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269:, an old friend of his. Ring served as a model for the unflattering character Thorkild Drehling, a painter and failed revolutionary, who was in love with his best friend's wife. Ring did not object to the unflattering depiction, but he was offended that Pontoppidan would publicly divulge his infatuation with Johanne Wilde in that way. Ring, deeply hurt by Pontoppidan's betrayal of confidence, broke off his friendship, never giving an explanation.
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200:. Ring's parents were wheelmaker and carpenter Anders Olsen (1816–83) and farmer's daughter Johanne Andersdatter (1814–95). In 1869, he became a painter's apprentice because his older brother was to take over the father's workshop. In 1873, while working in Copenhagen Laurits decided to take classes in painting, and after two years of private studies he was accepted at the
233:
although the two exchanged frequent and intimate letters. Ring painted many tender portraits of Mrs. Wilde. As Ring realized that the relation would never materialize he turned his back on the Wildes, experiencing a time of intense depression. In 1893 he received a travel stipend and spent the year studying in Italy.
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In Ring's art the road and the path are recurring themes, and other lines such as creeks, rivers and estuaries, the open sea and modern elements e.g. bridges, railway tracks and telephone cables are used as main motifs. The roads lead the eye into the paintings and out again, as a symbol of the human
461:
Ring's consistent engagement with the unpleasant realities of life caused one critic to dub him "the
Apostle of the Hideous". Others have interpreted the drive towards unsentimental realism as an expression of Ring's atheist life stance. Ring himself quipped on his 40th birthday that "Life is short -
228:
had bypassed democratic rule and governed through decrees. Ring was politically active in the "Rifle movement", a revolutionary group of students taking up arms training in preparation for a rebellion. Ring became increasingly interested in the difficulties of the poor and social justice for the
232:
While he lived in
Copenhagen, he became a close friend of the family of lawyer and amateur painter Alexander Wilde. He spent Christmas and summers with the family and formed a close friendship with Wilde's wife, Johanne. Ring was deeply in love with her but she remained faithful to her husband,
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His entire work demonstrates a division between an attachment to tradition and the spirit of modernity. Many of his paintings depict crossings and thresholds: the space between waiting and leaving in a doorway, at a window or at a railroad crossing. This symbolism is visible for example in his
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Ring in particular painted landscapes, but in the beginning of his career it was not the landscape painting that dominated his art. Up until 1887 there were about 10 landscape paintings out of approximately 90 works of art in his repertoire. From 1888 and until his death in 1933 the landscape
926:
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In 1881, he and his friend, the painter Hans
Andersen from the village of Brændekilde, decided to change their last names, taking the names of their native villages, in order to avoid confusion at their joint exhibition. Laurits became L. A. Ring, and his friend Hans became
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1887) showing how the rural poor would pick up the grain left behind by the increasingly industrial methods of harvesting, a motif first made famous by Millet. Most of his paintings depict the village life and landscapes of southern
Zealand from
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showing the artists wife, pregnant in the doorway between the living room and the garden with a background of gnarled and withered branches. Sometimes more than one circle of motif is present in a painting, e.g. Runesten ved
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The paintings all have a high horizontal line and the people do not tower into the sky in accordance with Ring's atheist attitude. Rather, they stay at the ground and have furthermore absorbed colour from the surroundings.
450:, and his painting began to explore motifs and symbolism that contrasted forces of life and death. Even in his depictions of rural laborers Ring always played on the deeper symbolic and abstract meanings, so that his work
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in 1895 Ring was very preoccupied with death and that left traces in his world of motifs as well in the landscape paintings as in the figure paintings. During the travel to Italy 1893-95 Ring had plans to paint a
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Ring often uses doors and windows as thresholds. In some of the threshold paintings the person depicted is in a hesitant position in front of the doorway or window waiting to be able to connect with the outside world.
404:. Early scholarship discussed whether Ring was best to be considered a realist or a symbolist painter, but later scholars have accepted that the two aspects of his work are equally important and complement each other.
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435:. In his landscape painting, he was also inspired by psychological symbolism, infusing the landscapes with an otherworldly mystique and "strange mixtures of mood". This style has been described as "anti-naturalism".
