379:
28:
134:. She was one of the leading European expressionist dancers and as a choreographer had wide influence on other dancers, through her teaching and theoretical writings on dance. Working with the Czech avant-garde theater, producing
506:
in 2000. Her books were theoretical works on movement, rather than specific guides for creating modern dance. They focused on the importance of stillness to create the body's preparation for
218:, Prague and Rome. In 1923, she founded the Jarmila Kröschlová Group in Hellerau and taught dance. She began writing and choreographing that same year, producing a libretto for music by
1187:
170:
in Italy to recover. From a young age, she wanted to be a performer and when she returned from Italy in 1916, she began studying with Helena Vojáčková, who taught movement based on the
1103:
270:. She was one of the founders of the Modern Studio in Prague and her choreographic style was more similar to mime or physical theater than classical dance. In 1924, she married
319:
459:
by
Jaroslav Teklý. She created folk dancing performances based on Slavic and Christmas customs between 1942 and 1944 and in 1943, played the role of Runa in the stage play
139:
210:(The Motion of Movement). The program was an interdisciplinary presentation with recitations by Bardem and dance by Kröschlová, which was successfully performed in
206:
In 1921, Kröschlová began her career in the dance troupe of
Valerie Kratina in Hellerau and worked on a collaborative production with Jeanem Bardem, a poet, called
916:
883:
850:
236:. Returning to Prague the following year to established her company there, Kröschlová began collaborating with some of the leading avant-garde directors of the
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and throughout the 1930s taught children's dance classes with a focus on folk dance. The following year, her dance company took the bronze medal at the
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In the 1950s, besides her professorial lectures, Kröschlová began publishing works on folk dancing and in that year became an editor of the journal,
387:
534:), to mark Kröschlová's 120th birthday and recognize her contributions as "one of the most important representatives of modern dance in Bohemia".
447:. She escaped detection for her activities, but her sister Naděžda, known as Naďa was arrested. In 1940, she wrote the libretto and choreographed
330:
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1024:
1111:
162:
to Božena (née Marešová) and Alois Kröschel. Alois owned a factory in Prague which created large machinery. As a child, Kröschlová developed
444:
473:
and though she continued to work as a consultant to various theater groups, Kröschlová's last choreographic work was for a production of
314:
numbers she staged for the production are some of the most acclaimed and requested for encore by audiences. In 1928, she choreographed
347:(Love of the Witch). Between 1929 and 1930, she choreographed a series of dances, in which she also performed, to the music of
839:
818:
190:, but based more on rhythmic movements and gymnastics. After studying with Dalcroze, she completed self-study on the work of
978:
1177:
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in a feature-length dance drama, using her ideas on the theater of motion, to music written by E. Hohag and a libretto by
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440:
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866:
281:, a German professor of art history, who had followed her from Germany to Prague. The couple had a daughter in 1926,
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324:
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by her daughter. In 2013, a symposium was held at the Music and Dance
Faculty of the Academy of Performing Arts (
1035:. Kulturpolitische Korrespondenz (in German) (1325). Bonn, Germany: Westkreuz-Verlag GmbH: 13–15. Archived from
1162:
1152:
961:
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1147:
228:
1062:(in Czech). Brno, Czech Republic: Internetová Encyklopedie dèjin BRNA. 7 January 2017. Archived from
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175:
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1172:
1027:[The enthusiastic: He is only partially enthusiastic: Prague monograph of Oskar Schürer]
406:
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1110:(in Czech). Prague, Czech Republic: Academy of Performing Arts. 19 March 2013. Archived from
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1106:[Symposium on the occasion of the 120th anniversary of Jarmila Kröschlová's birth].
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to study directly with
Dalcroze and upon his recommendation, then studied at his school in
367:(Merry Death). That same year, she wrote the libretto and choreography for a piece called
8:
601:
392:
302:
261:
250:
1058:[Internet Encyclopedia of the History of the City of Brno: Jarmila Kröschlová].
297:
276:
307:
171:
1086:(in Czech). Prague, Czech Republic: Česká divadelní encyklopedie. 2001. Archived from
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644:
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919:[The convergence of the body with the soul or the liberated dance—part VII].
