy from 1995 to 2008. The
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Prometheus, none of the ancient myths about Prometheus is itself a horror tale.
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In a sense similar to the reason a person seeks out the controlled thrill of a
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Much horror fiction derives from the cruellest personages of the 15th century.
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Clasen, Mathias; Kjeldgaard-Christiansen, Jens; Johnson, John A. (July 2020).
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Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction
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One defining trait of the horror genre is that it provokes an emotional,
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Knowing Fear: Science, Knowledge and the Development of the Horror Genre
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to England and preys upon the blood of living victims in the poster of
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Achievements in horror fiction are recognized by numerous awards. The
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influenced the slasher theme in horror fiction of the 1970s. In 1981,
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S. L. Varnado, "The Idea of the Numinous in Gothic Literature," in
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Whyte, Chelsea (9 February 2019). "The benefits of being scared".
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Death and Desire: The Rhetoric of Gender in the Apocalypse of John
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It is a now commonly accepted view that the horror elements of
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Supernatural Fiction Writers: Contemporary Fantasy and Horror.
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for the problems facing the current generation of the author.
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Supernatural Fiction Writers: Contemporary Fantasy and Horror
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Supernatural Fiction Writers: Contemporary Fantasy and Horror
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American Horror Fiction: From Brockden Brown to Stephen King
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A recent survey reports how often horror media is consumed:
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The Countess Yolande commissioned a werewolf story titled "
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One of the best-known late-20th century horror writers is
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This article is about the genre. For the film genre, see
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K.A. Laity, "Ramsey Campbell", in Richard Bleiler, ed.
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American Horror Fiction and Class: From Poe to Twilight
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horror-fiction became established through works of the
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as akin to Frankenstein's monster, in the wake of the
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Science Fiction, Fantasy, and Weird Fiction Magazines
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St. James Guide to Horror, Ghost & Gothic Writers
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postulates that a modern piece of horror fiction's "
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Gothic: 1500 Years of Excess, Horror, Evil and Ruin
