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all the notes are not those of the true Bassâor treated with simple embellishments in the upper parts or with simple chords used to be called "homophony". But it is a very different thing when two melodies are so interwoven that they converse together like two persons upon a footing of pleasant equality. In the first case, the accompaniment is subordinate and serves merely to support the first or principal part. In the second case, the two parts are not similarly related. New melodic combinations spring from their interweaving, out of which new forms of musical expression emerge. Suppose more parts are interwoven in the same free and independent manner. In that case, the apparatus of language is correspondingly enlarged and becomes practically inexhaustible if, in addition, varieties of form and rhythm are introduced. Hence, harmony becomes no longer a mere accompaniment of melody but rather a potent agency for augmenting the richness and expressiveness of musical conversation. To serve that end, a simple accompaniment will not suffice. True harmony is the interweaving of several melodies, which emerge now in the upper, now in the middle, and now in the lower parts.
4661:
1228:. But when Bach was installed as cantor in 1723, he was put in charge only of music for festal (church holiday) services at St. Paul's Church; his petition to also provide music for regular Sunday services there (for a corresponding salary increase) went all the way to the Elector but was denied. After this, in 1725, Bach "lost interest" in working even for festal services at St. Paul's Church and decided to appear there only on "special occasions". The St. Paul's Church had a much better and newer (1716) organ than the St. Thomas Church or the St. Nicholas Church. Bach was not required to play any organ in his official duties, but it is believed he liked to play on the St. Paul's Church organ "for his own pleasure".
4997:
spiritual ends. They are rooted in archaic chants, hymns, and chorales. They honour, with consummate skill, the scholastic discipline of canon and fugue. They make expert use of the word-painting techniques of the
Renaissance madrigal and Baroque opera. They absorb such stock scenes as the lament, the pastoral, the lullaby, the rage aria, the tempest. They allude to courtly French dances, Italian love songs, the polonaise. Their furious development of brief motifs anticipates Beethoven, who worshipped Bach when he was young. And their most daring harmonic adventuresâfor example, the otherworldly modulations in the 'Confiteor' of the B-Minor Massâlook ahead to Wagner, even to Schoenberg."
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665:). Late one evening, Geyersbach went after Bach with a stick. Bach filed a complaint against Geyersbach with the authorities. They acquitted Geyersbach with a minor reprimand and ordered Bach to be more moderate regarding the musical qualities he expected from his students. Some months later, Bach upset his employer with a prolonged absence from Arnstadt: after obtaining leave for four weeks, he was absent for around four months in 1705â1706 to take lessons from the organist and composer
2705:
3483:, whom the young organist visited in LĂŒbeck in 1704 on an extended leave of absence from his job in Arnstadt. Around this time, Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages and later arranged violin concertos by Vivaldi and others for organ and harpsichord. During his most productive period (1708â1714), he composed about a dozen pairs of preludes and fugues, five toccatas and fugues, and the
55:
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759:(director of music) at the ducal court, where he had an opportunity to work with a large, well-funded contingent of professional musicians. Bach and his wife moved into a house near the ducal palace. Later the same year, their first child, Catharina Dorothea, was born, and Maria Barbara's elder, unmarried sister joined them. She remained to help run the household until she died in 1729. Three sons were also born in Weimar:
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458:
1165:. Bach collected his cantatas in annual cycles. Five are mentioned in obituaries, and three are extant. Of the more than 300 cantatas Bach composed in Leipzig, over 100 have been lost to posterity. Most of these works expound on the Gospel readings prescribed for every Sunday and feast day in the Lutheran year. Bach started a second annual cycle on the first Sunday after the Trinity of 1724 and composed only
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2094:, which already had harpsichord soloists in the 1720s, Bach wrote and arranged his harpsichord concertos in the 1730s, and in his sonatas for viola da gamba and harpsichord neither instrument plays a continuo part: they are treated as equal soloists, far beyond the figured bass. In this sense, Bach played a key role in the development of genres such as the keyboard concerto.
16315:
2115:, the virtuoso music seems tailored for the instrument, the best of what is offered for it, yet Bach made an arrangement for lute of one of these suites. The same applies to much of his most virtuoso keyboard music. Bach exploited the capabilities of an instrument to the fullest while keeping the core of such music independent of the instrument on which it is performed.
2185:
2494:, or lyrics, of his vocal compositions played an essential role for Bach. He sought collaboration with various text authors for his cantatas and major vocal compositions, possibly writing or adapting such texts himself to make them fit the structure of the composition he was designing when he could not rely on the talents of other text authors. His collaboration with
16279:
3424:
1252:, a secular performance ensemble started by Telemann. This was one of the dozens of private societies in the major German-speaking cities that were established by musically active university students; these societies had become increasingly important in public musical life and were typically led by the most prominent professionals in a city. In the words of
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3150:, would have allowed Leipzig audiences, deprived of opera since 1720, to experience musical performances comparable to the royal opera in Dresden. These were not "poor or makeshift substitutes for real opera" but spectacles displaying "full mastery of the dramatic genre and the proper pacing of the dialogues."
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writes that "Bach became an absolute master of his art by never ceasing to be a student of it. His most exalted sacred worksâthe two extant
Passions, from the seventeen-twenties, and the Mass in B Minor, completed not long before his death in 1750âare feats of synthesis, mobilising secular devices to
4218:
Sometimes, "who copied whom" is not clear. For instance, Forkel mentions a Mass for double chorus among the works composed by Bach. The work was published and performed in the early 19th century. Although a score partially in Bach's handwriting exists, the work was later considered spurious. In 1950,
774:
Bach's time in Weimar began a sustained period of composing keyboard and orchestral works. He attained the proficiency and confidence to extend the prevailing structures and include influences from abroad. He learned to write dramatic openings and employ the dynamic rhythms and harmonic schemes found
2450:
If the language of music is merely the utterance of a melodic line, a simple sequence of musical notes, it can justly be accused of poverty. The addition of a Bass puts it upon a harmonic foundation and clarifies it but defines rather than gives it added richness. A melody so accompaniedâeven though
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saw its 19th-century premiere in 1833, and the first public performance of the Mass in B minor followed in 1844. Besides these and other public performances and increased coverage of the composer and his compositions in printed media, the 1830s and 1840s also saw the first publication of more vocal
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In his own time, Bach was highly regarded amongst his colleagues. However, his reputation outside of this small circle of connoisseurs was due not to his compositions (which had an extremely narrow circulation), but due to his virtuosic abilities. Nevertheless, during his life, Bach received public
1812:
accompaniment. The new system was at the core of Bach's style, and his compositions are to a large extent considered as laying down the rules for the evolving scheme that would dominate musical expression in the next centuries. Some examples of this characteristic of Bach's style and its influence:
1748:
was the basis of much of his work. In elaborating these hymns into his chorale preludes, he wrote more cogent and tightly integrated works than most, even when they were massive and lengthy. The large-scale structure of every major Bach sacred vocal work is evidence of subtle, elaborate planning to
4727:
and other
Baroque instruments rather than on modern pianos and 19th-century romantic organs. Ensembles playing and singing Bach's music not only kept to the instruments and the performance style of his day but were also reduced to the size of the groups Bach used for his performances. But that was
4525:
called the Mass in B minor the greatest composition ever. Bach's influence was felt in the next generation of early
Romantic composers. When Abraham's son Felix, aged 13, produced his first Magnificat setting in 1822, it is clear that he had been inspired by the then-unpublished D major version of
3604:
2454:
From 1720, when he was thirty-five until he died in 1750, Bach's harmony consists of this melodic interweaving of independent melodies, so perfect in their union that each part seems to constitute the true melody. Herein, Bach excels all the composers in the world. At least, I have found no one to
2429:
used in his four-part
Chorale settings, for example. Bach's canons, and especially his fugues, are the most characteristic of this style, which he did not invent but contributed to so fundamentally that he defined it to a large extent. Fugues are as characteristic to Bach's style as, for instance,
3809:
are interpolated according to a grand plan. There are nine canons within the 30 variations; every third variation is a canon. These variations move in order from canon at unison to canon at the ninth. The first eight are in pairs (unison and octave, second and seventh, third and sixth, fourth and
911:
In 1717, Bach eventually fell out of favour in Weimar and, according to a translation of the court secretary's report, was jailed for almost a month before being unfavourably dismissed: "On
November 6, , the quondam concertmaster and organist Bach was confined to the County Judge's place of
4643:
In
Germany throughout the century, Bach was coupled to nationalist feelings, and the composer was inscribed in a religious revival. In England, Bach was coupled with a revival of religious and baroque music. By the end of the century, Bach was firmly established as one of the greatest composers,
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put the composer's art in a wider perspective. Bach's music was extensively listened to, performed, broadcast, arranged, adapted, and commented upon in the 1990s. Around 2000, the 250th anniversary of Bach's death, three record companies issued box sets with complete recordings of Bach's music.
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on
Catherine Street off the main market square; and during the summer months in the proprietor's outdoor coffee garden just outside the town walls, near the East Gate. The concerts, all free of charge, ended with Gottfried Zimmermann's death in 1741. Apart from showcasing his earlier orchestral
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notation and performance guide that Bach wrote for his eldest son, who was nine years old at the time. Bach was generally quite specific on ornamentation in his compositions (where in his time, much of the ornamentation was not written out by composers but rather considered a liberty of the
657:
Despite strong family connections and a musically enthusiastic employer, tension built up between Bach and the authorities after several years in the post. Bach felt discontented with the calibre of musicians he was collaborating with. He called one of them, Geyersbach, a "Zippel
Fagottist"
4336:, his second eldest son, was most active in safeguarding his father's legacy: he co-authored his father's obituary, contributed to the publication of his four-part chorales, staged some of his works, and the bulk of previously unpublished works of his father were preserved with his help.
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Bach's insistence on the tonal system and contribution to shaping it did not imply he was less at ease with the older modal system and the genres associated with it: more than his contemporaries (who had "moved on" to the tonal system without much exception), Bach often returned to the
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1554:, a set of six chorale preludes transcribed from cantata movements Bach had composed some two decades earlier, were published within a year. Around the same time, the set of five canonic variations which Bach had submitted when entering Mizler's society in 1747 were also printed.
4264:
Throughout the 18th century, the appreciation of Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with the publication of the first biography of the composer and ended with the completion and publication of all of Bach's known works by the
1216:
Bach drew the soprano and alto choristers from the school and the tenors and basses from the school and elsewhere in
Leipzig. Performing at weddings and funerals provided extra income for these groups; probably for this purpose, and for in-school training, he wrote at least six
654:, located about 30 kilometres (19 mi) southwest of Weimar. On 14 August 1703, he became the organist at the New Church, with light duties, a relatively generous salary, and a new organ tuned in a temperament that allowed music written in a wider range of keys to be played.
547:. There he studied, performed, and copied music, including his own brother's, despite being forbidden to do so because scores were so valuable and private, and blank ledger paper of that type was costly. He received valuable teaching from his brother, who instructed him on the
4038:
Bach composed and transcribed concertos for one to four harpsichords. Many of the harpsichord concertos were not original works, but arrangements of his concertos for other instruments are now lost. Several violin, oboe, and flute concertos have been reconstructed from these.
1718:
From an early age, Bach studied the works of his musical contemporaries of the Baroque period and those of prior generations, and those influences were reflected in his music. Like his contemporaries Handel, Telemann and Vivaldi, Bach composed concertos, suites, recitatives,
687:
when he was fifteen years old. Bach later wrote several other works on the same theme. When Bach revisited Reincken in 1720 and showed him his improvisatory skills on the organ, Reincken reportedly remarked: "I thought that this art was dead, but I see that it lives in you."
2974:. Overall, the extant early works show remarkable mastery and skill. Many feature an instrumental opening which displays effective use of the limited instrumental forces available to Bach, whether it be in the subdued combination of two recorders and two violas de gamba for
3335:
606:, some two weeks' travel north of Ohrdruf. Their journey was probably undertaken mostly on foot. His two years there were critical in exposing Bach to a broader range of European culture. In addition to singing in the choir, he played the school's three-manual organ and
646:. His role there is unclear, but it probably included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboardist spread so much that he was invited to inspect the new organ and give the inaugural recital at the New Church (now
2815:
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2203:
1340:, the music for which was partly based on his own cantatas and partly original. Bach's appointment as Court Composer was an element of his long-term struggle to achieve greater bargaining power with the Leipzig council. Between 1737 and 1739, Bach's former pupil
2986:, Bach's early cantatas are impressive evidence of how the modest means at his disposal did not restrain the composer in the slightest, and they compare favourably with compositions by the most talented composers from the beginning of the 18th century, such as
1104:
had been Thomaskantor in Leipzig from 1701 until his death on 5 June 1722. Bach had visited Leipzig during Kuhnau's tenure: in 1714, he attended the service at the St. Thomas Church on the first Sunday of Advent, and in 1717 he had tested the organ of the
677:. The visit to Buxtehude and Reincken involved a 450-kilometre (280 mi) journey each way, reportedly on foot. Buxtehude probably introduced Bach to his friend Reincken so that he could learn from his compositional technique (especially his mastery of the
4640:, the standard work on Bach's life and music. Throughout the 19th century, 200 books were published on Bach. By the end of the century, local Bach societies were established in several cities, and his music had been performed in all major musical centres.
2487:. Bach's known preoccupation with structure led (peaking around the 1970s) to various numerological analyses of his compositions, although many such over-interpretations were later rejected, especially when wandering off into symbolism-ridden hermeneutics.
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are considered the pinnacle of what has been written for this instrument, only within reach of accomplished players. The music fits the instrument, pushing it to the full scale of its possibilities and requiring the virtuosity of the player but without
1958:, another early experimenter with modulation, seems to have avoided confrontation with Bach because the latter went further than anyone had done before. In the "Suscepit Israel" of his 1723 Magnificat, he had the trumpets in E-flat play a melody in the
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3902:(BWV 1007â1012), are widely considered to be among the most profound in the repertoire. He wrote sonatas for a solo instrument such as the viola de gamba accompanied by harpsichord or continuo, as well as trio sonatas (two instruments and continuo).
1965:
The major development taking place in Bach's time, and to which he contributed in no small way, was a temperament for keyboard instruments that allowed their use in all available keys (12 major and 12 minor) and also modulation without retuning. His
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or "Little Organ Book", an unfinished collection of 46 short chorale preludes that demonstrate compositional techniques in the setting of chorale tunes. After leaving Weimar, Bach wrote less for organ, although some of his best-known works (the six
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Bach's cantatas vary greatly in form and instrumentation. Many consist of a large opening chorus followed by one or more recitative-aria pairs for soloists (or duets) and a concluding chorale. The melody of the concluding chorale often appears as a
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These strictly contrapuntal compositions, and most of Bach's music in general, are characterised by distinct melodic lines for each of the voices, where the chords formed by the notes sounding at a given point follow the rules of four-part harmony.
1321:
which he later incorporated in his Mass in B minor. He presented the manuscript to the Elector in an eventually successful bid to persuade the prince to give him the title of Court Composer. He later extended this work into a full mass by adding a
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for harpsichord and organ; many of these transcribed works are still regularly performed. Bach was particularly attracted to the Italian style, in which one or more solo instruments alternate section-by-section with the full orchestra throughout a
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1954:, about a century before they were fitted with valves, were tied to the key of their tuning. Bach pushed the limits: he added "strange tones" in his organ playing, confusing the singers, according to an indictment he had to face in Arnstadt, and
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with Bible text reflected in recitatives, arias, choruses, and chorales, but in crafting this work, Bach created an overall experience that has been found over the intervening centuries to be both musically thrilling and spiritually profound.
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424:, and by the end of that century, all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him and other publications such as the
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711:. A month later, Bach's application was accepted, and he took up the post in July. The position included significantly higher remuneration, improved conditions, and a better choir. Four months after arriving at MĂŒhlhausen, Bach married
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with the intention of meeting Handel; however, Handel had left the town. In 1730, Bach's oldest son, Wilhelm Friedemann, travelled to Halle to invite Handel to visit the Bach family in Leipzig, but the visit did not take place.
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Bach was originally buried at Old St. John's Cemetery in Leipzig. His grave went unmarked for nearly 150 years, but in 1894 his remains were located and moved to a vault in St. John's Church. This building was destroyed by
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but was allowed to employ four "prefects" (deputies) to do this instead. The prefects also aided with musical instruction. A cantata was required for the church services on Sundays and additional church holidays during the
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1941:
in the course of a piece, is another style characteristic where Bach goes beyond what was usual in his time. Baroque instruments vastly limited modulation possibilities: keyboard instruments, prior to a workable system of
306:, granted him the title of court composer in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after a botched eye surgery in 1750 at the age of 65.
4329:, at least the remembered parts, was for the organ and the harpsichord. Thus, his reputation as a composer was initially mostly limited to his keyboard music, which was relatively limited in its value to music education.
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to the next according to certain rules, each chord being characterised by four notes. The principles of four-part harmony are found not only in Bach's four-part choral music: he also prescribes it for instance for the
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Bach devoted more attention than his contemporaries to the structure of his compositions. This can be seen in minor adjustments he made when adapting someone else's composition, such as his earliest version of the
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were named after the composer. While by the end of the 19th century, Bach had been inscribed in nationalism and religious revival, the late 20th century saw Bach as the subject of a secularised art-as-religion
4910:). Tributes to Bach in the 20th century include statues erected in his honour and a variety of things such as streets and space objects being named after him. Also, a multitude of musical ensembles such as the
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3505:, revised late in his life) were composed after leaving Weimar. Later in his life, Bach extensively consulted on organ projects, tested new organs, and dedicated playing organs to afternoon recitals. The
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4614:(Bach Society) was founded to promote Bach's music. In the second half of the 19th century, the Society published a comprehensive edition of the composer's works. In 1854, Bach was deemed one of the
4238:. For other works, Bach's authorship was put in doubt without a generally accepted answer to the question of whether or not he composed it: the best-known organ composition in the BWV catalogue, the
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Although Bach did not write any operas, he was not averse to the genre or its ornamented vocal style. In church music, Italian composers had imitated the operatic vocal style in genres such as the
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In his early youth, Bach copied pieces by other composers to learn from them. Later, he copied and arranged music for performance or as study material for his pupils. Some of these pieces, like "
2885:
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2581:
2544:, a comprehensive edition of the composer's works that was produced between 1850 and 1900. The first edition of the catalogue listed 1,080 surviving compositions indisputably composed by Bach.
2483:. In the last years of his life, Bach revised several of his prior compositions. Often, recasting such previously composed music in an enhanced structure was the most visible change, as in the
1014:, a young, highly gifted soprano 16 years his junior, who performed at the court in Köthen; they married on 3 December 1721. Together they had 13 children, six of whom survived into adulthood:
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1761:
Bach published or carefully compiled in manuscript many collections of pieces that explored the range of artistic and technical possibilities inherent in almost every genre of his time except
1062:, which he held for 27 years until his death. During that time he gained further prestige through honorary appointments at the courts of Köthen and Weissenfels, as well as that of the Elector
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7610:
3667:, are intended for a harpsichord with two manuals: performing them on a keyboard instrument with a single manual (like a piano) may present technical difficulties for the crossing of hands.
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and additional church cantatas for weddings and funerals. Approximately 200 of these sacred works are extant, an estimated two-thirds of the total number of church cantatas he composed. The
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was printed concurrently by Simrock (Germany), NĂ€geli (Switzerland) and Hoffmeister (Germany and Austria) in 1801. Vocal music was also published: motets in 1802 and 1803, followed by the E
3613:
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The first decades of the 19th century saw an increasing number of first publications of Bach's music: Breitkopf started publishing chorale preludes, Hoffmeister harpsichord music, and the
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and fugues). At a young age, he established a reputation for creativity and the ability to integrate foreign styles into his organ works. A decidedly North German influence was exerted by
1867:
950:(director of music) in 1717. Prince Leopold, himself a musician, appreciated Bach's talents, paid him well and gave him considerable latitude in composing and performing. The prince was a
3631:
5040:, so in 1950, Bach's remains were taken to their present grave in St. Thomas Church. Later research has called into question whether the remains in the grave are actually those of Bach.
1831:, he upgraded the viola part (which in the original composition plays in unison with the bass part) to fill out the harmony, thus adapting the composition to his four-part harmony style.
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and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was little remedied when his sovereign,
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Stauffer, George B. (2008). "Music for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum". In Butler, Gregory G.; Stauffer, George B.; Greer, Mary Galton (eds.).
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equal him in music known to me. Even in his four-part writing, we can, not infrequently, leave out the upper and lower parts and still find the middle parts harmonious and agreeable.
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the design of the Bach-Werke-Verzeichnis was to keep such works out of the main catalogue: if there was a strong association with Bach they could be listed in its appendix (German:
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4306:. Such highly placed appreciation contrasted with the humiliations he had to cope with, for instance, in Leipzig. Also in the contemporary press, Bach had his detractors, such as
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4485:, who had married one of Itzig's granddaughters, bought a substantial collection of Bach manuscripts that had come down from C. P. E. Bach, and donated it to the
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2057:. In Protestant surroundings, there was more reluctance to adopt such a style for liturgical music. For instance, Kuhnau, Bach's predecessor in Leipzig, had notoriously shunned
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1614:, a man widely understood today as a charlatan and believed to have blinded hundreds of people. Bach died on 28 July 1750 from complications due to the unsuccessful treatment.
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3032:, containing the chorale that is known in English as "Jesu, Joy of Man's Desiring", belongs to this first cycle. The cantata cycle of his second year in Leipzig is called the
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so often, and that his melodies turn up in unexpected places such as jazz music. Apart from this, Bach left several compositions without specified instrumentation: the canons
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1769:
comprises two books, each of which presents a prelude and fugue in every major and minor key, displaying a dizzying variety of structural, contrapuntal and fugal techniques.
1120:, both of whom chose to stay where they were â Telemann in Hamburg and Graupner in Darmstadt â after using the Leipzig offer to negotiate improved conditions of employment.
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2111:. Notwithstanding that the music and the instrument seem inseparable, Bach made transcriptions for other instruments of some pieces of this collection. Similarly, for the
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in the last years of his life. Although the complete mass was never performed during the composer's lifetime, it is considered among the greatest choral works in history.
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715:, his second cousin. Bach convinced the church and town government at MĂŒhlhausen to fund an expensive renovation of the organ at the Blasius Church. In 1708, Bach wrote
3073:. Only the first three Leipzig cycles are more or less completely extant. Apart from his own work, Bach also performed cantatas by Telemann and by his distant relative
10582:
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4332:
Bach's surviving family members, who inherited a large part of his manuscripts, were not all equally concerned with preserving them, leading to considerable losses.
1834:
When starting in the 19th century in Russia, there was a discussion about the authenticity of four-part court chant settings compared to earlier Russian traditions,
1670:
3115:). Many of the secular cantatas were lost, but for some of them, the text and occasion are known. For instance, when Picander later published their librettos (e.g.
1444:, for two-manual harpsichord, contained nine canons and was published in 1741. Throughout this period, Bach also continued to adopt music of contemporaries such as
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Bach wrote many works for harpsichord, some of which may also have been played on the clavichord or lute-harpsichord. Some of his more significant works, such as
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posts "upon the eventual ... decease of Mr. Bach". Becoming blind, Bach underwent eye surgery, in March 1750 and again in April, by the British eye surgeon
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detention for too stubbornly forcing the issue of his dismissal and finally on December 2 was freed from arrest with notice of his unfavourable discharge."
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4372:, who was in Berlin from 1774 to 1784. Sara Itzig Levy became an avid collector of works by Johann Sebastian Bach and his sons and was a "patron" of CPE Bach.
4164:" (copied not by Bach but by Anna Magdalena), became famous before being dissociated with Bach. Bach copied and arranged Italian masters such as Vivaldi (e.g.
2077:
or harpsichord, usually had the role of accompaniment, providing the harmonic and rhythmic foundation of a piece. From the late 1720s, Bach had the organ play
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By 3 April 1700, Bach and his school friend Georg Erdmann – who was two years older than Bach – were enrolled in the prestigious
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12142:'s complete thematic catalogue, but useful as a handy reference tool for only the instrumental works of Bach and as a partial alternative to Schmieder's work.
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1530:. The king played a theme for Bach and challenged him to improvise a fugue based on his theme. Bach obliged, playing a three-part fugue on one of Frederick's
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1972:, a very early work, showed a gusto for modulation, unlike any contemporary work this composition has been compared to, but the full expansion came with the
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fifth). The ninth canon stands on its own due to compositional dissimilarities. The final variation, instead of being the expected canon at the tenth, is a
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848:, an honour that entailed performing a church cantata monthly in the castle church. The first three cantatas in the new series Bach composed in Weimar were
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1430:). Bach's own style shifted in the last decade of his life, showing an increased integration of polyphonic structures and canons and other elements of the
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Bach was best known during his lifetime as an organist, organ consultant, and composer of organ works in both the traditional German free genres (such as
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The hundreds of sacred works Bach created are usually seen as manifesting not just his craft but also a truly devout relationship with God. He had taught
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3680:, in chromatic order from C major to B minor (thus, the whole collection is often referred to as "the 48"). "Well-tempered" in the title refers to the
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444:", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.
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2081:(i.e. as a soloist) with the orchestra in instrumental cantata movements, a decade before Handel published his first organ concertos. Apart from the
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in 1739. From around that year he started to compile and compose the set of preludes and fugues for harpsichord that would become his second book of
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4386:. A new generation of Bach aficionados emerged: they studiously collected and copied his music, including some of his large-scale works such as the
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Two large-scale compositions occupied a central place in Bach's last years. From around 1742, he wrote and revised the various canons and fugues of
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3788:. The partitas expand the model further with elaborate introductory movements and miscellaneous movements between the basic elements of the model.
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4207:), and music from members of his own family. He also often copied and arranged his own music (e.g. movements from cantatas for his short masses
1256:, assuming the directorship was a shrewd move that "consolidated Bach's firm grip on Leipzig's principal musical institutions". Every week, the
771:. Johann Sebastian and Maria Barbara had three more children â twins born in 1713 and a single birth; none survived until their first birthday.
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4368:, a high official of Frederick the Great's court, venerated Bach. His eldest daughters took lessons from Kirnberger and their sister Sara from
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In this sense, it is no surprise that Bach's music is easily and often performed on instruments it was not necessarily written for, that it is
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430:(BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude
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3684:(system of tuning); many temperaments before Bach's time were not flexible enough to allow compositions to utilise more than just a few keys.
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In Weimar, Bach continued to play and compose for the organ and perform concert music with the duke's ensemble. He also began to write the
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has rich ornamentation in nearly every measure. Bach's dealing with ornamentation can also be seen in a keyboard arrangement he made of
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516:. His uncles were all professional musicians whose posts included church organists, court chamber musicians, and composers. One uncle,
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4143:, BWV 208: composed for soprano, recorders, and continuo, the music of this movement exists in a variety of instrumental arrangements.
2982:. Bach's compositional skills also manifest through his daring harmonies and advanced, unprecedented chord progressions. According to
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After his death, Bach's reputation as a composer initially declined: his work was regarded as old-fashioned compared to the emerging
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1026:, who both, especially Johann Christian, became significant musicians; Johanna Carolina (1737â1781); and Regina Susanna (1742â1809).
165:. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the
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4277:, used by the composer in his own compositions, was used in dozens of tributes to the composer from the 19th century to the 21st.
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and orchestral suites, many of Bach's newly composed or reworked pieces were performed for these venues, including parts of his
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2446:, Bach's first biographer, gives this description of this feature of Bach's music, which sets it apart from most other music:
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681:), his organ playing and his skills with improvisation. Bach knew Reincken's music very well; he copied Reincken's monumental
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George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios
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Johann Sebastian Bach drafted a genealogy around 1735, titled "Origin of the musical Bach family", printed in translation in
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in 1845. Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as
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A strictly contrapuntal composition (the two violins playing in canon throughout) in the guise of an Italian type of concerto
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and did not use elaborate music in his worship; accordingly, most of Bach's work from this period was secular, including the
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Bach also wrote secular cantatas, for instance for members of the royal Polish and prince-electoral Saxonian families (e.g.
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Johann Sebastian Bach's noch wenig bekannte Orgelcompositionen (auch am Pianoforte von einem oder zwei Spielern ausfĂŒhrbar)
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among those creating jazz versions of his works. Several 20th-century composers referred to Bach or his music, for example
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far from the only way Bach's music came to the forefront in the 20th century: his music was heard in versions ranging from
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Bach's mother died in 1694, and his father died eight months later. The 10-year-old Bach moved in with his eldest brother,
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11857:"Verzeichnis der bis zum Jahre 1851 gedruckten (und der geschrieben im Handel gewesenen) Werke von Johann Sebastian Bach"
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The church in Arnstadt where Bach had been the organist from 1703 to 1707. In 1935, the church was renamed "Bachkirche".
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813:("clavier" meaning clavichord or harpsichord), consisting of two books, each containing 24 preludes and fugues in every
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1221:. As part of his regular church work, he performed other composers' motets, which served as formal models for his own.
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when he advised the authorities during a renovation by Christoph Cuntzius of the main organ in the west gallery of the
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Bach wrote virtuoso music for specific instruments as well as music independent of instrumentation. For instance, the
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Bach broadened his composing and performing beyond the liturgy by taking over, in March 1729, the directorship of the
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4364:, contributed to the dissemination of his legacy. The early devotees were not all musicians; for example, in Berlin,
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4211:), as his music was likewise copied and arranged by others. Some of these arrangements, like the late 19th-century "
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website lists 50 known secular cantatas by the composer, about half of which are extant or largely reconstructable.
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28 July 1950: memorial service for Bach in Leipzig's Thomaskirche, on the 200th anniversary of the composer's death
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Bach's predecessor as cantor, Johann Kuhnau, had also been music director for the St. Paul's Church, the church of
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organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.
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7206:â Ein pythagoreisches Werk und seine Verwirklichung", Mainz 2004; Hans-Eberhard Dentler: "Johann Sebastian Bachs
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2050:: he added explicit ornamentation, which some centuries later is played by oboists when performing the concerto.