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As a painter, Ring never distanced himself from his humble origin, but rather made it his dominant theme, depicting the reality of rural life. This is visible for example in his painting
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1884) becomes a depiction not just of a working man, nor of his brother who was the model, but of the cycle of life as symbolized by the scythe cutting the ripe corn.
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remains as his life and essence: The still water of profound depth". Today there are examples of his work at practically every Danish art museum including the
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Since 1951 Ring's works have been described in more than 150 articles, newspapers, journals and books. Furthermore, there has been several exhibitions in
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Finn Terman
Frederiksen, EN KÆRLIGHEDSHISTORIE: Nogle kunsthistoriske konsekvenser af L.A. Rings forhold til Johanne Wilde. Udtryk vol. 8:1, 2007,
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303:. Ring produced several paintings from these towns. By 1913, Ring was a notable member of Denmark's artistic community and a censor at the
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2015:
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For a while, he lived at
Baldersbrønde near Hedehusene in the old school building, which was later to be the home of another painter,
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296:, 1887). Their son, Ole Ring (1902-1972), also became a painter, and painted in a style highly influenced by that of his father.
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598:. Ring does not attempt to cause pity or seek sympathy for the weak. Ring made a number of monumental portrayals of laborers,
2005:
1995:
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216:. Ring's first exhibition took place in 1882, but he did not acquire recognition until 1884, the year in which he finished
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Patricia G. Berman. 2007. In another light: Danish painting in the nineteenth century. Vendome Press, Oct 1, 2007 p. 193
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and abroad showcasing Ring's works of art: a Danish-Swedish travelling exhibition in 1973 with 46 works, the exhibition
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A feature often seen in Ring's art is to place one or more objects at the edge of picture, which can be seen in e.g.
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The painting of Ring's wife, Sigrid Kähler, is surrounded by subtle symbols indicating his love for her, such as the
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the couple had three children before Kähler died in 1923, at age 49. In 1900, he received the bronze medal at the
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L.A. Ring painted social realistic portrayals of rural laborers, but not as noteworthy as
Henningsen's
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1295:(1885). The harvest worker is Ring's brother Ole Peter Andersen, painted at his farm at Tehusene near
280:. In 1896 Ring married Kähler, who was only 21 years old at the time (he was 42). Living together in
208:. He was never content with the academy and disliked the strict training in classical disciplines.
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from 1910. They are all painted in the large format approximately 185 x 111,5 cm except from
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1278:(1884), people waiting at crossings or thresholds and railroads was a favored motif for Ring.
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Upon his return from Italy, he started working on a series of paintings with fellow painter
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according to the
Ancient Greeks, and used in Denmark to adorn the bride at weddings.
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741:(dance of death). However, the idea was discarded and was instead incorporated in
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224:, 1884). At this time, Denmark was in political turmoil, as the Council President
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in
Denmark. Considered one of the masterpieces of Danish culture, his painting
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Streamable movie about life of L. A. Ring at the Danish State Museum of Art
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392:, but he also incorporated influences from more modernist painters such
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published a biography in which he summarized Ring's life and work: "His
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1011:. Another threshold motif is the meeting between old and new, e.g. in
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In other motifs it is the ultimate threshold before death, as seen in
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Indhegnede grønninger ved en gård med en storkerede på taget, Skærbæk
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1941:
1554:"Laurits Andersen Ring" in Den Store Danske Encyklopædi. Gyldendal.
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in 1982-83 at three locations in USA, a large-scale exhibition at
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painting however made up about three quarters of his production.
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After the death of the brother in 1886 and until the return from
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Efter solnedgang, "Nu skrider Dagen under, og Natten vælder ud"
365:. Ring also often places the horizontal line high, as seen in
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In 1894, Ring was used as a model for a character in the novel
1526:"Life is Short - Art is Long", by Merethe Sanderhoff at SMK.dk
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Efter solnedgang, "Nu skrider Dagen under, og Natten vælder ud
159:; 15 August 1854 – 10 September 1933) was one of the foremost
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Når toget ventes - Jernbaneoverskæring ved
Roskilde Landevej
245:(1897), for which Ring received the Bronze medal at the
1592:
L.A. Ring, På Kanten af Verden. Ud.Tryk vol. 8:1. p. 1
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of the turn of the 20th century, who pioneered both
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På kanten af verden, Statens Museum for Kunst, 2006
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På kanten af verden, Statens Museum for Kunst, 2006
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På kanten af verden, Statens Museum for Kunst, 2006
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På kanten af verden, Statens Museum for Kunst, 2006
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På kanten af verden, Statens Museum for Kunst, 2006
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På kanten af verden, Statens Museum for Kunst, 2006
276:as a model. She was the daughter of ceramic artist
1977:
307:. He had a house built at Sankt Jørgensbjerg in
1724:. Statens Museum for Kunst. pp. 230, 237.