1663:and S. L. Varnado make reference to the theologian 37:"Horror story" redirects here. For other uses, see 2660:K.A. Laity "Clive Barker" in Richard Bleiler, ed. 1562:Technologies of Monstrosity: Bram Stoker's Dracula 931:The Mummy!: Or a Tale of the Twenty-Second Century 5104: 3299: 3162: 3132: 1910:. New York, NY: Routledge. pp. 28, 36, 53. 1473:in hand on top of the world, an illustration of 780:The 18th century saw the gradual development of 2893: 3393:The Monster Show: A Cultural History of Horror 2817:Schweitzer, Darrell, "Why Horror Fiction?" in 735:imagery. The alleged serial-killer sprees of 4198: 3489: 2626: 2341:, "Weird Tales" in M.B Tymn and Mike Ashley, 480: 3116:. Horror Writers Association. Archived from 2986: 2908:(3). University of Nebraska Press: 104–113. 1696:for Superior Achievement, named in honor of 1650: 3205:(p. 204), Scarecrow Press, Plymouth. 2005. 2756: 2473:"Banned Books Week: Comics and Controversy" 1304:, and several dozen other novels and about 639:Elements of the horror genre also occur in 4205: 4191: 3496: 3482: 2580:"A Beginner's Guide to Stephen King Books" 2231: 2229: 2227: 2225: 1683: 663:has been viewed as an early horror story. 600:The Lives of the Noble Grecians and Romans 487: 473: 2572: 2408: 2162: 1374:of more traditional historical horror in 1083:transformed and popularized the genre of 792:'s seminal and controversial 1764 novel, 3300:Errickson, Will; Hendrix, Grady (2017). 1572: 1461: 1384:sits on bookstore shelves next to genre 1265: 1063: 859: 776:(1764), initiating a new literary genre. 758: 685: 538: 52: 4212: 3051:(New York: Russell & Russell, 1966. 2222: 1967: 1901: 895:Frankenstein; or, The Modern Prometheus 739:have been seen as the inspiration for " 610:, Damon, who himself was murdered in a 606:, the author describes the spirit of a 572:was greatly influenced by the story of 14: 5105: 3339:. New York: Carroll & Graf, 1998. 2705: 2531:, "Rosemary's Baby", in Pringle (ed.) 2125: 1934: 1560:postulates many of these in his essay 1208:" (1925), "In The Vault" (1926), and " 1140:. The crimes committed in 1969 by the 1043:popularized these themes in his story 4186: 4130:Internet Speculative Fiction Database 3477: 2902:Frontiers: A Journal of Women Studies 2864: 2701: 2699: 1970:Fantasy: The Literature of Subversion 1708:Australian Horror Writers Association 1700:, author of the seminal horror novel 1158:. In 1988, the sequel to that novel, 969:Strange Case of Dr Jekyll and Mr Hyde 426:Internet Speculative Fiction Database 2319:Encyclopedia of Pulp Fiction Writers 2084: 2033:* Edward P. Coleridge, 1891, prose: 1998:from the original on 13 October 2020 1730: 3253:Horror Literature: A Reader's Guide 3000:from the original on 6 January 2019 2627:Hillel Italie (18 September 2003). 2533:Modern Fantasy: The 100 Best Novels 2511:. London: Palgrave Macmillan 2017 2503:(1971), and William Peter Blatty's 2447:"11 Most Controversial Comic Books" 2091:The Book of Revelation: A Biography 1577:Illustration from an 1882 issue of 437:The Encyclopedia of Science Fiction 24: 3503: 3273:. Jefferson, NC: McFarland, 2008. 3242: 2696: 2639:from the original on 16 April 2021 2605:, "Stephen King" in: Bleiler, Ed. 2554:"The 25 Best Stephen King Stories" 2390:from the original on 17 March 2020 1943:. Harmondsworth: Penguin. p.  1941:The Penguin Book of Horror Stories 1883:List of horror television programs 1457: 25: 5129: 3440: 3376:Supernatural Horror in Literature 3359:. New York: Everest House, 1981. 2578:Jackson, Dan (18 February 2016). 2321:. New York: Facts On File, 2002. 1765:Speculative fiction/Horror portal 1495:Supernatural Horror in Literature 1134:, inspired by the murders, wrote 667:stories were popular in medieval 105:List of alternate history fiction 5085: 5084: 5072: 4164: 4153: 4152: 3419:American Philosophical Quarterly 3379:, 1927, rev. 1934, collected in 3288:. New York: St. Martin's, 1990. 3203:The A to Z of Fantasy Literature 3140:"IHG Award Recipients 1994–2006" 3080:Evolutionary Behavioral Sciences 2799:from the original on 16 May 2013 2685:. New York: Thomson/Gale, 2003. 2664:. New York: Thomson/Gale, 2003. 2552:Barone, Matt (8 November 2011). 2471:Hansen, Kelli (1 October 2012). 2345:. Westport, CT: Greenwood, 1985. 2297:(London: St. James Press, 1998) 2255:Richard Davenport-Hines (1998). 2183:from the original on 1 June 2023 1757: 1716:International Horror Guild Award 1091:is credited with redefining the 632:, who bought a haunted house in 584:wrote plays based on the story, 456: 79: 3426:Horror Fiction: An Introduction 3216: 3192: 3180:from the original on 2 May 2015 3106: 3067: 3054: 3041: 3012: 2960: 2928: 2858: 2832: 2811: 2785: 2750: 2738:from the original on 1 May 2019 2706:Lester, Catherine (Fall 2016). 