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Chromatic Completion in the Late Vocal Music of Haydn and Mozart: A Technical, Philosophic, and Historical Study
8040:"The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective", pp. 179â203
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acquiring prominence through their performances of Bach's music. His keyboard music was again performed on the
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In January 1703, shortly after graduating from St. Michael's and being turned down for the post of organist at
441:
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7233:
3693:(BWV 772â801). These short two- and three-part contrapuntal works are arranged in the same chromatic order as
3207:
1474:, their final revisions. He also programmed and adapted music by composers of a younger generation, including
1074:. Bach frequently disagreed with his employer, Leipzig's city council, which he regarded as "penny-pinching".
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4394:, a high-ranking Austrian official who was instrumental in passing Bach's legacy on to the composers of the
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style. He was remembered more as a virtuoso organ player and a teacher. The bulk of the music that had been
2502:
libretto is best known. However, there was a similar process in achieving a multi-layered structure for his
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performed by the Fulda Symphonic Orchestra conducted by Simon Schindler with Johannes Volker Schmidt (piano)
1563:, which he continued to prepare for publication until shortly before his death. After extracting a cantata,
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4273:, he began to be regarded as one of the greatest composers, a reputation he has maintained ever since. The
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3676:, Books 1 and 2 (BWV 846â893). Each book consists of a prelude and fugue in each of the 24 major and minor
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Some of the surviving secular cantatas have a plot involving mythological figures of Greek antiquity (e.g.
1902:
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610:. He also came into contact with sons of aristocrats from northern Germany who had been sent to the nearby
551:. Johann Christoph exposed him to the works of great composers of the day, including South Germans such as
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And of course the greatest master of harmony and counterpoint of all time was Johann Sebastian Bach, 'the
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In 2019, Bach was named the greatest composer of all time in a poll conducted among 174 living composers.
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1109:. In 1716, Bach and Kuhnau had met on the occasion of the testing and inauguration of an organ in Halle.
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but after becoming unemployed sold part of the large collection of his father's works he owned. Several
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Unpartheyische Anmerckungen ĂŒber eine bedenckliche stelle in dem Sechsten stĂŒck des Critischen Musicus.
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Bach wrote for single instruments, duets, and small ensembles. Many of his solo works, such as the six
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already counted several composers when Johann Sebastian was born as the last child of a city musician,
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8948:"Especially in its opening chorus, it is one of Bach's contrapuntal masterpieces": Robin A. Leaver in
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publications of the Neue Bachgesellschaft, but various other biographies and studies by, among others
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and Italian virtuoso vocal music. Bach was less moved. One of the comments after a performance of his
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chords and progressions, often with extensive exploration of harmonic possibilities within one piece.
787:. Bach absorbed these stylistic aspects to a certain extent by transcribing Vivaldi's string and wind
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21 March] 1685 – 28 July 1750) was a German composer and musician of the late
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10504:"And Nowhere Bach. Bach Reception in a Late Twentieth-Century Dutch Composition by Elmer Schönberger"
9896:"Chapter twelve: Wilhelm Friedemann Bach's Halle performances of cantatas by his father", pp. 202â228
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10772:"JS Bach is the greatest composer of all time, say today's leading composers for BBC Music Magazine"
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While in Leipzig, performances of Bach's church music were limited to some of his motets, and under
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in singing and provide church music for the main churches in Leipzig. He was also assigned to teach
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Johann Sebastian Bach. Letter to Augustus III of Poland. 27 July 1733; Quoted in Hans T. David and
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in a mirror image topped with a crown. The flanking letters illustrate the arrangement on the seal.
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215:, he has been generally regarded as one of the greatest composers in the history of Western music.
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In concerted playing in Bach's time, the basso continuo, consisting of instruments such as organ,
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For more information, please click the articles on performers; see also reviews and listings in
3358:. Near the end of his life, around 1748â1749, he expanded this composition into the large-scale
2194:
This video shows the intertwining of melodies and motives, including the melody of the chorale "
1727:. Bach's music was harmonically more innovative than his peer composers, employing surprisingly
1058:. This was "the leading cantorate in Protestant Germany", located in the mercantile city in the
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performed by the Advent Chamber Orchestra with David Perry and Roxana Pavel Goldstein (violins)
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Despite being born in the same year and only about 130 kilometres (80 mi) apart, Bach and
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8102:. Leipzig: Breitkopf & HĂ€rtel, 1950. It was unaltered through its eighth printing in 1986.
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4489:. The Sing-Akademie occasionally performed Bach's works in public concerts, for instance, his
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are late contrapuntal works containing pieces for unspecified or combinations of instruments.
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Bach's seal (centre), used throughout his Leipzig years. It contains the superimposed letters
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4829:
4572:
4395:
4391:
4223:, abbreviated as Anh.). Thus, for instance, the aforementioned Mass for double chorus became
4105:
4072:
Some of Bach's most popular melodies are, more often than not, heard in various arrangements:
4007:
3706:
3180:. Several of them were composed for funerals. The six motets definitely composed by Bach are
3033:
2947:
2925:
2722:
List of masses, passions and oratorios by Johann Sebastian Bach § Passions and oratorios
2561:
2038:
performer), and his ornamentation was often quite elaborate. For instance, the "Aria" of the
1611:
1341:
1135:
1023:
968:
647:
501:
461:
330:
275:
223:
167:
31:
8066:
7678:
5443:
2963:
date from his years in Arnstadt and MĂŒhlhausen. The earliest surviving work in the genre is
2217:
Sonata No. 3 in G minor for viola da gamba and harpsichord BWV 1029 performed by John Michel
1587:
1347:
In 1735, Bach started preparing his first organ music publication, which was printed as the
16370:
16345:
16340:
16148:
16090:
16063:
15782:
15162:
15019:
14989:
14984:
14969:
14744:
14451:
14276:
14016:
13711:
13414:
13154:
13090:
13006:
12994:
12982:
12914:
12660:
11457:
11177:
11149:
11093:
11029:
10351:
9757:
9282:
7488:
7442:
7084:
with Bach's handwritten corrections and additions from before August 1748 â description at
7041:; letter of Mizler to SpieĂ, 29 June 1748, in: Hans Rudolf Jung and Hans-Eberhard Dentler:
4979:
4955:
In the 21st century, Bach's compositions have become available online, for instance at the
4923:
4858:
4749:
4733:
4720:
4550:
4421:
4307:
3712:
3491:
3176:(BWV 225â231) are pieces on sacred themes for choir and continuo, with instruments playing
3009:
in late May 1723, Bach performed a cantata each Sunday and feast day, corresponding to the
2477:
1544:
1535:
1059:
1051:
666:
576:
544:
15062:
13520:
13306:
12069:
11405:
9370:
6314:
5376:
4522:
4452:
4285:
4185:
3511:
3495:
3409:
1617:
An inventory drawn up a few months after Bach's death shows that his estate included five
1550:
1348:
8:
16182:
16073:
15704:
15340:
15285:
15275:
15132:
15087:
14939:
14929:
14879:
14759:
14596:
14561:
14466:
14341:
14136:
14081:
14066:
13889:
13704:
13577:
13537:
13408:
13240:
13078:
12958:
12765:
12759:
12695:
12630:
11665:
11606:
11227:
11212:
11021:
9690:
7235:
Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People
6059:
5406:
5153:
4972:
4816:
4804:
4760:
4755:
4693:
4673:
4482:
4361:
4299:
4256:
4212:
4100:
3899:
3801:. The collection has a complex and unconventional structure: the variations build on the
3793:
3681:
3480:
2112:
2043:
2013:
1943:
1523:
1440:
1413:
1389:
1011:
959:
670:
564:
552:
436:
299:
230:. After being orphaned at the age of 10, he lived for five years with his eldest brother
181:
172:
15295:
12620:
11901:
11688:
10593:
8039:
7627:
7480:
3758:). The English Suites closely follow the traditional model, adding a prelude before the
3664:
3657:
3341:
performed by Solomija Drozd (voice), Petro Titiajev (violin) and Ivan Ostapovych (organ)
16189:
16007:
15280:
15202:
15167:
15117:
15097:
15047:
14809:
14799:
14615:
14556:
14486:
14386:
14366:
14266:
14226:
14191:
14186:
14166:
14106:
14091:
14086:
14071:
14051:
13819:
13795:
13644:
13342:
13119:
13072:
12655:
12605:
12146:
12139:
12043:
11699:
11629:
Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict
11534:
11116:
10879:
10867:
10767:
9347:
8112:
8100:
Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach
8095:
7599:
7159:
7004:, Felbick 2012, 284. In 1746, Mizler announced the membership of three famous members,
4919:
4824:
4534:
3074:
2754:
2732:
2525:
2521:
1934:
1907:
1702:
reads: "NB Bey einer andÀchtigen Musiq ist allezeit Gott mit seiner Gnaden Gegenwart" (
1666:
1225:
1117:
1055:
1007:
712:
592:
525:
203:
15265:
14829:
14481:
13258:
12791:
12294:
12175:
11427:
Bach in Berlin: Nation and Culture in Mendelssohn's revival of the St. Matthew Passion
10726:
6429:
5024:
1261:
1235:
991:
753:
Bach left MĂŒhlhausen in 1708, returning to Weimar this time as organist and from 1714
15839:
15797:
15532:
15481:
15082:
14934:
14914:
14894:
14889:
14749:
14566:
14531:
14461:
14351:
14346:
14271:
14026:
13718:
13066:
12722:
12221:
12202:
12181:
12160:
12106:
12056:
12018:
11999:
11978:
11961:
11939:
11920:
11883:
11840:
11810:
11804:
11786:
11766:
11747:
11728:
11705:
11673:
11651:
11632:
11614:
11588:
11566:
11560:
11542:
11523:
11491:
11465:
11434:
11392:
11361:
11348:
11329:
11303:
11284:
11265:
11137:
11123:
11097:
11087:
11062:
11033:
10989:
10965:
10955:
10925:
10871:
10802:
10244:
10209:
10125:
10077:
9905:
9208:
8130:
8019:
7688:
7299:
7291:
6729:
6008:
5906:
5761:
5341:
5327:
4838:
4808:
4737:
4681:
4609:
4529:
4507:
4357:
4266:
3798:
3697:, omitting certain rarer keys. Bach intended these pieces for instructional purposes.
3405:
3295:
3275:
3146:
1792:
1370:
From 1740 to 1748 Bach copied, transcribed, expanded or programmed music in an older
1249:
780:
291:
193:
16222:
15741:
13185:
12120:
12035:; Emery, Walter; Wollny, Peter; Leisinger, Ulrich; Roe, Stephen (17 January 2018) .
10606:
10470:
10436:
10069:
Chronologisch-thematisches Verzeichniss sÀmmtlicher Tonwerke Wolfgang Amade Mozart's
9567:
7554:
6399:
4627:
16380:
16283:
16138:
15792:
15661:
15611:
15255:
15207:
15177:
15122:
14999:
14954:
14919:
14794:
14754:
14719:
14635:
14541:
14501:
14376:
14236:
13928:
13904:
13860:
13764:
13740:
13601:
13426:
13366:
13288:
13276:
13252:
12554:
12281:
12124:
12048:
11556:
11519:
11384:
10883:
10863:
9874:
Listing of manuscripts of Bach compositions once in the possession of C. P. E. Bach
9781:
7825:
7283:
5998:
5918:
5092:
4792:
4774:
4765:
4729:
4311:
3464:
3383:
2034:
1995:
1976:, using all keys, which Bach apparently had been developing since around 1720, the
1754:
1745:
1559:
1508:. In order to be admitted Bach had to submit a composition, for which he chose his
828:
793:
784:
622:
560:
14576:
14546:
14316:
14286:
14096:
13396:
12253:
10659:
4412:
owned a copy of one of Bach's motets, transcribed some of his instrumental works (
3485:
3401:
2764:
was the first passion Bach composed during his tenure as Thomaskantor in Leipzig.
2154:
1276:
823:
263:
145:
16153:
16128:
16106:
16058:
16046:
15972:
15901:
15756:
15646:
15569:
15445:
15270:
15192:
15052:
15032:
14994:
14909:
14764:
14739:
14645:
14640:
14586:
14521:
14371:
14231:
14221:
14216:
14151:
14111:
14076:
14011:
13695:
13108:
12847:
12685:
12507:
12032:
11991:
11422:
11317:
11258:
11233:
11218:
11203:
11189:
11167:
11159:
11155:
11077:
11058:
11048:
10947:
10796:
10642:
10635:
10589:
10561:
10528:
10160:
10067:
10026:
9966:
9955:
9899:
9820:
9704:
9459:
8899:
8046:
7868:
7730:
7637:
7614:
7438:
7287:
7130:
7119:
7105:
7077:
7018:
7001:
6972:
6947:
6934:
6908:
6882:
6857:
6844:
6819:
6789:
6766:
6755:
6721:
6696:
6671:
6646:
6635:
6609:
6584:
6559:
6318:
6095:
5791:
5331:
5016:
4964:
4911:
4899:
4880:
4850:
4701:
4652:
4619:
4592:
4562:
4540:
4387:
4383:
4161:
4139:
4058:
4021:
3726:, BWV 825â830). Each collection contains six suites built on the standard model (
3559:
Prelude No. 1 in C major BWV 846 performed on harpsichord by Robert Schröter
3523:
3472:
3460:
3359:
3349:
3320:
3283:
3144:). Although Bach never expressed any interest in opera, his secular cantatas, or
3111:
3105:
3099:
3037:
2983:
2760:
2742:
2737:
2727:
2054:
1947:
1576:
1423:
1253:
879:
800:
776:
342:
208:
15057:
11229:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685â1750
11214:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685â1750
11191:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685â1750
9637:
7687:. Vol. Bach Studies. Cambridge: Cambridge University Press. pp. 3â17.
5270:
4603:
were among the composers who promoted Bach's music or wrote glowingly about it.
4137:
The aria "Schafe können sicher weiden" (Sheep May Safely Graze), No. 9 from the
1582:
In January 1749, Bach's daughter Elisabeth Juliane Friederica married his pupil
1082:
16307:
16217:
16200:
15486:
15460:
15395:
15305:
15187:
15152:
14854:
14819:
14724:
14551:
14516:
14421:
14406:
14291:
14181:
14156:
14146:
13773:
13668:
13609:
13450:
13384:
13330:
13312:
13300:
13282:
12665:
12640:
12130:
11897:
11185:
11111:
10977:
9397:
7872:
7764:
5402:
5336:. Cambridge, Massachusetts: Belknap Press of Harvard University Press. p.
5122:
4689:
4668:
During the 20th century, the process of recognising the musical as well as the
4631:
4600:
4596:
4584:
3140:
3018:
2708:
Bach's autograph of the recitative with the gospel text of Christ's death from
2074:
1955:
1724:
1595:
1291:
1162:
1067:
568:
15751:
12610:
12194:
11602:
11580:
9606:
8116:
7813:
6521:
4978:
In 2015, Bach's handwritten personal copy of the Mass in B minor, held by the
4846:
3021:
of 1723 to Trinity Sunday the next year. For instance, the Visitation cantata
1690:
659:
16329:
16143:
15787:
15666:
15641:
15626:
15574:
15517:
15507:
15385:
15320:
15172:
15127:
14974:
14964:
14959:
14899:
14784:
14779:
14688:
14625:
14601:
14581:
14571:
14506:
14496:
14361:
14336:
14251:
14246:
14241:
14171:
14141:
14131:
13804:
13511:
13432:
13318:
13114:
12852:
12812:
12625:
12600:
12351:
12015:
The World of the Bach Cantatas: Johann Sebastian Bach's Early Sacred Cantatas
11861:
11479:
11373:
Wolff, Christoph; Emery, Walter (20 January 2001). "Bach, Johann Sebastian".
11232:. Vol. 3. Translated by Clara Bell; J. A. Fuller Maitland. London:
11217:. Vol. 2. Translated by Clara Bell; J. A. Fuller Maitland. London:
11173:
11145:
10952:
The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents
10943:
10509:
Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
10198:
9737:
9520:
9305:
8011:
7784:
7629:
St. Petersburg Court Chant and the Tradition of Eastern Slavic Church Singing
7295:
5784:
5649:
4942:
4927:
4697:
4685:
4341:
4113:
3806:
3701:
3167:
2991:
2954:
1853:
1804:
1682:, a periodical journal produced by the Society of Musical Sciences, in 1754.
1650:
1231:
1101:
995:
945:
832:
588:
521:
489:
402:
354:
318:
267:
162:
60:
12893:
12331:
10969:
9694:
9568:"The Art of Fugue | History, Description & Facts | Britannica"
7109:
4057:, each suite being a series of stylised dances for orchestra, preceded by a
4016:, so named because he submitted them in the hope of gaining employment from
3476:
2272:
Continuo instruments moving to the front (here performed on cello and piano)
696:
563:(under whom Johann Christoph had studied); North Germans; Frenchmen such as
251:
16319:
16176:
15731:
15726:
15699:
15636:
15217:
14949:
14944:
14734:
14491:
14471:
14436:
14396:
14326:
14301:
14281:
14261:
13828:
13390:
13378:
13270:
13220:
13216:
13159:
12738:
12715:
12690:
12650:
12635:
12497:
12318:
12257:
11824:
10875:
10705:
10466:
10338:. Magnificat, MWV A2 edited by Pietro ZappalĂ . Carus, 1996. Foreword, p. VI
10103:
10081:
9355:
8862:
8850:
8153:
7857:
7303:
7085:
6976:
6951:
6912:
6886:
6861:
6823:
6770:
6725:
6700:
6675:
6650:
6613:
6588:
6563:
4960:
4796:
4769:
4677:
4576:
4443:
4399:
4376:
4365:
4322:
4270:
4020:
in 1721; his application was unsuccessful. These works are examples of the
3857:
3279:
3004:
2935:
2921:
2422:
1951:
1911:
1809:
1720:
1572:
1397:
1376:
1147:
1035:
1003:
864:
635:
607:
572:
513:
386:
326:
310:
271:
212:
11844:
11770:
9960:"A Bach Cult in Late-Eighteenth-Century Berlin: Sara Levy's Musical Salon"
6100:"From konzertmeister to thomaskantor: Bach's cantata production 1713â1723"
4959:. High-resolution facsimiles of Bach's autographs became available at the
4242:, was indicated as one of these uncertain works in the late 20th century.
3776:. The French Suites omit preludes but have multiple movements between the
16133:
16123:
16095:
15687:
15682:
15599:
15410:
15405:
15375:
15250:
15230:
14979:
14814:
14804:
14441:
14411:
14201:
14056:
14046:
14003:
13882:
13868:
12937:
12575:
12246:
12218:
J. S. Bach as Organist: His Instruments, Music, and Performance Practices
12156:
11083:
11054:
10985:
10844:
9742:
The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents
8838:
8826:
8814:
8802:
8790:
8778:
8766:
4930:
were held on several continents, and competitions and prizes such as the
4907:
4745:
4724:
4580:
4227:. But this was far from the end of the attribution issues. For instance,
3677:
3375:
3177:
3133:
3120:
3116:
2431:
2078:
1938:
1919:
1796:
1749:
create a religiously and musically powerful expression. For example, the
1695:
1622:
1618:
1591:
1401:
1265:
1112:
The position was offered to Bach only after it had been offered first to
990:
never met. In 1719, Bach made the 35-kilometre (22 mi) journey from
860:
818:
814:
692:
479:
255:
219:
132:
15854:
12361:
10533:
8140:
6733:
4715:
A significant development in the later part of the 20th century was the
4192:), and, closer to home, various German masters including Telemann (e.g.
2692:
were added to the catalogue in the second half of the 20th century, and
737:
Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 § Background
603:
457:
235:
54:
16212:
16207:
16118:
16069:
15992:
15651:
15559:
15527:
15425:
15390:
15365:
14101:
13780:
13234:
12817:
12526:
11195:
8754:
8742:
8730:
8718:
6794:
4274:
3379:
3093:
3010:
1959:
1531:
662:
548:
259:
243:
10727:"Autograph of h-Moll-Messe (Mass in B minor) by Johann Sebastian Bach"
10503:
7326:
7123:
4310:, suggesting he write less complex music, and his supporters, such as
3518:
3260:
Bach wrote hundreds of four-part harmonisations of Lutheran chorales.
15914:
15907:
15604:
14874:
14116:
13997:
13125:
12345:
11800:
9810:
Leipzig, April 1738. Includes a reprint of Johann Abraham Birnbaum's
8277:
Bach's secular cantatas in BWV order, each followed by a link to the
5165:
5008:
4800:
3811:
3745:
3729:
2426:
1990:
1703:
1487:
1449:
1385:
1371:
951:
894:
239:
7369:
5333:
The Triumph of Music: The Rise of Composers, Musicians and Their Art
4990:, a program intended to protect culturally significant manuscripts.
3530:(title page) â performed by Mehmet Okonsar on organ and harpsichord
3158:
Bach's a cappella music includes motets and chorale harmonisations.
1542:(theme of the king). Within a few weeks this music was published as
674:
15946:
15656:
15631:
15579:
15564:
15537:
15355:
15330:
13480:
12837:
12481:
12263:
12138:.: First published in 1867; superseded, for scholarly purposes, by
9351:
8961:"one of Bach's best-known church works" wrote David Schulenberg in
8706:
8694:
8682:
8598:
8562:
8526:
8478:
8382:
8370:
8358:
8346:
4833:. All kinds of publications involved Bach: not only were there the
4705:
4669:
4615:
4490:
4173:
4165:
4151:
4095:
3945:
3920:
Surviving works in the concerto form include two violin concertos (
3802:
3737:
3243:
2495:
2491:
2282:
2090:
1818:
1800:
1654:
1518:
1479:
1427:
1409:
925:
831:
tunes set in complex textures. In 1713, Bach was offered a post in
788:
703:
performed on Easter, 24 April 1707, likely an early version of his
651:
580:
485:
413:
287:
247:
227:
93:
63:
11026:
Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach
7274:
Zegers, Richard H.C. (2005). "The Eyes of Johann Sebastian Bach".
7202:
17 (1975), 95â115; Hans-Eberhard Dentler: "Johann Sebastian Bachs
7112:
ClavierĂŒbung III, SchĂŒbler-Chorales, Canonische VerĂ€nderungen
5303:"Johann Sebastian Bach | Biography, Music, Death & Facts"
4064:
920:
59:
1748 portrait of Bach, showing him holding a copy of the six-part
15777:
15584:
15554:
15522:
15512:
15465:
15440:
15435:
15370:
15350:
12298:
12126:
Thematisches Verzeichnis der Instrumentalwerke von Joh. Seb. Bach
9171:
9116:
8670:
8658:
8646:
8634:
8622:
8610:
8586:
8574:
8550:
8538:
8514:
8502:
8490:
8466:
8454:
8442:
8430:
8418:
8406:
8334:
8322:
8310:
8298:
8286:
8217:
5161:
5157:
4672:
value of some of the works continued, as in the promotion of the
4623:
4511:
3850:
3468:
2704:
2149:
2108:
1923:
1564:
1527:
1457:
1393:
1298:
1094:
1071:
700:
540:
314:
283:
111:
14657:
7875:'s 2015 recording of the concertos, Harmonia mundi HMC 902181.82
7816:(organ) and Le Parlement de Musique conducted by Martin Gester.
7341:
4340:, the eldest son, performed several of his father's cantatas in
3103:). The text of these cantatas was occasionally in dialect (e.g.
357:, not only in his larger vocal works but, for instance, also in
15978:
15736:
15594:
10550:
9232:
7495:
7052:
5524:
5372:
5117:
4983:
4883:
probes. The Bach pieces included are the First Movement of the
4481:, the first Bach biography, dedicated to van Swieten. In 1805,
4156:
List of transcriptions of compositions by Johann Sebastian Bach
3861:
3362:. The work was never performed in full during Bach's lifetime.
2421:
Another characteristic of Bach's style is his extensive use of
1646:
1626:
643:
617:
509:
309:
Bach enriched established German styles through his mastery of
12906:
12878:
9904:
edited by Daniel R. Melamed. Cambridge University Press 2006.
9352:"18th Century Quotations Relating to J. S. Bach's Temperament"
6124:
5760:(2nd ed.). University Rochester Press. pp. 104â106.
5477:, II. List of all family members alphabetically by first name.
3515:
are organ works Bach published in the last years of his life.
1460:), and gave many of his own earlier compositions, such as the
15621:
15616:
15589:
15455:
15360:
10849:"Are the alleged remains of Johann Sebastian Bach authentic?"
10684:
10165:
9878:
7845:
5843:
5353:
5098:
3753:
3246:
160), other parts of which may be based on work by Telemann.
2058:
1799:
in Western tradition was largely supplanted in favour of the
1762:
1634:
1630:
1218:
1130:
972:. Bach also composed secular cantatas for the court, such as
804:
678:
584:
412:
Throughout the 18th century, Bach was primarily valued as an
406:
11763:
Johann Sebastian Bach: An Introduction to His Life and Works
10031:
9098:
9076:
9050:
9028:
9006:
8980:
7979:
7735:
4408:
and the Mass in B minor and was influenced by Bach's music.
1708:
In a music of worship God is always present with his grace).
1303:
15502:
15450:
15420:
15415:
15400:
15380:
12428:
Masses, Mass movements, Magnificats, Passions and Oratorios
11958:
The Organ Music of J. S. Bach, Volume II: BWV 599â771, etc.
11744:
Bach's Works for Solo Violin: Style, Structure, Performance
11154:, first published in French in 1905 and in German in 1908.(
10610:
8170:"BWV 1128: A recently discovered Bach organ work" pp. 22â23
7878:
7795:
6476:
5101:
4788:
4656:
1908 Statue of Bach in front of the Thomaskirche in Leipzig
3652:
List of solo keyboard compositions by Johann Sebastian Bach
1642:
1638:
290:
churches of the city and its university's student ensemble
11960:, Cambridge Studies in Music, Cambridge University Press,
10361:
9328:
7043:
Briefe von Lorenz Mizler und Zeitgenossen an Meinrad SpieĂ
6464:
6160:
5584:
4644:
recognised for both his instrumental and his vocal music.
1892:
Bach re-interpreting older genres tied to the modal system
1038:
director of church music in Leipzig. He had to direct the
638:, Bach was appointed court musician in the chapel of Duke
12242:
12177:
The Routledge Research Companion to Johann Sebastian Bach
12031:
11360:
Second edition, 2013, W. W. Norton, New York and London,
10566:
9839:
9787:
Das BeschĂŒtzte Orchestre, oder desselben Zweyte Eröffnung
8930:
8893:
Helmut Rilling's box set of the complete secular cantatas
8197:
7939:
7705:
6025:
5945:
5650:"Johann Sebastian Bach: a detailed informative biography"
5502:
5500:
5487:
5485:
5483:
5474:
4420:), and wrote contrapuntal music influenced by his style.
4289:
Painting of Johann Sebastian Bach by 'Gebel', before 1798
2782:
performed by the MIT Concert Choir conducted by W. Cutter
1657:. The composer's son Carl Philipp Emanuel saw to it that
11016:. New York; London: Harcourt, Brace and Howe; Constable.
10437:"What is Early Music?âHistorically Informed Performance"
10406:"Robert Johnson and Pablo Casals' Game Changers Turn 70"
9832:
Bach was regarded as "passé even in his own lifetime". (
8111:
7745:
7655:
7643:
7213:
6220:
5933:
4583:, or combined with new music such as the melody line of
3507:
Canonic Variations on "Vom Himmel hoch da komm' ich her"
1510:
Canonic Variations on "Vom Himmel hoch da komm' ich her"
11587:(in German) (4 ed.). Deutscher Taschenbuchverlag.
10391:(first publication in German, in two volumes: Leipzig,
8281:(BDW) page of the cantata at the Bach-Digital website:
7818:
Johann Sebastian Bach: L'oeuvre pour orgue et orchestre
6452:
6208:
5720:
5708:
5548:
3928:
in E major) and a concerto for two violins in D minor,
3256:
List of chorale harmonisations by Johann Sebastian Bach
2805:
2. Recitative "Er kommt, er kommt, der BrÀut'gam kommt"
2536:(Bach Works Catalogue). Schmieder largely followed the
1358:. He received the title of "Royal Court Composer" from
1161:, in the St. Nicholas Church on the first Sunday after
12589:
11452:. Oxford Composer Companions. Oxford University Press.
9346:
8185:
7672:
7670:
5672:
5596:
5497:
5480:
5282:
1803:. In this system a piece of music progresses from one
16456:
People celebrated in the Lutheran liturgical calendar
16451:
Organists and composers in the North German tradition
16267:
13215:
11650:. Ann Arbor, Michigan: University of Michigan Press.
10842:
10253:
10218:
9930:
9547:
9151:
7415:
6196:
5696:
5110:
4390:
and performed it privately. One such connoisseur was
1744:
in Leipzig, and some of his pieces represent it. The
11823:
10583:
Bach-Edition: The Complete Works (172 CDs & CDR)
10186:
9255:
8018:(in Italian). Vol. 1. Turin: EDT. p. 493.
7677:
Marshall, Robert L. (1989). Franklin, Don O. (ed.).
7457:
7210:â Musik als Abbild der SphĂ€renharmonie", Mainz 2008.
6488:
6349:
6337:
6263:
6184:
5572:
5095:
4294:
recognition, such as the title of court composer by
3886:
List of chamber music works by Johann Sebastian Bach
3479:, with whom Bach came into contact in LĂŒneburg, and
2930:
According to his obituary, Bach would have composed
2145:
Analysis of the counterpoint of the chorale prelude
1785:": the four-part chorale setting as included in the
1365:
1169:, each based on a single church hymn. These include
807:
which were later assembled into his monumental work
691:
In 1706, Bach applied for a post as organist at the
234:, after which he continued his musical education in
10752:Alex Ross (25 December 2016). "Bach's Holy Dread".
9630:"A compendium of works performed by the Bach Choir"
7667:
6136:
5560:
5536:
5512:
3849:Among Bach's lesser known keyboard works are seven
3519:
Harpsichord and other stringed keyboard instruments
3455:
List of organ compositions by Johann Sebastian Bach
3304:dates from 1723, but the work is best known in its
3051:Later church cantatas include the chorale cantatas
2730:for Good Friday services and oratorios such as the
1649:, along with 52 "sacred books", including works by
12036:
11506:
11257:
11115:
10766:
10182:
10180:
6850:Privatbesitz C. Thiele, BWV deest (NBA Serie II:5)
6172:
6148:
6064:"Cantatas for Christmas Day: Herderkirche, Weimar"
5684:
5301:Marshall, Robert L.; Emery, Walter (18 May 2020).
