1578:
author, this was no reason to avoid it, but one had to try to emulate one's predecessor. The use of rhetoric enabled authors to discuss the same topic in several ways, to be little a great subject, and to accord greatness to something small, for example, or to renew the old, and express the new in an old-fashioned manner. Using these formulas, a pupil could render the same subject or theme in a myriad of ways. For the mature author, this principle offered a set of tools to rework source texts into a new creation. In short, the quadripartita ratio offered the student or author a ready-made framework, whether for changing words or the transformation of entire texts. Since it concerned relatively mechanical procedures of adaptation that for the most part could be learned, the techniques concerned could be taught at school at a relatively early age, for example in the improvement of pupils’ own writing.
53:
1577:
The variety of ways to adapt and enrich source texts, as discussed by
Erasmus in De Copia Rerum, are discussed in chapter 5. Classical rhetoric had already developed a theory of these kinds of intervention, drawing attention to the process of adaptation If a topic had been treated by an earlier
1423:; the imitation literary approach is closely linked with the widespread observation that "everything has been said already", which was also stated by Egyptian scribes around 2000 BCE. The ideal aim of this approach to literature was not
1455:, defined as a "ready-made framework" of "relatively mechanical procedures" for the emulation, adaptation, reworking and enrichment of a source text by an earlier author. This view of rhetoric was taken by
1483:
in the 4th century BCE, which was only concerned with "imitation of nature" instead of the "imitation of other authors." Latin orators and rhetoricians adopted the literary method of
Dionysius'
1408:), which was the most influential for Latin authors, is lost. Most of it contained advice on how to identify the most suitable writers to imitate and the best way to imitate them. For Dionysian
1648:
2626:
1150:
1427:, but to surpass the predecessor by improving their writings and set the bar to a higher level. A prominent Latin follower of Dionysius was
2485:
1396:
had shifted from "imitation of nature" to "imitation of other authors". No historical record is left to explain the reason of this change.
971:
891:
2478:
2453:
1916:
1372:
practice of emulating, adapting, reworking and enriching a source text by an earlier author. It is a departure from the concept of
1061:
1641:
1604:
1448:
1930:
1601:
1264:
2414:
1922:
1634:
1337:
52:
1938:
690:
516:
1180:
1145:
2226:
2651:
2260:
1973:
1716:
1234:
1894:
1224:
2656:
1071:
2666:
2631:
1397:
1361:
2641:
2533:
2061:
981:
113:
2661:
2538:
2250:
1827:
1694:
1135:
383:
17:
2492:
2271:
921:
274:
103:
1376:
which only is concerned with "imitation of nature" instead of the "imitation of other authors."
2563:
2543:
1330:
1165:
1041:
1031:
951:
388:
177:
2590:
2558:
2155:
1209:
1120:
1051:
911:
670:
533:
448:
345:
125:
2646:
2265:
2056:
1115:
1105:
901:
675:
635:
378:
63:
8:
2600:
2553:
2548:
2528:
2289:
2150:
1978:
1889:
1684:
1657:
1497:
1214:
1170:
1160:
1155:
1011:
685:
350:
218:
2277:
2066:
1852:
1444:
1299:
1110:
1081:
931:
881:
810:
735:
720:
653:
611:
267:
148:
130:
2508:
2137:
1963:
1806:
1761:
1736:
1679:
1597:
1452:
1323:
1274:
1130:
1021:
860:
855:
680:
643:
604:
511:
262:
207:
142:
36:
805:
2636:
2211:
2176:
1884:
1857:
1832:
1791:
1781:
1731:
1436:
1294:
1239:
1125:
795:
621:
340:
257:
250:
118:
71:
2568:
2383:
2378:
2358:
2206:
2145:
2089:
1958:
1847:
1619:
1611:
1393:
1357:
1259:
1175:
991:
850:
760:
725:
665:
560:
506:
463:
156:
2191:
2427:
2020:
1988:
1899:
1756:
1726:
1721:
1461:
1203:
1001:
835:
730:
660:
550:
543:
403:
335:
2620:
2605:
2503:
2368:
2363:
2333:
2318:
2201:
2046:
1998:
1801:
1786:
1706:
1412:, the object of imitation was not a single author but the qualities of many.