2675: 2654: 2620: 2596: 2546: 2522: 2489: 2465: 2436: 2402: 2372: 2356: 2332: 2308: 2280: 2263: 2248: 2213: 2204: 2195: 2119: 1747:" for non-supernatural horror. 1391:Pride and Prejudice and Zombies 1351: 1013: 855: 754: 716:can be traced to the Prince of 568:'s well-known 1818 novel about 526:for larger fears of a society. 3421:, 51:1 (2014), pp. 39–50. 2609:New York: Thomson/Gale, 2003, 2273:Nightmare: The Birth of Horror 2078: 2065: 2046: 2027: 2010: 1980: 1961: 1928: 1895: 1873:List of horror fiction writers 1863:LGBTQ themes in horror fiction 1525:'s musings about the skull of 1216:'s "Strange Conflict" (1941). 1110:of various murderers, such as 534: 13: 1: 3428:. New York: Continuum, 2005. 3382:Dagon and Other Macabre Tales 3306:. Philadelphia: Quirk Books. 3023:On the Supernatural in Poetry 2936:"Technologies of Monstrosity" 2879:10.1016/S0262-4079(19)30224-6 2270:Christopher Frayling (1996). 2245:. BBC. Retrieved 15 July 2017 1888: 1743:for supernatural horror, or " 1552:for sexuality in a repressed 1497:". Science fiction historian 650: 625: 39:Horror Story (disambiguation) 4351:Apocalyptic/post-apocalyptic 3466:Resources in other libraries 2759:Human Communication Research 2708:"The Children's Horror Film" 2593:. Retrieved 5 February 2019. 2569:. Retrieved 5 February 2019. 2486:. Retrieved 5 February 2019. 2462:. Retrieved 5 February 2019. 679:is a werewolf story titled " 27:Genre of speculative fiction 7: 3255:. New York: Garland, 1990. 3227:. Wildside Press LLC, 2007 3170:"IHG Award Recipients 2007" 2968:"Lecture Notes for Dracula" 2412:The A to Z of Horror Cinema 2169:. D.S. Brewer. p. 43. 1750: 1426:(2000), a finalist for the 1183:such as those published by 941:The Hunchback of Notre-Dame 922:The Legend of Sleepy Hollow 444:The Encyclopedia of Fantasy 431:List of Japanese SF writers 10: 5134: 4977:Reproduction and pregnancy 4652:Folklore mythology (based) 3395:. New York: Norton, 1993. 2819:Windows of the Imagination 1968:Jackson, Rosemary (1981). 1690:Horror Writers Association 1102:became a recurring theme. 979:The Picture of Dorian Gray 529: 43: 36: 29: 5068: 4992: 4934: 4888: 4828: 4783: 4774: 4710: 4612: 4579: 4563: 4510: 4501: 4467: 4414: 4336: 4310: 4278: 4229: 4220: 4148: 4117: 4059: 3993: 3842: 3584: 3524: 3511: 3461:Resources in your library 2535:. London, Grafton, 1988. 2409:Hutchings, Peter (2008). 1904:The Philosophy of Horror 1712:Australian Shadows Awards 1651:Scholarship and criticism 3114:"The Bram Stoker Awards" 3035:The New Monthly Magazine 2452:18 December 2018 at the 2259:. London: Fourth Estate. 2016:Though the sub-title of 1667:, whose concept of the " 1161:The Silence of the Lambs 829:The Mysteries of Udolpho 46:Supernatural horror film 3879:Fire-breathing monsters 2633:Ellensburg Daily Record 2585:7 February 2019 at the 2559:7 February 2019 at the 2499:(1967), Thomas Tyron's 2478:7 February 2019 at the 1878:List of horror podcasts 1843:History of horror films 1684:Awards and associations 1046:Professor Dowell's Head 628:113) tells the tale of 586:Hippolytos Kalyptomenos 3337:Horror: 100 Best Books 3062:The Gothic Imagination 3028:8 January 2023 at the 2840:"Elements of Aversion" 2484:University of Missouri 2163:Livermore, C. (2021). 1976:. pp. 53–5, 68–9. 1908:Paradoxes of the Heart 1902:Carroll, Noël (1990). 1745:psychological thriller 1720:Shirley Jackson Awards 1681: 1598: 1571: 1512: 1486: 1273: 1072: 984:Sir Arthur Conan Doyle 964:Robert Louis Stevenson 872: 777: 698: 693:, the inspiration for 643:texts, notably in the 552: 551:confronts the Spectre" 73: 3782:Organ transplantation 3385:. Arkham House, 1965. 2712:The Velvet Light Trap 2289:, "Robbins, Tod", in 2126:Pippin, Tina (1992). 2052:* John Dryden, 1683: 2040:12 April 2006 at the 1935:Cuddon, J.A. (1984). 1676: 1589:Phoenix Park killings 1576: 1566: 1507: 1465: 1269: 1067: 1025:Le Fantôme de l'Opéra 954:(1847), the works of 863: 795:The Castle of Otranto 773:The Castle of Otranto 762: 689: 661:William of Malmesbury 630:Athenodorus Cananites 542: 56: 2445:(28 February 2013). 