4630:replaced Berlioz with Brahms.) From 1873 to 1880,
3044:was developed over several years, followed by the
2126:fall in that category, as well as the bulk of the
1260:would give two-hour performances in winter at the
1141:
1123:Bach was required to instruct the students of the
30:Several terms redirect here. For other uses, see
11670:The Creative Development of Johann Sebastian Bach
10154:"The Bach Reception in the 18th and 19th century"
7989:
6430:"Works of Other Composers performed by J.S. Bach"
5453:
5421:
3932:, often referred to as Bach's "double concerto".
3890:List of orchestral works by Johann Sebastian Bach
3087:List of secular cantatas by Johann Sebastian Bach
16327:
11562:Baroque Music: Style and Performance: A Handbook
11118:Johann Sebastian Bach: The Culmination of an Era
10938:
9745:
9491:"Gold Standard for Bach's 'Goldberg Variations'"
7375:
7347:
7262:
7182:
7058:
6130:
5993:
5991:
5530:
5136:
4018:Margrave Christian Ludwig of Brandenburg-Schwedt
3805:of the aria rather than its melody, and musical
2736:, which is a set of six cantatas for use in the
1753:, like other works of its kind, illustrated the
1344:held the directorship of the Collegium Musicum.
727:, which was published at the council's expense.
11765:. Englewood Cliffs, New Jersey: Prentice Hall.
10177:
7475:
6516:
6514:
6007:. University of California Press. p. 205.
5732:
4932:International Johann Sebastian Bach Competition
4467:erected by Felix Mendelssohn in Leipzig in 1843
4123:"Sheep May Safely Graze" (instrumental version)
4065:Copies, arrangements and uncertain attributions
3946:Brandenburg Concerto No. 4 in G Major, BWV 1049
3879:
1969:Capriccio on the departure of a beloved brother
730:
725:cantata for the inauguration of the new council
12201:. Lanham, Maryland: Rowman & Littlefield.
12099:Bach's Changing World: Voices in the Community
11938:. Youngstown, New York: WordPower Publishing.
11009:Johann Sebastian Bach: His Life, Art, and Work
9207:. Cambridge University Press. pp. 90â94.
8053:Royal Netherlands Academy of Arts and Sciences
7516:"A Visitor's Guide to the St. Matthew Passion"
7179:. Leipzig: Mizlerischer BĂŒcherverlag: 158â173.
4478:Johann Sebastian Bach: His Life, Art, and Work
3097:), or other public or private occasions (e.g.
1795:predate Bach, but he lived during a time when
1694:A handwritten note by Bach in his copy of the
1522:. In May 1747, Bach visited the court of King
1299:Middle years of the Leipzig period (1730â1739)
924:Bach's autograph of the first movement of the
887:Erschallet, ihr Lieder, erklinget, ihr Saiten!
464:, 1685, Bach's father. Painting attributed to
15870:
14673:
13496:
13201:
12922:
12898:
12377:
12336:Discography of American Historical Recordings
11693:(in German). Berlin: Schuster & Loeffler.
9951:
9949:
9947:
9945:
9435:. The Bach Choir of Bethlehem. Archived from
8016:Frau Musika: La vita e le opere di J. S. Bach
6783:Neuaufgefundenes Bach-Autograph in WeiĂenfels
5988:
5644:
5642:
5640:
5638:
5636:
5634:
5632:
5630:
5628:
5626:
5300:
4902:) and the Prelude and Fugue in C, No. 1 from
3869:
2516:List of compositions by Johann Sebastian Bach
2068:
1926:in the tonal system), is an example of this.
1714:List of compositions by Johann Sebastian Bach
614:to prepare for careers in other disciplines.
286:. There, he composed music for the principal
15984:Prelude and Fugue in C major, BWV 870, from
13043:Johann Christoph Bach (musician at Arnstadt)
12750:
12729:
12720:
12152:Gödel, Escher, Bach: An Eternal Golden Braid
11977:(2nd ed.), Cambridge University Press,
11701:Basically Bach: A 300th Birthday Celebration
11389:10.1093/gmo/9781561592630.article.6002278195
10801:. Church Publishing, Inc. 17 December 2019.
10498:
10496:
10204:Mozart, Haydn and Early Beethoven: 1781â1802
8913:"J. S. Bach: His Works | Music Appreciation"
8122:Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV)
7150:
7124:Johann Sebastian Bach: Complete Organ Works.
7005:
6988:
6511:
5917:. San Diego State University. Archived from
5802:
5800:
4940:
4754:, to jazzy interpretations such as those by
4607:
4429:
4428:by the time he was 11 and described Bach as
3834:
3783:
3777:
3771:
3765:
3764:and including a single movement between the
3759:
3751:
3743:
3735:
3727:
3721:
3235:
3229:
3221:
3213:
3205:
3197:
3189:
3181:
3063:
3052:
3022:
3002:
2964:
2740:of Christmas. Shorter oratorios include the
2538:
2529:
2417:List of fugal works by Johann Sebastian Bach
2283:Keyboard Concerto No. 1 in D minor, BWV 1052
1739:
1599:
1569:1733 Kyrie-Gloria Mass for the Dresden court
1274:
1203:
1192:
1181:
1170:
1151:
1124:
1018:; Elisabeth Juliane Friederica (1726â1781);
1010:, suddenly died. The following year, he met
973:
943:
898:
883:
868:
849:
843:
842:In the spring of 1714, Bach was promoted to
754:
716:
704:
618:Weimar, Arnstadt, and MĂŒhlhausen (1703â1708)
13055:Johann Ernst Bach (musician at Saxe-Weimar)
13037:Johann Christoph Bach (organist at Ohrdruf)
12086:
11877:
11504:
11345:Johann Sebastian Bach: The Learned Musician
9983:
9981:
8162:
7884:
7146:
7144:
7142:
6253:
6251:
5613:
5611:
5288:
5005:liturgical calendar of the Episcopal Church
4096:Orchestral Suite No. 3 in D major, BWV 1068
4034:Keyboard concertos by Johann Sebastian Bach
4012:Bach's best-known orchestral works are the
2787:1. Chorus "Wachet auf, ruft uns die Stimme"
2752:. With its double choir and orchestra, the
2031:KlavierbĂŒchlein fĂŒr Wilhelm Friedemann Bach
2001:KlavierbĂŒchlein fĂŒr Wilhelm Friedemann Bach
1979:KlavierbĂŒchlein fĂŒr Wilhelm Friedemann Bach
1910:genre as used by earlier composers such as
1605:
1335:
1329:
1323:
926:first sonata for solo violin, BWV 1001
528:, was a well-known composer and violinist.
500:). He was the eighth and youngest child of
492:, in present-day Germany, on 21 March 1685
16411:German classical composers of church music
15877:
15863:
14680:
14666:
13503:
13489:
13208:
13194:
12929:
12915:
12384:
12370:
11697:
11372:
11165:
11136:
10367:
9942:
9334:
7895:
7893:
7807:
7640:Finland: University of Turku (2011), p. 24
6042:
6040:
5951:
5623:
5491:
5276:
5180:
4963:website. 21st-century biographers include
4791:musicians have adopted Bach's music, with
4787:Bach's music has influenced other genres.
4252:Reception of Johann Sebastian Bach's music
4053:In addition to concertos, Bach wrote four
3274:Bach's church music in Latin includes the
2758:is one of Bach's most extended works. The
2434:is characteristic to the composers of the
2351:Double Violin Concerto in D minor BWV 1043
1723:, and four-part choral music and employed
1586:. Bach's health was declining. On 2 June,
1042:and provide four churches with music, the
504:, the director of the town musicians, and
53:
15884:
12391:
12309:International Music Score Library Project
12220:. Bloomington: Indiana University Press.
12216:Stauffer, George B.; May, Ernest (1986).
11851:
11601:
11555:
11505:Crist, Stephen A.; Stauff, Derek (2011).
11478:
11421:
11302:. Cambridge: Cambridge University Press.
11283:. Cambridge: Cambridge University Press.
11264:. Cambridge: Cambridge University Press.
11252:
11110:
10751:
10493:
10303:
10287:
10271:
10148:
10146:
10144:
10142:
10140:
10138:
10052:International Music Score Library Project
9987:
9823:published early January of the same year.
9636:. Bach Choir of Bethlehem. Archived from
9627:
9426:
9169:
9114:
8255:. Bach Choir of Bethlehem. Archived from
8246:
8215:
8203:
7751:
7553:. Bach Choir of Bethlehem. Archived from
7544:
7485:Grove's Dictionary of Music and Musicians
7219:
6382:
6380:
6367:
6214:
5939:
5821:
5797:
5726:
5714:
5238:
5196:
4957:International Music Score Library Project
3249:
3234:(BWV 231) is part of the composite motet
2843:4. Chorale "Zion hört die WÀchter singen"
2699:
2065:was that it all sounded much like opera.
1077:
11952:
11910:
11297:
11278:
11020:
10114:
10104:"Bach, Mozart and the 'Musical Midwife'"
9978:
9744:. W. W. Norton, 1945, p. 128; Quoted in
8271:
8147:
7995:
7676:
7139:
6506:
6500:
6248:
6058:
5608:
5326:
5253:
5248:
5243:
5212:
4875:Three works by Bach are featured on the
4659:
4651:
4451:
4284:
4255:
3935:
3542:
3531:
3522:
3263:
2703:
2006:
1989:
1776:
1689:
1302:
1230:
1081:
919:
740:
621:
456:
452:
15953:Dark Was the Night, Cold Was the Ground
12278:Works by or about Johann Sebastian Bach
12053:10.1093/gmo/9781561592630.article.40023
11933:
11225:
11210:
11184:
10719:
10388:
10384:
10380:
9999:
9565:
9350:; Cruickshank, Andrew (October 2015) .
9200:
8056:Vol. 143 edited by A. A. Clement, 1995.
7890:
7594:Tilge, Höchster, meine SĂŒnden, BWV 1083
7575:
7547:"The Well Tempered Clavier BWV 846â869"
7359:
6482:
6470:
6297:
6281:
6238:
6202:
6166:
6037:
5774:from the original on 28 September 2015.
5757:Dieterich Buxtehude: Organist in LĂŒbeck
5590:
3356:KyrieâGloria Mass for the Dresden court
2459:
1512:, and a portrait, which was painted by
1002:On 7 July 1720, while Bach was away in
699:. As part of his application, he had a
14:
16328:
12199:The Aesthetic of Johann Sebastian Bach
11903:Stories Behind the World's Great Music
11896:
11777:
11741:
11725:William B. Eerdmans Publishing Company
11718:
11585:Die Kantaten von Johann Sebastian Bach
11002:
10982:The True Life of Johann Sebastian Bach
10830:Evangelical Lutheran Church in America
10677:List of works by Johann Sebastian Bach
10666:from the original on 24 February 2017.
10481:from the original on 24 September 2013
10319:
10135:
10124:(Volume 2). Indiana University Press (
10062:
9920:
9857:
9833:
9696:Toccatas and Fugues / Individual Works
9674:
9658:
9371:"J. S. Bach: Inventions and Sinfonias"
8191:
8077:from the original on 30 September 2015
7957:
7899:
7783:
7501:
7273:
7231:
6377:
6190:
6112:from the original on 24 September 2015
6076:from the original on 24 September 2015
5905:
5889:
5753:
4894:), the "Gavotte en rondeaux" from the
4448:St Matthew Passion § 19th century
4327:printed during the composer's lifetime
4215:", helped to popularise Bach's music.
3036:as it consists mainly of works in the
1029:
254:and, for longer periods, at courts in
171:; solo instrumental works such as the
36:Johann Sebastian Bach (disambiguation)
16376:Burials at St. Thomas Church, Leipzig
15858:
14661:
13694:
13484:
13189:
12910:
12897:
12753:Internationale Bachakademie Stuttgart
12365:
12012:
11990:
11760:
11686:
11664:
11359:
11342:
11316:
11240:
11122:. New York: Oxford University Press.
10976:
10893:from the original on 2 December 2013.
10416:from the original on 24 February 2012
10224:
10110:from the original on 4 November 2015.
9936:
9845:
9769:
9553:
9535:from the original on 11 February 2012
9501:from the original on 19 February 2012
9470:from the original on 22 February 2014
9408:from the original on 27 February 2014
9157:
9145:
8936:
8119:; Kobayashi, Yoshitake, eds. (1998).
8010:
7945:
7801:
7711:
7661:
7649:
7526:from the original on 27 February 2012
7421:
7258:
6494:
6410:from the original on 24 February 2015
6386:
6355:
6343:
6269:
6257:
6226:
6142:
6094:
6046:
6031:
5997:
5871:from the original on 26 November 2015
5806:
5738:
5678:
5660:from the original on 20 February 2012
5617:
5602:
5578:
5566:
5554:
5542:
5506:
5427:
5233:
5207:
5202:
5186:
5076:
5071:
5069:
4493:, with Sara Itzig Levy at the piano.
4298:and the appreciation he was shown by
4240:Toccata and Fugue in D minor, BWV 565
4027:
3564:Prelude No. 1 in C major BWV 846
3398:Prelude and Fugue in A minor, BWV 543
3192:Der Geist hilft unser Schwachheit auf
1900:then-antiquated modi and genres. His
1571:in the mid-1740s, Bach expanded that
1146:Bach usually led performances of his
915:
16246:
13510:
12521:Performance practice of Bach's music
12305:Free scores by Johann Sebastian Bach
11799:
11645:
11626:
11579:
11533:
11456:
11447:
11089:Johann Sebastian Bach: Life and Work
11082:
11046:
10919:
10913:Biographies of Johann Sebastian Bach
10259:
9720:
9377:from the original on 20 January 2012
9316:from the original on 5 February 2014
9261:
8962:
8949:
7927:from the original on 3 December 2013
7513:
7463:
7403:from the original on 8 December 2013
7194:Hans Gunter Hoke: "Neue Studien zur
6776:
6458:
6325:from the original on 29 January 2016
6178:
6154:
5702:
5690:
5518:
5459:
5439:
5217:
5191:
5089:. The surname appears in English as
4861:, and the 1950 first edition of the
4042:
3132:), and others were almost miniature
2897:7. Chorale "Gloria sei dir gesungen"
2861:5. Recitative "So geh herein zu mir"
2825:3. Duet "Wenn kömmst du, mein Heil?"
2147:Herr Jesu Christ, dich zu uns wend',
2104:sonatas and partitas for solo violin
1982:being one of its earliest examples.
1772:
1669:"), which was published in Mizler's
1665:, the son also wrote the obituary ("
1594:to request that his music director,
1493:In 1746 Bach was preparing to enter
964:sonatas and partitas for solo violin
416:, while his keyboard music, such as
177:sonatas and partitas for solo violin
12833:Bach Prize (Royal Academy of Music)
12047:. Oxford: Oxford University Press.
11806:Johann Sebastian Bach: Play by Play
11672:. Oxford: Oxford University Press.
11631:. Oxford: Oxford University Press.
11518:. Oxford: Oxford University Press.
11347:. Oxford: Oxford University Press.
10924:. Oxford: Oxford University Press.
10843:Zegers, Richard H.C.; Maas, Mario;
10649:Gazetteer of Planetary Nomenclature
10465:
10447:from the original on 6 January 2015
10088:from the original on 29 April 2016.
9525:"Shaham: Bold, Brilliant, All-Bach"
9519:
9310:The Canons and Fugues of J. S. Bach
7701:from the original on 29 April 2016.
7435:"Johann Sebastian Bach (1685â1750)"
7316:
7241:. The Tangeman Lecture. New Haven.
6315:"Johann Sebastian Bach (1685â1750)"
5970:J. S. Bach Archive and Bibliography
5078:[ËjoËhanzeËbastiÌŻa(Ë)nËbax]
4719:practice, with forerunners such as
4622:, the other Bs being Beethoven and
4538:precipitated the Bach Revival. The
3915:
3153:
3129:Der Streit zwischen Phoebus und Pan
3080:
2932:five year-cycles of sacred cantatas
821:key. Bach also started work on the
266:, where he was mostly engaged with
24:
16396:Deaths from surgical complications
16361:18th-century German male musicians
15960:Partita for Violin No. 3, BWV 1006
12315:Music manuscripts and early prints
12078:
11322:Bach: Essays on his Life and Music
11248:. Oxford: Oxford University Press.
10868:10.5694/j.1326-5377.2009.tb02354.x
10555:Bach 2000 Box set, Limited Edition
10434:
10187:Schenk, Winston & Winston 1959
9488:
9457:
9395:
9368:
9243:from the original on 30 March 2014
9182:from the original on 30 March 2014
9127:from the original on 27 April 2015
8178:, Vol. 99 No. 22. December 2008. (
7248:from the original on 15 July 2014.
7033:, IV.1 , 108 and Tab. IV, fig. 16
6307:
5976:from the original on 28 March 2014
5963:
5066:
5050:Portraits of Johann Sebastian Bach
5038:Allied bombing during World War II
4568:Sechs Fugen ĂŒber den Namen B-A-C-H
3872:Aria variata alla maniera italiana
3311:
3302:first version of Bach's Magnificat
2941:
2528:of Bach's compositions called the
2196:Herr Jesu Christ, dich zu uns wend
2097:
1207:Wie schön leuchtet der Morgenstern
1006:with Prince Leopold, Bach's wife,
897:. Bach's first Christmas cantata,
827:in Weimar, containing traditional
484:Johann Sebastian Bach was born in
25:
16482:
15942:Beethoven's String Quartet No. 13
15720:historically informed performance
14687:
14042:Emilie Juliane of Barby-MĂŒhlingen
13103:Johann Sebastian Bach the Younger
12342:Johann Sebastian Bach (1685â1750)
12235:
11783:Beethoven: the Universal Composer
10660:"JPL Small-Body Database Browser"
10607:"Golden Record: Music from Earth"
9303:
9221:from the original on 15 May 2015.
9117:"Cantata BWV 211, Coffee Cantata"
8228:from the original on 7 April 2014
8218:"The Christmas Oratorio, BWV 248"
7684:: a Lutheran composer's challenge
7319:"J.S. Bach: Timeline of His Life"
6532:from the original on 7 March 2012
6440:from the original on 17 July 2014
6021:from the original on 14 May 2015.
5023:, remembers Bach and Handel with
5011:on 28 July; on the same day, the
4936:Royal Academy of Music Bach Prize
4717:historically informed performance
4545:works by Bach: six cantatas, the
3833:(BWV 971) (published together as
3817:Miscellaneous pieces such as the
3365:
2017:, showing Bach's use of ornaments
1836:Bach's four-part chorale settings
1366:Final years and death (1740â1750)
1319:KyrieâGloria Mass in B minor
977:Die Zeit, die Tag und Jahre macht
775:in the music of Italians such as
16351:18th-century classical composers
16313:
16301:
16289:
16277:
16245:
16236:
16235:
16030:
15838:
15829:
15828:
13465:
13464:
13013:Johann Bernhard Bach the Younger
12877:
12868:
12867:
12332:Johann Sebastian Bach recordings
11880:The Keyboard Music of J. S. Bach
11809:. San Francisco: HarperCollins.
10856:The Medical Journal of Australia
10847:& Maat, George J.R. (2009).
10836:
10815:
10789:
10760:
10745:
10690:
10670:
10652:
10629:
10617:from the original on 1 July 2013
10599:
10576:
10544:
10515:
10459:
10428:
10398:
10373:
10341:
10329:
10230:
10192:
10096:
10056:
10041:
10013:
9972:Bulletin of the American Academy
9888:
9867:
9826:
9794:
9775:
9751:
9730:
9684:
9621:
9591:
9566:Schwarm, Betsy (19 April 2019).
9559:
9513:
9482:
9451:
9420:
9389:
9362:
9340:
9297:
9267:
9225:
9194:
9163:
9139:
9108:
9086:
9060:
9038:
9016:
8990:
8968:
8955:
8942:
8905:
8885:
8240:
8209:
8105:
8089:
8059:
8032:
8004:
7967:
7905:
7851:
7831:
7777:
7757:
7717:
7620:
7596:(after Pergolesi's Stabat Mater)
7591:Clemens Romijn. Liner notes for
7585:
7538:
7507:
7469:
7427:
7381:
7310:
7232:Rathey, Markus (18 April 2003).
5224:
5171:
5142:
5091:
4127:
4084:
3992:
3974:
3956:
3864:for keyboard (BWV 963â967), the
3636:
3618:
3600:
3568:
3439:
3421:
3331:
3017:ran from the first Sunday after
2978:, or the independent bassoon in
2901:
2883:
2865:
2847:
2829:
2809:
2791:
2582:Liturgical compositions in Latin
2398:
2380:
2362:
2330:
2312:
2294:
2262:
2244:
2226:
2199:
2178:
2018:
1985:
1882:
1864:
1685:
1548:and dedicated to Frederick. The
940:Leopold, Prince of Anhalt-Köthen
928:
270:. From 1723, he was employed as
144:
16431:German male classical organists
16426:German male classical composers
14322:MatthÀus Apelles von Löwenstern
13586:Lutheran Hymnal with Supplement
13049:Johann Christoph Friedrich Bach
12936:
12745:Johann Sebastian Bach Institute
12089:, for an extensive bibliography
11462:The Cambridge Companion to Bach
10681:Category:Bach, Johann Sebastian
9204:J. S. Bach and the German Motet
7267:
7252:
7225:
7188:
7091:
7064:
7024:
6982:
6957:
6918:
6892:
6867:
6829:
6804:
6739:
6706:
6681:
6656:
6619:
6594:
6569:
6544:
6422:
6392:
6088:
6052:
5957:
5899:
5853:
5831:
5778:
5747:
5129:
5007:remembers Bach annually with a
4950:
4647:
4437:
4280:
4230:Schlage doch, gewĂŒnschte Stunde
3896:sonatas and partitas for violin
3503:Great Eighteen Chorale Preludes
3184:Singet dem Herrn ein neues Lied
3067:Wachet auf, ruft uns die Stimme
3026:Herz und Mund und Tat und Leben
2879:6. Duet "Mein Freund ist mein!"
2778:Wachet auf, ruft uns die Stimme
2509:
2137:
1482:) and his own students such as
1471:Great Eighteen Chorale Preludes
1185:Wachet auf, ruft uns die Stimme
1142:Cantata cycle years (1723â1729)
508:. His father likely taught him
201:; and choral works such as the
13653:Eyn geystlich Gesangk Buchleyn
13546:Evangelical Lutheran Hymn-Book
13061:Johann Gottfried Bernhard Bach
12533:Printed during Bach's lifetime
12272:Riemenschneider Bach Institute
12013:Wolff, Christoph, ed. (1997).
11524:10.1093/OBO/9780199757824-0043
11464:. Cambridge University Press.
10906:
10901:
9808:. Volume I, Part 4, pp. 61â73.
9746:David, Mendel & Wolff 1998
9233:"The Mass in B Minor, BWV 232"
7724:KlavierbĂŒchlein fĂŒr W. F. Bach
7376:David, Mendel & Wolff 1998
7348:David, Mendel & Wolff 1998
7263:David, Mendel & Wolff 1998
7200:BeitrÀge zur Musikwissenschaft
7183:David, Mendel & Wolff 1998
7059:David, Mendel & Wolff 1998
6522:"Bach Mass in B Minor BWV 232"
6131:David, Mendel & Wolff 1998
5531:David, Mendel & Wolff 1998
5391:
5361:
5320:
5294:
5137:David, Mendel & Wolff 1998
5030:
4740:, whose interpretation of the
3471:) and stricter forms (such as
3389:
3001:After taking up his office as
2968:Nach dir, Herr, verlanget mich
2506:libretto a few years earlier.
1817:When in the 1740s Bach staged
1700:2 Chronicles 5:13
1174:O Ewigkeit, du Donnerwort
1050:, and to a lesser extent, the
837:Market Church of Our Dear Lady
524:, and an older second cousin,
371:for other keyboard instruments
13:
1:
16356:18th-century German composers
15998:Queen of the Night aria from
15221:
15023:
14845:
14710:
14417:Christian Knorr von Rosenroth
14212:Christian FĂŒrchtegott Gellert
13983:Den svenska psalmboken (1986)
13976:Den svenska psalmboken (1937)
13961:Den svenska psalmboken (1819)
13954:Den svenska psalmboken (1695)
12103:University of Rochester Press
11975:The Organ Music of J. S. Bach
11906:. New York: Whittlesey House.
11839:. New York: Alfred A. Knopf.
11194:. Vol. 1. Translated by
11172:. Vol. 1. Translated by
9578:EncyclopĂŠdia Britannica, Inc.
9529:San Francisco Classical Voice
8249:"Bach, Master of the Cantata"
7789:Der musicalische Quack-Salber
7071:US-PRscheide BWV 645â650
5055:
4926:adopted the composer's name.
4781:The Well-Tempered Synthesizer
4517:Ein feste Burg ist unser Gott
3591:performed by Martha Goldstein
3372:stringed keyboard instruments
3370:Bach wrote for organ and for
3289:
3238:Jauchzet dem Herrn, alle Welt
3056:Ein feste Burg ist unser Gott
1929:
1239:
942:, hired Bach to serve as his
908:, premiered in 1714 or 1715.
872:Weinen, Klagen, Sorgen, Zagen
673:play in the northern city of
630:organ Bach played in Arnstadt
401:contrapuntal techniques like
179:; keyboard works such as the
13853:Landstads reviderte salmebok
13562:Evangelical Lutheran Worship
13554:Evangelical Lutheran Hymnary
13138:Wilhelm Friedrich Ernst Bach
12070:UK public library membership
11917:University of Illinois Press
11698:Kupferberg, Herbert (1985).
11541:. R A Kessinger Publishing.
11406:UK public library membership
11324:. Cambridge, Massachusetts:
11166:Schweitzer, Albert (1923) .
10798:Lesser Feasts and Fasts 2018
9460:"Bach: Partitas, BWV 825â30"
7580:vol. 3, appendix XII, p. 315
7288:10.1001/archopht.123.10.1427
5263:
4988:Memory of the World Register
4742:Toccata and Fugue in D minor
4512:Kyrie-Gloria Mass in A major
4245:
3898:(BWV 1001â1006) and the six
3880:Orchestral and chamber music
3842:Chromatic Fantasia and Fugue
3820:Overture in the French Style
3270:Bach's church music in Latin
3224:Lobet den Herrn, alle Heiden
2696:are 21st-century additions.
1903:Chromatic Fantasia and Fugue
1850:Chromatic Fantasia and Fugue
1783:O Haupt voll Blut und Wunden
1590:wrote to one of the Leipzig
1524:Frederick II of Prussia
1196:Nun komm, der Heiden Heiland
1034:In 1723, Bach was appointed
853:Himmelskönig, sei willkommen
747:St. Paul's Church in Leipzig
731:Return to Weimar (1708â1717)
242:, working as a musician for
199:Toccata and Fugue in D minor
7:
16101:Columbia Symphony Orchestra
16015:Songs of the Humpback Whale
11878:Schulenberg, David (2006).
11785:. New York: HarperCollins.
11746:. Oxford University Press.
11613:, Oxford University Press,
11448:Boyd, Malcolm, ed. (1999).
10350:, three volumes, edited by
10336:Felix Mendelssohn Bartholdy
10048:Preludes and Fugues, K.404a
9768:VI, 14 May 1737. Quoted in
9239:. Bach Choir of Bethlehem.
9201:Melamed, Daniel R. (1995).
9178:. Bach Choir of Bethlehem.
9123:. Bach Choir of Bethlehem.
8224:. Bach Choir of Bethlehem.
5861:"History of the Bach House"
5785:Sojourn: Jan Adams Reincken
5043:
4813:Six Sonatas for solo violin
4712:, and recorded his music.
4532:'s 1829 performance of the
4402:owned manuscript copies of
4304:Hermann Karl von Keyserling
3797:(BWV 988), an aria with 30
3494:, the German Organ Mass in
3231:Sei Lob und Preis mit Ehren
2767:
1838:, such as those ending his
1499:Society of Musical Sciences
863:, which coincided with the
442:Jesu, Joy of Man's Desiring
339:composed Latin church music
238:. From 1703 he was back in
27:German composer (1685â1750)
10:
16487:
16416:German classical organists
16022:Beethoven's Symphony No. 5
15958:"Gavotte en Rondeau" from
13845:Psalmebog for Kirke og Hus
13025:Johann Christoph Altnickol
12797:St. Thomas Church, Leipzig
12514:Bach's choir and orchestra
12017:. New York: W. W. Norton.
11761:Miles, Russell H. (1962).
11723:. Grand Rapids, Michigan:
11565:. New York: W. W. Norton.
11200:J. A. Fuller Maitland
10954:. New York: W. W. Norton.
10910:
7604:J.S. Bach Complete Edition
7181:Printed in translation in
7156:Agricola, Johann Friedrich
7152:Bach, Carl Philipp Emanuel
7108:" (pp. 14, 17â18) in
6552:US-PRu M 3.1. B2 C5. 1739q
6004:Companion to Baroque Music
5911:"Baroque Music â Part One"
5754:Snyder, Kerala J. (2007).
4441:
4350:Johann Christoph Altnickol
4346:students of the old master
4249:
4234:, was later attributed to
4184:), French masters such as
4149:
4046:
4031:
4005:
3883:
3649:
3452:
3347:
3293:
3267:
3253:
3165:
3084:
2945:
2919:
2719:
2513:
2414:
2069:Continuo instruments solos
1711:
1584:Johann Christoph Altnickol
1020:Johann Christoph Friedrich
902:Christen, Àtzet diesen Tag
734:
707:Christ lag in Todes Banden
506:Maria Elisabeth LĂ€mmerhirt
477:
191:; organ works such as the
29:
16466:People from Saxe-Eisenach
16391:Composers for harpsichord
16366:18th-century keyboardists
16231:
16039:
16028:
16005:"Sacrificial Dance" from
15986:The Well-Tempered Clavier
15924:
15892:
15808:
15765:
15675:
15495:
15474:
15339:
15216:
15018:
14843:
14704:
14698:List of Baroque composers
14695:
14610:
14392:Christian Heinrich Postel
14257:Bernhard Severin Ingemann
13996:
13927:
13903:
13818:
13794:
13763:
13739:
13687:
13628:
13518:
13460:
13442:
13361:Christian Theodor Weinlig
13227:
13147:
13128:(great-great-grandfather)
13057:(2nd cousin once removed)
13033:(1st cousin once removed)
12965:Carl Philipp Emanuel Bach
12944:
12904:
12899:Links to related articles
12863:
12805:
12774:
12708:
12568:
12490:
12408:
12399:
12174:Leaver, Robin A. (2016),
11996:The New Grove Bach Family
11973:Williams, Peter (2003b),
11721:Luther's Liturgical Music
11719:Leaver, Robin A. (2007).