626:with the smaller format 142,5 x 111,5 cm.
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379:Skærsommer. Tre børn i en mark med kornblomster
1774:. Statens Museum for Kunst. pp. 128–129.
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1674:. Statens Museum for Kunst. pp. 26, 32.
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918:Fru_Sigrid_Ring_siddende_paa_et_Stenbalustre
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1512:"Ole Ring" in Den Store Danske Encyklopædi
1489:. Statens Museum for Kunst. Archived from
1487:"Laurits Andersen Ring: The Artist's Wife"
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1073:Susåen. Broen og møllen ved Karrebæksminde
920:, 1912, Van der Meij Fine Arts (Amsterdam)
29:
1572:. Statens Museum for Kunst. p. 242.
1521:
1519:
608:Arbejdere ved en vandledning ved Søndersø
537:Arbejdere ved en vandledning ved Søndersø
204:in 1875 and studied briefly with painter
1799:. Statens Museum for Kunst. p. 86.
1699:. Statens Museum for Kunst. p. 44.
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381:and in his portrayal of rural laborers.
355:Jernbaneoverkørsel ved Roskilde Landevej
341:(1898). The painters wife, Sigrid Kähler
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314:The year after Ring's death, the author
290:In the Garden Doorway, the Artist's Wife
242:In the Garden Doorway, The Artist's Wife
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1618:: CS1 maint: archived copy as title (
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802:Aaløb gennem grønne Enge ved Sommertid
384:Ring drew on the Danish tradition of "
1904:In the garden door. The artist's wife
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1821:"L.A. Ring. On the Edge of the World"
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411:branches above her head, a symbol of
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783:Kählers bygning bag Banken i Næstved
196:in a village named Ring in southern
2011:Recipients of the Thorvaldsen Medal
1038:Tåget landskab med Mogenstrup Mølle
339:Ved frokostbordet og morgenaviserne
329:
13:
2016:Recipients of the Eckersberg Medal
556:Teglværksarbejdere. Ladby teglværk
388:" (folk) art, such as the work of
14:
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261:) by the Danish author and later
108:Royal Danish Academy of Fine Arts
2031:20th-century Danish male artists
2026:19th-century Danish male artists
2021:People from Næstved Municipality
1747:Dansk kunst i det 20. århundrede
1656:L. A. Ring "I Havedoeren" SMK.DK
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1234:with 42 works of art and lastly
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1795:Larsen, Peter Nørgaard (2006).
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1770:Larsen, Peter Nørgaard (2006).
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1720:Larsen, Peter Nørgaard (2006).
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1695:Larsen, Peter Nørgaard (2006).
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1670:Larsen, Peter Nørgaard (2006).
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1568:Larsen, Peter Nørgaard (2006).
1382:Village street in Baldersbrønde
1111:Åen og havnen ved Frederiksværk
989:Sønnen Ole kigger ud af vinduet
1887:
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1418:Template:Laurits Andersen Ring
1149:Tidligt forår. Motiv ved Melby
1017:Runesten ved Roskilde Landevej
902:Runesten ved Roskilde Landevej
818:Runesten ved Roskilde Landevej
665:Aften. Den gamle kone og døden
347:Runesten ved Roskilde Landevej
156:[ˈlɑwʁitsˈɑnɐsn̩ˈʁeŋˀ]
1:
1749:. Gyldendal A/S. p. 50.