2276:. London: BBC Books. 2059:12 June 2018 at the 1629:Philosophy of Horror 1251:William Peter Blatty 1190:Tales From The Crypt 946:Thomas Peckett Prest 913:Melmoth the Wanderer 703:Guillaume de Palerme 580:revives from death. 512:psychological horror 5118:Speculative fiction 4815:Television programs 4730:Legendary creatures 4592:Tolkien's influence 4214:Speculative fiction 3564:Television programs 3516:Speculative fiction 3413:17 May 2021 at the 2846:on 28 February 2013 2241:3 July 2019 at the 1868:List of ghost films 1816:Speculative fiction 1441:The Monstrumologist 1428:National Book Award 1418:Mark Z. Danielewski 1156:Dr. Hannibal Lecter 1079:, and his enduring 543:An illustration of 508:speculative fiction 182:Legendary creatures 89:Speculative fiction 64:who emigrates from 4740:Magician (fantasy) 4444:Parallel universes 3681:Zombie pornography 3092:10.1037/ebs0000152 2974:on 25 October 2012 2771:10.1111/hcre.12069 2443:Collins, Max Allan 1806:Monster literature 1694:Bram Stoker Awards 1599: 1499:Darrell Schweitzer 1487: 1469:sits enrobed with 1408:(1993 onward) and 1396:historical fantasy 1274: 1073: 1031:All-Story Magazine 951:Varney the Vampire 873: 823:A Sicilian Romance 778: 727:were published in 699: 645:Book of Revelation 602:in the account of 553: 416:Fictional universe 74: 5100: 5099: 4947:Fictional species 4930: 4929: 4922:Zombie apocalypse 4770: 4769: 4697:Sword and sorcery 4497: 4496: 4346:Alternate history 4180: 4179: 4135:Bram Stoker Award 3874:Extraterrestrials 3834:Zombie apocalypse 3792:Postmodern horror 3447:Library resources 3408:"Horror and Mood" 3406:Andrea Sauchelli 3038:7 (1826): 145–52. 2996:. Dating Ghosts. 2793:"Golden Proverbs" 2422:978-0-8108-6887-8 2327:978-0-8160-4578-5 2176:978-1-84384-576-8 1848:Horror convention 1731:Alternative terms 1609:using the latest 1372:alternate history 1306:200 short stories 1164:, was published. 1114:, and lesser so, 1104:Yellow journalism 1041:Alexander Belyaev 997:The Invisible Man 918:Washington Irving 886:Hänsel und Gretel 745:Elizabeth Bathory 669:French literature 657:Witch of Berkeley 622:Pliny the Younger 497: 496: 421:Fictional species 366:Fiction magazines 284:Fiction magazines 155:Fiction magazines 98:Alternate history 16:(Redirected from 5125: 5088: 5087: 5076: 4957:Japanese authors 4942:Authors of color 4880:Occult detective 4781: 4780: 4762:Occult detective 4508: 4507: 4227: 4226: 4207: 4200: 4193: 4184: 4183: 4168: 4156: 4155: 4109:Vulgar auteurism 3777:Occult detective 3718:Southern Ontario 3644:Dark Romanticism 3498: 3491: 3484: 3475: 3474: 3325: 3284:Brian Docherty, 3236: 3220: 3214: 3199:Brian Stableford 3196: 3190: 3189: 3187: 3185: 3166: 3160: 3159: 3157: 3155: 3150:on 22 April 2009 3146:. Archived from 3136: 3130: 3129: 3127: 3125: 3120:on 10 March 2007 3110: 3104: 3103: 3071: 3065: 3058: 3052: 3049:The Gothic Flame 3047:Devendra Varma, 3045: 3039: 3016: 3010: 3009: 3007: 3005: 2994:"Horror Stories" 2990: 2984: 2983: 2981: 2979: 2970:. Archived from 2964: 2958: 2957: 2955: 2953: 2947: 2941:. Archived from 2940: 2932: 2926: 2925: 2897: 2891: 2890: 2862: 2856: 2855: 2853: 2851: 2842:. Archived from 2836: 2830: 2815: 2809: 2808: 2806: 2804: 2789: 2783: 2782: 2754: 2748: 2747: 2745: 2743: 2703: 2694: 2679: 2673: 2658: 2652: 2651: 2646: 2644: 2624: 2618: 2617:. 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Romero 1218:Richard Matheson 960:Sheridan Le Fanu 877:Gothic tradition 869:Richard Rothwell 818:William Beckford 766:wrote the first 749:Tragica Historia 723:, whose alleged 691:Vlad the Impaler 627: 521: 489: 482: 475: 461: 460: 83: 76: 75: 21: 5133: 5132: 5128: 5127: 5126: 5124: 5123: 5122: 5103: 5102: 5101: 5096: 5064: 5050:Techno-thriller 5000:Science fantasy 4988: 4926: 4884: 4824: 4766: 4745:Norse mythology 4735:Magic (fantasy) 4706: 4608: 4575: 4559: 4493: 4463: 4454:Utopia/dystopia 4424:Africanfuturism 4410: 4356:Climate fiction 4332: 4306: 4274: 4222:Science fiction 4216: 4211: 4181: 4176: 4144: 4113: 4055: 4026:Science fiction 4011:Fantasy fiction 3989: 3838: 3676:Monster erotica 3580: 3520: 3507: 3502: 3472: 3471: 3470: 3455: 3454: 3450: 3443: 3415:Wayback Machine 