11704:. New York: McGraw-Hill.
11690:Beethoven im eigenen Wort
11687:Kerst, Friedrich (1904).
11611:The Cantatas of J.S. Bach
11343:Wolff, Christoph (2000).
11300:Bach: A Musical Biography
11226:Spitta, Philipp (1899c).
11211:Spitta, Philipp (1899b).
10588:29 September 2015 at the
10412:. National Public Radio.
10064:Köchel, Ludwig Ritter von
10020:A-Wgm A 169 b (III 31685)
9975:. Spring 2005. pp. 26â31.
9497:. National Public Radio.
8917:courses.lumenlearning.com
7923:. American Public Media.
7867:22 September 2015 at the
7522:. National Public Radio.
7487:. Vol. 1. New York:
7399:. American Public Media.
7276:Archives of Ophthalmology
7118:11 September 2017 at the
7076:11 September 2017 at the
7012:III.2 [1746], 357
6995:III.2 [1746], 353
6971:11 September 2017 at the
6946:11 September 2017 at the
6933:11 September 2017 at the
6907:11 September 2017 at the
6856:11 September 2017 at the
6843:11 September 2017 at the
6818:11 September 2017 at the
6788:11 September 2017 at the
6720:11 September 2017 at the
6608:11 September 2017 at the
6583:11 September 2017 at the
6558:11 September 2017 at the
4904:The Well-Tempered Clavier
4865:; but also books such as
4736:to the orchestrations of
4434:(progenitor of harmony).
4405:The Well-Tempered Clavier
4354:Johann Friedrich Agricola
4348:, such as his son-in-law
4094:"Air", 2nd movement from
3695:The Well-Tempered Clavier
3673:The Well-Tempered Clavier
3408:in the village church of
3354:In 1733, Bach composed a
3161:
3064:
3053:
3046:Picander cycle of 1728â29
3023:
2965:
2957:in the opening movement.
2714:Matthew 27:45â47a
2540:Bach-Gesellschaft-Ausgabe
1767:The Well-Tempered Clavier
1663:Johann Friedrich Agricola
1356:The Well-Tempered Clavier
1336:
1330:
1324:
1317:In 1733, Bach composed a
1204:
1193:
1182:
1171:
1152:
974:
899:
884:
869:
850:
810:The Well-Tempered Clavier
769:Johann Gottfried Bernhard
537:St. Michael's Church
418:The Well-Tempered Clavier
211:. Since the 19th century
188:The Well-Tempered Clavier
143:
138:
128:
118:
100:
71:
52:
45:
16401:German Baroque composers
16386:Composers for pipe organ
16164:MĂŒnchener Bach-Orchester
14307:Magnus Brostrup Landstad
13677:Evangelisches Gesangbuch
13570:Lutheran Book of Worship
13355:Johann Gottfried Schicht
12947:(showing relationship to
12356:Netherlands Bach Society
12097:Baron, Carol K. (2006).
11934:Van Til, Marian (2007).
11488:Indiana University Press
11486:. Scarborough, Ontario:
11431:Cornell University Press
11414:
11326:Harvard University Press
11298:Williams, Peter (2016).
11279:Williams, Peter (2007).
11076:24 February 2017 at the
10527:10 November 2016 at the
10122:The Symphonic Repertoire
9791:Hamburg: Schiller, 1717.
9703:23 November 2015 at the
9275:"Bach, Johann Sebastian"
8125:(in German). Wiesbaden:
7862:"Harpsichord Concertos,"
7842:6 Organ Concertos, Op. 4
7770:Netherlands Bach Society
7729:18 November 2015 at the
7680:On the Origin of Bach's
7636:20 February 2016 at the
7613:22 November 2015 at the
7504:, pp. 280, 289â291.
7129:5 September 2015 at the
7104:22 February 2018 at the
6900:D-B Mus. ms. Bach P 271,
6765:18 November 2016 at the
6754:18 November 2016 at the
6670:18 November 2016 at the
6645:18 November 2016 at the
6634:18 November 2016 at the
5369:"Bach, Johann Sebastian"
5183:(1905 and 1908 editions)
5060:
4896:Partita for Violin No. 3
4710:Dietrich Fischer-Dieskau
4049:Orchestral suites (Bach)
3690:Inventions and Sinfonias
2961:Bach's earliest cantatas
1736:Luther's Small Catechism
1269:repertoire, such as the
1155:Die Elenden sollen essen
749:, tested by Bach in 1717
684:An WasserflĂŒssen Babylon
520:, introduced him to the
399:Many of his works employ
258:, where he expanded his
16159:Wolfgang Amadeus Mozart
16081:Budapest String Quartet
15966:Izlel ye Delyo Haydutin
14537:N. Samuel of Tranquebar
14477:Johann Balthasar Schupp
14432:Gottfried Wilhelm Sacer
14357:Johann MatthÀus Meyfart
14312:Ludvig Mathias Lindeman
14207:Fredrik Gabriel Hedberg
13837:Landstads kirkesalmebog
13618:Service Book and Hymnal
13373:Ernst Friedrich Richter
13165:by Carl Philipp Emanuel
13132:Wilhelm Friedemann Bach
12989:Gottfried Heinrich Bach
12101:. Rochester, New York:
12087:Crist & Stauff 2011
11882:. New York: Routledge.
11529:(subscription required)
11508:"Johann Sebastian Bach"
11381:Oxford University Press
11004:Forkel, Johann Nikolaus
10776:classical-music.com Ltd
10641:23 October 2011 at the
10560:12 October 2016 at the
10536:.musicweb-international
10502:Rokus de Groot (2000).
10159:2 February 2010 at the
10025:8 December 2015 at the
9819:1 February 2014 at the
9806:Musikalische Bibliothek
9801:Lorenz Christoph Mizler
9573:EncyclopĂŠdia Britannica
8045:31 January 2016 at the
7602:, 2000. (2014 reissue:
7481:"Johann Sebastian Bach"
7389:"Did Bach really leave
7165:Musikalische Bibliothek
7097:Breig, Werner (2010). "
7080:(original print of the
7031:Musikalische Bibliothek
7017:16 January 2013 at the
7007:Musikalische Bibliothek
7000:16 January 2013 at the
6990:Musikalische Bibliothek
6881:8 December 2015 at the
6664:D-B Mus. ms. Bach P 195
5966:"Weimar (II) 1708â1717"
5307:EncyclopĂŠdia Britannica
5289:Crist & Stauff 2011
4491:first keyboard concerto
4370:Wilhelm Friedemann Bach
4316:Lorenz Christoph Mizler
3868:(BWV 933â938), and the
3042:His third cantata cycle
3015:His first cantata cycle
2682:Late contrapuntal works
2029:The second page of the
1672:Musikalische Bibliothek
1514:Elias Gottlob Haussmann
1495:Lorenz Christoph Mizler
575:; and even the Italian
447:
365:. He wrote extensively
204:St Matthew Passion
16436:Musicians from Leipzig
16195:Philharmonia Orchestra
15773:Common practice period
14402:BartholomÀus Ringwaldt
14297:Johann Balthasar König
14062:Birgitte Cathrine Boye
14022:Albert von Brandenburg
13750:SĂĄlmabĂłk FĂžroya kirkju
13661:Praxis pietatis melica
13421:Georg Christoph Biller
13349:August Eberhard MĂŒller
13337:Johann Friedrich Doles
12751:
12730:
12721:
12434:Chorale harmonisations
12129:(in German). Leipzig:
11646:Herz, Gerhard (1985).
11242:Terry, Charles Sanford
10920:Boyd, Malcolm (2000).
10393:Breitkopf & HĂ€rtel
10356:Breitkopf & HĂ€rtel
10132:), pp. 423â432 (2002).
10074:Breitkopf & HĂ€rtel
10072:(in German). Leipzig:
9709:Breitkopf & HĂ€rtel
9628:Traupman-Carr, Carol.
9427:Traupman-Carr, Carol.
9398:"Bach: English Suites"
9306:"Arnstadt (1703â1707)"
9170:Traupman-Carr, Carol.
9115:Traupman-Carr, Carol.
8898:19 August 2016 at the
8553:, second version (BDW
8505:, second version (BDW
8247:Traupman-Carr, Carol.
8216:Traupman-Carr, Carol.
8127:Breitkopf & HĂ€rtel
8067:"Bach Works Catalogue"
7838:George Frideric Handel
7545:Traupman-Carr, Carol.
7477:Fuller Maitland, J. A.
7006:
6989:
6797:.gerda-henkel-stiftung
6526:The Baroque Music Site
5654:The Baroque Music Site
5492:Wolff & Emery 2001
5277:Wolff & Emery 2001
4941:
4863:Bach-Werke-Verzeichnis
4821:24 Preludes and Fugues
4665:
4657:
4608:
4553:started composing his
4473:Johann Nikolaus Forkel
4468:
4430:
4296:Augustus III of Poland
4290:
4261:
3870:
3835:
3784:
3778:
3772:
3766:
3760:
3752:
3744:
3736:
3728:
3722:
3553:
3551:
3540:
3250:Chorale harmonisations
3236:
3230:
3222:
3214:
3206:
3198:
3190:
3182:
3013:readings of the week.
3003:
2717:
2700:Passions and oratorios
2592:Passions and oratorios
2539:
2532:Bach-Werke-Verzeichnis
2530:
2457:
2444:Johann Nikolaus Forkel
2026:
2004:
1789:
1740:
1709:
1606:
1600:
1434:. His fourth and last
1314:
1275:
1245:
1125:
1114:Georg Philipp Telemann
1098:
1078:Appointment in Leipzig
944:
936:
844:
755:
750:
717:
705:
631:
557:Johann Jakob Froberger
490:duchy of Saxe-Eisenach
475:
466:Johann David Herlicius
427:Bach-Werke-Verzeichnis
359:his four-part chorales
304:Augustus III of Poland
16336:Johann Sebastian Bach
16086:Johann Sebastian Bach
15886:Voyager Golden Record
15695:British Baroque music
14631:In continental Europe
14457:Johann Hermann Schein
14197:Andreas Hammerschmidt
14162:Frans Michael Franzén
14037:Johann Sebastian Bach
13876:Norsk Salmebok (1985)
13637:First Lutheran hymnal
13594:Lutheran Service Book
13325:Johann Sebastian Bach
13295:Johann Hermann Schein
13122:(1st wife/2nd cousin)
13097:Johann Sebastian Bach
13031:Johann Christoph Bach
13019:Johann Christian Bach
13001:Johann Ambrosius Bach
12950:Johann Sebastian Bach
12782:Bach House (Eisenach)
12732:Neue Bachgesellschaft
12503:Church music in Latin
12393:Johann Sebastian Bach
12295:Johann Sebastian Bach
11998:. London: Macmillan.
11871:Neue Bachgesellschaft
11742:Lester, Joel (1999).
11627:Herl, Joseph (2004).
11514:Oxford Bibliographies
11281:Bach: A Life in Music
11047:Geck, Martin (2003).
11014:Charles Sanford Terry
10823:"Church Music Sunday"
10512:, volume 50, no. 1/2.
10243:New York University.
9711:. Introduction p. 20.
8541:, first version (BDW
8493:, first version (BDW
8180:archived 21 July 2011
7824:1993. Liner notes by
7765:"Concerto in d minor"
6940:D-B Mus. ms. 17155/16
6577:GB-Lbl Add. MS. 35021
6434:Bach Cantatas Website
6404:Bach Cantatas Website
6368:DĂŒrr & Jones 2006
5794:, by Timothy A. Smith
5199:(English translation)
5197:DĂŒrr & Jones 2006
4916:Deutsche Bachsolisten
4877:Voyager Golden Record
4843:Charles Sanford Terry
4830:Bachianas Brasileiras
4768:performances such as
4663:
4655:
4637:Johann Sebastian Bach
4573:Carl Friedrich Zelter
4559:Well-Tempered Clavier
4506:major version of the
4498:Well-Tempered Clavier
4455:
4426:Well-Tempered Clavier
4392:Gottfried van Swieten
4288:
4259:
4106:Capella Istropolitana
4032:Further information:
4014:Brandenburg Concertos
4008:Brandenburg Concertos
4006:Further information:
3937:Brandenburg Concertos
3836:Clavier-Ăbung II
3750:â(optional movement)â
3718:Partitas for keyboard
3700:Three collections of
3549:
3538:
3526:
3264:Church music in Latin
3034:chorale cantata cycle
2948:Church cantata (Bach)
2926:List of Bach cantatas
2707:
2448:
2376:2. Largo ma non tanto
2010:
1993:
1974:Well-Tempered Clavier
1852:BWV 903 performed by
1780:
1693:
1519:Canon triplex ĂĄ 6 Voc
1402:BWV Anh. 30
1342:Carl Gotthelf Gerlach
1306:
1271:Brandenburg Concertos
1234:
1085:
1012:Anna Magdalena Wilcke
969:Brandenburg Concertos
923:
744:
735:Further information:
640:Johann Ernst III
625:
533:Johann Christoph Bach
518:Johann Christoph Bach
502:Johann Ambrosius Bach
488:, the capital of the
478:Further information:
462:Johann Ambrosius Bach
460:
453:Childhood (1685â1703)
168:Brandenburg Concertos
155:Johann Sebastian Bach
47:Johann Sebastian Bach
32:Bach (disambiguation)
16461:People from Eisenach
16149:Blind Willie Johnson
16091:Ludwig van Beethoven
16064:Bavarian State Opera
15934:Brandenburg Concerto
15113:Jacquet de La Guerre
15043:Bodin de Boismortier
14592:Carl David af Wirsén
14452:Heinrich Scheidemann
14382:HallgrĂmur PĂ©tursson
14277:Balthasar Kindermann
14017:Johann Georg Albinus
13415:Hans-Joachim Rotzsch
13155:Altbachisches Archiv
13091:Johann Nicolaus Bach
13007:Johann Bernhard Bach
12995:Johann Aegidius Bach
12983:Georg Christoph Bach
12977:Elisabeth LĂ€mmerhirt
12828:Bach Prize (Hamburg)
12760:J.S. Bach Foundation
12254:bach-leipzig website
11919:. pp. 135â156.
11837:Mozart and His Times
11648:Essays on J. S. Bach
11607:Jones, Richard D. P.
11429:. Ithaca, New York:
11178:Macmillan Publishers
11150:Macmillan Publishers
11022:Gardiner, John Eliot
10352:Adolph Bernhard Marx
10208:W. W. Norton, 2008.
10092:No. 405, pp. 328â329
9965:4 March 2016 at the
9758:Johann Adolf Scheibe
9691:Zehnder, Jean-Claude
9603:Music of the Baroque
7489:Macmillan Publishers
7261:, p. 442, from
7198:BWV 1080", in:
6695:4 March 2016 at the
6485:, pp. 281, 287.
6400:"Motets BWV 225â231"
6060:Gardiner, John Eliot
6034:, pp. 147, 156.
5279:, "10. Iconography".
4980:Berlin State Library
4924:Bach Collegium Japan
4886:Brandenburg Concerto
4734:piano transcriptions
4721:Nikolaus Harnoncourt
4487:Berlin Sing-Akademie
4431:Urvater der Harmonie
4334:Carl Philipp Emanuel
4308:Johann Adolf Scheibe
4269:. Starting with the
3906:The Musical Offering
3723:Clavier-Ăbung I
3062:(final version) and
2632:Other keyboard works
2460:Structure and lyrics
2425:, as opposed to the
2085:Brandenburg Concerto
1998:as contained in the
1545:The Musical Offering
1536:Gottfried Silbermann
1516:and featured Bach's
1380:) by, among others,
1060:Electorate of Saxony
765:Carl Philipp Emanuel
669:and to hear him and
667:Johann Adam Reincken
577:Girolamo Frescobaldi
545:Saxe-Gotha-Altenburg
327:hundreds of cantatas
209:Mass in B minor
157:(31 March [
123:List of compositions
16406:German blind people
16183:Early Music Consort
16074:Wolfgang Sawallisch
15705:early music revival
15276:Frederick the Great
14597:Catherine Winkworth
14562:Philipp Wackernagel
14467:Cyriakus Schneegass
14342:Wilhelmi Malmivaara
14177:BartholomÀus Gesius
14082:Dieterich Buxtehude
14067:Hans Adolph Brorson
13890:Norsk salmebok 2013
13705:Den Danske Salmebog
13578:The Lutheran Hymnal
13538:Common Service Book
13409:Erhard Mauersberger
13241:Johannes Galliculus
13175:by Johann Sebastian
13170:by Johann Christian
13111:(great-grandfather)
13085:Johann Michael Bach
13079:Johann Michael Bach
12959:Anna Magdalena Bach
12787:Bach House (Köthen)
12766:List of Bach choirs
12147:Hofstadter, Douglas
11535:Dent, Edward Joseph
10770:(31 October 2019).
10236:Edward Noel Green.
9848:, pp. 456â461.
9609:on 27 December 2014
9429:"French Suites 1â6"
9348:Kroesbergen, Willem
8939:, pp. 100â101.
8143:on 31 October 2016.
8113:Schmieder, Wolfgang
8051:Proceedings of the
7378:, pp. 191â197.
7329:on 26 February 2012
7323:J.S. Bach Home Page
7208:Musicalisches Opfer
6926:D-B Mus. ms. 30199,
6875:D-B N. Mus. ms. 307
6837:D-B N. Mus. ms. 468
6473:, pp. 288â290.
6461:, pp. 112â113.
6229:, pp. 98, 111.
6169:, pp. 69, 372.
5921:on 5 September 2015
5790:22 May 2006 at the
5593:, pp. 186â187.
4973:John Eliot Gardiner
4868:Gödel, Escher, Bach
4817:Dmitri Shostakovich
4805:Modern Jazz Quartet
4761:Jazz Sebastian Bach
4756:The Swingle Singers
4694:Herbert von Karajan
4555:24 Preludes, Op. 28
4526:Bach's Magnificat.
4483:Abraham Mendelssohn
4362:Johann Ludwig Krebs
4300:Frederick the Great
4213:Air on the G String
4110:Oliver von DohnĂĄnyi
4101:Air on the G String
4078:Air on the G String
3866:Six Little Preludes
3827:, BWV 831) and the
3794:Goldberg Variations
3716:(BWV 812â817), and
3501:from 1739, and the
3481:Dieterich Buxtehude
3280:KyrieâGloria Masses
3109:) or Italian (e.g.
2694:BWV 1127 and higher
2652:Other chamber music
2040:Goldberg Variations
2014:Goldberg Variations
1793:Four-part harmonies
1787:St. Matthew Passion
1698:. The note next to
1441:Goldberg Variations
1048:St. Nicholas Church
1030:Leipzig (1723â1750)
889: BWV 172
719:Gott ist mein König
671:Dieterich Buxtehude
565:Jean-Baptiste Lully
553:Johann Caspar Kerll
437:Air on the G String
353:. He often adopted
323:Bach's compositions
182:Goldberg Variations
16441:Oratorio composers
16190:K. P. H. Notoprojo
16020:first movement of
16008:The Rite of Spring
15931:first movement of
15005:TorrejĂłn y Velasco
14616:Luther § Hymnodist
14557:Gottfried Vopelius
14487:Nikolaus Selnecker
14387:Michael Praetorius
14367:Erdmann Neumeister
14267:Sigfrid Karg-Elert
14227:Valerius Herberger
14192:Britt G. Hallqvist
14187:N. F. S. Grundtvig
14167:Erik Gustaf Geijer
14122:Ludmilla Elisabeth
14107:Wolfgang Dachstein
14092:Elisabeth Cruciger
14087:Christian Cappelen
14072:Johan Nordahl Brun
14052:Sigmund von Birken
13971:(in Swedish, 1891)
13949:(in Swedish, 1553)
13946:Een liten Songbook
13726:ThomissĂžn's hymnal
13688:In other languages
13645:Erfurt Enchiridion
13343:Johann Adam Hiller
13120:Maria Barbara Bach
13073:Johann Ludwig Bach
12448:Organ compositions
12243:"Discovering Bach"
12140:Wolfgang Schmieder
12044:Grove Music Online
11376:Grove Music Online
11138:Schweitzer, Albert
10768:BBC Music Magazine
9766:Critischer Musicus
9304:Smith, Timothy A.
9092:Bach Digital Work
9066:Bach Digital Work
9044:Bach Digital Work
9022:Bach Digital Work
8996:Bach Digital Work
8974:Bach Digital Work
8096:Wolfgang Schmieder
7973:Bach Digital Work
7871:booklet notes for
7600:Brilliant Classics
7049:2003, Nr. 32, 115.
6626:D-Cv A.V,1109,(1),
6602:D-B Mus. ms. 16714
6321:: Online Gallery.
6105:. pp. 15â16.
5915:Music in Our World
5907:Thornburgh, Elaine
5837:Bach Digital Work
5557:, pp. 19, 46.
5328:Blanning, T. C. W.
5013:Calendar of Saints
4920:Bachchor Stuttgart
4825:Heitor Villa-Lobos
4666:
4658:
4557:, inspired by the
4547:St Matthew Passion
4535:St Matthew Passion
4514:, and the cantata
4469:
4424:played the entire
4338:Wilhelm Friedemann
4291:
4262:
4098:, performed in an
4028:Keyboard concertos
3554:
3552:
3541:
3208:FĂŒrchte dich nicht
3200:Jesu, meine Freude
3075:Johann Ludwig Bach
2755:St Matthew Passion
2749:Ascension Oratorio
2733:Christmas Oratorio
2718:
2710:St Matthew Passion
2622:Organ compositions
2602:Four-part chorales
2526:thematic catalogue
2522:Wolfgang Schmieder
2500:St Matthew Passion
2063:St Matthew Passion
2027:
2005:
1962:scale of C minor.
1908:chromatic fantasia
1790:
1751:St Matthew Passion
1710:
1588:Heinrich von BrĂŒhl
1315:
1287:keyboard concertos
1285:), his violin and
1246:
1226:Leipzig University
1118:Christoph Graupner
1099:
1064:Frederick Augustus
1056:St. Peter's Church
1016:Gottfried Heinrich
1008:Maria Barbara Bach
937:
916:Köthen (1717â1723)
761:Wilhelm Friedemann
751:
713:Maria Barbara Bach
632:
535:, the organist at
526:Johann Ludwig Bach
476:
375:composed concertos
16446:Organ improvisers
16265:
16264:
16259:
16258:
16052:and His Hot Seven
15852:
15851:
15814:Renaissance music
15482:Baroque orchestra
14655:
14654:
14567:Johan Olof Wallin
14532:Melchior Teschner
14462:Benjamin Schmolck
14352:Felix Mendelssohn
14347:Hemminki of Masku
14272:Christian Keymann
14027:Michael Altenburg
13992:
13991:
13923:
13922:
13899:
13898:
13814:
13813:
13790:
13789:
13759:
13758:
13735:
13734:
13712:Guldberg's hymnal
13530:Christian Worship
13478:
13477:
13307:Sebastian KnĂŒpfer
13265:Johannes Bruckner
13247:Valerian HĂŒffeler
13183:
13182:
13067:Johann Jacob Bach
12891:
12890:
12723:Bach Gesellschaft
12704:
12703:
12564:
12563:
12455:Keyboard and lute
12266:Bach Bibliography
12227:978-0-253-33181-6
12208:978-1-4422-3290-7
12187:978-0-367-58143-5
12166:978-0-465-02656-2
12112:978-1-58046-190-0
12068:(subscription or
12062:978-1-56159-263-0
12024:978-0-393-33674-0
12005:978-0-333-34350-0
11984:978-0-521-89115-8
11967:978-0-521-31700-9
11945:978-0-9794785-0-5
11926:978-0-252-03344-5
11889:978-0-415-97400-4
11816:978-0-06-263547-1
11792:978-0-06-075974-2
11753:978-0-19-512097-4
11734:978-0-8028-3221-4
11711:978-0-07-035646-7
11679:978-0-19-816440-1
11657:978-0-8357-1989-6
11638:978-0-19-515439-9
11620:978-0-19-929776-4
11594:978-3-423-04080-8
11572:978-0-393-30052-9
11557:Donington, Robert
11497:978-0-253-10520-2
11471:978-0-521-58780-8
11404:(subscription or
11398:978-1-56159-263-0
11366:978-0-393-32256-9
11354:978-0-19-816534-7
11335:978-0-674-05926-9
11309:978-1-107-13925-1
11290:978-0-521-87074-0
11271:978-0-521-53374-4
11246:Bach: A Biography
11129:978-0-19-500554-7
11103:978-0-15-100648-9
11068:978-1-904341-16-1
11039:978-0-7139-9662-3
10995:978-0-465-01861-1
10961:978-0-393-31956-9
10931:978-0-19-514222-8
10808:978-1-64065-235-4
10249:978-0-549-79451-6
10214:978-0-393-28578-9
10130:978-0-253-33487-9
10120:Brown, A. Peter,
9910:978-0-521-02891-2
9789:, footnote p. 222
9279:GMN ClassicalPlus
9214:978-0-521-41864-5
8902:contains 22 works
8279:Bach Digital Work
8136:978-3-7651-0249-3
8038:Don O. Franklin.
8025:978-88-7063-011-4
7917:to be performed?"
7913:"Did Bach intend
7694:978-0-521-34105-9
7282:(10): 1427â1430.
7082:SchĂŒbler Chorales
6965:D-B Mus. ms. 7918
6689:D-B Mus. ms. 1160
6014:978-0-520-21414-9
5999:Sadie, Julie Anne
5894:Table VII, p. 309
5865:Bach House Weimar
5767:978-1-58046-253-2
5705:, pp. 15â16.
5681:, pp. 55â56.
5605:, pp. 41â43.
5509:, pp. 86â87.
5475:Wolff et al. 2018
5347:978-0-674-03104-3
5017:Lutheran churches
4839:Albert Schweitzer
4738:Leopold Stokowski
4732:'s late romantic
4682:Willem Mengelberg
4610:Bach-Gesellschaft
4530:Felix Mendelssohn
4523:Hans Georg NĂ€geli
4358:Johann Kirnberger
4267:Bach Gesellschaft
4236:Melchior Hoffmann
4186:François Couperin
4182:Missa Sine nomine
4132:
4089:
4055:orchestral suites
4043:Orchestral suites
3997:
3979:
3961:
3641:
3623:
3605:
3573:
3547:
3536:
3512:SchĂŒbler Chorales
3444:
3426:
3410:GroĂhartmannsdorf
3336:
3296:Magnificat (Bach)
3147:drammi per musica
2906:
2888:
2870:
2852:
2834:
2816:
2796:
2738:liturgical season
2687:
2686:
2642:Lute compositions
2612:Small vocal works
2403:
2385:
2367:
2340:Keyboard concerto
2335:
2317:
2299:
2267:
2249:
2231:
2205:
2189:
2163:BWV 632 (extract)
2023:
1887:
1869:
1773:Four-part harmony
1623:lute-harpsichords
1551:SchĂŒbler Chorales
1468:Passions and the
1360:Augustus III
1283:Keyboard Practice
1258:Collegium Musicum
1250:Collegium Musicum
1107:St. Paul's Church
1087:St. Thomas Church
1044:St. Thomas Church
1040:St. Thomas School
956:orchestral suites
933:
824:Little Organ Book
292:Collegium Musicum
194:Schubler Chorales
152:
151:
16:(Redirected from
16478:
16421:German Lutherans
16318:
16317:
16316:
16306:
16305:
16304:
16294:
16293:
16292:
16282:
16281:
16280:
16273:
16249:
16248:
16239:
16238:
16139:Anthony Holborne
16034:
15940:"Cavatina" from
15879:
15872:
15865:
15856:
15855:
15842:
15832:
15831:
15747:polychoral style
15662:sonata da chiesa
15223:
15025:
14847:
14712:
14682:
14675:
14668:
14659:
14658:
14636:Lutheran chorale
14542:Zachris Topelius
14502:Lazarus Spengler
14447:Martin Schalling
14377:Johann Pachelbel
14237:Johannes Hermann
14127:Princess Eugénie
13925:
13924:
13901:
13900:
13861:Nynorsk salmebok
13816:
13815:
13792:
13791:
13761:
13760:
13737:
13736:
13692:
13691:
13602:Lutheran Worship
13512:Lutheran hymnody
13505:
13498:
13491:
13482:
13481:
13468:
13467:
13427:Gotthold Schwarz
13367:Moritz Hauptmann
13289:Sethus Calvisius
13277:Wolfgang Figulus
13253:Johannes Hermann
13210:
13203:
13196:
13187:
13186:
12931:
12924:
12917:
12908:
12907:
12895:
12894:
12881:
12871:
12870:
12756:
12735:
12726:
12587:
12586:
12557:
12555:New Bach Edition
12535:
12523:
12516:
12478:
12471:
12469:Orchestral works
12464:
12457:
12450:
12443:
12436:
12406:
12405:
12386:
12379:
12372:
12363:
12362:
12282:Internet Archive
12270:, mirror at the
12250:
12231:
12212:
12190:
12170:
12134:
12116:
12092:
12073:
12066:
12040:
12033:Wolff, Christoph
12028:
12009:
11992:Wolff, Christoph
11987:
11970:
11949:
11930:
11907:
11893:
11874:
11848:
11829:Winston, Richard
11820:
11796:
11774:
11757:
11738:
11715:
11694:
11683:
11661:
11642:
11623:
11598:
11576:
11552:
11530:
11527:
11510:
11501:
11475:
11453:
11444:
11423:Applegate, Celia
11409:
11402:
11379:(8th ed.).