1304:
1289:
1140:
941:
800:
775:
740:
587:
555:
86:
76:
1626:
2595:
2196:
2025:
1968:
1842:
1837:
1746:
1701:
1502:
1284:
1229:
830:
616:
471:
440:
308:
2585:
2373:
2323:
2306:
2171:
2127:
1983:
1796:
1618:
West, David
Alexander and Woodman, Anthony John and Woodman, Tony (1979)
1506:
1447:
in general, rhetoric drew much attention to the process of imitatio; the
1424:
1415:
Latin orators and rhetoricians adopted the literary method of
Dionysius'
1309:
1269:
1244:
755:
750:
434:
424:
108:
2404:
2328:
2117:
2051:
1689:
1428:
1365:
961:
840:
825:
820:
599:
521:
482:
396:
287:
183:
1473:
Dionysius' concept marked a significant departure from the concept of
1443:
exclusively from the point of view of rhetoric. In
Quintilian, and in
2353:
2301:
2181:
2122:
2010:
1811:
1766:
1751:
1741:
1492:
1480:
1279:
780:
710:
648:
580:
494:
477:
458:
453:
239:
233:
212:
194:
2573:
2459:
2283:
2255:
2186:
2112:
2097:
2005:
1369:
592:
570:
488:
294:
280:
91:
81:
44:
1388:, from the 4th century BCE to the 1st century BCE, the meaning of
2498:
2472:
2216:
2041:
2015:
1879:
1510:
1475:
1456:
1373:
845:
770:
765:
715:
575:
565:
538:
301:
245:
188:
135:
96:
2221:
2107:
2102:
1993:
1776:
1711:
1439:
of literature over time. Both
Dionysius and Quintilian discuss
1254:
1249:
790:
785:
745:
526:
501:
429:
363:
329:
316:
227:
201:
2313:
2294:
1771:
815:
370:
356:
2580:
2447:
1219:
1509:, drama, dancing, painting are all described as forms of
2618:
1952:Cinema / television / video
1656:
1642:
1607:translated to English by Kristine Steenbergh.
1331:
2486:Palimpsests: Literature in the Second Degree
1558:
1556:
1554:
1552:
1550:
1540:
1538:
1536:
1534:
1532:
1530:
1528:
1526:
1360:of imitation as formulated by Greek author
972:A Dialogue Concerning Oratorical Partitions
1649:
1635:
1338:
1324:
1547:
1570:
1568:
1523:
1062:Copia: Foundations of the Abundant Style
1621:Creative imitation and Latin literature
1574:Jansen (2008), quote from the summary:
14:
2619:
1449:four operations of quadripartita ratio
1630:
1565:
1265:Rhetoric of social intervention model
2627:Concepts in ancient Greek aesthetics
24:
1431:, who shared with him the view of
1384:Three centuries after Aristotle's
25:
2678:
1435:as the practice that leads to an
51:
13:
1:
2415:Pierre Menard, Author of the
2261:Archetypal literary criticism
1821:Literature / theatre
1587:
1235:List of feminist rhetoricians
2227:Source criticism in the arts
1895:Readymades of Marcel Duchamp
1368:, which conceived it as the
1225:Glossary of rhetorical terms
7:
2428:Reality Hunger: A Manifesto
1072:Language as Symbolic Action
10:
2683:
2534:Appropriation in sociology
1487:and discarded Aristotle's
1468:
1419:and discarded Aristotle's
1379:
1362:Dionysius of Halicarnassus
2539:Articulation in sociology
2517:
2440:
2392:
2342:
2239:
2164:
2136:
2088:
2079:
2062:Revivalism (architecture)
2034:
1951:
1908:
1875:
1866:
1820:
1672:
1665:
982:De Optimo Genere Oratorum
2251:Aesthetic interpretation
1544:Ruthven (1979) pp. 103–4
1516:
2493:The Pictures Generation
2272:The Death of the Author
922:De Sophisticis Elenchis
2564:Copyright infringement
2544:Cultural appropriation
1610:Ruthven, K. K. (1979)
1593:Jansen, Jeroen (2008)
1580:
1451:that organize all the
1042:De doctrina Christiana
1032:Dialogus de oratoribus
952:Rhetorica ad Herennium
178:Captatio benevolentiae
2591:Participatory culture
2559:Intellectual property
1575:
1364:in the first century
1210:Communication studies
1052:De vulgari eloquentia
912:Rhetoric to Alexander
2652:Narrative techniques
2266:Artistic inspiration
2090:Intertextual figures
2057:Parody advertisement
1613:Critical assumptions
1400:' three volume work
2601:Recontextualisation
2554:Information society
2549:History of printing
2529:Academic dishonesty
2290:Genius (literature)
1979:Literal music video
1890:Photographic mosaic
1685:Chopped and screwed
1437:historical progress
1356:is the influential
1215:Composition studies
1146:Health and medicine
1012:Institutio Oratoria
219:Eloquentia perfecta
2657:Literary criticism
2278:Divine inspiration
2067:Video game modding
1909:By source material
1562:West (1979) pp.5–8
1445:classical rhetoric
1300:Terministic screen
1082:A General Rhetoric
612:Resignation speech
149:Studia humanitatis
131:Byzantine rhetoric
27:Literary technique
2667:Figures of speech
2632:Muses (mythology)
2614:
2613:
2521:artistic concepts
2509:Russian formalism
2235:
2234:
2075:
2074:
1964:Anime music video
1947:
1946:
1939:Statue of Liberty
1737:Musical quotation
1680:Bootleg recording
1602:978-90-8704-027-7
1453:figures of speech
1348:
1347:
1275:Rogerian argument
1022:Panegyrici Latini
114:The age of Cicero
16:(Redirected from
2674:
2642:Plot (narrative)
2433:
2423:
2410:
2241:Related artistic
2207:Imitation in art
2177:Assemblage (art)
2086:
2085:
1885:Combine painting
1873:
1872:
1858:Verbatim theatre
1833:Cut-up technique
1732:Music plagiarism
1670:
1669:
1651:
1644:
1637:
1628:
1627:
1581:
1572:
1563:
1560:
1545:
1542:
1340:
1333:
1326:
1240:List of speeches
1087:
1077:
1067:
1057:
1047:
1037:
1027:
1017:
1007:
997:
987:
977:
967:
957:
947:
937:
927:
917:
907:
897:
887:
691:Neo-Aristotelian
258:Figure of speech
119:Second Sophistic
55:
32:
31:
21:
2682:
2681:
2677:
2676:
2675:
2673:
2672:
2671:
2662:Literary theory
2617:
2616:
2615:
2610:
2596:Pirate politics
2569:Derivative work
2522:
2520:
2513:
2436:
2431:
2421:
2408:
2397:
2395:
2388:
2384:Story structure
2379:Stock character
2359:Formula fiction
2347:
2345:
2344:Standard blocks
2338:
2244:
2242:
2231:
2160:
2132:
2081:
2071:
2030:
1959:Abridged series
1943:
1931:Michelangelo's
1923:Michelangelo's
1904:
1869:
1862:
1848:Jukebox musical
1816:
1661:
1655:
1590:
1585:
1584:
1573:
1566:
1561:
1548:
1543:
1524:
1519:
1471:
1394:literary method
1382:
1358:literary method
1344:
1315:
1314:
1260:Public rhetoric
1198:
1197:
1188:
1187:
1136:Native American
1101:
1100:
1091:
1090:
1085:
1075:
1065:
1055:
1045:
1035:
1025:
1015:
1005:
995:
985:
975:
965:
955:
945:
935:
925:
915:
905:
895:
885:
876:
875:
866:
865:
706:
705:
696:
695:
639:
638:
627:
626:
517:Funeral oration
507:Farewell speech
464:Socratic method
420:
419:
410:
409:
172:
171:
162:
161:
67:
66:
28:
23:
22:
15:
12:
11:
5:
2680:
2670:
2669:
2664:
2659:
2654:
2649:
2644:
2639:
2634:
2629:
2612:
2611:
2609:
2608:
2603:
2598:
2593:
2588:
2583:
2578:
2577:
2576:
2571:
2566:
2556:
2551:
2546:
2541:
2536:
2531:
2525:
2523:
2518:
2515:
2514:
2512:
2511:
2506:
2501:
2496:
2489:
2482:
2475:
2470:
2462:
2457:
2454:De Copia Rerum
2450:
2444:
2442:
2438:
2437:
2435:
2434:
2424:
2411:
2400:
2398:
2393:
2390:
2389:
2387:
2386:
2381:
2376:
2371:
2366:
2361:
2356:
2350:
2348:
2343:
2340:
2339:
2337:
2336:
2331:
2326:
2321:
2316:
2311:
2310:
2309:
2299:
2298:
2297:
2292:
2287:
2275:
2268:
2263:
2258:
2253:
2247:
2245:
2240:
2237:
2236:
2233:
2232:
2230:
2229:
2224:
2219:
2214:
2209:
2204:
2199:
2194:
2189:
2184:
2179:
2174:
2168:
2166:
2165:Other concepts
2162:
2161:
2159:
2158:
2153:
2148:
2142:
2140:
2134:
2133:
2131:
2130:
2125:
2120:
2115:
2110:
2105:
2100:
2094:
2092:
2083:
2077:
2076:
2073:
2072:
2070:
2069:
2064:
2059:
2054:
2049:
2044:
2038:
2036:
2032:
2031:
2029:
2028:
2023:
2018:
2013:
2008:
2003:
2002:
2001:
1991:
1989:Re-cut trailer
1986:
1981:
1976:
1971:
1966:
1961:
1955:
1953:
1949:
1948:
1945:
1944:
1942:
1941:
1936:
1928:
1920:
1912:
1910:
1906:
1905:
1903:
1902:
1897:
1892:
1887:
1882:
1876:
1870:
1867:
1864:
1863:
1861:
1860:
1855:
1850:
1845:
1840:
1835:
1830:
1824:
1822:
1818:
1817:
1815:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1757:Plunderphonics
1754:
1749:
1744:
1739:
1734:
1729:
1724:
1719:
1714:
1709:
1704:
1699:
1698:
1697:
1687:
1682:
1676:
1674:
1667:
1663:
1662:
1654:
1653:
1646:
1639:
1631:
1625:
1624:
1616:
1608:
1589:
1586:
1583:
1582:
1564:
1546:
1521:
1520:
1518:
1515:
1479:formulated by
1470:
1467:
1462:De Copia Rerum
1381:
1378:
1346:
1345:
1343:
1342:
1335:
1328:
1320:
1317:
1316:
1313:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1252:
1247:
1242:
1237:
1232:
1227:
1222:
1217:
1212:
1207:
1204:Ars dictaminis
1199:
1195:
1194:
1193:
1190:
1189:
1186:
1185:
1184:
1183:
1173:
1168:
1163:
1158:
1153:
1148:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1102:
1098:
1097:
1096:
1093:
1092:
1089:
1088:
1078:
1068:
1058:
1048:
1038:
1028:
1018:
1008:
1002:On the Sublime
998:
988:
978:
968:
958:
948:
938:
928:
918:
908:
898:
888:
877:
873:
872:
871:
868:
867:
864:
863:
858:
853:
848:
843:
838:
833:
828:
823:
818:
813:
808:
803:
798:
793:
788:
783:
778:
773:
768:
763:
758:
753:
748:
743:
738:
733:
728:
723:
718:
713:
707:
703:
702:
701:
698:
697:
694:
693:
688:
683:
678:
673:
668:
663:
658:
657:
656:
646:
640:
634:
633:
632:
629:
628:
625:
624:
619:
614:
609:
608:
607:
597:
596:
595:
585:
584:
583:
578:
573:
563:
558:
553:
551:Lightning talk
548:
547:
546:
536:
531:
530:
529:
519:
514:
509:
504:
499:
498:
497:
492:
480:
475:
468:
467:
466:
456:
451:
446:
445:
444:
432:
427:
421:
417:
416:
415:
412:
411:
408:
407:
400:
393:
392:
391:
381:
376:
375:
374:
367:
360:
348:
343:
338:
336:Method of loci
333:
326:
319:
314:
313:
312:
305:
298:
291:
284:
272:
271:
270:
265:
255:
254:
253:
243:
236:
231:
224:
223:
222:
210:
205:
198:
191:
186:
181:
173:
169:
168:
167:
164:
163:
160:
159:
154:
153:
152:
140:
139:
138:
133:
123:
122:
121:
116:
106:
101:
100:
99:
94:
89:
84:
79:
72:Ancient Greece
68:
62:
61:
60:
57:
56:
48:
47:
41:
40:
26:
9:
6:
4:
3:
2:
2679:
2668:
2665:
2663:
2660:
2658:
2655:
2653:
2650:
2648:
2645:
2643:
2640:
2638:
2635:
2633:
2630:
2628:
2625:
2624:
2622:
2607:
2606:Remix culture
2604:
2602:
2599:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2575:
2572:
2570:
2567:
2565:
2562:
2561:
2560:
2557:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2526:
2524:
2516:
2510:
2507:
2505:
2504:Postmodernism
2502:
2500:
2497:
2495:
2494:
2490:
2488:
2487:
2483:
2481:
2480:
2476:
2474:
2471:
2469:
2468:
2463:
2461:
2458:
2456:
2455:
2451:
2449:
2446:
2445:
2443:
2439:
2430:
2429:
2425:
2419:
2418:
2412:
2407:
2406:
2402:
2401:
2399:
2394:Epoch-marking
2391:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2369:Jazz standard
2367:
2365:
2364:Genre fiction
2362:
2360:
2357:
2355:
2352:
2351:
2349:
2341:
2335:
2334:Western canon
2332:
2330:
2327:
2325:
2322:
2320:
2319:Genre studies
2317:
2315:
2312:
2308:
2305:
2304:
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2053:
2050:
2048:
2047:Internet meme
2045:
2043:
2040:
2039:
2037:
2033:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2000:
1999:Shot-for-shot
1997:
1996:
1995:
1992:
1990:
1987:
1985:
1982:
1980:
1977:
1975:
1974:Found footage
1972:
1970:
1967:
1965:
1962:
1960:
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1956:
1954:
1950:
1940:
1937:
1935:
1934:
1929:
1927:
1926:
1921:
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1918:
1914:
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1911:
1907:
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1813:
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1788:
1787:Sound collage
1785:
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1718:
1717:Interpolation
1715:
1713:
1710:
1708:
1707:Cover version
1705:
1703:
1700:
1696:
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1664:
1659:
1658:Appropriation
1652:
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1341:
1336:
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1329:
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1322:
1321:
1319:
1318:
1311:
1308:
1306:
1305:Toulmin model
1303:
1301:
1298:
1296:
1293:
1291:
1290:Talking point
1288:
1286:
1285:Speechwriting
1283:
1281:
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1107:
1106:Argumentation
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1103:
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942:De Inventione
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637:
631:
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623:
622:War-mongering
620:
618:
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613:
610:
606:
603:
602:
601:
598:
594:
591:
590:
589:
588:Progymnasmata
586:
582:
579:
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572:
569:
568:
567:
564:
562:
559:
557:
556:Maiden speech
554:
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541:
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528:
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199:
197:
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182:
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179:
175:
174:
166:
165:
158:
157:Modern period
155:
151:
150:
146:
145:
144:
141:
137:
134:
132:
129:
128:
127:
124:
120:
117:
115:
112:
111:
110:
107:
105:
104:Ancient India
102:
98:
95:
93:
90:
88:
87:Attic orators
85:
83:
80:
78:
75:
74:
73:
70:
69:
65:
59:
58:
54:
50:
49:
46:
43:
42:
38:
34:
33:
30:
19:
2519:Related non-
2491:
2484:
2477:
2466:
2464:
2452:
2441:Theorization
2426:
2416:
2403:
2282:
2197:Found object
2192:DĂ©tournement
2026:YouTube poop
2021:Video mashup
1969:Collage film
1932:
1924:
1915:
1843:Found poetry
1838:Flarf poetry
1747:Parody music
1727:Music mashup
1702:Contrafactum
1620:
1612:
1594:
1576:
1503:lyric poetry
1496:
1488:
1484:
1474:
1472:
1460:
1440:
1432:
1420:
1416:
1414:
1409:
1406:On imitation
1405:
1401:
1389:
1385:
1383:
1352:
1350:
1349:
1230:Glossophobia
1202:
1121:Constitutive
1080:
1070:
1060:
1050:
1040:
1030:
1020:
1010:
1000:
990:
980:
970:
960:
950:
940:
930:
920:
910:
900:
890:
880:
704:Rhetoricians
617:Stump speech
534:Invitational
487:
472:Dissoi logoi
470:
449:Deliberative
441:Controversia
439:
402:
395:
369:
362:
355:
328:
322:
321:
309:Pronuntiatio
307:
300:
293:
286:
279:
238:
226:
217:
200:
193:
176:
147:
109:Ancient Rome
29:
2647:Narratology
2586:Open source
2374:Plot device
2324:Originality
2307:Fan fiction
2172:After (art)
2128:Translation
1984:Parody film
1868:Visual arts
1797:Tribute act
1660:in the arts
1507:epic poetry
1425:originality
1310:Wooden iron
1270:Rhetrickery
1245:Oral skills
1181:Composition
1116:Contrastive
936:(c. 350 BC)
926:(c. 350 BC)
916:(c. 350 BC)
906:(c. 350 BC)
896:(c. 370 BC)
756:Demosthenes
736:Brueggemann
671:Ideological
522:Homiletics‎
435:Declamation
425:Apologetics
275:Five canons
143:Renaissance
126:Middle Ages
2621:Categories
2479:Nachahmung
2465:Dionysian
2405:L.H.O.O.Q.