3371:H. P. Lovecraft 3314: 3245: 3243:Further reading 3240: 3239: 3221: 3217: 3201:, "Horror", in 3197: 3193: 3183: 3181: 3174:HorrorAward.org 3168: 3167: 3163: 3153: 3151: 3144:HorrorAward.org 3138: 3137: 3133: 3123: 3121: 3112: 3111: 3107: 3072: 3068: 3059: 3055: 3046: 3042: 3030:Wayback Machine 3017: 3013: 3003: 3001: 2992: 2991: 2987: 2977: 2975: 2966: 2965: 2961: 2951: 2949: 2945: 2938: 2934: 2933: 2929: 2914:10.2307/3346355 2898: 2894: 2863: 2859: 2849: 2847: 2838: 2837: 2833: 2816: 2812: 2802: 2800: 2791: 2790: 2786: 2755: 2751: 2741: 2739: 2724:10.7560/VLT7803 2704: 2697: 2680: 2676: 2659: 2655: 2642: 2640: 2625: 2621: 2603:Richard Bleiler 2601: 2597: 2587:Wayback Machine 2577: 2573: 2561:Wayback Machine 2551: 2547: 2527: 2523: 2497:Rosemary's Baby 2494: 2490: 2480:Wayback Machine 2470: 2466: 2454:Wayback Machine 2441: 2437: 2427: 2425: 2423: 2407: 2403: 2393: 2391: 2378: 2377: 2373: 2361: 2357: 2339:Robert Weinberg 2337: 2333: 2313: 2309: 2285: 2281: 2268: 2264: 2253: 2249: 2243:Wayback Machine 2234: 2223: 2218: 2214: 2209: 2205: 2200: 2196: 2186: 2184: 2177: 2161: 2157: 2144: 2142: 2140: 2124: 2120: 2106: 2104: 2102: 2083: 2079: 2073:William Melmoth 2070: 2066: 2061:Wayback Machine 2051: 2047: 2042:Wayback Machine 2032: 2028: 2020:references the 2015: 2011: 2001: 1999: 1986: 1985: 1981: 1966: 1962: 1955: 1933: 1929: 1918: 1900: 1896: 1891: 1811:Mystery fiction 1772:Related genres 1763: 1756: 1753: 1733: 1686: 1653: 1592: 1585:Fenian movement 1558:Jack Halberstam 1460: 1458:Characteristics 1423:House of Leaves 1354: 1342:Ramsey Campbell 1236:Rosemary's Baby 1214:Dennis Wheatley 1112:Jack the Ripper 1100:serial murderer 1095:in that era. 1077:H. P. Lovecraft 1069:H. P. Lovecraft 1022:serialized his 1016: 958:, the works of 956:Edgar Allan Poe 908:Charles Maturin 858: 757: 673:Marie de France 653: 537: 532: 519: 493: 455: 450: 449: 411: 403: 402: 346: 336: 335: 257:Climate fiction 237: 235:Science fiction 227: 226: 135: 133:Fantasy fiction 125: 124: 100: 49: 42: 35: 28: 23: 22: 15: 12: 11: 5: 5131: 5121: 5120: 5115: 5113:Horror fiction 5098: 5097: 5095: 5094: 5082: 5069: 5066: 5065: 5063: 5062: 5057: 5052: 5047: 5042: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4996: 4994: 4990: 4989: 4987: 4986: 4981: 4980: 4979: 4974: 4964: 4959: 4954: 4949: 4944: 4938: 4936: 4932: 4931: 4928: 4927: 4925: 4924: 4919: 4914: 4913: 4912: 4900: 4894: 4892: 4886: 4885: 4883: 4882: 4877: 4872: 4867: 4862: 4857: 4852: 4847: 4840: 4834: 4832: 4826: 4825: 4823: 4822: 4817: 4812: 4807: 4806: 4805: 4793: 4787: 4785: 4778: 4772: 4771: 4768: 4767: 4765: 4764: 4759: 4758: 4757: 4752: 4742: 4737: 4732: 4727: 4725:Fantasy worlds 4722: 4716: 4714: 4708: 4707: 4705: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4644: 4639: 4634: 4629: 4624: 4618: 4616: 4610: 4609: 4607: 4606: 4601: 4596: 4595: 4594: 4583: 4581: 4577: 4576: 4574: 4573: 4567: 4565: 4561: 4560: 4558: 4557: 4552: 4547: 4542: 4537: 4532: 4531: 4530: 4520: 4514: 4512: 4505: 4499: 4498: 4495: 4494: 4492: 4491: 4490: 4489: 4477: 4471: 4469: 4465: 4464: 4462: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4420: 4418: 4412: 4411: 4409: 4408: 4403: 4398: 4393: 4388: 4386:Future history 4383: 4378: 4373: 4363: 4358: 4353: 4348: 4342: 4340: 4334: 4333: 4331: 4330: 4325: 4320: 4314: 4312: 4308: 4307: 4305: 4304: 4299: 4294: 4293: 4292: 4282: 4280: 4276: 4275: 4273: 4272: 4267: 4266: 4265: 4253: 4252: 4251: 4239: 4233: 4231: 4224: 4218: 4217: 4210: 4209: 4202: 4195: 4187: 4178: 4177: 4175: 4174: 4162: 4149: 4146: 4145: 4143: 4142: 4137: 4132: 4127: 4121: 4119: 4115: 4114: 4112: 4111: 4106: 4101: 4096: 4091: 4090: 4089: 4079: 4074: 4069: 4063: 4061: 4057: 4056: 4054: 4053: 4048: 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4008: 4003: 3997: 3995: 3994:Related genres 3991: 3990: 3988: 3987: 3982: 3981: 3980: 3975: 3970: 3965: 3960: 3955: 3945: 3944: 3943: 3938: 3931:Therianthropes 3928: 3923: 3918: 3913: 3908: 3903: 3898: 3893: 3892: 3891: 3886: 3876: 3871: 3866: 3865: 3864: 3859: 3848: 3846: 3840: 3839: 3837: 3836: 3831: 3830: 3829: 3824: 3819: 3809: 3804: 3799: 3794: 3789: 3787:Penny dreadful 3784: 3779: 3774: 3773: 3772: 3767: 