11369:
11358:
11339:
11318:Wolff, Christoph
11313:
11294:
11275:
11263:
11260:The Life of Bach
11249:
11237:
11234:Novello & Co
11222:
11219:Novello & Co
11207:
11204:Novello & Co
11181:
11153:
11144:. Translated by
11133:
11121:
11107:
11072:
11053:. Translated by
11043:
11017:
11012:. Translated by
10999:
10973:
10948:Wolff, Christoph
10935:
10895:
10894:
10892:
10853:
10840:
10834:
10833:
10827:
10819:
10813:
10812:
10793:
10787:
10786:
10784:
10782:
10764:
10758:
10757:
10749:
10743:
10742:
10740:
10738:
10723:
10717:
10716:
10714:
10712:
10694:
10688:
10674:
10668:
10667:
10656:
10650:
10633:
10627:
10626:
10624:
10622:
10603:
10597:
10594:HĂ€nssler Classic
10580:
10574:
10573:
10570:
10568:
10548:
10542:
10540:
10537:
10535:
10519:
10513:
10500:
10491:
10490:
10488:
10486:
10475:A Bach Christmas
10463:
10457:
10456:
10454:
10452:
10435:McComb, Todd M.
10432:
10426:
10425:
10423:
10421:
10402:
10396:
10377:
10371:
10365:
10359:
10345:
10339:
10333:
10327:
10317:
10311:
10301:
10295:
10285:
10279:
10269:
10263:
10262:, pp. 9â10.
10257:
10251:
10234:
10228:
10222:
10216:
10196:
10190:
10184:
10175:
10174:
10171:
10169:
10167:
10150:
10133:
10118:
10112:
10111:
10100:
10094:
10089:
10060:
10054:
10050:: Scores at the
10045:
10039:
10038:
10035:
10033:
10017:
10011:
9997:
9991:
9985:
9976:
9953:
9940:
9934:
9928:
9918:
9912:
9892:
9886:
9885:
9882:
9880:
9871:
9865:
9855:
9849:
9843:
9837:
9830:
9824:
9798:
9792:
9782:Johann Mattheson
9779:
9773:
9755:
9749:
9734:
9728:
9718:
9712:
9688:
9682:
9672:
9666:
9656:
9650:
9649:
9647:
9645:
9625:
9619:
9618:
9616:
9614:
9605:. Archived from
9595:
9589:
9588:
9586:
9584:
9563:
9557:
9551:
9545:
9544:
9542:
9540:
9517:
9511:
9510:
9508:
9506:
9486:
9480:
9479:
9477:
9475:
9458:McComb, Todd M.
9455:
9449:
9448:
9446:
9444:
9424:
9418:
9417:
9415:
9413:
9396:McComb, Todd M.
9393:
9387:
9386:
9384:
9382:
9366:
9360:
9359:
9354:(2nd ed.).
9344:
9338:
9332:
9326:
9325:
9323:
9321:
9301:
9295:
9294:
9292:
9290:
9281:. Archived from
9271:
9265:
9259:
9253:
9252:
9250:
9248:
9229:
9223:
9222:
9198:
9192:
9191:
9189:
9187:
9167:
9161:
9155:
9149:
9143:
9137:
9136:
9134:
9132:
9112:
9106:
9105:
9102:
9100:
9090:
9084:
9083:
9080:
9078:
9064:
9058:
9057:
9054:
9052:
9042:
9036:
9035:
9032:
9030:
9020:
9014:
9013:
9010:
9008:
8994:
8988:
8987:
8984:
8982:
8972:
8966:
8959:
8953:
8946:
8940:
8934:
8928:
8927:
8925:
8923:
8909:
8903:
8889:
8883:
8879:
8870:
8858:
8846:
8834:
8822:
8810:
8798:
8786:
8774:
8762:
8750:
8738:
8726:
8714:
8702:
8690:
8678:
8666:
8654:
8642:
8630:
8618:
8606:
8594:
8582:
8570:
8558:
8546:
8534:
8522:
8510:
8498:
8486:
8474:
8462:
8450:
8438:
8426:
8414:
8402:
8390:
8378:
8366:
8354:
8342:
8330:
8318:
8306:
8294:
8275:
8269:
8268:
8266:
8264:
8244:
8238:
8237:
8235:
8233:
8213:
8207:
8201:
8195:
8189:
8183:
8168:Joel H. Kuznik.
8166:
8160:
8151:
8145:
8144:
8139:. Archived from
8109:
8103:
8093:
8087:
8086:
8084:
8082:
8063:
8057:
8036:
8030:
8029:
8008:
8002:
7993:
7987:
7986:
7983:
7981:
7971:
7965:
7955:
7949:
7943:
7937:
7936:
7934:
7932:
7921:The Art of Fugue
7909:
7903:
7897:
7888:
7885:Schulenberg 2006
7882:
7876:
7855:
7849:
7835:
7829:
7826:Gilles Cantagrel
7811:
7805:
7799:
7793:
7792:
7781:
7775:
7774:
7761:
7755:
7749:
7743:
7742:
7739:
7737:
7721:
7715:
7709:
7703:
7702:
7674:
7665:
7659:
7653:
7647:
7641:
7624:
7618:
7589:
7583:
7573:
7567:
7566:
7564:
7562:
7542:
7536:
7535:
7533:
7531:
7511:
7505:
7499:
7493:
7492:
7473:
7467:
7461:
7455:
7454:
7452:
7450:
7445:on 2 August 2020
7441:. Archived from
7431:
7425:
7419:
7413:
7412:
7410:
7408:
7397:The Art of Fugue
7385:
7379:
7373:
7367:
7357:
7351:
7345:
7339:
7338:
7336:
7334:
7325:. Archived from
7314:
7308:
7307:
7271:
7265:
7256:
7250:
7249:
7247:
7240:
7229:
7223:
7217:
7211:
7192:
7186:
7180:
7173:
7148:
7137:
7095:
7089:
7068:
7062:
7056:
7050:
7028:
7022:
7009:
6992:
6986:
6980:
6966:
6961:
6955:
6941:
6928:Fascicle 14
6927:
6922:
6916:
6901:
6896:
6890:
6876:
6871:
6865:
6851:
6838:
6833:
6827:
6813:
6808:
6802:
6801:
6798:
6796:
6780:
6774:
6747:
6743:
6737:
6715:
6710:
6704:
6690:
6685:
6679:
6665:
6660:
6654:
6627:
6623:
6617:
6603:
6598:
6592:
6578:
6573:
6567:
6553:
6548:
6542:
6541:
6539:
6537:
6518:
6509:
6504:
6498:
6492:
6486:
6480:
6474:
6468:
6462:
6456:
6450:
6449:
6447:
6445:
6426:
6420:
6419:
6417:
6415:
6396:
6390:
6384:
6375:
6365:
6359:
6353:
6347:
6341:
6335:
6334:
6332:
6330:
6311:
6305:
6295:
6289:
6279:
6273:
6267:
6261:
6255:
6246:
6236:
6230:
6224:
6218:
6212:
6206:
6200:
6194:
6188:
6182:
6176:
6170:
6164:
6158:
6152:
6146:
6140:
6134:
6128:
6122:
6121:
6119:
6117:
6111:
6104:
6096:Wolff, Christoph
6092:
6086:
6085:
6083:
6081:
6075:
6069:. pp. 1â2.
6068:
6056:
6050:
6044:
6035:
6029:
6023:
6022:
5995:
5986:
5985:
5983:
5981:
5961:
5955:
5949:
5943:
5937:
5931:
5930:
5928:
5926:
5903:
5897:
5887:
5881:
5880:
5878:
5876:
5857:
5851:
5850:
5847:
5845:
5835:
5829:
5819:
5813:
5804:
5795:
5782:
5776:
5775:
5751:
5745:
5736:
5730:
5724:
5718:
5712:
5706:
5700:
5694:
5688:
5682:
5676:
5670:
5669:
5667:
5665:
5646:
5621:
5615:
5606:
5600:
5594:
5588:
5582:
5576:
5570:
5564:
5558:
5552:
5546:
5540:
5534:
5528:
5522:
5516:
5510:
5504:
5495:
5489:
5478:
5472:
5463:
5457:
5451:
5437:
5431:
5425:
5419:
5418:
5416:
5414:
5409:on 26 March 2019
5405:. Archived from
5395:
5389:
5388:
5386:
5384:
5375:. Archived from
5365:
5359:
5358:
5324:
5318:
5317:
5315:
5313:
5298:
5292:
5286:
5280:
5274:
5258:
5228:
5222:
5175:
5169:
5146:
5140:
5133:
5127:
5113:
5108:
5107:
5104:
5103:
5100:
5097:
5088:
5087:
5086:
5080:
5073:
4946:
4793:Jacques Loussier
4775:Switched-On Bach
4730:Ferruccio Busoni
4613:
4505:
4504:
4466:
4433:
4312:Johann Mattheson
4134:
4133:
4091:
4090:
3999:
3998:
3981:
3980:
3963:
3962:
3916:Violin concertos
3910:The Art of Fugue
3875:
3838:
3830:Italian Concerto
3787:
3781:
3775:
3769:
3763:
3757:
3749:
3741:
3733:
3725:
3643:
3642:
3625:
3624:
3607:
3606:
3587:Italian Concerto
3575:
3574:
3548:
3537:
3528:The Art of Fugue
3473:chorale preludes
3446:
3445:
3428:
3427:
3406:Silbermann organ
3384:lute-harpsichord
3338:
3337:
3241:
3233:
3227:
3219:
3216:Komm, Jesu, komm
3211:
3203:
3195:
3187:
3154:A cappella music
3117:BWV Anh. 11
3081:Secular cantatas
3072:
3071:
3061:
3060:
3031:
3030:
3008:
2973:
2972:
2908:
2907:
2890:
2889:
2872:
2871:
2854:
2853:
2836:
2835:
2818:
2817:
2798:
2797:
2662:Orchestral music
2547:
2546:
2542:
2535:
2436:Classical period
2405:
2404:
2387:
2386:
2369:
2368:
2337:
2336:
2319:
2318:
2301:
2300:
2269:
2268:
2251:
2250:
2233:
2232:
2207:
2206:
2191:
2190:
2174:
2173:
2169:
2128:Musical Offering
2025:
2024:
1994:Bach's guide on
1906:, emulating the
1889:
1888:
1871:
1870:
1840:Chorale cantatas
1746:Lutheran chorale
1743:
1706:
1681:
1659:The Art of Fugue
1609:
1607:Director musices
1603:
1560:The Art of Fugue
1507:
1339:
1338:
1333:
1332:
1327:
1326:
1311:
1280:
1244:
1241:
1212:
1211:
1201:
1200:
1190:
1189:
1179:
1178:
1167:chorale cantatas
1160:
1159:
1128:
1024:Johann Christian
982:
981:
949:
935:
934:
907:
906:
892:
891:
877:
876:
858:
857:
847:
829:Lutheran chorale
758:
722:
710:
561:Johann Pachelbel
474:
434:, including the
422:Bach biographies
391:as chamber music
363:his sacred songs
280:St Thomas's
232:Johann Christoph
224:Johann Ambrosius
148:
107:
87:
85:
57:
43:
42:
21:
16486:
16485:
16481:
16480:
16479:
16477:
16476:
16475:
16326:
16325:
16324:
16314:
16312:
16302:
16300:
16296:Classical music
16290:
16288:
16278:
16276:
16268:
16266:
16261:
16260:
16255:
16227:
16154:Kesarbai Kerkar
16129:Arthur Grumiaux
16107:Igor Stravinsky
16059:Valya Balkanska
16047:Louis Armstrong
16035:
16026:
16000:The Magic Flute
15973:Johnny B. Goode
15937:No. 2, BWV 1047
15920:
15902:Voyager program
15888:
15883:
15853:
15848:
15825:
15821:Classical music
15817:
15804:
15761:
15757:Galant Schemata
15671:
15570:concerto grosso
15491:
15470:
15342:
15335:
15212:
15048:G. B. Bononcini
15014:
14839:
14708:
14700:
14691:
14686:
14656:
14651:
14650:
14646:Chorale cantata
14641:Chorale setting
14621:Hymns by Luther
14606:
14587:Olle Widestrand
14522:Jesper Swedberg
14482:Heinrich SchĂŒtz
14372:Philipp Nicolai
14232:Nikolaus Herman
14222:Ludwig Helmbold
14217:Johann Heermann
14152:Melchior Franck
14112:Nikolaus Decius
14077:Joachim a Burck
14012:Mikael Agricola
14002:
14000:
13988:
13919:
13914:Culto Cristiano
13895:
13810:
13786:
13755:
13731:
13683:
13624:
13514:
13509:
13479:
13474:
13456:
13438:
13259:Wolfgang JĂŒnger
13223:
13214:
13184:
13179:
13143:
13109:Johannes Bach I
13081:(father-in-law)
12948:
12946:
12940:
12935:
12900:
12892:
12887:
12859:
12848:Bach quadrangle
12801:
12792:Café Zimmermann
12770:
12700:
12646:Riemenschneider
12593:
12585:
12560:
12553:
12544:Reconstructions
12531:
12519:
12512:
12486:
12474:
12467:
12460:
12453:
12446:
12441:Songs and arias
12439:
12432:
12395:
12390:
12354:website of the
12268:(23 March 2012)
12241:
12238:
12228:
12215:
12209:
12193:
12188:
12173:
12167:
12145:
12121:Dörffel, Alfred
12119:
12113:
12096:
12083:
12081:
12079:Further reading
12076:
12067:
12063:
12025:
12006:
11985:
11972:
11968:
11954:Williams, Peter
11946:
11927:
11898:Spaeth, Sigmund
11890:
11817:
11793:
11754:
11735:
11712:
11680:
11658:
11639:
11621:
11595:
11573:
11549:
11528:
11498:
11472:
11441:
11417:
11412:
11403:
11399:
11355:
11336:
11310:
11291:
11272:
11254:Williams, Peter
11186:Spitta, Philipp
11130:
11112:Geiringer, Karl
11104:
11078:Wayback Machine
11069:
11059:Haus Publishing
11040:
10996:
10962:
10932:
10915:
10909:
10904:
10899:
10898:
10890:
10851:
10841:
10837:
10825:
10821:
10820:
10816:
10809:
10795:
10794:
10790:
10780:
10778:
10765:
10761:
10750:
10746:
10736:
10734:
10725:
10724:
10720:
10710:
10708:
10702:bach-digital.de
10696:
10695:
10691:
10675:
10671:
10658:
10657:
10653:
10643:Wayback Machine
10634:
10630:
10620:
10618:
10605:
10604:
10600:
10590:Wayback Machine
10581:
10577:
10565:
10562:Wayback Machine
10549:
10545:
10541:1 December 2001
10532:
10529:Wayback Machine
10520:
10516:
10506:pp. 145â158 in
10501:
10494:
10484:
10482:
10477:. BBC Radio 3.
10471:"Bach and Jazz"
10464:
10460:
10450:
10448:
10441:Early Music FAQ
10433:
10429:
10419:
10417:
10404:
10403:
10399:
10378:
10374:
10368:Kupferberg 1985
10366:
10362:
10346:
10342:
10334:
10330:
10318:
10314:
10302:
10298:
10286:
10282:
10270:
10266:
10258:
10254:
10235:
10231:
10223:
10219:
10197:
10193:
10185:
10178:
10164:
10161:Wayback Machine
10151:
10136:
10119:
10115:
10102:
10101:
10097:
10061:
10057:
10046:
10042:
10030:
10027:Wayback Machine
10018:
10014:
9998:
9994:
9986:
9979:
9967:Wayback Machine
9956:Christoph Wolff
9954:
9943:
9935:
9931:
9919:
9915:
9893:
9889:
9877:
9872:
9868:
9856:
9852:
9844:
9840:
9831:
9827:
9821:Wayback Machine
9799:
9795:
9780:
9776:
9756:
9752:
9735:
9731:
9719:
9715:
9705:Wayback Machine
9689:
9685:
9673:
9669:
9657:
9653:
9643:
9641:
9640:on 19 July 2013
9626:
9622:
9612:
9610:
9599:"Baroque Music"
9597:
9596:
9592:
9582:
9580:
9564:
9560:
9552:
9548:
9538:
9536:
9518:
9514:
9504:
9502:
9487:
9483:
9473:
9471:
9464:Early Music FAQ
9456:
9452:
9442:
9440:
9425:
9421:
9411:
9409:
9402:Early Music FAQ
9394:
9390:
9380:
9378:
9367:
9363:
9345:
9341:
9335:Schweitzer 1923
9333:
9329:
9319:
9317:
9302:
9298:
9288:
9286:
9285:on 19 June 2008
9273:
9272:
9268:
9260:
9256:
9246:
9244:
9231:
9230:
9226:
9215:
9199:
9195:
9185:
9183:
9168:
9164:
9156:
9152:
9144:
9140:
9130:
9128:
9113:
9109:
9097:
9091:
9087:
9075:
9065:
9061:
9049:
9043:
9039:
9027:
9021:
9017:
9005:
8995:
8991:
8979:
8973:
8969:
8960:
8956:
8947:
8943:
8935:
8931:
8921:
8919:
8911:
8910:
8906:
8900:Wayback Machine
8890:
8886:
8882:
8874:BWV deest (BDW
8873:
8861:
8849:
8837:
8825:
8813:
8801:
8789:
8777:
8765:
8753:
8741:
8729:
8717:
8705:
8693:
8681:
8669:
8657:
8645:
8633:
8621:
8609:
8597:
8585:
8573:
8561:
8549:
8537:
8525:
8513:
8501:
8489:
8477:
8465:
8453:
8441:
8429:
8417:
8405:
8393:
8381:
8369:
8357:
8345:
8333:
8321:
8309:
8297:
8285:
8276:
8272:
8262:
8260:
8245:
8241:
8231:
8229:
8214:
8210:
8202:
8198:
8190:
8186:
8167:
8163:
8152:
8148:
8137:
8110:
8106:
8094:
8090:
8080:
8078:
8065:
8064:
8060:
8047:Wayback Machine
8037:
8033:
8026:
8009:
8005:
7994:
7990:
7978:
7972:
7968:
7956:
7952:
7944:
7940:
7930:
7928:
7911:
7910:
7906:
7902:, pp. 3â24
7898:
7891:
7887:, pp. 1â2.
7883:
7879:
7869:Wayback Machine
7856:
7852:
7836:
7832:
7812:
7808:
7800:
7796:
7782:
7778:
7763:
7762:
7758:
7750:
7746:
7734:
7731:Wayback Machine
7722:
7718:
7710:
7706:
7695:
7675:
7668:
7660:
7656:
7648:
7644:
7638:Wayback Machine
7625:
7621:
7615:Wayback Machine
7590:
7586:
7574:
7570:
7560:
7558:
7543:
7539:
7529:
7527:
7514:Huizenga, Tom.
7512:
7508:
7500:
7496:
7474:
7470:
7462:
7458:
7448:
7446:
7439:British Library
7433:
7432:
7428:
7420:
7416:
7406:
7404:
7387:
7386:
7382:
7374:
7370:
7358:
7354:
7346:
7342:
7332:
7330:
7315:
7311:
7272:
7268:
7257:
7253:
7245:
7238:
7230:
7226:
7218:
7214:
7193:
7189:
7167:
7149:
7140:
7131:Wayback Machine
7120:Wayback Machine
7106:Wayback Machine
7096:
7092:
7078:Wayback Machine
7069:
7065:
7057:
7053:
7029:
7025:
7019:Wayback Machine
7002:Wayback Machine
6987:
6983:
6973:Wayback Machine
6964:
6962:
6958:
6948:Wayback Machine
6939:
6935:Wayback Machine
6925:
6923:
6919:
6909:Wayback Machine
6902:Fascicle 2
6899:
6897:
6893:
6883:Wayback Machine
6874:
6872:
6868:
6858:Wayback Machine
6849:
6845:Wayback Machine
6836:
6834:
6830:
6820:Wayback Machine
6811:
6809:
6805:
6793:
6790:Wayback Machine
6781:
6777:
6767:Wayback Machine
6760:Fascicle 2
6756:Wayback Machine
6749:Fascicle 1
6745:
6744:
6740:
6722:Wayback Machine
6713:
6711:
6707:
6697:Wayback Machine
6688:
6686:
6682:
6672:Wayback Machine
6663:
6661:
6657:
6647:Wayback Machine
6636:Wayback Machine
6625:
6624:
6620:
6610:Wayback Machine
6601:
6599:
6595:
6585:Wayback Machine
6576:
6574:
6570:
6560:Wayback Machine
6551:
6549:
6545:
6535:
6533:
6520:
6519:
6512:
6505:
6501:
6493:
6489:
6481:
6477:
6469:
6465:
6457:
6453:
6443:
6441:
6428:
6427:
6423:
6413:
6411:
6398:
6397:
6393:
6385:
6378:
6366:
6362:
6354:
6350:
6342:
6338:
6328:
6326:
6319:British Library
6313:
6312:
6308:
6296:
6292:
6280:
6276:
6268:
6264:
6256:
6249:
6237:
6233:
6225:
6221:
6213:
6209:
6201:
6197:
6189:
6185:
6177:
6173:
6165:
6161:
6153:
6149:
6141:
6137:
6129:
6125:
6115:
6113:
6109:
6102:
6093:
6089:
6079:
6077:
6073:
6066:
6057:
6053:
6045:
6038:
6030:
6026:
6015:
5996:
5989:
5979:
5977:
5962:
5958:
5952:Schweitzer 1923
5950:
5946:
5938:
5934:
5924:
5922:
5904:
5900:
5888:
5884:
5874:
5872:
5859:
5858:
5854:
5842:
5836:
5832:
5820:
5816:
5805:
5798:
5792:Wayback Machine
5783:
5779:
5768:
5752:
5748:
5737:
5733:
5725:
5721:
5713:
5709:
5701:
5697:
5689:
5685:
5677:
5673:
5663:
5661:
5648:
5647:
5624:
5616:
5609:
5601:
5597:
5589:
5585:
5577:
5573:
5565:
5561:
5553:
5549:
5541:
5537:
5529:
5525:
5521:, pp. 7â8.
5517:
5513:
5505:
5498:
5490:
5481:
5473:
5466:
5458:
5454:
5438:
5434:
5426:
5422:
5412:
5410:
5397:
5396:
5392:
5382:
5380:
5367:
5366:
5362:
5348:
5325:
5321:
5311:
5309:
5299:
5295:
5287:
5283:
5275:
5271:
5266:
5261:
5229:
5225:
5181:Schweitzer 1911
5176:
5172:
5147:
5143:
5134:
5130:
5111:
5094:
5090:
5082:
5081:
5074:
5067:
5063:
5058:
5046:
5033:
5025:Heinrich SchĂŒtz
4982:, was added to
4965:Christoph Wolff
4953:
4912:Bach Aria Group
4900:Arthur Grumiaux
4851:Christoph Wolff
4758:on their album
4702:Wanda Landowska
4650:
4620:Peter Cornelius
4561:, in 1835, and
4541:St John Passion
4502:
4501:
4460:
4450:
4440:
4396:Viennese school
4388:Mass in B minor
4283:
4254:
4248:
4204:Brockes Passion
4162:Bist du bei mir
4158:
4148:
4147:
4146:
4145:
4144:
4140:Hunting Cantata
4135:
4128:
4125:
4119:
4118:
4117:
4092:
4085:
4082:
4073:
4067:
4059:French overture
4051:
4045:
4036:
4030:
4022:concerto grosso
4010:
4004:
4003:
4002:
4001:
4000:
3993:
3990:
3984:
3983:
3982:
3975:
3972:
3966:
3965:
3964:
3957:
3954:
3948:
3940:
3924:in A minor and
3918:
3892:
3882:
3860:(BWV 802â805),
3825:French Overture
3710:(BWV 806â811),
3654:
3648:
3647:
3646:
3645:
3644:
3637:
3634:
3628:
3627:
3626:
3619:
3616:
3610:
3609:
3608:
3601:
3598:
3592:
3580:
3579:
3578:
3577:
3576:
3569:
3566:
3560:
3550:Nos. 13â20
3543:
3532:
3521:
3457:
3451:
3450:
3449:
3448:
3447:
3440:
3437:
3431:
3430:
3429:
3422:
3419:
3413:
3392:
3368:
3360:Mass in B minor
3352:
3350:Mass in B minor
3346:
3345:
3344:
3343:
3342:
3339:
3332:
3329:
3323:
3321:Mass in B minor
3314:
3312:Mass in B minor
3306:D major version
3298:
3292:
3284:Mass in B minor
3272:
3266:
3258:
3252:
3170:
3164:
3156:
3112:Amore traditore
3106:Peasant Cantata
3100:Hunting Cantata
3089:
3083:
3038:chorale cantata
2984:Christoph Wolff
2950:
2944:
2942:Church cantatas
2928:
2918:
2917:
2916:
2915:
2914:
2909:
2902:
2899:
2893:
2892:
2891:
2884:
2881:
2875:
2874:
2873:
2866:
2863:
2857:
2856:
2855:
2848:
2845:
2839:
2838:
2837:
2830:
2827:
2821:
2820:
2819:
2810:
2807:
2801:
2800:
2799:
2792:
2789:
2783:
2770:
2761:St John Passion
2743:Easter Oratorio
2724:
2702:
2518:
2512:
2504:St John Passion
2485:Mass in B minor
2469:St Mark Passion
2462:
2419:
2413:
2412:
2411:
2410:
2409:
2406:
2399:
2396:
2390:
2389:
2388:
2381:
2378:
2372:
2371:
2370:
2363:
2360:
2354:
2345:
2344:
2343:
2342:
2341:
2338:
2331:
2328:
2322:
2321:
2320:
2313:
2310:
2304:
2303:
2302:
2295:
2292:
2286:
2277:
2276:
2275:
2274:
2273:
2270:
2263:
2260:
2254:
2253:
2252:
2245:
2242:
2236:
2235:
2234:
2227:
2224:
2218:
2212:
2211:
2210:
2209:
2208:
2200:
2192:
2179:
2176:
2171:
2167:
2166:
2159:
2140:
2100:
2098:Instrumentation
2091:Triple Concerto
2071:
2055:Neapolitan mass
2019:
1988:
1932:
1922:(comparable to
1897:
1896:
1895:
1894:
1893:
1890:
1883:
1880:
1874:
1873:
1872:
1865:
1862:
1856:
1819:his arrangement
1775:
1765:. For example,
1716:
1704:
1688:
1675:
1577:Mass in B minor
1501:
1368:
1309:
1301:
1262:Café Zimmermann
1254:Christoph Wolff
1242:
1236:Café Zimmermann
1144:
1136:liturgical year
1080:
1032:
929:
918:
880:Jubilate Sunday
739:
733:
620:
612:Ritter-Academie
496:(31 March 1685
482:
468:
455:
450:
432:of arrangements
383:for harpsichord
377:, for instance
262:repertory, and
114:
109:
105:
96:
91:
83:
81:
79:
67:
48:
39:
28:
23:
22:
15:
12:
11:
5:
16484:
16474:
16473:
16468:
16463:
16458:
16453:
16448:
16443:
16438:
16433:
16428:
16423:
16418:
16413:
16408:
16403:
16398:
16393:
16388:
16383:
16378:
16373:
16368:
16363:
16358:
16353:
16348:
16343:
16338:
16323:
16322:
16310:
16298:
16286:
16263:
16262:
16257:
16256:
16254:
16253:
16243:
16232:
16229:
16228:
16226:
16225:
16223:GorĆ Yamaguchi
16220:
16218:Laurie Spiegel
16215:
16210:
16205:
16204:
16203:
16201:Otto Klemperer
16192:
16187:
16186:
16185:
16174:
16173:
16172:
16161:
16156:
16151:
16146:
16141:
16136:
16131:
16126:
16121:
16116:
16111:
16110:
16109:
16098:
16093:
16088:
16083:
16078:
16077:
16076:
16061:
16056:
16055:
16054:
16043:
16041:
16037:
16036:
16029:
16027:
16025:
16024:
16018:
16011:
16003:
15995:
15990:
15981:
15976:
15969:
15962:
15956:
15949:
15944:
15938:
15928:
15926:
15922:
15921:
15919:
15918:
15911:
15904:
15899:
15893:
15890:
15889:
15882:
15881:
15874:
15867:
15859:
15850:
15849:
15847:
15846:
15836:
15818:
15810:
15809:
15806:
15805:
15803:
15802:
15801:
15800:
15795:
15790:
15785:
15775:
15769:
15767:
15763:
15762:
15760:
15759:
15754:
15749:
15744:
15742:notes inégales
15739:
15734:
15729:
15724:
15723:
15722:
15717:
15712:
15702:
15697:
15692:
15691:
15690:
15679:
15677:
15673:
15672:
15670:
15669:
15664:
15659:
15654:
15649:
15644:
15639:
15634:
15629:
15624:
15619:
15614:
15609:
15608:
15607:
15602:
15597:
15592:
15587:
15582:
15572:
15567:
15562:
15557:
15552:
15551:
15550:
15545:
15535:
15530:
15525:
15520:
15515:
15510:
15505:
15499:
15497:
15493:
15492:
15490:
15489:
15487:Basso continuo
15484:
15478:
15476:
15472:
15471:
15469:
15468:
15463:
15458:
15453:
15448:
15443:
15438:
15433:
15428:
15423:
15418:
15413:
15408:
15403:
15398:
15393:
15388:
15383:
15378:
15373:
15368:
15363:
15358:
15353:
15347:
15345:
15337:
15336:
15334:
15333:
15328:
15323:
15318:
15313:
15308:
15303:
15298:
15293:
15288:
15283:
15278:
15273:
15268:
15263:
15258:
15253:
15248:
15243:
15238:
15233:
15227:
15225:
15214:
15213:
15211:
15210:
15205:
15200:
15195:
15190:
15185:
15180:
15175:
15170:
15165:
15160:
15155:
15150:
15145:
15140:
15135:
15130:
15125:
15120:
15118:Leclair l'aßné
15115:
15110:
15105:
15100:
15095:
15090:
15085:
15080:
15075:
15070:
15065:
15060:
15055:
15050:
15045:
15040:
15035:
15029:
15027:
15016:
15015:
15013:
15012:
15007:
15002:
14997:
14992:
14987:
14982:
14977:
14972:
14967:
14962:
14957:
14952:
14947:
14942:
14937:
14932:
14927:
14922:
14917:
14912:
14907:
14902:
14897:
14892:
14887:
14882:
14877:
14872:
14870:H. I. F. Biber
14867:
14862:
14857:
14851:
14849:
14841:
14840:
14838:
14837:
14832:
14827:
14822:
14817:
14812:
14807:
14802:
14797:
14792:
14787:
14782:
14777:
14772:
14767:
14762:
14757:
14752:
14747:
14742:
14737:
14732:
14727:
14722:
14716:
14714:
14702:
14701:
14696:
14693:
14692:
14685:
14684:
14677:
14670:
14662:
14653:
14652:
14649:
14648:
14643:
14638:
14633:
14628:
14623:
14618:
14612:
14611:
14608:
14607:
14605:
14604:
14599:
14594:
14589:
14584:
14579:
14574:
14569:
14564:
14559:
14554:
14552:Jaroslav Vajda
14549:
14544:
14539:
14534:
14529:
14527:JiĆĂ TĆanovskĂœ
14524:
14519:
14517:Paul Stockmann
14514:
14512:Philipp Spitta
14509:
14504:
14499:
14494:
14489:
14484:
14479:
14474:
14469:
14464:
14459:
14454:
14449:
14444:
14439:
14434:
14429:
14427:Johan Runeberg
14424:
14422:Daniel Rumpius
14419:
14414:
14409:
14407:Martin Rinkart
14404:
14399:
14394:
14389:
14384:
14379:
14374:
14369:
14364:
14359:
14354:
14349:
14344:
14339:
14334:
14329:
14324:
14319:
14314:
14309:
14304:
14299:
14294:
14292:Johann Kolross
14289:
14284:
14279:
14274:
14269:
14264:
14259:
14254:
14249:
14244:
14239:
14234:
14229:
14224:
14219:
14214:
14209:
14204:
14199:
14194:
14189:
14184:
14182:Johannes Gigas
14179:
14174:
14169:
14164:
14159:
14157:Salomon Franck
14154:
14149:
14147:Michael Franck
14144:
14139:
14134:
14129:
14124:
14119:
14114:
14109:
14104:
14099:
14094:
14089:
14084:
14079:
14074:
14069:
14064:
14059:
14054:
14049:
14044:
14039:
14034:
14032:Anna Sophia II
14029:
14024:
14019:
14014:
14008:
14006:
13994:
13993:
13990:
13989:
13987:
13986:
13979:
13972:
13968:HemlandssÄnger
13964:
13957:
13950:
13942:
13938:Swenske songer
13933:
13931:
13921:
13920:
13918:
13917:
13909:
13907:
13897:
13896:
13894:
13893:
13886:
13879:
13872:
13865:
13857:
13849:
13841:
13833:
13824:
13822:
13812:
13811:
13809:
13808:
13800:
13798:
13788:
13787:
13785:
13784:
13777:
13774:Siionin Virret
13769:
13767:
13757:
13756:
13754:
13753:
13745:
13743:
13733:
13732:
13730:
13729:
13722:
13719:Kingo's hymnal
13715:
13708:
13700:
13698:
13689:
13685:
13684:
13682:
13681:
13673:
13669:Becker Psalter
13665:
13657:
13649:
13641:
13632:
13630:
13629:German hymnals
13626:
13625:
13623:
13622:
13614:
13610:ReClaim Hymnal
13606:
13598:
13590:
13582:
13574:
13566:
13558:
13550:
13542:
13534:
13525:
13523:
13516:
13515:
13508:
13507:
13500:
13493:
13485:
13476:
13475:
13473:
13472:
13461:
13458:
13457:
13455:
13454:
13451:Forum Thomanum
13446:
13444:
13440:
13439:
13437:
13436:
13430:
13424:
13418:
13412:
13406:
13400:
13394:
13388:
13385:Gustav Schreck
13382:
13376:
13370:
13364:
13358:
13352:
13346:
13340:
13334:
13331:Gottlob Harrer
13328:
13322:
13316:
13313:Johann Schelle
13310:
13304:
13301:Tobias Michael
13298:
13292:
13286:
13283:Melchior Heger
13280:
13274:
13268:
13262:
13256:
13250:
13244:
13238:
13231:
13229:
13225:
13224:
13213:
13212:
13205:
13198:
13190:
13181:
13180:
13178:
13177:
13172:
13167:
13162:
13157:
13151:
13149:
13145:
13144:
13142:
13141:
13135:
13129:
13123:
13117:
13112:
13106:
13100:
13094:
13088:
13082:
13076:
13070:
13064:
13058:
13052:
13046:
13040:
13034:
13028:
13022:
13016:
13010:
13004:
12998:
12992:
12986:
12980:
12974:
12971:Christoph Bach
12968:
12962:
12955:
12953:
12942:
12941:
12934:
12933:
12926:
12919:
12911:
12905:
12902:
12901:
12889:
12888:
12886:
12885:
12875:
12864:
12861:
12860:
12858:
12857:
12856:
12855:
12845:
12840:
12835:
12830:
12825:
12815:
12813:Bach festivals
12809:
12807:
12803:
12802:
12800:
12799:
12794:
12789:
12784:
12778:
12776:
12772:
12771:
12769:
12768:
12763:
12757:
12748:
12742:
12736:
12727:
12718:
12712:
12710:
12706:
12705:
12702:
12701:
12699:
12698:
12693:
12688:
12683:
12678:
12673:
12668:
12663:
12658:
12653:
12648:
12643:
12638:
12633:
12628:
12623:
12618:
12613:
12608:
12603:
12597:
12595:
12584:
12583:
12578:
12572:
12570:
12566:
12565:
12562:
12561:
12559:
12558:
12551:
12549:Transcriptions
12546:
12541:
12536:
12529:
12524:
12517:
12510:
12505:
12500:
12494:
12492:
12488:
12487:
12485:
12484:
12479:
12472:
12465:
12458:
12451:
12444:
12437:
12430:
12425:
12420:
12414:
12412:
12403:
12397:
12396:
12389:
12388:
12381:
12374:
12366:
12360:
12359:
12349:
12339:
12323:
12322:
12312:
12302:
12286:
12285:
12275:
12261:
12251:
12237:
12236:External links
12234:
12233:
12232:
12226:
12213:
12207:
12191:
12186:
12171:
12165:
12143:
12117:
12111:
12080:
12077:
12075:
12074:
12061:
12029:
12023:
12010:
12004:
11994:, ed. (1983).