891:
886:[The convergence of the body with the soul or the liberated dance—part III].
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853:[The convergence of the body with the soul or the liberated dance—part I].
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awareness to create and perform. She retired in 1970 and withdrew from the public.
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195:
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126:(19 March 1893 – 9 January 1983) was one of the most important representatives of
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55:
1007:
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296:(The Toy Boxes) and the following year wrote the libretto and choreography for
219:
191:
131:
74:
831:
Knowledge in Motion: Perspectives of
Artistic and Scientific Research in Dance
787:(in Czech). Prague, Czech Republic: Arts and Theatre Institute. Archived from
401:
s exposition in Paris with choreography and the libretto Kröschlová wrote for
359:(Robbers) by Machov and the following year performed in the role of Pierot in
1131:
928:
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862:
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intolerable, they returned to Prague ten months later and divorced in 1939.
378:
1025:"Der Begeisterte: Der nur bedingt begeistert: Prag-Monograph Oskar Schürer"
1006:(in Czech). Prague, Czech Republic: Studio Pohybové Výchovy. Archived from
957:
507:
466:
237:
178:
Society in Prague. Completing her studies in 1919, Kröschlová then went to
163:
127:
923:(in Czech) (8). Prague, Czech Republic: Společnost pro Divadelní noviny.
890:(in Czech) (8). Prague, Czech Republic: Společnost pro Divadelní noviny.
857:(in Czech) (6). Prague, Czech Republic: Společnost pro Divadelní noviny.
433:
233:
27:
729:
352:
289:
143:
135:
981:(in Czech). Prague, Czech Republic: Divadelní ústav. Archived from
211:
183:
1104:"Sympozium u příležitosti 120. výročí narození Jarmily Kröschlové"
664:
662:
591:
589:
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Hudební a taneční fakulta
Akademie múzických umění v Praze (HAMU)
311:
167:
979:"Publication – The Methods of Expressive Dance – Jana Návratová"
428:, where Oskar had been offered a position as a professor at the
386:
In 1931, Kröschlová opened her own dance teaching studio at the
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681:
679:
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518:
Kröschlová died on 9 January 1983 in Prague. In 2008, her work
425:
372:
215:
179:
155:
51:
828:
Gehm, Sabine; Husemann, Pirkko; von Wilcke, Katharina (2015).
717:
659:
586:
674:
348:
140:
Theatre
Faculty of the Academy of Performing Arts in Prague
1188:
Academic staff of the
Academy of Performing Arts in Prague
1082:[Czech Theater Encyclopedia: Jarmila Kröschlová].
1078:
630:
502:
in 1975, which was translated and released in
English as
917:"Sbližování těla s duší aneb Za osvobozeným tancem VII"
884:"Sbližování těla s duší aneb Za osvobozeným tancem III"
555:
553:
551:
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735:
576:
574:
572:
570:
568:
117:
development of movement theories in the Czech
Republic
851:"Sbližování těla s duší aneb Za osvobozeným tancem I"
813:. Champaign, Illinois: University of Illinois Press.
1054:
693:
650:
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329:
and the following year, she danced to two pieces by
881:
848:
668:
595:
565:
914:
723:
705:
952:[Echoes of jazz in the work of Martinů].
741:
494:(Basic Movements of a Dancer and Actor) in 1956,
186:near Dresden until 1921. Her studies were not in
1129:
753:
154:Jarmila Kröschlová was born on 19 March 1893 in
806:
687:
778:"Oral History Interview with Eva Kröschlová"
522:was translated into German and published as
469:. Between 1949 and 1958, she taught at the
492:Základy pohybové výchovy tanečníka a herce
483:, staged in 1950 at the Theater of Music.
26:
997:
947:
834:. Bielefeld, Germany: transcript Verlag.
699:
559:
382:Kröschlová, Evening of a Steamy Day, 1932
775:
580:
409:. In 1936, she played the title role of
377:
285:, who would also become a noted dancer.
424:. In October 1937, the family moved to
1130:
956:(in Spanish). Prague, Czech Republic:
807:Fliotsos, Anne; Vierow, Wendy (2013).