3762: 3752: 3747: 3742: 3737: 3736: 3735: 3730: 3725: 3720: 3715: 3710: 3700: 3695: 3690: 3685: 3684: 3683: 3678: 3673: 3663: 3662: 3661: 3656: 3651: 3646: 3636: 3631: 3626: 3625: 3624: 3614: 3609: 3604: 3599: 3594: 3588: 3586: 3582: 3581: 3579: 3578: 3577: 3576: 3566: 3561: 3556: 3551: 3550: 3549: 3539: 3534: 3528: 3526: 3522: 3521: 3519: 3518: 3512: 3509: 3508: 3505:Horror fiction 3501: 3500: 3493: 3486: 3478: 3469: 3468: 3463: 3457: 3456: 3452:Horror fiction 3445: 3444: 3442: 3441:External links 3439: 3438: 3437: 3434:978-0826415615 3422: 3404: 3401:978-0859652117 3386: 3368: 3365:978-0896960763 3348: 3326: 3312: 3297: 3294:978-0333461297 3282: 3279:978-0786432738 3267:Jason Colavito 3264: 3261:978-0824043476 3244: 3241: 3238: 3237: 3215: 3191: 3161: 3131: 3105: 3086:(3): 213–230. 3066: 3053: 3040: 3011: 2985: 2959: 2948:on 12 May 2013 2927: 2892: 2857: 2831: 2810: 2784: 2749: 2695: 2693:(pp. 177–188.) 2674: 2653: 2619: 2595: 2571: 2545: 2521: 2488: 2464: 2435: 2421: 2401: 2371: 2355: 2353:(pp. 727–736). 2331: 2329:(pp. 223–224). 2307: 2279: 2262: 2247: 2221: 2212: 2203: 2194: 2175: 2155: 2138: 2118: 2100: 2077: 2064: 2045: 2026: 2009: 1979: 1960: 1953: 1937:"Introduction" 1927: 1916: 1893: 1892: 1890: 1887: 1886: 1885: 1880: 1875: 1870: 1865: 1860: 1858:Horror podcast 1855: 1850: 1845: 1840: 1839: 1838: 1833: 1828: 1823: 1818: 1813: 1808: 1803: 1801:Gothic fiction 1798: 1793: 1788: 1783: 1778: 1769: 1768: 1752: 1749: 1741:Gothic fantasy 1732: 1729: 1725:Aurealis Award 1685: 1682: 1661:Devendra Varma 1652: 1649: 1648: 1647: 1644: 1516:roller coaster 1459: 1456: 1378:'s 2007 novel 1364:Kitty Norville 1353: 1350: 1334:Richard Laymon 1212:" (1926), and 1187:(most notably 1177:splatter films 1154:, introducing 1108:sensationalism 1081:Cthulhu Mythos 1058:Unknown Worlds 1015: 1012: 926:Jane C. Loudon 882:Brothers Grimm 857: 854: 790:Horace Walpole 764:Horace Walpole 756: 753: 737:Gilles de Rais 652: 649: 562:Ancient Romans 558:Ancient Greeks 536: 533: 531: 528: 495: 494: 492: 491: 484: 477: 469: 466: 465: 452: 451: 448: 447: 440: 433: 428: 423: 418: 412: 409: 408: 405: 404: 401: 400: 395: 390: 385: 380: 379: 378: 368: 363: 358: 353: 347: 344:Horror fiction 342: 341: 338: 337: 334: 333: 328: 323: 318: 313: 308: 303: 302: 301: 291: 286: 281: 280: 279: 274: 264: 259: 254: 249: 244: 238: 233: 232: 229: 228: 225: 224: 219: 214: 209: 204: 199: 194: 189: 184: 179: 178: 177: 167: 162: 157: 152: 147: 142: 136: 131: 130: 127: 126: 123: 122: 117: 115:Sidewise Award 112: 107: 101: 96: 95: 92: 91: 85: 84: 26: 9: 6: 4: 3: 2: 5130: 5119: 5116: 5114: 5111: 5110: 5108: 5093: 5092: 5083: 5081: 5080: 5075: 5071: 5070: 5067: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 5040:Magic realism 5038: 5036: 5033: 5031: 5030:Technofantasy 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4997: 4995: 4991: 4985: 4982: 4978: 4975: 4973: 4972:Homosexuality 4970: 4969: 4968: 4965: 4963: 4960: 4958: 4955: 4953: 4950: 4948: 4945: 4943: 4940: 4939: 4937: 4933: 4923: 4920: 4918: 4915: 4911: 4910: 4906: 4905: 4904: 4901: 4899: 4896: 4895: 4893: 4891: 4887: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4860:Psychological 4858: 4856: 4855:Mass hysteria 4853: 4851: 4848: 4846: 4845: 4841: 4839: 4836: 4835: 4833: 4831: 4827: 4821: 4818: 4816: 4813: 4811: 4808: 4804: 4803: 4799: 4798: 4797: 4794: 4792: 4789: 4788: 4786: 4782: 4779: 4777: 4773: 4763: 4760: 4756: 4753: 4751: 4748: 4747: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4720:Fantasy races 4718: 4717: 4715: 4713: 4709: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4653: 4650: 4648: 4645: 4643: 4640: 4638: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4619: 4617: 4615: 4611: 4605: 4602: 4600: 4597: 4593: 4590: 4589: 4588: 4585: 4584: 4582: 4578: 4572: 4569: 4568: 4566: 4562: 4556: 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4529: 4526: 4525: 4524: 4521: 4519: 4516: 4515: 4513: 4509: 4506: 4504: 4500: 4488: 4487: 4483: 4482: 4481: 4478: 4476: 4473: 4472: 4470: 4466: 4460: 4459:Space pirates 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4421: 4419: 4417: 4413: 4407: 4404: 4402: 4401:Space Western 