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Koryūsai

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154: 43: 183:("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga's in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade. Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker 1056: 1044: 1000: 1130: 1032: 166:
Despite the Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as examplars; Koryūsai work came to be seen as too indebted to
109:("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. 117:
Koryūsai's known designs total 2500, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century".
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in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The
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Koryūsai was a prolific designer of individual prints and print series, most of which appeared between 1769 and 1881.
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died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts.
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The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan
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His work is held in the permanent collections of several museums worldwide, including the
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created a series of 12 prints depicting nature scenes adapted from Koryūsai's designs.
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paintings are known, making him one of the most productive painters of the period.
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Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900
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Koryūsai was born in 1735 and worked as a samurai in the service of the
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In 1782 Koryūsai applied for and received the Buddhist honour
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Isoda Koryusai: New designs as fresh as young leaves (1778)
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Models for Fashion: New Designs as Fresh Young Leaves
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after the death of the head of the clan and moved to
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print designer and painter active from 1769 to 1790.
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Freer Gallery of Art & Arthur M. Sackler Gallery
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Index

Isoda Koryūsai
Japanese name
surname

ukiyo-e
Tsuchiya clan
rōnin
Edo
Ryōgoku Bridge
ukiyo-e
Harunobu
hashira-e
shunga
nikuhitsu-ga

Kiyonaga
Woldemar von Seidlitz
David Bull
British Museum
Museum of Fine Arts, Boston
Carnegie Museum of Art
Princeton University Art Museum
Minneapolis Institute of Art
University of Michigan Museum of Art
Hermitage Museum
Suntory Museum of Art
Israel Museum
Krannert Art Museum
Los Angeles County Museum of Art
Philadelphia Museum of Art

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