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149:"The painting adds to a number of Danish artists monumental portraits of women and wives from the turn of the 20th century. Images that display a woman that's gradually released from the Romantic's body and intellectual motherhood towards a more independent and confident woman with both body and brains."
145:. In recent years, the field of art history has generally accepted that these two aspects of his work are equally important and complement each other. It has also been pointed out that "In the garden door" represents an alternative view of women to Romanticism's idealized view of the female figure.
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Ring was 42 years old when he painted the portrait of his wife, who was 22 at the time. From this context, art historians interpret the painting as a love letter to his pregnant wife, which positions the trip looking to the spring blooming flora, symbolizing love. For example, myrtle over her head
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Ring suggests in the painting human frailty by equating Sigrid's stomach with the vegetation's almost crippled stem and branch structure. It has been interpreted as the artist's "reminder of the fragility that also includes the emerging life as perceived by man and nature." The image's contrast
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in Greek mythology, and myrtle was traditionally used to decorate the bride at weddings in
Denmark. There's also an underlying gloom in this painting, assumed to be a symbol of death, "the real underlying theme, or rather, the life experience of Ring trying to handle and dispose of paint."
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between cold and warm colors contribute to the feeling of space. In the foreground to the left penetrates warm orange and yellow colors of the curtain and the dress while the cooler green and blue colors remain in the image's background.
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Paintings in the
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is an oil painting executed in 1897 by the Danish artist
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L.A. Ring has been described as a pioneer of Danish
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257:www.smk.dk
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199:References
154:Literature
101:L. A. Ring
77:Dimensions
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316:Paintings
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139:symbolism
126:Aphrodite
362:Ole Ring
85:Location
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