4399: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4379: 4377: 4374: 4371: 4367: 4364: 4362: 4359: 4357: 4354: 4352: 4349: 4347: 4344: 4343: 4341: 4339: 4335: 4329: 4326: 4324: 4321: 4319: 4316: 4315: 4313: 4309: 4303: 4300: 4298: 4295: 4291: 4290: 4286: 4285: 4284: 4283: 4281: 4277: 4271: 4268: 4264: 4263: 4259: 4258: 4257: 4254: 4250: 4249: 4245: 4244: 4243: 4240: 4238: 4235: 4234: 4232: 4228: 4225: 4223: 4219: 4215: 4208: 4203: 4201: 4196: 4194: 4189: 4188: 4185: 4173: 4172: 4167: 4163: 4161: 4160: 4151: 4150: 4147: 4141: 4140:Video nasties 4138: 4136: 4133: 4131: 4128: 4126: 4125:Pulp magazine 4123: 4122: 4120: 4116: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4088: 4085: 4084: 4083: 4080: 4078: 4075: 4073: 4070: 4068: 4067:Grand Guignol 4065: 4064: 4062: 4058: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3998: 3996: 3992: 3986: 3983: 3979: 3976: 3974: 3971: 3969: 3966: 3964: 3961: 3959: 3956: 3954: 3951: 3950: 3949: 3946: 3942: 3939: 3937: 3934: 3933: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3914: 3912: 3909: 3907: 3904: 3902: 3899: 3897: 3894: 3890: 3887: 3885: 3882: 3881: 3880: 3877: 3875: 3872: 3870: 3867: 3863: 3860: 3858: 3855: 3854: 3853: 3850: 3849: 3847: 3845: 3841: 3835: 3832: 3828: 3825: 3823: 3820: 3818: 3815: 3814: 3813: 3812:Weird fiction 3810: 3808: 3805: 3803: 3800: 3798: 3797:Psychological 3795: 3793: 3790: 3788: 3785: 3783: 3780: 3778: 3775: 3771: 3768: 3766: 3763: 3761: 3758: 3757: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3709: 3706: 3705: 3704: 3701: 3699: 3696: 3694: 3691: 3689: 3686: 3682: 3679: 3677: 3674: 3672: 3669: 3668: 3667: 3664: 3660: 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3641: 3640: 3637: 3635: 3632: 3630: 3627: 3623: 3620: 3619: 3618: 3615: 3613: 3610: 3608: 3605: 3603: 3600: 3598: 3595: 3593: 3590: 3589: 3587: 3583: 3575: 3572: 3571: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3548: 3545: 3544: 3543: 3540: 3538: 3535: 3533: 3530: 3529: 3527: 3523: 3517: 3514: 3513: 3510: 3506: 3499: 3494: 3492: 3487: 3485: 3480: 3479: 3476: 3467: 3464: 3462: 3459: 3458: 3453: 3448: 3435: 3431: 3427: 3424:Gina Wisker, 3423: 3420: 3416: 3412: 3409: 3405: 3402: 3398: 3394: 3390: 3389:David J. Skal 3387: 3384: 3383: 3378: 3377: 3372: 3369: 3366: 3362: 3358: 3357: 3356:Danse Macabre 3352: 3349: 3346: 3342: 3338: 3334: 3330: 3329:Stephen Jones 3327: 3323: 3319: 3315: 3313:9781594749810 3309: 3305: 3304: 3298: 3295: 3291: 3287: 3283: 3280: 3276: 3272: 3268: 3265: 3262: 3258: 3254: 3250: 3247: 3246: 3234: 3230: 3226: 3219: 3212: 3211:0-8108-6829-6 3208: 3204: 3200: 3195: 3179: 3175: 3171: 3165: 3149: 3145: 3141: 3135: 3119: 3115: 3109: 3101: 3097: 3093: 3089: 3085: 3081: 3077: 3070: 3063: 3057: 3050: 3044: 3037: 3036: 3031: 3027: 3024: 3020: 3019:Mrs Radcliffe 3015: 2999: 2995: 2989: 2973: 2969: 2963: 2944: 2937: 2931: 2923: 2919: 2915: 2911: 2907: 2903: 2896: 2888: 2884: 2880: 2876: 2872: 2868: 2867:New Scientist 2861: 2845: 2841: 2835: 2828: 2827:9781880448601 2824: 2820: 2814: 2798: 2794: 2788: 2780: 2776: 2772: 2768: 2765:(1): 98–121. 2764: 2760: 2753: 2737: 2733: 2729: 2725: 2721: 2718:(78): 22–37. 2717: 2713: 2709: 2702: 2700: 2692: 2691:9780684312507 2688: 2684: 2678: 2671: 2670:9780684312507 2667: 2663: 2657: 2650: 2638: 2634: 2630: 2623: 2616: 2615:9780684312507 2612: 2608: 2604: 2599: 2592: 2588: 2584: 2581: 2575: 2568: 2567: 2562: 2558: 2555: 2549: 2542: 2538: 2534: 2530: 2529:Pringle,David 2525: 2518: 2517:9781137532800 2514: 2510: 2506: 2502: 2498: 2495:"Ira Levin's 2492: 2485: 2481: 2477: 2474: 2468: 2461: 2460: 2455: 2451: 2448: 2444: 2439: 2424: 2418: 2414: 2413: 2405: 2389: 2385: 2381: 2375: 2369: 2368:0-313-21221-X 2365: 2359: 2352: 2351:0-313-21221-X 2348: 2344: 2340: 2335: 2328: 2324: 2320: 2316: 2311: 2304: 2300: 2296: 2292: 2291:David Pringle 2288: 2283: 2275: 2272: 2266: 2258: 2251: 2244: 2240: 2237: 2232: 2230: 2228: 2226: 2216: 2207: 2198: 2182: 2178: 2172: 2168: 2167: 2159: 2152: 2141: 2139:9781725294189 2135: 2131: 2130: 2122: 2115: 2103: 2101:9780691145839 2097: 2093: 2092: 2087: 2086:Beal, Timothy 2081: 2074: 2068: 2062: 2058: 2055: 2049: 2043: 2039: 2036: 2030: 2023: 2019: 