1642:L. A. Ring - I Hoest - SMK.dk
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2006:20th-century Danish painters
1996:19th-century Danish painters
1912:Sommerdag ved Roskilde Fjord
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484:Portrayals of rural laborers
438:Inspired by authors such as
177:Summer Day by Roskilde Fjord
7:
1597:(in Danish). Archived from
1447:(in Danish). Archived from
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1244:National Gallery of Denmark
1115:Den Hirschsprungske Samling
849:Den Hirschsprungske Samling
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726:National Gallery of Denmark
669:National Gallery of Denmark
522:National Gallery of Denmark
503:National Gallery of Denmark
359:Summerday by Roskilde Fjord
10:
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1367:In the Month of June, 1899
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1187:Fjorden ved Karrebæksminde
1130:Diset vinterdag i Vinderød
705:, 1893, owned by HM Queen
305:Charlottenborg exhibitions
1957:
1922:
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1202:Reception and exhibitions
883:Stygt vejr. Baldersbrønde
649:Skelet. Døden uden vinger
180:was included in the 2006
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1240:On the Edge of the World
1191:Statens Museum for Kunst
1092:Lundbyes bænk ved Arresø
1077:Statens Museum for Kunst
1058:Statens Museum for Kunst
938:Statens Museum for Kunst
868:Statens Museum for Kunst
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577:, 1910, Statsministeriet
466:Ring's circles of motifs
367:Lundbyes bænk ved Arresø
363:Lundbyes bænk ved Arresø
1386:ARoS Aarhus Kunstmuseum
1218:with 100 works of art,
1040:, 1889, privately owned
975:, 1926, privately owned
904:, 1912, privately owned
820:, 1912, privately owned
707:Margrethe II of Denmark
651:, 1887, privately owned
398:Jean François Raffaëlli
324:Hirschsprung Collection
187:
1745:Wivel, Mikael (2008).
1403:Winter Day in Roskilde
1250:(42 works of art) and
1009:På kirkegården i Fløng
864:På kirkegården i Fløng
375:På kirkegården i Fløng
342:
250:
202:Danish Academy of Arts
36:The Painter L. A. Ring
1325:Road near Maagenstrup
1236:"På Kanten af Verden"
1220:"Nordiske Stemninger"
953:Ved vinduet. Ole ring
684:Raager på Pløjemarken
473:In the Garden Doorway
442:and the ideas of the
371:Krager på pløjemarken
337:
286:World's Fair in Paris
239:
152:Danish pronunciation:
148:Laurits Andersen Ring
23:Laurits Andersen Ring
2001:Danish male painters
1344:(1887) compare with
1242:) in 2006-07 at The
1134:Fuglsang Kunstmuseum
973:Foråret og den gamle
688:Toledo Museum of Art
541:Fuglsang Kunstmuseum
402:Jean-François Millet
182:Danish Culture Canon
1474:Randers Kunstmuseum
1254:(85 works of art).
1252:Randers Kunstmuseum
993:Randers Kunstmuseum
787:Randers Kunstmuseum
444:Modern Breakthrough
1851:2015-12-08 at the
1531:2015-09-21 at the
1276:The Railroad guard
1263:L. A. Ring's works
1013:The Railroad guard
764:The Railroad guard
612:Teglværksarbejdere
594:and Brendekilde's
343:
267:Henrik Pontoppidan
251:
218:The Railroad Guard
88:Sankt Jørgensbjerg
1973:
1972:
1756:978-87-02-02985-7
592:En såret arbejder
560:Vejen Kunstmuseum
478:Roskilde Landevej
446:, Ring became an
288:for his painting
247:1900 World's Fair
214:H. A. Brendekilde
192:Ring was born as
145:
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80:10 September 1933
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1965:L. A. Ring House
1948:Herman A. Kähler
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1445:"L.A. Rings liv"
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588:H.A. Brendekilde
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351:Når taget ventes
330:Style and motifs
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1303:. Compare with
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32:
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16:Danish artist
1936:Ghita Hempel
1910:
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1888:
1825:. Retrieved
1815:
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1740:
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1603:. Retrieved
1599:the original
1588:
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1507:
1495:. Retrieved
1491:the original
1481:
1453:. Retrieved
1449:the original
1402:
1381:
1347:The Gleaners
1345:
1341:
1324:
1307:
1299:in Southern
1292:
1275:
1239:
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1224:Nordic Moods
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1219:
1216:Orddrupgaard
1211:
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664:
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581:
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517:
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498:
477:
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460:
455:
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437:
423:
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394:Paul Gauguin
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206:P. S. Krøyer
193:
191:
175:
147:
146:
82:(1933-09-10)
35:
1991:1933 deaths
1986:1854 births
1659:(in Danish)
1645:(in Danish)
1557:(in Danish)
1536:(in Danish)
1185:L.A. Ring,
1166:L.A. Ring,
1153:Ordrupgaard
1147:L.A. Ring,
1128:L.A. Ring,
1109:L.A. Ring,
1096:Ordrupgaard
1090:L.A. Ring,
1071:L.A. Ring,
1052:L.A. Ring,
1036:L.A. Ring,
987:L.A. Ring,
971:L.A. Ring,
957:Ordrupgaard
951:L.A. Ring,
916:L.A. Ring,
900:L.A. Ring,
881:L.A. Ring,
862:L.A. Ring,
843:L.A. Ring,
826:existence.