11988:
11983:
11966:
11950:
11944:
11931:
11925:
11908:
11894:
11888:
11875:
11853:Schneider, Max
11849:
11833:Winston, Clara
11821:
11815:
11797:
11791:
11779:Morris, Edmund
11775:
11758:
11752:
11739:
11733:
11716:
11710:
11695:
11684:
11678:
11666:Jones, Richard
11662:
11656:
11643:
11637:
11624:
11619:
11599:
11593:
11577:
11571:
11553:
11547:
11531:
11502:
11496:
11480:Chiapusso, Jan
11476:
11470:
11460:, ed. (1997).
11454:
11445:
11439:
11418:
11416:
11413:
11411:
11410:
11397:
11370:
11353:
11340:
11334:
11314:
11308:
11295:
11289:
11276:
11270:
11250:
11238:
11223:
11208:
11182:
11163:
11134:
11128:
11108:
11102:
11080:
11067:
11044:
11038:
11018:
11000:
10994:
10974:
10960:
10944:Mendel, Arthur
10940:David, Hans T.
10936:
10930:
10916:
10908:
10905:
10903:
10900:
10897:
10896:
10862:(4): 213â216.
10835:
10814:
10807:
10788:
10759:
10754:The New Yorker
10744:
10718:
10698:"Bach Digital"
10689:
10669:
10651:
10628:
10598:
10575:
10543:
10522:"Bach Edition"
10514:
10492:
10458:
10427:
10397:
10395:1873 and 1880)
10372:
10370:, p. 126.
10360:
10340:
10328:
10312:
10304:Schneider 1907
10296:
10288:Schneider 1907
10280:
10272:Schneider 1907
10264:
10252:
10229:
10227:, p. 101.
10217:
10191:
10176:
10134:
10113:
10095:
10055:
10040:
10012:
9992:
9988:Applegate 2005
9977:
9941:
9939:, p. 459.
9929:
9913:
9901:Bach Studies 2
9894:Peter Wollny.
9887:
9866:
9850:
9838:
9825:
9793:
9774:
9750:
9748:, p. 158.
9729:
9713:
9683:
9667:
9651:
9620:
9590:
9558:
9556:, p. 111.
9546:
9521:Bratman, David
9512:
9481:
9450:
9439:on 2 July 2013
9419:
9388:
9361:
9339:
9337:, p. 333.
9327:
9296:
9266:
9264:, p. 187.
9254:
9224:
9213:
9193:
9172:"Choral Works"
9162:
9160:, p. 363.
9150:
9138:
9107:
9085:
9059:
9037:
9015:
8989:
8967:
8954:
8941:
8929:
8904:
8891:For instance,
8884:
8881:
8880:
8871:
8859:
8847:
8835:
8823:
8811:
8799:
8787:
8775:
8763:
8751:
8739:
8727:
8715:
8703:
8691:
8679:
8667:
8655:
8643:
8631:
8619:
8607:
8595:
8583:
8571:
8559:
8547:
8535:
8523:
8511:
8499:
8487:
8475:
8463:
8451:
8439:
8427:
8415:
8403:
8391:
8379:
8367:
8355:
8343:
8331:
8319:
8307:
8295:
8282:
8270:
8259:on 2 July 2013
8239:
8208:
8206:, p. 114.
8204:Williams 2003a
8196:
8194:, p. 430.
8184:
8161:
8146:
8135:
8104:
8088:
8058:
8031:
8024:
8012:Basso, Alberto
8003:
7988:
7966:
7950:
7938:
7904:
7889:
7877:
7873:Andreas Staier
7850:
7830:
7806:
7794:
7785:Kuhnau, Johann
7776:
7756:
7752:Donington 1982
7744:
7716:
7704:
7693:
7666:
7654:
7642:
7619:
7584:
7568:
7557:on 2 July 2013
7537:
7506:
7494:
7491:. p. 154.
7479:, ed. (1911).
7468:
7466:, p. 123.
7456:
7426:
7424:, p. 166.
7414:
7380:
7368:
7352:
7350:, p. 188.
7340:
7317:Hanford, Jan.
7309:
7266:
7251:
7224:
7222:, p. 277.
7220:Chiapusso 1968
7212:
7204:Kunst der Fuge
7196:Kunst der Fuge
7187:
7185:, p. 299.
7138:
7090:
7063:
7061:, p. 224.
7051:
7047:Studi musicali
7023:
6981:
6956:
6917:
6891:
6866:
6828:
6812:F-Pn Ms. 17669
6803:
6775:
6738:
6705:
6680:
6655:
6618:
6593:
6568:
6543:
6510:
6499:
6497:, p. 341.
6487:
6475:
6463:
6451:
6421:
6391:
6376:
6360:
6358:, p. 349.
6348:
6346:, p. 348.
6336:
6306:
6290:
6274:
6272:, p. 345.
6262:
6247:
6231:
6219:
6215:Geiringer 1966
6207:
6195:
6183:
6171:
6159:
6147:
6135:
6123:
6087:
6051:
6036:
6024:
6013:
6001:, ed. (1998).
5987:
5956:
5954:, p. 331.
5944:
5942:, p. 168.
5940:Chiapusso 1968
5932:
5898:
5882:
5852:
5830:
5822:Williams 2003a
5814:
5796:
5777:
5766:
5746:
5731:
5727:Williams 2003a
5719:
5715:Chiapusso 1968
5707:
5695:
5683:
5671:
5622:
5607:
5595:
5583:
5581:, p. 170.
5571:
5559:
5547:
5535:
5533:, p. 299.
5523:
5511:
5496:
5479:
5464:
5452:
5432:
5420:
5403:Dictionary.com
5390:
5379:on 11 May 2016
5360:
5346:
5319:
5293:
5281:
5268:
5267:
5265:
5262:
5260:
5259:
5257:
5256:
5251:
5246:
5241:
5239:Williams 2003a
5236:
5223:
5221:
5220:
5215:
5210:
5205:
5200:
5194:
5189:
5184:
5170:
5141:
5139:, p. 283.
5128:
5123:Dictionary.com
5064:
5062:
5059:
5057:
5054:
5053:
5052:
5045:
5042:
5032:
5029:
5019:, such as the
4969:Peter Williams
4952:
4949:
4928:Bach festivals
4890:(conducted by
4855:Peter Williams
4690:Georges Enescu
4649:
4646:
4632:Philipp Spitta
4628:Hans von BĂŒlow
4585:Charles Gounod
4565:published his
4439:
4436:
4282:
4279:
4250:Main article:
4247:
4244:
4200:) and Handel (
4136:
4126:
4121:
4120:
4104:adaptation by
4093:
4083:
4075:
4074:
4071:
4070:
4069:
4068:
4066:
4063:
4047:Main article:
4044:
4041:
4029:
4026:
3991:
3986:
3985:
3973:
3968:
3967:
3955:
3950:
3949:
3944:
3943:
3942:
3941:
3939:
3934:
3917:
3914:
3881:
3878:
3847:
3846:
3815:
3789:
3707:English Suites
3698:
3685:
3635:
3630:
3629:
3617:
3612:
3611:
3599:
3594:
3593:
3584:
3583:
3582:
3581:
3567:
3562:
3561:
3558:
3557:
3556:
3555:
3539:Nos. 1â12
3520:
3517:
3438:
3433:
3432:
3420:
3415:
3414:
3396:
3395:
3394:
3393:
3391:
3388:
3367:
3366:Keyboard music
3364:
3340:
3330:
3325:
3324:
3318:
3317:
3316:
3315:
3313:
3310:
3291:
3288:
3265:
3262:
3251:
3248:
3166:Main article:
3163:
3160:
3155:
3152:
3141:Coffee Cantata
3082:
3079:
2943:
2940:
2910:
2900:
2895:
2894:
2882:
2877:
2876:
2864:
2859:
2858:
2846:
2841:
2840:
2828:
2823:
2822:
2808:
2803:
2802:
2790:
2785:
2784:
2774:
2773:
2772:
2771:
2769:
2766:
2726:Bach composed
2701:
2698:
2685:
2684:
2679:
2675:
2674:
2669:
2665:
2664:
2659:
2655:
2654:
2649:
2645:
2644:
2639:
2635:
2634:
2629:
2625:
2624:
2619:
2615:
2614:
2609:
2605:
2604:
2599:
2595:
2594:
2589:
2585:
2584:
2579:
2575:
2574:
2569:
2565:
2564:
2559:
2555:
2554:
2551:
2511:
2508:
2474:his Magnificat
2461:
2458:
2407:
2397:
2392:
2391:
2379:
2374:
2373:
2361:
2356:
2355:
2349:
2348:
2347:
2346:
2339:
2329:
2324:
2323:
2311:
2306:
2305:
2293:
2288:
2287:
2281:
2280:
2279:
2278:
2271:
2261:
2256:
2255:
2243:
2238:
2237:
2225:
2220:
2219:
2216:
2215:
2214:
2213:
2193:
2177:
2161:
2160:
2144:
2143:
2142:
2141:
2139:
2136:
2099:
2096:
2075:viola da gamba
2070:
2067:
1987:
1984:
1956:Louis Marchand
1937:, or changing
1931:
1928:
1891:
1881:
1876:
1875:
1863:
1858:
1857:
1848:
1847:
1846:
1845:
1844:
1843:
1832:
1774:
1771:
1725:basso continuo
1687:
1684:
1639:viola da gamba
1596:Gottlob Harrer
1488:BNB I/G/2
1450:BNB I/K/2
1419:Missa Canonica
1386:BNB I/P/2
1367:
1364:
1300:
1297:
1292:Coffee Cantata
1143:
1140:
1079:
1076:
1068:King of Poland
1066:(who was also
1031:
1028:
917:
914:
845:Konzertmeister
756:Konzertmeister
732:
729:
693:Blasius Church
619:
616:
569:Louis Marchand
454:
451:
449:
446:
355:Lutheran hymns
163:Baroque period
150:
149:
141:
140:
136:
135:
130:
126:
125:
120:
116:
115:
110:
108:(aged 65)
102:
98:
97:
92:
75:21 March 1685
73:
69:
68:
58:
50:
49:
46:
26:
9:
6:
4:
3:
2:
16483:
16472:
16471:Thomaskantors
16469:
16467:
16464:
16462:
16459:
16457:
16454:
16452:
16449:
16447:
16444:
16442:
16439:
16437:
16434:
16432:
16429:
16427:
16424:
16422:
16419:
16417:
16414:
16412:
16409:
16407:
16404:
16402:
16399:
16397:
16394:
16392:
16389:
16387:
16384:
16382:
16379:
16377:
16374:
16372:
16369:
16367:
16364:
16362:
16359:
16357:
16354:
16352:
16349:
16347:
16344:
16342:
16339:
16337:
16334:
16333:
16331:
16321:
16311:
16309:
16299:
16297:
16287:
16285:
16275:
16274:
16271:
16252:
16244:
16242:
16234:
16233:
16230:
16224:
16221:
16219:
16216:
16214:
16211:
16209:
16206:
16202:
16198:
16197:
16196:
16193:
16191:
16188:
16184:
16180:
16179:
16178:
16175:
16171:
16167:
16166:
16165:
16162:
16160:
16157:
16155:
16152:
16150:
16147:
16145:
16144:Kamil Jalilov
16142:
16140:
16137:
16135:
16132:
16130:
16127:
16125:
16122:
16120:
16117:
16115:
16112:
16108:
16104:
16103:
16102:
16099:
16097:
16094:
16092:
16089:
16087:
16084:
16082:
16079:
16075:
16072:, conductor:
16071:
16067:
16066:
16065:
16062:
16060:
16057:
16053:
16050:
16049:
16048:
16045:
16044:
16042:
16038:
16033:
16023:
16019:
16017:
16016:
16012:
16010:
16009:
16004:
16002:
16001:
15996:
15994:
15991:
15989:
15987:
15982:
15980:
15977:
15974:
15970:
15967:
15963:
15961:
15957:
15954:
15950:
15948:
15945:
15943:
15939:
15936:
15935:
15930:
15929:
15927:
15923:
15917:
15916:
15912:
15910:
15909:
15905:
15903:
15900:
15898:
15895:
15894:
15891:
15887:
15880:
15875:
15873:
15868:
15866:
15861:
15860:
15857:
15845:
15841:
15837:
15835:
15827:
15826:
15823:
15822:
15816:
15815:
15807:
15799:
15796:
15794:
15791:
15789:
15786:
15784:
15781:
15780:
15779:
15776:
15774:
15771:
15770:
15768:
15764:
15758:
15755:
15753:
15750:
15748:
15745:
15743:
15740:
15738:
15735:
15733:
15730:
15728:
15725:
15721:
15718:
15716:
15713:
15711:
15708:
15707:
15706:
15703:
15701:
15698:
15696:
15693:
15689:
15686:
15685:
15684:
15681:
15680:
15678:
15674:
15668:
15665:
15663:
15660:
15658:
15655:
15653:
15650:
15648:
15645:
15643:
15640:
15638:
15635:
15633:
15630:
15628:
15625:
15623:
15620:
15618:
15615:
15613:
15610:
15606:
15603:
15601:
15598:
15596:
15593:
15591:
15588:
15586:
15583:
15581:
15578:
15577:
15576:
15573:
15571:
15568:
15566:
15563:
15561:
15558:
15556:
15553:
15549:
15546:
15544:
15541:
15540:
15539:
15536:
15534:
15531:
15529:
15526:
15524:
15521:
15519:
15516:
15514:
15511:
15509:
15506:
15504:
15501:
15500:
15498:
15496:Musical forms
15494:
15488:
15485:
15483:
15480:
15479:
15477:
15473:
15467:
15464:
15462:
15459:
15457:
15454:
15452:
15449:
15447:
15444:
15442:
15439:
15437:
15434:
15432:
15429:
15427:
15424:
15422:
15419:
15417:
15414:
15412:
15409:
15407:
15404:
15402:
15399:
15397:
15394:
15392:
15389:
15387:
15384:
15382:
15379:
15377:
15374:
15372:
15369:
15367:
15364:
15362:
15359:
15357:
15354:
15352:
15349:
15348:
15346:
15344:
15338:
15332:
15329:
15327:
15324:
15322:
15319:
15317:
15314:
15312:
15309:
15307:
15304:
15302:
15299:
15297:
15294:
15292:
15291:Padre Martini
15289:
15287:
15284:
15282:
15279:
15277:
15274:
15272:
15269:
15267:
15264:
15262:
15259:
15257:
15254:
15252:
15249:
15247:
15244:
15242:
15239:
15237:
15236:C. P. E. Bach
15234:
15232:
15229:
15228:
15226:
15219:
15215:
15209:
15206:
15204:
15201:
15199:
15196:
15194:
15191:
15189:
15186:
15184:
15181:
15179:
15176:
15174:
15171:
15169:
15166:
15164:
15161:
15159:
15156:
15154:
15151:
15149:
15146:
15144:
15141:
15139:
15136:
15134:
15131:
15129:
15126:
15124:
15121:
15119:
15116:
15114:
15111:
15109:
15106:
15104:
15101:
15099:
15096:
15094:
15091:
15089:
15086:
15084:
15081:
15079:
15076:
15074:
15071:
15069:
15066:
15064:
15061:
15059:
15056:
15054:
15051:
15049:
15046:
15044:
15041:
15039:
15036:
15034:
15031:
15030:
15028:
15021:
15017:
15011:
15008:
15006:
15003:
15001:
14998:
14996:
14993:
14991:
14988:
14986:
14983:
14981:
14978:
14976:
14973:
14971:
14968:
14966:
14963:
14961:
14958:
14956:
14953:
14951:
14948:
14946:
14943:
14941:
14938:
14936:
14933:
14931:
14928:
14926:
14923:
14921:
14918:
14916:
14913:
14911:
14908:
14906:
14903:
14901:
14898:
14896:
14893:
14891:
14888:
14886:
14883:
14881:
14878:
14876:
14873:
14871:
14868:
14866:
14863:
14861:
14858:
14856:
14853:
14852:
14850:
14842:
14836:
14833:
14831:
14828:
14826:
14823:
14821:
14818:
14816:
14813:
14811:
14810:M. Praetorius
14808:
14806:
14803:
14801:
14798:
14796:
14793:
14791:
14788:
14786:
14783:
14781:
14778:
14776:
14773:
14771:
14768:
14766:
14763:
14761:
14758:
14756:
14753:
14751:
14748:
14746:
14743:
14741:
14738:
14736:
14733:
14731:
14728:
14726:
14723:
14721:
14718:
14717:
14715:
14707:
14703:
14699:
14694:
14690:
14689:Baroque music
14683:
14678:
14676:
14671:
14669:
14664:
14663:
14660:
14647:
14644:
14642:
14639:
14637:
14634:
14632:
14629:
14627:
14626:Lutheran hymn
14624:
14622:
14619:
14617:
14614:
14613:
14609:
14603:
14602:Johannes Zahn
14600:
14598:
14595:
14593:
14590:
14588:
14585:
14583:
14582:Georg Weissel
14580:
14578:
14577:Michael WeiĂe
14575:
14573:
14572:Johann Walter
14570:
14568:
14565:
14563:
14560:
14558:
14555:
14553:
14550:
14548:
14547:Leonard Typpö
14545:
14543:
14540:
14538:
14535:
14533:
14530:
14528:
14525:
14523:
14520:
14518:
14515:
14513:
14510:
14508:
14507:Paul Speratus
14505:
14503:
14500:
14498:
14497:Haquin Spegel
14495:
14493:
14490:
14488:
14485:
14483:
14480:
14478:
14475:
14473:
14470:
14468:
14465:
14463:
14460:
14458:
14455:
14453:
14450:
14448:
14445:
14443:
14440:
14438:
14435:
14433:
14430:
14428:
14425:
14423:
14420:
14418:
14415:
14413:
14410:
14408:
14405:
14403:
14400:
14398:
14395:
14393:
14390:
14388:
14385:
14383:
14380:
14378:
14375:
14373:
14370:
14368:
14365:
14363:
14362:Georg Neumark
14360:
14358:
14355:
14353:
14350:
14348:
14345:
14343:
14340:
14338:
14337:Martin Luther
14335:
14333:
14330:
14328:
14325:
14323:
14320:
14318:
14317:Elias Lönnrot
14315:
14313:
14310:
14308:
14305:
14303:
14300:
14298:
14295:
14293:
14290:
14288:
14287:BĂžrre Knudsen
14285:
14283:
14280:
14278:
14275:
14273:
14270:
14268:
14265:
14263:
14260:
14258:
14255:
14253:
14252:Konrad Hubert
14250:
14248:
14247:Anders Hovden
14245:
14243:
14242:Sebald Heyden
14240:
14238:
14235:
14233:
14230:
14228:
14225:
14223:
14220:
14218:
14215:
14213:
14210:
14208:
14205:
14203:
14200:
14198:
14195:
14193:
14190:
14188:
14185:
14183:
14180:
14178:
14175:
14173:
14172:Paul Gerhardt
14170:
14168:
14165:
14163:
14160:
14158:
14155:
14153:
14150:
14148:
14145:
14143:
14142:Johann Franck
14140:
14138:
14135:
14133:
14132:Jacobus Finno
14130:
14128:
14125:
14123:
14120:
14118:
14115:
14113:
14110:
14108:
14105:
14103:
14100:
14098:
14097:Johann CrĂŒger
14095:
14093:
14090:
14088:
14085:
14083:
14080:
14078:
14075:
14073:
14070:
14068:
14065:
14063:
14060:
14058:
14055:
14053:
14050:
14048:
14045:
14043:
14040:
14038:
14035:
14033:
14030:
14028:
14025:
14023:
14020:
14018:
14015:
14013:
14010:
14009:
14007:
14005:
13999:
13995:
13985:
13984:
13980:
13978:
13977:
13973:
13970:
13969:
13965:
13963:
13962:
13958:
13956:
13955:
13951:
13948:
13947:
13943:
13940:
13939:
13935:
13934:
13932:
13930:
13926:
13916:
13915:
13911:
13910:
13908:
13906:
13902:
13892:
13891:
13887:
13885:
13884:
13880:
13878:
13877:
13873:
13871:
13870:
13866:
13863:
13862:
13858:
13855:
13854:
13850:
13847:
13846:
13842:
13839:
13838:
13834:
13831:
13830:
13826:
13825:
13823:
13821:
13817:
13807:
13806:
13805:Passion Hymns
13802:
13801:
13799:
13797:
13793:
13783:
13782:
13778:
13776:
13775:
13771:
13770:
13768:
13766:
13762:
13752:
13751:
13747:
13746:
13744:
13742:
13738:
13728:
13727:
13723:
13721:
13720:
13716:
13714:
13713:
13709:
13707:
13706:
13702:
13701:
13699:
13697:
13693:
13690:
13686:
13679:
13678:
13674:
13671:
13670:
13666:
13663:
13662:
13658:
13655:
13654:
13650:
13647:
13646:
13642:
13639:
13638:
13634:
13633:
13631:
13627:
13620:
13619:
13615:
13612:
13611:
13607:
13604:
13603:
13599:
13596:
13595:
13591:
13588:
13587:
13583:
13580:
13579:
13575:
13572:
13571:
13567:
13564:
13563:
13559:
13556:
13555:
13551:
13548:
13547:
13543:
13540:
13539:
13535:
13532:
13531:
13527:
13526:
13524:
13522:
13517:
13513:
13506:
13501:
13499:
13494:
13492:
13487:
13486:
13483:
13471:
13463:
13462:
13459:
13453:
13452:
13448:
13447:
13445:
13441:
13434:
13433:Andreas Reize
13431:
13428:
13425:
13422:
13419:
13416:
13413:
13410:
13407:
13404:
13401:
13398:
13397:GĂŒnther Ramin
13395:
13392:
13389:
13386:
13383:
13380:
13377:
13374:
13371:
13368:
13365:
13362:
13359:
13356:
13353:
13350:
13347:
13344:
13341:
13338:
13335:
13332:
13329:
13326:
13323:
13320:
13319:Johann Kuhnau
13317:
13314:
13311:
13308:
13305:
13302:
13299:
13296:
13293:
13290:
13287:
13284:
13281:
13278:
13275:
13272:
13269:
13266:
13263:
13260:
13257:
13254:
13251:
13248:
13245:
13242:
13239:
13236:
13233:
13232:
13230:
13228:Thomaskantors
13226:
13222:
13218:
13217:Thomaskantors
13211:
13206:
13204:
13199:
13197:
13192:
13191:
13188:
13176:
13173:
13171:
13168:
13166:
13163:
13161:
13158:
13156:
13153:
13152:
13150:
13146:
13139:
13136:
13133:
13130:
13127:
13124:
13121:
13118:
13116:
13115:Johannes Bach
13113:
13110:
13107:
13104:
13101:
13098:
13095:
13092:
13089:
13086:
13083:
13080:
13077:
13074:
13071:
13068:
13065:
13062:
13059:
13056:
13053:
13050:
13047:
13044:
13041:
13038:
13035:
13032:
13029:
13026:
13023:
13020:
13017:
13014:
13011:
13008:
13005:
13002:
12999:
12996:
12993:
12990:
12987:
12984:
12981:
12978:
12975:
12973:(grandfather)
12972:
12969:
12966:
12963:
12960:
12957:
12956:
12954:
12951:
12943:
12939:
12932:
12927:
12925:
12920:
12918:
12913:
12912:
12909:
12903:
12896:
12884:
12880:
12876:
12874:
12866:
12865:
12862:
12854:
12851:
12850:
12849:
12846:
12844:
12841:
12839:
12836:
12834:
12831:
12829:
12826:
12823:
12819:
12816:
12814:
12811:
12810:
12808:
12804:
12798:
12795:
12793:
12790:
12788:
12785:
12783:
12780:
12779:
12777:
12773:
12767:
12764:
12761:
12758:
12755:
12754:
12749:
12746:
12743:
12740:
12737:
12734:
12733:
12728:
12725:
12724:
12719:
12717:
12714:
12713:
12711:
12709:Organizations
12707:
12697:
12694:
12692:
12689:
12687:
12684:
12682:
12679:
12677:
12674:
12672:
12669:
12667:
12664:
12662:
12659:
12657:
12654:
12652:
12649:
12647:
12644:
12642:
12639:
12637:
12634:
12632:
12629:
12627:
12624:
12622:
12619:
12617:
12614:
12612:
12609:
12607:
12604:
12602:
12599:
12598:
12596:
12592:
12588:
12582:
12579:
12577:
12574:
12573:
12571:
12567:
12556:
12552:
12550:
12547:
12545:
12542:
12540:
12537:
12534:
12530:
12528:
12525:
12522:
12518:
12515:
12511:
12509:
12506:
12504:
12501:
12499:
12496:
12495:
12493:
12489:
12483:
12480:
12477:
12473:
12470:
12466:
12463:
12462:Chamber music
12459:
12456:
12452:
12449:
12445:
12442:
12438:
12435:
12431:
12429:
12426:
12424:
12421:
12419:
12416:
12415:
12413:
12411:
12407:
12404:
12402:
12398:
12394:
12387:
12382:
12380:
12375:
12373:
12368:
12367:
12364:
12357:
12353:
12350:
12347:
12343:
12340:
12337:
12333:
12330:
12329:
12328:
12327:
12320:
12316:
12313:
12310:
12306:
12303:
12300:
12296:
12293:
12292:
12291:
12290:
12283:
12279:
12276:
12273:
12269:
12267:
12262:
12259:
12255:
12252:
12248:
12244:
12240:
12239:
12229:
12223:
12219:
12214:
12210:
12204:
12200:
12196:
12192:
12189:
12183:
12180:, Routledge,
12179:
12178:
12172:
12168:
12162:
12158:
12154:
12153:
12148:
12144:
12141:
12137:
12132:
12128:
12127:
12122:
12118:
12114:
12108:
12104:
12100:
12095:
12094:
12093:
12090:
12088:
12071:
12064:
12058:
12054:
12050:
12046:
12045:
12039:
12038:"Bach family"
12034:
12030:
12026:
12020:
12016:
12011:
12007:
12001:
11997:
11993:
11989:
11986:
11980:
11976:
11969:
11963:
11959:
11955:
11951:
11947:
11941:
11937:
11932:
11928:
11922:
11918:
11914:
11909:
11905:
11904:
11899:
11895:
11891:
11885:
11881:
11876:
11872:
11868:
11864:
11863:
11862:Bach-Jahrbuch
11858:
11854:
11850:
11846:
11842:
11838:
11834:
11830:
11826:
11825:Schenk, Erich
11822:
11818:
11812:
11808:
11807:
11802:
11798:
11794:
11788:
11784:
11780:
11776:
11772:
11768:
11764:
11759:
11755:
11749:
11745:
11740:
11736:
11730:
11726:
11722:
11717:
11713:
11707:
11703:
11702:
11696:
11692:
11691:
11685:
11681:
11675:
11671:
11667:
11663:
11659:
11653:
11649:
11644:
11640:
11634:
11630:
11625:
11622:
11616:
11612:
11608:
11604:
11600:
11596:
11590:
11586:
11582:
11578:
11574:
11568:
11564:
11563:
11558:
11554:
11550:
11548:1-4191-2275-4
11544:
11540:
11536:
11532:
11525:
11521:
11517:
11515:
11509:
11503:
11499:
11493:
11489:
11485:
11481:
11477:
11473:
11467:
11463:
11459:
11455:
11451:
11446:
11442:
11440:9780801443893
11436:
11432:
11428:
11424:
11420:
11419:
11407:
11400:
11394:
11390:
11386:
11382:
11378:
11377:
11371:
11367:
11363:
11356:
11350:
11346:
11341:
11337:
11331:
11327:
11323:
11319:
11315:
11311:
11305:
11301:
11296:
11292:
11286:
11282:
11277:
11273:
11267:
11262:
11261:
11255:
11251:
11247:
11243:
11239:
11235:
11231:
11230:
11224:
11220:
11216:
11215:
11209:
11205:
11201:
11197:
11193:
11192:
11187:
11183:
11179:
11175:
11174:Ernest Newman
11171:
11170:
11164:
11161:
11157:
11151:
11147:
11146:Ernest Newman
11143:
11139:
11135:
11131:
11125:
11120:
11119:
11113:
11109:
11105:
11099:
11095:
11091:
11090:
11085:
11081:
11079:
11075:
11070:
11064:
11060:
11056:
11052:
11051:
11045:
11041:
11035:
11031:
11027:
11023:
11019:
11015:
11011:
11010:
11005:
11001:
10997:
10991:
10987:
10983:
10979:
10975:
10971:
10967:
10963:
10957:
10953:
10949:
10945:
10941:
10937:
10933:
10927:
10923:
10918:
10917:
10914:
10889:
10885:
10881:
10877:
10873:
10869:
10865:
10861:
10857:
10850:
10846:
10845:Koopman, A.G.