2013: 1997: 1993: 1989: 1983: 1975: 1971: 1964: 1956: 1954:0-14-006799-X 1950: 1946: 1942: 1938: 1931: 1924: 1919: 1917:0-415-90145-6 1913: 1909: 1905: 1898: 1894: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1841: 1837: 1834: 1832: 1831:Analog horror 1829: 1827: 1826:Weird fiction 1824: 1822: 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1796:Ghost stories 1794: 1792: 1789: 1787: 1784: 1782: 1781:Crime fiction 1779: 1777: 1774: 1773: 1771: 1770: 1766: 1760: 1755: 1748: 1746: 1742: 1738: 1728: 1726: 1721: 1717: 1713: 1709: 1705: 1704: 1699: 1695: 1692:presents the 1691: 1680: 1675: 1672: 1670: 1666: 1662: 1657: 1645: 1642: 1641: 1640: 1638: 1634: 1630: 1626: 1622: 1620: 1616: 1612: 1608: 1604: 1597:of a society. 1596: 1590: 1586: 1582: 1581: 1575: 1570: 1565: 1564:. He writes: 1563: 1559: 1555: 1554:Victorian era 1551: 1547: 1543: 1538: 1534: 1532: 1528: 1524: 1519: 1517: 1511: 1506: 1503: 1500: 1496: 1492: 1491:psychological 1484: 1480: 1476: 1472: 1468: 1464: 1455: 1453: 1452: 1447: 1443: 1442: 1437: 1433: 1429: 1425: 1424: 1419: 1415: 1411: 1407: 1406: 1401: 1400:horror comics 1397: 1393: 1392: 1387: 1383: 1382: 1377: 1373: 1369: 1368:Carrie Vaughn 1365: 1362: 1361:urban fantasy 1359: 1349: 1347: 1343: 1339: 1335: 1331: 1327: 1326:James Herbert 1323: 1319: 1315: 1311: 1307: 1303: 1302: 1297: 1296: 1291: 1290: 1285: 1284: 1279: 1272: 1268: 1264: 1262: 1258: 1257: 1252: 1248: 1247: 1242: 1238: 1237: 1231: 1229: 1225: 1224: 1219: 1215: 1211: 1207: 1203: 1198: 1196: 1195:silver screen 1192: 1191: 1186: 1182: 1178: 1174: 1173:slasher films 1170: 1165: 1163: 1162: 1157: 1153: 1152: 1147: 1146:Thomas Harris 1143: 1142:Manson Family 1139: 1138: 1133: 1129: 1125: 1121: 1120:Fritz Haarman 1117: 1113: 1109: 1105: 1101: 1096: 1094: 1090: 1086: 1085:cosmic horror 1082: 1078: 1070: 1066: 1062: 1060: 1059: 1054: 1053: 1048: 1047: 1042: 1038: 1034: 1032: 1027: 1026: 1021: 1020:Gaston Leroux 1011: 1009: 1008: 1003: 999: 998: 993: 989: 985: 981: 980: 975: 971: 970: 965: 961: 957: 953: 952: 947: 943: 942: 937: 933: 932: 927: 923: 919: 915: 914: 909: 905: 901: 900:John Polidori 897: 896: 891: 887: 883: 878: 870: 866: 862: 853: 851: 850:Matthew Lewis 847: 846: 841: 840:Ann Radcliffe 837: 836: 831: 830: 825: 824: 819: 815: 814: 809: 805: 801: 800:anachronistic 797: 796: 791: 787: 786:Gothic horror 783: 775: 774: 769: 765: 761: 752: 750: 746: 742: 738: 734: 730: 726: 722: 719: 715: 710: 708: 704: 696: 695:Count Dracula 692: 688: 684: 682: 678: 674: 670: 666: 662: 658: 648: 646: 642: 637: 635: 631: 623: 619: 617: 613: 609: 605: 601: 597: 593: 592: 587: 583: 579: 575: 571: 567: 563: 559: 550: 546: 541: 527: 525: 517: 513: 509: 505: 501: 490: 485: 483: 478: 476: 471: 470: 468: 467: 464: 459: 454: 453: 446: 445: 441: 439: 438: 434: 432: 429: 427: 424: 422: 419: 417: 414: 413: 410:Miscellaneous 407: 406: 399: 396: 394: 391: 389: 386: 384: 381: 377: 374: 373: 372: 369: 367: 364: 362: 359: 357: 354: 352: 349: 348: 345: 340: 339: 332: 329: 327: 324: 322: 319: 317: 314: 312: 309: 307: 306:Organizations 304: 300: 297: 296: 295: 292: 290: 287: 285: 282: 278: 275: 273: 270: 269: 268: 265: 263: 260: 258: 255: 253: 250: 248: 245: 243: 240: 239: 236: 231: 230: 223: 220: 218: 215: 213: 210: 208: 205: 203: 200: 198: 195: 193: 190: 188: 185: 183: 180: 176: 175:Early history 173: 172: 171: 168: 166: 163: 161: 158: 156: 153: 151: 148: 146: 143: 141: 138: 137: 134: 129: 128: 121: 118: 116: 113: 111: 110:Retrofuturism 108: 106: 103: 102: 99: 94: 93: 90: 87: 86: 82: 78: 77: 71: 67: 63: 59: 58:Count Dracula 55: 51: 47: 40: 33: 19: 5089: 5077: 4907: 4875:Urban legend 4865:Splatterpunk 4850:Lovecraftian 4842: 4800: 4775: 4632:Contemporary 4587:High fantasy 4540:Fantasy film 4484: 4429:Afrofuturism 4361:Comic/comedy 4287: 4260: 4246: 4169: 4157: 4051:Urban legend 4036:Supernatural 4001:Black comedy 3822:Weird menace 3750:Lovecraftian 3659:Splatterpunk 3639:Dark fantasy 3504: 3451: 3425: 3418: 3392: 3380: 3374: 3354: 3351:Stephen King 3336: 3302: 3285: 3270: 3252: 3224: 3218: 3202: 3194: 3182:. 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Index

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