816:L.A. Ring,
800:L.A. Ring,
781:L.A. Ring,
720:L.A. Ring,
703:Elletrunter
701:L.A. Ring,
682:L.A. Ring,
663:L.A. Ring,
647:L.A. Ring,
610:from 1891,
602:from 1885,
573:L.A. Ring,
554:L.A. Ring,
535:L.A. Ring,
516:L.A. Ring,
497:L.A. Ring,
316:Peter Hertz
301:Ludvig Find
294:I Havedøren
263:Nobel prize
255:Night watch
96:Nationality
1980:Categories
1938:(daughter)
1889:L. A. Ring
1605:2013-01-27
1424:References
1248:Copenhagen
1023:Landscapes
932:L.A Ring,
762:L.A Ring,
739:"dødedans"
620:Sædemanden
575:Sædemanden
58:1854-08-15
38:, 1901 by
1896:Paintings
1497:15 August
1384:, (1905)
1308:The Sower
830:Threshold
471:painting
424:Axsamlere
413:Aphrodite
259:Nattevagt
249:in Paris.
168:symbolism
126:Symbolism
104:Education
90:, Denmark
1942:Ole Ring
1849:Archived
1614:cite web
1529:Archived
1412:See also
1342:Gleaners
1305:Millet's
1189:, 1910,
1170:, 1903,
1151:, 1901,
1132:, 1901,
1113:, 1900,
1094:, 1899,
1075:, 1898,
1056:, 1898,
991:, 1930,
936:, 1914,
885:, 1908,
866:, 1904,
847:, 1902,
785:, 1895,
766:, 1884,
749:The Road
686:, 1891,
558:, 1892,
539:, 1901,
420:Gleaners
309:Roskilde
164:painters
122:Movement
117:Painting
1958:Museums
1455:1 April
1301:Zealand
1293:Harvest
1258:Gallery
1208:Denmark
804:, 1898
600:Harvest
596:Udslidt
499:Harvest
448:atheist
433:Næstved
265:winner
198:Zealand
70:Denmark
1932:(wife)
1923:People
1915:(1900)
1907:(1897)
1827:7 July
1803:
1778:
1753:
1728:
1703:
1678:
1576:
1405:(1929)
1352:Millet
1327:(1888)
1232:Norway
959:, 1925
456:I Høst
429:Præstø
409:myrtle
320:oeuvre
226:Estrup
161:Danish
136:Spouse
99:Danish
1944:(son)
1823:. SMK
1297:Fakse
734:Italy
634:Death
582:Like
386:almue
1829:2016
1801:ISBN
1776:ISBN
1751:ISBN
1726:ISBN
1701:ISBN
1676:ISBN
1620:link
1574:ISBN
1499:2012
1457:2016
1015:and
1007:and
586:and
400:and
361:and
188:Life
170:and
77:Died
66:Ring
48:Born
1388:.
1350:by
1246:in
431:to
1982::
1616:}}
1612:{{
1542:^
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1465:^
1432:^
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353:.
349:,
184:.
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1867:v
1831:.
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1476:.
1459:.
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1238:(
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