10839:
10831:
10824:
10818:
10810:
10804:
10800:
10799:
10792:
10777:
10773:
10769:
10763:
10755:
10748:
10732:
10728:
10722:
10707:
10703:
10699:
10693:
10686:
10682:
10678:
10673:
10665:
10661:
10655:
10648:
10644:
10640:
10637:
10632:
10616:
10612:
10608:
10602:
10595:
10591:
10587:
10584:
10579:
10572:
10563:
10559:
10556:
10552:
10547:
10539:
10530:
10526:
10523:
10518:
10511:
10510:
10505:
10499:
10497:
10480:
10476:
10472:
10468:
10467:Shipton, Alyn
10462:
10446:
10442:
10438:
10431:
10415:
10411:
10407:
10401:
10394:
10390:
10386:
10382:
10376:
10369:
10364:
10357:
10353:
10349:
10344:
10337:
10332:
10325:
10321:
10316:
10309:
10305:
10300:
10293:
10289:
10284:
10277:
10273:
10268:
10261:
10256:
10250:
10246:
10242:
10240:
10233:
10226:
10221:
10215:
10211:
10207:
10205:
10200:
10199:Daniel Heartz
10195:
10189:, p. 452
10188:
10183:
10181:
10173:
10162:
10158:
10155:
10152:McKay, Cory.
10149:
10147:
10145:
10143:
10141:
10139:
10131:
10127:
10123:
10117:
10109:
10105:
10099:
10093:
10087:
10083:
10079:
10075:
10071:
10070:
10065:
10059:
10053:
10049:
10044:
10037:
10028:
10024:
10021:
10016:
10009:
10005:
10001:
9996:
9989:
9984:
9982:
9974:
9973:
9968:
9964:
9961:
9957:
9952:
9950:
9948:
9946:
9938:
9933:
9926:
9922:
9917:
9911:
9907:
9903:
9902:
9897:
9891:
9884:
9881:.bach-digital
9875:
9870:
9863:
9859:
9854:
9847:
9842:
9835:
9829:
9822:
9818:
9815:
9814:
9809:
9807:
9802:
9797:
9790:
9788:
9783:
9778:
9771:
9767:
9763:
9759:
9754:
9747:
9743:
9739:
9738:Arthur Mendel
9733:
9726:
9722:
9717:
9710:
9706:
9702:
9699:
9697:
9692:
9687:
9680:
9676:
9671:
9664:
9660:
9655:
9639:
9635:
9631:
9624:
9608:
9604:
9600:
9594:
9579:
9575:
9574:
9569:
9562:
9555:
9550:
9534:
9530:
9526:
9522:
9516:
9500:
9496:
9492:
9489:Libbey, Ted.
9485:
9469:
9465:
9461:
9454:
9438:
9434:
9430:
9423:
9407:
9403:
9399:
9392:
9376:
9372:
9365:
9357:
9353:
9349:
9343:
9336:
9331:
9315:
9311:
9307:
9300:
9284:
9280:
9276:
9270:
9263:
9258:
9242:
9238:
9234:
9228:
9220:
9216:
9210:
9206:
9205:
9197:
9181:
9177:
9173:
9166:
9159:
9154:
9147:
9142:
9126:
9122:
9118:
9111:
9104:
9095:
9089:
9082:
9073:
9069:
9063:
9056:
9047:
9041:
9034:
9025:
9019:
9012:
9003:
8999:
8993:
8986:
8977:
8971:
8964:
8958:
8951:
8945:
8938:
8933:
8918:
8914:
8908:
8901:
8897:
8894:
8888:
8877:
8872:
8868:
8864:
8860:
8856:
8852:
8848:
8844:
8840:
8836:
8832:
8828:
8824:
8820:
8816:
8812:
8808:
8804:
8800:
8796:
8792:
8788:
8784:
8780:
8776:
8772:
8768:
8764:
8760:
8756:
8752:
8748:
8744:
8740:
8736:
8732:
8728:
8724:
8720:
8716:
8712:
8708:
8704:
8700:
8696:
8692:
8688:
8684:
8680:
8676:
8672:
8668:
8664:
8660:
8656:
8652:
8648:
8644:
8640:
8636:
8632:
8628:
8624:
8620:
8616:
8612:
8608:
8604:
8600:
8596:
8592:
8588:
8584:
8580:
8576:
8572:
8568:
8564:
8560:
8556:
8552:
8548:
8544:
8540:
8536:
8532:
8528:
8524:
8520:
8516:
8512:
8508:
8504:
8500:
8496:
8492:
8488:
8484:
8480:
8476:
8472:
8468:
8464:
8460:
8456:
8452:
8448:
8444:
8440:
8436:
8432:
8428:
8424:
8420:
8416:
8412:
8408:
8404:
8400:
8396:
8392:
8388:
8384:
8380:
8376:
8372:
8368:
8364:
8360:
8356:
8352:
8348:
8344:
8340:
8336:
8332:
8328:
8324:
8320:
8316:
8312:
8308:
8304:
8300:
8296:
8292:
8288:
8284:
8283:
8280:
8274:
8258:
8254:
8250:
8243:
8227:
8223:
8219:
8212:
8205:
8200:
8193:
8188:
8181:
8177:
8176:
8171:
8165:
8159:
8155:
8150:
8142:
8138:
8132:
8128:
8124:
8123:
8118:
8114:
8108:
8101:
8097:
8092:
8076:
8072:
8068:
8062:
8055:
8054:
8048:
8044:
8041:
8035:
8027:
8021:
8017:
8013:
8007:
8001:
7997:
7996:Williams 1980
7992:
7985:
7976:
7970:
7963:
7959:
7954:
7947:
7942:
7926:
7922:
7918:
7916:
7908:
7901:
7896:
7894:
7886:
7881:
7874:
7870:
7866:
7863:
7859:
7854:
7847:
7843:
7839:
7834:
7827:
7823:
7819:
7815:
7810:
7803:
7798:
7790:
7786:
7780:
7772:
7771:
7766:
7760:
7754:, p. 91.
7753:
7748:
7741:
7732:
7728:
7725:
7720:
7713:
7708:
7700:
7696:
7690:
7686:
7685:
7681:
7673:
7671:
7663:
7658:
7651:
7646:
7639:
7635:
7632:
7630:
7623:
7616:
7612:
7609:
7608:"Liner notes"
7605:
7601:
7597:
7595:
7588:
7581:
7577:
7572:
7556:
7552:
7548:
7541:
7525:
7521:
7517:
7510:
7503:
7498:
7490:
7486:
7482:
7478:
7472:
7465:
7460:
7444:
7440:
7436:
7430:
7423:
7418:
7402:
7398:
7394:
7392:
7384:
7377:
7372:
7365:
7361:
7356:
7349:
7344:
7328:
7324:
7320:
7313:
7305:
7301:
7297:
7293:
7289:
7285:
7281:
7277:
7270:
7264:
7260:
7255:
7244:
7237:
7236:
7228:
7221:
7216:
7209:
7205:
7201:
7197:
7191:
7184:
7178:
7175:(in German).
7174:
7171:
7166:
7161:
7157:
7153:
7147:
7145:
7143:
7135:
7132:
7128:
7125:
7121:
7117:
7114:
7113:
7110:Vol. 6:
7107:
7103:
7100:
7094:
7087:
7083:
7079:
7075:
7072:
7067:
7060:
7055:
7048:
7044:
7040:
7038:
7037:Source online
7032:
7027:
7020:
7016:
7013:
7008:
7003:
6999:
6996:
6991:
6985:
6978:
6974:
6970:
6967:
6960:
6953:
6949:
6945:
6942:
6936:
6932:
6929:
6921:
6914:
6910:
6906:
6903:
6895:
6888:
6884:
6880:
6877:
6870:
6863:
6859:
6855:
6852:
6846:
6842:
6839:
6832:
6825:
6821:
6817:
6814:
6807:
6800:
6791:
6787:
6784:
6779:
6772:
6768:
6764:
6761:
6757:
6753:
6750:
6746:D-Bsa SA 301,
6742:
6735:
6731:
6727:
6723:
6719:
6716:
6709:
6702:
6698:
6694:
6691:
6684:
6677:
6673:
6669:
6666:
6659:
6652:
6648:
6644:
6641:
6637:
6633:
6630:
6622:
6615:
6611:
6607:
6604:
6597:
6590:
6586:
6582:
6579:
6572:
6565:
6561:
6557:
6554:
6547:
6531:
6527:
6523:
6517:
6515:
6508:
6507:Stauffer 2008
6503:
6496:
6491:
6484:
6479:
6472:
6467:
6460:
6455:
6439:
6435:
6431:
6425:
6409:
6405:
6401:
6395:
6388:
6383:
6381:
6373:
6369:
6364:
6357:
6352:
6345:
6340:
6324:
6320:
6316:
6310:
6303:
6299:
6294:
6287:
6283:
6278:
6271:
6266:
6260:, p. 253
6259:
6254:
6252:
6244:
6240:
6235:
6228:
6223:
6217:, p. 50.
6216:
6211:
6205:, p. 11.
6204:
6199:
6193:, p. 37.
6192:
6187:
6181:, p. 23.
6180:
6175:
6168:
6163:
6157:, p. 74.
6156:
6151:
6145:, p. 57.
6144:
6139:
6133:, p. 80.
6132:
6127:
6108:
6101:
6097:
6091:
6072:
6065:
6061:
6055:
6048:
6043:
6041:
6033:
6028:
6020:
6016:
6010:
6006:
6005:
6000:
5994:
5992:
5975:
5971:
5967:
5964:Koster, Jan.
5960:
5953:
5948:
5941:
5936:
5920:
5916:
5912:
5908:
5902:
5895:
5891:
5886:
5870:
5866:
5862:
5856:
5849:
5846:.bach-digital
5840:
5834:
5827:
5823:
5818:
5812:
5808:
5803:
5801:
5793:
5789:
5786:
5781:
5773:
5769:
5763:
5759:
5758:
5750:
5744:
5740:
5735:
5729:, p. 40.
5728:
5723:
5717:, p. 62.
5716:
5711:
5704:
5699:
5693:, p. 27.
5692:
5687:
5680:
5675:
5659:
5655:
5651:
5645:
5643:
5641:
5639:
5637:
5635:
5633:
5631:
5629:
5627:
5619:
5614:
5612:
5604:
5599:
5592:
5587:
5580:
5575:
5569:, p. 73.
5568:
5563:
5556:
5551:
5545:, p. 45.
5544:
5539:
5532:
5527:
5520:
5515:
5508:
5503:
5501:
5493:
5488:
5486:
5484:
5476:
5471:
5469:
5461:
5456:
5449:
5445:
5441:
5436:
5429:
5424:
5408:
5404:
5400:
5394:
5378:
5374:
5370:
5364:
5357:
5355:
5349:
5343:
5339:
5335:
5334:
5329:
5323:
5308:
5304:
5297:
5290:
5285:
5278:
5273:
5269:
5255:
5254:Gardiner 2013
5252:
5250:
5249:Williams 2016
5247:
5245:
5244:Williams 2007
5242:
5240:
5237:
5235:
5232:
5231:
5227:
5219:
5216:
5214:
5213:Williams 1980
5211:
5209:
5206:
5204:
5201:
5198:
5195:
5193:
5190:
5188:
5185:
5182:
5179:
5178:
5174:
5167:
5163:
5159:
5155:
5151:
5145:
5138:
5132:
5125:
5124:
5119:
5115:
5114:
5106:
5085:
5079:
5072:
5070:
5065:
5051:
5048:
5047:
5041:
5039:
5028:
5026:
5022:
5018:
5014:
5010:
5006:
5001:
4998:
4995:
4991:
4989:
4985:
4981:
4976:
4974:
4970:
4966:
4962:
4958:
4948:
4945:
4944:
4943:Kunstreligion
4937:
4933:
4929:
4925:
4921:
4917:
4913:
4909:
4905:
4901:
4897:
4893:
4889:
4887:
4882:
4878:
4873:
4870:
4869:
4864:
4860:
4856:
4852:
4848:
4844:
4840:
4836:
4835:Bach Jahrbuch
4832:
4831:
4826:
4822:
4818:
4814:
4810:
4806:
4802:
4798:
4794:
4790:
4785:
4783:
4782:
4777:
4776:
4771:
4767:
4763:
4762:
4757:
4753:
4752:
4747:
4743:
4739:
4735:
4731:
4726:
4722:
4718:
4713:
4711:
4707:
4703:
4699:
4698:Helmut Walcha
4695:
4691:
4687:
4686:Edwin Fischer
4683:
4679:
4675:
4671:
4662:
4654:
4645:
4641:
4639:
4638:
4633:
4629:
4625:
4621:
4617:
4612:
4611:
4606:In 1850, the
4604:
4602:
4598:
4594:
4590:
4586:
4582:
4578:
4574:
4570:
4569:
4564:
4560:
4556:
4552:
4548:
4543:
4542:
4537:
4536:
4531:
4527:
4524:
4520:
4518:
4513:
4509:
4499:
4494:
4492:
4488:
4484:
4480:
4479:
4474:
4464:
4459:
4458:Bach memorial
4456:Image of the
4454:
4449:
4445:
4435:
4432:
4427:
4423:
4419:
4415:
4411:
4407:
4406:
4401:
4397:
4393:
4389:
4385:
4381:
4378:
4373:
4371:
4367:
4363:
4359:
4355:
4351:
4347:
4343:
4339:
4335:
4330:
4328:
4324:
4319:
4317:
4313:
4309:
4305:
4301:
4297:
4287:
4278:
4276:
4272:
4268:
4258:
4253:
4243:
4241:
4237:
4233:
4231:
4226:
4222:
4216:
4214:
4210:
4206:
4205:
4199:
4195:
4191:
4187:
4183:
4179:
4175:
4171:
4167:
4163:
4157:
4153:
4142:
4141:
4124:
4115:
4112:(courtesy of
4111:
4108:conducted by
4107:
4103:
4102:
4097:
4081:
4079:
4062:
4060:
4056:
4050:
4040:
4035:
4025:
4023:
4019:
4015:
4009:
3989:
3971:
3953:
3947:
3938:
3933:
3931:
3927:
3923:
3913:
3911:
3907:
3903:
3901:
3897:
3891:
3887:
3877:
3874:
3873:
3867:
3863:
3859:
3855:
3854:(BWV 910â916)
3852:
3844:
3843:
3837:
3832:
3831:
3826:
3822:
3821:
3816:
3813:
3808:
3804:
3800:
3796:
3795:
3790:
3786:
3780:
3774:
3768:
3762:
3756:
3755:
3748:
3747:
3740:
3739:
3732:
3731:
3724:
3719:
3715:
3714:
3713:French Suites
3709:
3708:
3703:
3699:
3696:
3692:
3691:
3686:
3683:
3679:
3675:
3674:
3670:
3669:
3668:
3666:
3662:
3660:
3659:Clavier-Ăbung
3653:
3633:
3615:
3597:
3590:
3588:
3565:
3529:
3525:
3516:
3514:
3513:
3508:
3504:
3500:
3498:
3497:Clavier-Ăbung
3493:
3492:Organ Sonatas
3488:
3487:
3486:OrgelbĂŒchlein
3482:
3478:
3474:
3470:
3466:
3462:
3456:
3436:
3418:
3411:
3407:
3403:
3402:Robert Köbler
3400:performed by
3399:
3387:
3385:
3381:
3377:
3373:
3363:
3361:
3357:
3351:
3328:
3322:
3309:
3307:
3303:
3297:
3287:
3285:
3281:
3277:
3271:
3261:
3257:
3247:
3245:
3240:
3239:
3232:
3226:
3225:
3218:
3217:
3210:
3209:
3202:
3201:
3194:
3193:
3186:
3185:
3179:
3175:
3169:
3168:Motets (Bach)
3159:
3151:
3149:
3148:
3143:
3142:
3138:operas (e.g.
3137:
3136:
3131:
3130:
3124:
3122:
3118:
3114:
3113:
3108:
3107:
3102:
3101:
3096:
3095:
3088:
3078:
3076:
3070:
3068:
3059:
3057:
3049:
3047:
3043:
3039:
3035:
3029:
3027:
3020:
3016:
3012:
3007:
3006:
2999:
2997:
2993:
2989:
2985:
2981:
2977:
2971:
2969:
2962:
2958:
2956:
2955:cantus firmus
2949:
2939:
2937:
2933:
2927:
2923:
2913:
2898:
2880:
2862:
2844:
2826:
2806:
2788:
2781:
2779:
2765:
2763:
2762:
2757:
2756:
2751:
2750:
2745:
2744:
2739:
2735:
2734:
2729:
2723:
2715:
2711:
2706:
2697:
2695:
2691:
2690:BWV 1081â1126
2683:
2680:
2678:BWV 1079â1080
2677:
2676:
2673:
2670:
2668:BWV 1072â1078
2667:
2666:
2663:
2660:
2658:BWV 1041â1071
2657:
2656:
2653:
2650:
2648:BWV 1001â1040
2647:
2646:
2643:
2640:
2637:
2636:
2633:
2630:
2627:
2626:
2623:
2620:
2617:
2616:
2613:
2610:
2607:
2606:
2603:
2600:
2597:
2596:
2593:
2590:
2587:
2586:
2583:
2580:
2577:
2576:
2573:
2570:
2567:
2566:
2563:
2560:
2557:
2556:
2553:Compositions
2552:
2549:
2548:
2545:
2543:
2541:
2534:
2533:
2527:
2523:
2517:
2507:
2505:
2501:
2497:
2493:
2488:
2486:
2482:
2481:
2475:
2471:
2470:
2456:
2452:
2447:
2445:
2439:
2437:
2433:
2428:
2424:
2418:
2395:
2377:
2359:
2352:
2327:
2309:
2291:
2284:
2259:
2241:
2223:
2197:
2164:
2157:
2156:
2155:OrgelbĂŒchlein
2151:
2148:
2135:
2133:
2129:
2125:
2124:BWV 1072â1078
2121:
2116:
2114:
2110:
2105:
2095:
2093:
2092:
2087:
2086:
2080:
2076:
2066:
2064:
2060:
2056:
2051:
2049:
2048:Oboe Concerto
2045:
2041:
2036:
2032:
2016:
2015:
2009:
2003:
2002:
1997:
1992:
1986:Ornamentation
1983:
1981:
1980:
1975:
1971:
1970:
1963:
1961:
1957:
1953:
1949:
1945:
1940:
1936:
1927:
1925:
1921:
1917:
1913:
1909:
1905:
1904:
1879:
1861:
1855:
1854:Kevin MacLeod
1851:
1841:
1837:
1833:
1830:
1829:
1824:
1820:
1816:
1815:
1814:
1811:
1806:
1802:
1798:
1794:
1788:
1784:
1779:
1770:
1768:
1764:
1759:
1756:
1752:
1747:
1742:
1737:
1732:
1730:
1726:
1722:
1721:da capo arias
1715:
1707:
1705:N(ota) B(ene)
1701:
1697:
1692:
1686:Musical style
1683:
1679:
1674:
1673:
1668:
1664:
1660:
1656:
1652:
1651:Martin Luther
1648:
1644:
1640:
1636:
1632:
1628:
1624:
1620:
1615:
1613:
1608:
1602:
1597:
1593:
1589:
1585:
1580:
1578:
1574:
1570:
1566:
1562:
1561:
1555:
1553:
1552:
1547:
1546:
1541:
1537:
1533:
1529:
1525:
1521:
1520:
1515:
1511:
1505:
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1496:
1491:
1489:
1485:
1481:
1480:BWV 1083
1477:
1473:
1472:
1467:
1463:
1459:
1455:
1451:
1447:
1443:
1442:
1437:
1436:Clavier-Ăbung
1433:
1429:
1428:BWV 1082
1425:
1421:
1420:
1415:
1411:
1410:BWV 1081
1407:
1403:
1399:
1395:
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1387:
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1351:Clavier-Ăbung
1345:
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1320:
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1305:
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1277:Clavier-Ăbung
1272:
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1132:
1127:
1121:
1119:
1115:
1110:
1108:
1103:
1102:Johann Kuhnau
1096:
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948:
947:
946:Kapellmeister
941:
927:
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913:
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802:
797:
795:
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786:
782:
778:
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766:
762:
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748:
745:Organ of the
743:
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637:
629:
624:
615:
613:
609:
605:
602:'s School in
601:
596:
594:
591:at the local
590:
586:
582:
579:. He learned
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395:for orchestra
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297:
294:. From 1726,
293:
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269:
268:chamber music
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80:31 March 1685
78:
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65:
62:
56:
51:
44:
41:
37:
34: and
33:
19:
16177:David Munrow
16170:Karl Richter
16085:
16040:Contributors
16013:
16006:
15999:
15985:
15932:
15913:
15906:
15819:
15812:
15783:Architecture
15732:Folk baroque
15727:Figured bass
15700:counterpoint
15676:Other topics
15548:18th-century
15543:17th-century
15168:D. Scarlatti
15037:
14985:A. Scarlatti
14955:J. Pachelbel
14706:Transitional
14492:Eyvind Skeie
14472:Johann Schop
14437:Lina Sandell
14397:Adam Reusner
14332:Sigurd Lunde
14327:Matthias Loy
14302:Julius Krohn
14282:Thomas Kingo
14262:Justus Jonas
14137:Paul Fleming
14036:
14004:hymnologists
13981:
13974:
13966:
13959:
13952:
13944:
13936:
13912:
13888:
13881:
13874:
13867:
13859:
13851:
13843:
13835:
13829:Nokre salmar
13827:
13803:
13779:
13772:
13748:
13724:
13717:
13710:
13703:
13675:
13667:
13659:
13651:
13643:
13635:
13616:
13608:
13600:
13592:
13584:
13576:
13568:
13560:
13552:
13544:
13536:
13528:
13449:
13435:(since 2021)
13391:Karl Straube
13379:Wilhelm Rust
13324:
13271:Ulrich Lange
13221:Thomanerchor
13160:Bach Digital
13148:Compositions
13096:
13093:(2nd cousin)
13075:(3rd cousin)
13027:(son-in-law)
13009:(2nd cousin)
12949:
12806:Other topics
12762:(St. Gallen)
12739:Bach Archive
12716:Bach Society
12594:and scholars
12498:Bach cantata
12401:Compositions
12392:
12325:
12324:
12319:Bach Digital
12288:
12287:
12265:
12264:Yo Tomita's
12258:Bach Archive
12217:
12198:
12195:Pirro, André
12176:
12155:. New York:
12151:
12135:
12131:C. F. Peters
12125:
12098:
12084:
12082:
12042:
12014:
11995:
11974:
11957:
11935:
11912:
11902:
11879:
11866:
11860:
11836:
11805:
11782:
11762:
11743:
11720:
11700:
11689:
11669:
11647:
11628:
11610:
11603:DĂŒrr, Alfred
11584:
11581:DĂŒrr, Alfred
11561:
11538:
11512:
11484:Bach's World
11483:
11461:
11449:
11426:
11374:
11344:
11321:
11299:
11280:
11259:
11245:
11228:
11213:
11190:
11176:. New York:
11168:
11148:. New York:
11141:
11117:
11088:
11084:Geck, Martin
11049:
11025:
11007:
10984:. New York:
10981:
10978:Eidam, Klaus
10951:
10921:
10859:
10855:
10838:
10817:
10797:
10791:
10779:. Retrieved
10775:
10762:
10753:
10747:
10735:. Retrieved
10730:
10721:
10709:. Retrieved
10706:Bach Digital
10701:
10692:
10672:
10654:
10631:
10619:. Retrieved
10601:
10578:
10546:
10517:
10507:
10483:. Retrieved
10474:
10461:
10449:. Retrieved
10440:
10430:
10418:. Retrieved
10409:
10400:
10375:
10363:
10347:
10343:
10331:
10315:
10299:
10283:
10267:
10255:
10238:
10232:
10220:
10203:
10194:
10121:
10116:
10098:
10068:
10058:
10043:
10034:.bachdigital
10015:
10000:Spitta 1899b
9995:
9990:, p. 14
9970:
9932:
9916:
9900:
9890:
9869:
9853:
9841:
9836:, p. 2)
9828:
9812:
9805:
9796:
9786:
9777:
9765:
9753:
9741:
9732:
9716:
9695:
9686:
9670:
9654:
9642:. Retrieved
9638:the original
9633:
9623:
9611:. Retrieved
9607:the original
9602:
9593:
9571:
9561:
9549:
9537:. Retrieved
9528:
9515:
9503:. Retrieved
9494:
9484:
9472:. Retrieved
9463:
9453:
9441:. Retrieved
9437:the original
9432:
9422:
9410:. Retrieved
9401:
9391:
9379:. Retrieved
9369:Tomita, Yo.
9364:
9356:Academia.edu
9342:
9330:
9318:. Retrieved
9309:
9299:
9287:. Retrieved
9283:the original
9278:
9269:
9257:
9245:. Retrieved
9236:
9227:
9203:
9196:
9184:. Retrieved
9175:
9165:
9153:
9148:, p. 65
9141:
9129:. Retrieved
9120:
9110:
9101:.bachdigital
9088:
9079:.bachdigital
9062:
9053:.bachdigital
9040:
9031:.bachdigital
9018:
9009:.bachdigital
8992:
8983:.bachdigital
8970:
8957:
8944:
8932:
8920:. Retrieved
8916:
8907:
8887:
8863:BWV Anh. 196
8851:BWV Anh. 195
8273:
8261:. Retrieved
8257:the original
8252:
8242:
8230:. Retrieved
8221:
8211:
8199:
8187:
8175:The Diapason
8173:
8164:
8154:Bach Digital
8149:
8141:the original
8121:
8117:Alfred, DĂŒrr
8107:
8099:
8091:
8081:29 September
8079:. Retrieved
8071:Bach Digital
8070:
8061:
8050:
8034:
8015:
8006:
7991:
7982:.bachdigital
7969:
7953:
7941:
7929:. Retrieved
7920:
7915:Art of Fugue
7914:
7907:
7880:
7858:Peter Wollny
7853:
7833:
7817:
7809:
7804:, Ch. XVIII.
7797:
7788:
7779:
7768:
7759:
7747:
7738:.bachdigital
7719:
7707:
7683:
7679:
7657:
7645:
7628:
7626:Jopi Harri.