2329:Simulacrum
2138:Adaptation
2118:Plagiarism
2052:Joke theft
2035:Other arts
1828:Assemblage
1690:Contrafact
1588:References
1429:Quintilian
1402:On mimesis
1370:rhetorical
1351:Dionysian
1166:Technology
1156:Procedural
976:(c. 50 BC)
962:De Oratore
826:Quintilian
821:Protagoras
676:Metaphoric
600:Propaganda
483:Epideictic
397:Sotto voce
351:Persuasion
346:Operations
288:Dispositio
184:Chironomia
2354:Archetype
2346:and forms
2302:Fan labor
2182:Bricolage
2123:Quotation
2011:TV format
1917:Mona Lisa
1812:Vaporwave
1807:Variation
1767:Quodlibet
1762:Potpourri
1752:Pasticcio
1742:Nightcore
1493:Aristotle
1481:Aristotle
1441:imitation
1398:Dionysius
1280:Seduction
1111:Cognitive
1099:Subfields
1026:(100–400)
781:Isocrates
721:Augustine
711:Aristotle
686:Narrative
636:Criticism
581:Philippic
495:Panegyric
478:Elocution
459:Dialectic
379:Situation
240:Facilitas
234:Enthymeme
213:Eloquence
195:Delectare
2574:Fair use
2467:imitatio
2460:Diegesis
2284:Afflatus
2256:Anti-art
2243:concepts
2187:Citation
2151:Literary
2113:Pastiche
2098:Allusion
2082:concepts
2080:General
2006:Supercut
1792:Standard
1782:Sampling
1666:By field
1595:Imitatio
1485:imitatio
1433:imitatio
1417:imitatio
1410:imitatio
1353:imitatio
1151:Pedagogy
1131:Feminist
902:Rhetoric
892:Phaedrus
886:(380 BC)
836:Richards
806:Perelman
654:Pentadic
649:Dramatic
593:Suasoria
571:Diatribe
512:Forensic
489:Encomium
454:Demagogy
323:Imitatio
295:Elocutio
281:Inventio
251:Informal
170:Concepts
97:Sophists
92:Calliope
82:Atticism
77:Asianism
45:Rhetoric
37:a series
35:Part of
18:Imitatio
2637:Poetics
2499:Pop art
2473:Mimesis
2417:Quixote
2217:Reprise
2156:Theatre
2042:In-joke
2016:Vidding
1880:Collage
1605:Summary
1511:mimesis
1498:Poetics
1489:mimesis
1476:mimesis
1469:Mimesis
1457:Erasmus
1421:mimesis
1390:mimesis
1386:Poetics
1380:History
1374:mimesis
1196:Related
1171:Therapy
1161:Science
1126:Digital
1006:(c. 50)
996:(46 BC)
986:(46 BC)
966:(55 BC)
956:(80 BC)
946:(84 BC)
882:Gorgias
851:Toulmin
846:Tacitus
796:McLuhan
771:Gorgias
766:Erasmus
761:Derrida
726:Bakhtin
716:Aspasia
681:Mimesis
644:Cluster
576:Eristic
566:Polemic
561:Oratory
539:Lecture
302:Memoria
246:Fallacy
189:Decorum
136:Trivium
64:History
2432:(2010)
2422:(1939)
2409:(1919)
2222:Satire
2212:Mashup
2202:Homage
2108:Parody
2103:Calque
1994:Remake
1777:Riddim
1722:Medley
1712:DJ mix
1600:
1255:Pistis
1250:Orator
1176:Visual
1086:(1970)
1076:(1966)
1066:(1521)
1056:(1305)
992:Orator
932:Topics
861:Weaver
791:Lysias
786:Lucian
776:Hobbes
751:de Man
746:Cicero
544:Public
527:Sermon
502:Eulogy
430:Debate
418:Genres
364:Pathos
330:Kairos
317:Hypsos
263:Scheme
228:Eunoia
208:Device
202:Docere
2396:works
2314:Genre
2295:Muses
1933:PietĂ
1925:David
1900:Swipe
1853:Trope
1802:Trope
1772:Remix
1673:Music
1517:Notes
1491:. In
1392:as a
1046:(426)
1036:(102)
874:Works
841:Smith
831:Ramus
816:Plato
811:Pizan
741:Burke
731:Booth
666:Genre
661:Frame
404:Topos
389:Grand
384:Style
371:Logos
357:Ethos
341:Modes
268:Trope
2581:Meme
2448:Dada
2146:Film
1695:list
1598:ISBN
1220:Doxa
1016:(95)
856:Vico
605:Spin
1495:'s
1459:in
1366:BCE
1295:TED
1141:New
801:Ong
2623::
2420:"
1567:^
1549:^
1525:^
1513:.
1505:,
1501:,
1465:.
39:on
2413:"
2274:"
2270:"
1650:e
1643:t
1636:v
1404:(
1339:e
1332:t
1325:v
20:)
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