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The art historian Finn Terman
Frederiksen believes that while the painting provides an extremely accurate rendering of the scene during an unusually warm period in August 1900, it can also be interpreted as symbolising the cycle of life from night to day, from death to life and, perhaps also, Ring's
76:. The water is calm reflecting a group of fishing boats and the bluish tints of the sky. The scene is bathed in light, possibly symbolising a sense of infinity. Ring provides a panoramic view of the scene, drawing the eyes to the horizon and beyond, paving the way for sensual interpretations.
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The painting depicts the hilly green landscape and the flat marshy area bordering
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114:"Sommerdag ved Roskilde Fjord, 1900, L.A. Ring (1854–1933)"
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from 1900. Considered to be one of the masterpieces of
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293:Collection of the Randers Museum of Art
137:Merete Sanderhoff, "Realist i samtiden"
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196:In the garden door. The artist's wife
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85:own rebirth after his marriage to
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204:Sommerdag ved Roskilde Fjord
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41:Summer Day by Roskilde Fjord
35:Sommerdag ved Roskilde Fjord
27:Sommerdag ved Roskilde Fjord
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16:1900 painting by L. A. Ring
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143:Retrieved 8 February 2013.
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56:. It is displayed in the
278:Paintings by L. A. Ring
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58:Randers Museum of Art
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283:Danish Culture Canon
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298:Landscape paintings
89:. It thus combines
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257:L. A. Ring House
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64:Description
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272:Categories
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181:L. A. Ring
101:References
46:L. A. Ring
188:Paintings
95:Symbolism
234:Ole Ring
117:Archived
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91:Realism
74:Zealand
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215:People
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