7622:
7603:
7592:
7587:
7576:Spitta 1899c
7571:
7559:. Retrieved
7555:the original
7550:
7540:
7528:. Retrieved
7519:
7509:
7497:
7484:
7471:
7459:
7447:. Retrieved
7443:the original
7429:
7417:
7405:. Retrieved
7396:
7393:unfinished?"
7391:Art of Fugue
7390:
7383:
7371:
7360:Spitta 1899c
7355:
7343:
7331:. Retrieved
7327:the original
7322:
7312:
7279:
7275:
7269:
7254:
7234:
7227:
7215:
7207:
7203:
7199:
7195:
7190:
7176:
7163:
7111:
7099:Introduction
7093:
7086:Bach Digital
7081:
7066:
7054:
7046:
7042:
7036:
7030:
7026:
6984:
6977:Bach Digital
6959:
6952:Bach Digital
6920:
6913:Bach Digital
6894:
6887:Bach Digital
6869:
6862:Bach Digital
6831:
6824:Bach Digital
6806:
6778:
6771:Bach Digital
6741:
6726:Bach Digital
6708:
6701:Bach Digital
6683:
6676:Bach Digital
6658:
6651:Bach Digital
6621:
6614:Bach Digital
6596:
6589:Bach Digital
6571:
6564:Bach Digital
6546:
6534:. Retrieved
6525:
6502:
6490:
6483:Spitta 1899b
6478:
6471:Spitta 1899b
6466:
6454:
6442:. Retrieved
6433:
6424:
6412:. Retrieved
6403:
6394:
6363:
6351:
6339:
6327:. Retrieved
6309:
6298:Spitta 1899b
6293:
6282:Spitta 1899b
6277:
6265:
6239:Spitta 1899b
6234:
6222:
6210:
6203:Spitta 1899b
6198:
6186:
6174:
6167:Van Til 2007
6162:
6150:
6138:
6126:
6114:. Retrieved
6090:
6078:. Retrieved
6054:
6049:, p. 30
6027:
6003:
5978:. Retrieved
5969:
5959:
5947:
5935:
5923:. Retrieved
5919:the original
5914:
5901:
5885:
5873:. Retrieved
5864:
5855:
5833:
5817:
5780:
5756:
5749:
5734:
5722:
5710:
5698:
5686:
5674:
5662:. Retrieved
5653:
5598:
5591:Spitta 1899a
5586:
5574:
5562:
5550:
5538:
5526:
5514:
5462:, p. 6.
5455:
5435:
5430:, p. 3.
5423:
5411:. Retrieved
5407:the original
5393:
5381:. Retrieved
5377:the original
5363:
5351:
5332:
5322:
5310:. Retrieved
5296:
5284:
5272:
5226:
5173:
5144:
5131:
5121:
5034:
5002:
4999:
4992:
4977:
4961:Bach Digital
4954:
4951:21st century
4903:
4892:Karl Richter
4885:
4874:
4866:
4834:
4828:
4809:EugĂšne YsaĂże
4797:Ian Anderson
4786:
4779:
4773:
4770:Wendy Carlos
4759:
4750:
4714:
4678:Pablo Casals
4674:cello suites
4667:
4648:20th century
4642:
4635:
4605:
4577:Robert Franz
4566:
4558:
4546:
4539:
4533:
4528:
4516:
4497:
4495:
4476:
4470:
4444:Bach Revival
4438:19th century
4425:
4403:
4382:some of his
4374:
4366:Daniel Itzig
4331:
4320:
4292:
4281:18th century
4271:Bach Revival
4263:
4229:
4225:BWV Anh. 167
4220:
4217:
4203:
4190:BWV Anh. 183
4159:
4138:
4099:
4077:
4052:
4037:
4013:
4011:
3936:
3919:
3909:
3905:
3904:
3900:cello suites
3893:
3848:
3840:
3828:
3824:
3818:
3792:
3711:
3705:
3702:dance suites
3694:
3688:
3671:
3658:
3655:
3632:3rd movement
3614:2nd movement
3596:1st movement
3586:
3527:
3510:
3496:
3484:
3458:
3369:
3353:
3299:
3273:
3259:
3228:. The motet
3171:
3157:
3145:
3139:
3134:
3127:
3125:
3110:
3104:
3098:
3092:
3090:
3066:
3055:
3050:
3025:
3005:Thomaskantor
3000:
2967:
2959:
2951:
2936:Bach Digital
2929:
2922:Bach cantata
2912:Cantata text
2777:
2759:
2753:
2747:
2741:
2731:
2725:
2709:
2688:
2638:BWV 995â1000
2537:
2524:published a
2519:
2510:Compositions
2503:
2499:
2489:
2479:
2468:
2463:
2453:
2449:
2440:
2423:counterpoint
2420:
2258:3rd movement
2240:2nd movement
2222:1st movement
2153:
2146:
2138:Counterpoint
2132:Art of Fugue
2131:
2127:
2117:
2113:cello suites
2101:
2089:
2084:
2072:
2062:
2052:
2039:
2030:
2028:
2012:
2011:Aria of the
1999:
1977:
1973:
1967:
1964:
1933:
1901:
1898:
1828:Stabat Mater
1826:
1810:figured bass
1801:tonal system
1791:
1786:
1766:
1760:
1750:
1741:Thomaskantor
1733:
1717:
1671:
1658:
1619:harpsichords
1616:
1601:Thomaskantor
1592:burgomasters
1581:
1565:BWV 191
1558:
1556:
1549:
1543:
1540:Thema Regium
1539:
1517:
1492:
1469:
1465:
1461:
1458:BWV 200
1439:
1438:volume, the
1435:
1432:stile antico
1431:
1417:
1394:BWV 241
1377:stile antico
1375:
1369:
1355:
1350:
1346:
1316:
1308:
1290:
1282:
1270:
1257:
1247:
1223:
1215:
1206:
1195:
1184:
1173:
1154:
1145:
1126:Thomasschule
1122:
1116:and then to
1111:
1100:
1036:Thomaskantor
1033:
1001:
985:
976:
967:
960:cello suites
938:
910:
901:
886:
871:
865:Annunciation
852:
841:
822:
808:
798:
773:
752:
723:, a festive
690:
683:
656:
636:Sangerhausen
633:
611:
608:harpsichords
597:
573:Marin Marais
530:
514:music theory
483:
435:
425:
417:
411:
311:counterpoint
308:
298:some of his
296:he published
272:Thomaskantor
246:churches in
217:
213:Bach Revival
202:
192:
186:
180:
173:cello suites
166:
154:
153:
106:(1750-07-28)
104:28 July 1750
40:
16371:Bach family
16346:1750 deaths
16341:1685 births
16199:conductor:
16168:conductor:
16134:Guan Pinghu
16124:Glenn Gould
16105:conductor:
16096:Chuck Berry
15752:Style brisé
15688:Chamber pop
15683:Baroque pop
15627:grand motet
15600:passacaglia
15411:lautenwerck
15406:harpsichord
15376:double bass
15343:Instruments
15301:Mondonville
15133:A. Marcello
15063:F. Couperin
15010:VejvanovskĂœ
14960:J. Playford
14940:J.-B. Lully
14905:Charpentier
14860:d'Anglebert
14745:Frescobaldi
14709:and early (
14442:Carl Schalk
14412:Johann Rist
14202:Claus Harms
14057:Carl Boberg
14047:Martin Behm
13883:Salmer 1997
13869:Salmer 1973
13429:(2016â2021)
13423:(1992â2015)
13417:(1972â1991)
13411:(1961â1972)
13405:(1957â1960)
13403:Kurt Thomas
13399:(1939â1956)
13393:(1918â1939)
13387:(1893â1918)
13381:(1880â1892)
13375:(1868â1879)
13369:(1842â1868)
13363:(1823â1842)
13357:(1810â1823)
13351:(1801â1810)
13345:(1789â1801)
13339:(1756â1789)
13333:(1750â1755)
13327:(1723â1750)
13321:(1701â1722)
13315:(1677â1701)
13309:(1657â1676)
13303:(1631â1657)
13297:(1615â1630)
13291:(1594â1615)
13285:(1553â1564)
13279:(1549â1551)
13273:(1540â1549)
13267:(1539â1540)
13261:(1536â1539)
13255:(1531â1536)
13249:(1526â1530)
13243:(1520â1525)
13237:(1518â1520)
12938:Bach family
12822:Competition
12747:(Göttingen)
12591:Biographers
12476:Fugal works
12352:All of Bach
12247:BBC Radio 3
12157:Basic Books
11092:. Orlando:
11055:Anthea Bell
10986:Basic Books
10907:Biographies
10902:Works cited
10485:27 December
10420:22 February
10354:. Leipzig:
10320:Forkel 1920
10290:, pp.
9921:Forkel 1920
9860:, pp.
9858:Forkel 1920
9834:Morris 2005
9772:, Ch. XXII.
9677:, pp.
9675:Forkel 1920
9661:, pp.
9659:Forkel 1920
9644:23 December
9613:27 December
9576:. Chicago:
9539:23 February
9505:22 February
9474:10 December
9443:23 December
9412:10 December
9381:22 February
8839:BWV Anh. 20
8827:BWV Anh. 19
8815:BWV Anh. 18
8803:BWV Anh. 13
8791:BWV Anh. 12
8779:BWV Anh. 11
8767:BWV Anh. 10
8263:24 December
8192:Leaver 2007
7960:, pp.
7958:Forkel 1920
7900:Lester 1999
7814:André Isoir
7561:23 December
7530:25 February
7502:Leaver 2007
7168: [
6536:21 February
6444:31 December
6414:31 December
6389:, p. 5
6241:, pp.
6191:Spaeth 1937
6116:27 December
6080:27 December
5925:24 December
5890:Forkel 1920
5809:, pp.
5741:, pp.
5664:19 February
5442:, pp.
5305:. Chicago:
5031:Burial site
4908:Glenn Gould
4906:(played by
4898:(played by
4847:Alfred DĂŒrr
4746:Walt Disney
4725:harpsichord
4581:Franz Liszt
4521:. In 1818,
4461: [
4209:BWV 233â236
4202:arias from
3876:(BWV 989).
3839:), and the
3682:temperament
3390:Organ works
3376:harpsichord
3178:colla parte
2628:BWV 772â994
2618:BWV 525â771
2608:BWV 439â524
2598:BWV 250â438
2588:BWV 244â249
2578:BWV 232â243
2568:BWV 225â231
2432:Sonata form
2120:transcribed
2079:concertante
1944:temperament
1920:dorian mode
1860:1. Fantasia
1797:modal music
1696:Calov Bible
1676: [
1612:John Taylor
1598:, fill the
1532:fortepianos
1502: [
1266:coffeehouse
1243: 1720
867:that year;
861:Palm Sunday
648:Bach Church
600:St. Michael
480:Bach family
469: [
393:as well as
220:Bach family
133:Bach family
16330:Categories
16213:Nick Sagan
16208:Carl Sagan
16119:Ann Druyan
16114:John Cohen
16070:Edda Moser
15993:Puspawarna
15766:Background
15652:recitative
15560:concertato
15528:canzonetta
15391:fortepiano
15366:clavichord
15316:Sammartini
15296:MysliveÄek
15256:Boccherini
15246:W. F. Bach
15241:J. C. Bach
15038:J. S. Bach
14965:H. Purcell
14885:Cabanilles
14800:Monteverdi
14775:Kapsberger
14765:O. Gibbons
14760:C. Gibbons
14755:V. Galilei
14735:J. Dowland
14725:G. Caccini
14102:Simon Dach
13998:Hymnodists
13781:Virsikirja
13235:Georg Rhau
13140:(grandson)
13105:(grandson)
12961:(2nd wife)
12818:Bach Medal
12527:BACH motif
12326:Recordings
11913:About Bach
11801:Rich, Alan
11458:Butt, John
11450:J. S. Bach
11202:. London:
11196:Clara Bell
11169:J. S. Bach
11142:J. S. Bach
11057:. London:
11030:Allen Lane
11028:. London:
10911:See also:
10737:31 January
10322:, p.
10306:, p.
10274:, p.
10225:Kerst 1904
10002:, p.
9937:Wolff 2013
9923:, p.
9846:Wolff 2000
9770:Eidam 2001
9723:, p.
9581:Retrieved
9554:Wolff 1991
9158:Wolff 2000
9146:Wolff 2000
8937:Wolff 2000
8755:BWV Anh. 9
8743:BWV Anh. 8
8731:BWV Anh. 7
8719:BWV Anh. 6
8098:(editor).
7998:, p.
7948:, Ch. XXX.
7946:Eidam 2001
7802:Eidam 2001
7714:, Ch. III.
7712:Eidam 2001
7682:Magnificat
7662:Eidam 2001
7650:Eidam 2001
7422:Wolff 2000
7362:, p.
7259:Wolff 2000
7160:"Nekrolog"
6495:Wolff 2000
6387:Wolff 1997
6370:, p.
6356:Wolff 2013
6344:Wolff 2013
6300:, p.
6284:, p.
6270:Wolff 2013
6258:Wolff 2013
6227:Wolff 1983
6143:Miles 1962
6047:Wolff 1991
6032:Wolff 2000
5824:, p.
5807:Wolff 2000
5739:Wolff 2000
5679:Wolff 2000
5618:Eidam 2001
5603:Wolff 2000
5579:Wolff 2000
5567:Wolff 2000
5555:Wolff 2000
5543:Wolff 2000
5507:Miles 1962
5428:Jones 2007
5356:of music'.
5234:Wolff 2000
5208:Wolff 2000
5203:Wolff 1991
5187:Terry 1928
5150:Gramophone
5056:References
4803:, and the
4766:electronic
4634:published
4508:Magnificat
4475:published
4442:See also:
4275:BACH motif
4178:Palestrina
4150:See also:
3970:2. Andante
3952:1. Allegro
3884:See also:
3858:four duets
3845:(BWV 903).
3799:variations
3650:See also:
3477:Georg Böhm
3453:See also:
3380:clavichord
3348:See also:
3294:See also:
3290:Magnificat
3282:, and the
3276:Magnificat
3268:See also:
3254:See also:
3094:Trauer-Ode
3085:See also:
3011:lectionary
2946:See also:
2920:See also:
2720:See also:
2514:See also:
2415:See also:
2394:3. Allegro
2326:3. Allegro
2290:1. Allegro
1960:enharmonic
1935:Modulation
1930:Modulation
1712:See also:
1462:St Matthew
1382:Palestrina
1372:polyphonic
1052:New Church
979:, BWV 134a
966:, and the
697:MĂŒhlhausen
663:bassoonist
549:clavichord
512:and basic
379:for violin
252:MĂŒhlhausen
244:Protestant
84:1685-03-31
16284:Biography
16181:with the
15988:, Book II
15915:Voyager 2
15908:Voyager 1
15798:Sculpture
15715:ensembles
15710:festivals
15605:sarabande
15533:capriccio
15475:Ensembles
15306:L. Mozart
15208:de Zumaya
15143:Pergolesi
15123:Locatelli
15108:Heinichen
15093:Gorczycki
15088:Geminiani
15068:Delalande
14990:Stradella
14945:M. Marais
14925:Froberger
14890:Carissimi
14880:Buxtehude
14835:Sweelinck
14117:Paul Eber
13820:Norwegian
13796:Icelandic
13664:(1640/47)
13126:Veit Bach
13069:(brother)
13039:(brother)
12843:Portraits
12824:(Leipzig)
12741:(Leipzig)
12656:Schmieder
12539:Reception
12491:More info
12346:Muziekweb
12197:(2014) .
12072:required)
11873:: 84â113.
11408:required)
11256:(2003a).
11188:(1899a).
10781:14 August
10451:2 January
10410:NPR Music
10260:Geck 2006
10206:, p. 678.
9762:pp. 46â47
9721:Geck 2003
9707:Leipzig,
9583:22 August
9495:NPR Music
9262:Herz 1985
8963:Boyd 1999
8950:Boyd 1999
7791:, Dresden
7664:, Ch. IX.
7652:, Ch. IV.
7520:NPR Music
7464:Herl 2004
7296:0003-9950
7134:Breitkopf
6734:250000899
6728:website (
6714:D-WFe 191
6459:Boyd 2000
6179:Dent 2004
6155:Boyd 2000
5875:10 August
5703:Boyd 2000
5691:Rich 1995
5519:Boyd 2000
5460:Boyd 2000
5440:Geck 2003
5264:Citations
5218:Butt 1997
5192:DĂŒrr 1981
5166:Muziekweb
5009:feast day
4994:Alex Ross
4859:John Butt
4801:Uri Caine
4670:pedagogic
4589:Ave Maria
4471:In 1802,
4422:Beethoven
4246:Reception
4198:TWV 32:14
4170:Pergolesi
4080:(excerpt)
3988:3. Presto
3812:quodlibet
3803:bass line
3779:sarabande
3767:sarabande
3761:allemande
3746:sarabande
3730:allemande
3499: III
3465:fantasias
3327:Agnus Dei
3308:of 1733.
3069:, BWV 140
3028:, BWV 147
2970:, BWV 150
2780:, BWV 140
2558:BWV 1â224
2550:BWV Range
2520:In 1950,
2492:librettos
2467:"Keiser"
2427:homophony
2358:1. Vivace
2308:2. Adagio
1996:ornaments
1916:Sweelinck
1823:Pergolesi
1729:dissonant
1575:into his
1567:from his
1476:Pergolesi
1414:Gasparini
1362:in 1736.
1337:Agnus Dei
1187:, BWV 140
952:Calvinist
895:Pentecost
855:, BWV 182
789:concertos
593:gymnasium
367:for organ
347:oratorios
240:Thuringia
139:Signature
129:Relatives
16241:Category
15947:Chakrulo
15897:Contents
15834:Category
15811: â
15793:Painting
15657:ricercar
15632:madrigal
15612:fantasia
15580:courante
15565:concerto
15538:chaconne
15431:recorder
15356:carillon
15326:Telemann
15271:Corrette
15266:F. Brixi
15251:F. Benda
15183:Telemann
15148:Pisendel
15098:Graupner
15033:Albinoni
14970:Reincken
14935:Legrenzi
14920:Diletsky
14844:Middle (
14750:Gabrieli
13519:English
13470:Category
13087:(nephew)
13015:(nephew)
13003:(father)
12979:(mother)
12873:Category
12838:Three Bs
12676:Williams
12621:Glöckner
12606:Dadelsen
12581:Students
12508:Passions
12418:Cantatas
12348:website.
12321:website.
12311:(IMSLP).
12301:project.
12149:(1999).
12123:(1882).
11956:(1980),
11900:(1937).
11855:(1907).
11835:(1959).
11803:(1995).
11781:(2005).
11668:(2007).
11609:(2006),
11583:(1981).
11559:(1982).
11537:(2004).
11482:(1968).
11425:(2005).
11320:(1991).
11244:(1928).
11140:(1911).
11114:(1966).
11094:Harcourt
11086:(2006).
11074:Archived
11024:(2013).
11006:(1920).
10980:(2001).
10970:37801400
10950:(1998).
10888:Archived
10876:19220191
10664:Archived
10639:Archived
10615:Archived
10586:Archived
10558:Archived
10553:'s 1999
10525:Archived
10479:Archived
10445:Archived
10414:Archived
10241:, p. 273
10157:Archived
10108:Archived
10086:Archived
10066:(1862).
10023:Archived
9963:Archived
9817:Archived
9701:Archived
9634:Bach 101
9533:Archived
9499:Archived
9468:Archived
9433:Bach 101
9406:Archived
9375:Archived
9320:11 April
9314:Archived
9247:29 March
9241:Archived
9237:Bach 101
9219:Archived
9186:31 March
9180:Archived
9176:Bach 101
9131:31 March
9125:Archived
9121:Bach 101
8896:Archived
8707:BWV 249b
8695:BWV 249a
8683:BWV 216a
8599:BWV 210a
8563:BWV 208a
8527:BWV 207a
8479:BWV 205a
8395:BWV 194a
8383:BWV 193a
8371:BWV 184a
8359:BWV 173a
8347:BWV 134a
8253:Bach 101
8232:29 March
8226:Archived
8222:Bach 101
8075:Archived
8043:Archived
8014:(1979).
7931:28 March
7925:Archived
7865:Archived
7822:Calliope
7787:(1700),
7727:Archived
7699:Archived
7634:Archived
7611:Archived
7551:Bach 101
7524:Archived
7407:28 March
7401:Archived
7304:16219736
7243:Archived
7158:(1754).
7127:Archived
7116:Archived
7102:Archived
7088:website)
7074:Archived
7015:Archived
6998:Archived
6969:Archived
6944:Archived
6931:Archived
6905:Archived
6879:Archived
6854:Archived
6841:Archived
6816:Archived
6786:Archived
6763:Archived
6752:Archived
6718:Archived
6693:Archived
6668:Archived
6643:Archived
6632:Archived
6606:Archived
6581:Archived
6556:Archived
6530:Archived
6438:Archived
6408:Archived
6323:Archived
6107:Archived
6098:(1996).
6071:Archived
6062:(2010).
6019:Archived
5980:11 April
5974:Archived
5869:Archived
5788:Archived
5772:Archived
5658:Archived
5330:(2008).
5154:Diapason
5075:German:
5044:See also
5015:of some
4934:and the
4751:Fantasia
4706:I Musici
4616:three Bs
4597:Bruckner
4563:Schumann
4519:(BWV 80)
4503:♭
4384:Passions
4232:, BWV 53
4174:BWV 1083
4166:BWV 1065
4152:BWV Anh.
3930:BWV 1043
3926:BWV 1042
3922:BWV 1041
3851:toccatas
3738:courante
3661: II
3509:and the
3469:toccatas
3461:preludes
3412:, Saxony
3374:such as
3244:BWV Anh.
3058:, BWV 80
3040:format.
2775:Cantata
2768:Cantatas
2746:and the
2728:Passions
2562:Cantatas
2498:for the
2496:Picander
2480:Passions
2478:Leipzig
2130:and the
2088:and the
2044:Marcello
2035:ornament
1948:trumpets
1878:2. Fugue
1667:Nekrolog
1655:Josephus
1629:, three
1625:, three
1484:Goldberg
1289:and the
1198:, BWV 62
1176:, BWV 20
1157:, BWV 75
1148:cantatas
1004:Carlsbad
904:, BWV 63
874:, BWV 12
801:preludes
794:movement
652:Arnstadt
604:LĂŒneburg
581:theology
486:Eisenach
414:organist
343:Passions
325:include
315:harmonic
300:keyboard
288:Lutheran
248:Arnstadt
236:LĂŒneburg
228:Eisenach
207:and the
197:and the
94:Eisenach
64:BWV 1076
18:J.S.Bach
16381:Cantors
16308:Germany
16270:Portals
16251:Commons
15824:â
15778:Baroque
15647:prelude
15585:gavotte
15555:chorale
15523:canzona
15513:cantata
15466:violone
15446:trumpet
15441:theorbo
15436:sackbut
15371:cornett
15351:bassoon
15341:Musical
15281:Galuppi
15203:Zelenka
15193:Vivaldi
15178:Tartini
15153:Porpora
15138:Pepusch
15078:Fischer
15053:Caldara
15000:Torelli
14995:Strozzi
14915:Corelli
14895:Cavalli
14865:Bassani
14820:Scheidt
14770:d'India
14720:Allegri
13929:Swedish
13905:Spanish
13765:Finnish
13741:Faroese
13521:hymnals
13443:Related
13219:of the
13045:(uncle)
12997:(uncle)
12985:(uncle)
12945:Members
12696:Zehnder
12661:Schulze
12641:Neumann
12626:Hofmann
12334:at the
12307:at the
12299:Musopen
12297:at the
12280:at the
12256:of the
11516:: Music
10884:7925258
10832:. 2013.
10711:16 June
10687:website
10621:26 July
10596:website
10592:at the
10569:.amazon
10379:Spitta
10170:.mcgill
10082:3309798
10004:518â519
9693:(2011)
9679:140â141
8671:BWV 216
8659:BWV 215
8647:BWV 214
8635:BWV 213
8623:BWV 212
8611:BWV 211
8587:BWV 210
8575:BWV 209
8551:BWV 208
8539:BWV 208
8515:BWV 207
8503:BWV 206
8491:BWV 206
8467:BWV 205
8455:BWV 204
8443:BWV 203
8431:BWV 202
8419:BWV 201
8407:BWV 198
8335:BWV 66a
8323:BWV 36c
8311:BWV 36b
8299:BWV 36a
8287:BWV 30a
7848:website
7449:23 June
7333:8 March
6979:website
6954:website
6915:website
6889:website
6864:website
6826:website
6773:website
6703:website
6678:website
6653:website
6616:website
6591:website
6566:website
6329:16 June
6243:192â193
5811:102â104
5620:, Ch. I
5312:16 June
5162:Discogs
5158:YouTube
5120:and in
4881:Voyager
4744:opened
4624:Berlioz
4414:K. 404a
4194:BWV 824
4024:genre.
3862:sonatas
3589:BWV 971
3417:Prelude
3404:on the
3278:, four
3172:Bach's
3019:Trinity
2988:Krieger
2980:BWV 196
2976:BWV 106
2150:BWV 632
2109:bravura
1924:D minor
1912:Dowland
1755:Passion
1738:as the
1627:violins
1573:setting
1528:Potsdam
1466:St John
1454:Stölzel
1424:Caldara
1406:Bassani
1374:style (
1331:Sanctus
1209:, BWV 1
1163:Trinity
1097:in 1723
1095:Leipzig
1072:Dresden
785:Torelli
781:Corelli
777:Vivaldi
701:cantata
541:Ohrdruf
335:secular
329:, both
319:motivic
284:Leipzig
112:Leipzig
82: (
15979:Mugham
15844:Portal
15737:monody
15595:minuet
15508:ballet
15461:violin
15396:guitar
15311:Quantz
15218:Galant
15173:Seixas
15163:Rameau
15158:Quantz
15103:Handel
15058:Campra
14975:Sabini
14950:Muffat
14910:Clarke
14855:Amodei
14830:SchĂŒtz
14825:Schein
14795:Merula
14790:Michna
14740:Franck
14730:Coelho
13941:(1536)
13864:(1925)
13856:(1924)
13848:(1873)
13840:(1870)
13832:(1869)
13696:Danish
13680:(1993)
13672:(1602)
13656:(1524)
13648:(1524)
13640:(1524)
13621:(1958)
13613:(2006)
13605:(1982)
13597:(2006)
13589:(1989)
13581:(1941)
13573:(1978)
13565:(2006)
13557:(1996)
13549:(1912)
13541:(1917)
13533:(1993)
13099:(self)
12853:crater
12775:Places
12691:Wollny
12666:Spitta
12616:Forkel
12576:Family
12569:People
12423:Motets
12410:by BWV
12289:Scores
12224:
12205:
12184:
12163:
12109:
12059:
12021:
12002:
11981:
11964:
11942:
11923:
11886:
11845:602180
11843:
11813:
11789:
11771:600065
11769:
11750:
11731:
11708:
11676:
11654:
11635:
11617:
11591:
11569:
11545:
11539:Handel
11494:
11468:
11437:
11395:
11364:
11351:
11332:
11306:
11287:
11268:
11160:Vol. 2
11156:Vol. 1
11126:
11100:
11065:
11036:
10992:
10968:
10958:
10928:
10882:
10874:
10805:
10733:. 2015
10731:UNESCO
10551:Teldec
10358:, 1833
10247:
10212:
10168:.music
10128:
10080:
9908:
9289:19 May
9211:
8922:15 May
8133:
8022:
7691:
7617:p. 54)
7302:
7294:
7045:, in:
6732:
6011:
5764:
5399:"Bach"
5373:Lexico
5344:
5118:Lexico
4984:UNESCO
4922:, and
4601:Wagner
4599:, and
4593:Brahms
4579:, and
4551:Chopin
4510:, the
4410:Mozart
4377:cantor
4360:, and
4323:galant
4221:Anhang
4176:) and
3807:canons
3704:: the
3467:, and
3220:, and
3174:motets
3162:Motets
2996:Zachow
2992:Kuhnau
2672:Canons
2572:Motets
2033:is an
1647:spinet
1645:and a
1635:cellos
1633:, two
1631:violas
1621:, two
1452:) and
1446:Handel
1422:) and
1349:third
1334:, and
1219:motets
1202:, and
1091:School
1046:, the
992:Köthen
988:Handel
882:; and
878:, for
859:, for
805:fugues
783:, and
767:, and
675:LĂŒbeck
660:weenie
644:Weimar
628:Wender
510:violin
387:suites
385:, and
351:motets
349:, and
331:sacred
317:, and
276:cantor
264:Köthen
256:Weimar
89:(N.S.)
77:(O.S.)
16320:Music
16068:with
15925:Sound
15788:Dance
15667:suite
15642:opera
15622:fugue
15617:folia
15590:gigue
15575:dance
15518:canon
15456:viola
15426:organ
15386:flute
15361:cello
15321:Soler
15286:Hasse
15261:Boyce
15224:1720)
15198:Weiss
15188:Vinci
15128:Lotti
15073:Fasch
15026:1700)
14930:Kerll
14900:Cesti
14848:1650)
14815:Rossi
14785:Lawes
14780:Landi
14713:1600)
13134:(son)
13063:(son)
13051:(son)
13021:(son)
12991:(son)
12967:(son)
12883:Audio
12686:Wolff
12671:Terry
12631:Jones
12601:Basso
12085:See:
11869:(3).
11415:Other
10891:(PDF)
10880:S2CID
10852:(PDF)
10826:(PDF)
10685:IMSLP
10389:1899c
10385:1899b
10381:1899a
10292:96â97
9862:85â86
9663:10â11
9094:00251
9072:01320
9068:01319
9046:00253
9024:00268
9002:00262
8998:00261
8976:00246
8876:01536
8867:01507
8865:(BDW
8855:01506
8853:(BDW
8843:01328
8841:(BDW
8831:01327
8829:(BDW
8819:01326
8817:(BDW
8807:01321
8805:(BDW
8795:01320
8793:(BDW
8783:01319
8781:(BDW
8771:01318
8769:(BDW
8759:01317
8757:(BDW
8747:01316
8745:(BDW
8735:01315
8733:(BDW
8723:01314
8721:(BDW
8711:00319
8709:(BDW
8699:00318
8697:(BDW
8687:00273
8685:(BDW
8675:00272
8673:(BDW
8663:00271
8661:(BDW
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