1022:
976:
950:"Ecos del jazz en la obra de Martinů"
747:
711:
158:, which at the time, was part of the
1102:
948:Manethová, Eva (12 September 2009).
759:
736:Gehm, Husemann & von Wilcke 2015
399:Académie Internationale de le Danse'
810:International Women Stage Directors
513:
441:German occupation of Czechoslovakia
432:. Finding the conditions under the
355:and others. In 1930, she danced in
318:(Images from the City) to music by
13:
1023:Trapp, Gerhard (25 October 2012).
371:(Green Flute) based on a theme by
288:Kröschlová danced the role of the
14:
1199:
882:Kröschlová, Eva (16 April 2014).
849:Kröschlová, Eva (20 March 2014).
776:Faltýnek, Vilém (20 April 2016).
443:, Kröschlová was a member of the
405:(The Evening of a Steamy Day) by
101:dancer, choreographer, librettist
915:Kröschlová, Eva (16 June 2014).
498:(Expressive Dance) in 1964, and
142:, she advanced modern dance and
1033:Stiftung Ostdeutscher Kulturrat
768:
166:and at the age of ten, went to
146:with her theories of movement.
669:Kröschlová & 16 April 2014
596:Kröschlová & 20 March 2014
1:
724:Kröschlová & 16 June 2014
537:
490:(Dance Lists). She published
149:
542:
504:Movement Theory and Practice
292:in her 1926 choreography of
7:
1178:Musical theatre librettists
229:The Birthday of the Infanta
224:Der Geburtstag der Infantin
10:
1204:
1168:Czech women choreographers
977:Nixon, Don (27 May 2008).
688:Fliotsos & Vierow 2013
632:Czech Theater Encyclopedia
471:Academy of Performing Arts
320:Modest Petrovič Musorgskij
138:and as a professor in the
93:Jarmila Schürer-Kröschlová
445:Resistance Group of Věrni
306:(The Kitchen Revue). The
201:
113:
105:
97:
89:
81:
62:
37:
25:
18:
998:Soukupová, Eva (1993).
160:Austro-Hungarian Empire
531:
383:
1080:"Kröschlová, Jarmila"
451:(School of Women) by
381:
242:Emil František Burian
176:Émile Jaques-Dalcroze
1163:Czech choreographers
1153:Czech female dancers
1060:Encyklopedie.brna.cz
1056:"Jarmila Kröschlová"
1000:"Jarmily Kröschlové"
652:Encyclopedia of Brno
430:University of Munich
403:Podvečer parného dne
240:movement, including
1148:Dancers from Prague
1084:Encyklopedie.idu.cz
316:Obrazy z velkoměsta
303:La Revue de Cuisine
462:Radúz and Mahulena
384:
343:(Marionettes) and
172:Mensendieck system
124:Jarmila Kröschlová
20:Jarmila Kröschlová
841:978-3-8394-0809-4
820:978-0-252-09585-6
188:traditional dance
121:
120:
106:Years active
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1114:on 8 August 2014
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960:. Archived from
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931:. Archived from
921:Divadelní Noviny
911:
909:
907:
898:. Archived from
888:Divadelní Noviny
878:
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869:on 29 April 2016
865:. Archived from
855:Divadelní Noviny
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524:Der Ausdrucktanz
520:Expressive Dance
514:Death and legacy
453:František Bartoš
423:
396:
361:Nikolai Evreinov
339:
328:
298:Bohuslav Martinů
294:Hračkové skříňky
280:
265:
257:Karel Hugo Hilar
254:
196:Rudolf von Laban
90:Other names
69:
47:
45:
30:
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15:
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1004:Tyrando.sweb.cz
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985:on 4 March 2016
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935:on 22 June 2014
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902:on 28 June 2016
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488:Tanečních listů
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345:Čarodějná láska
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56:Austria-Hungary
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1090:on 9 July 2017
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1042:on 9 July 2017
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964:on 9 July 2017
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794:on 9 July 2017
772:
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738:, p. 137.
728:
716:
704:
700:Manethová 2009
692:
690:, p. 133.
673:
658:
638:
600:
585:
564:
560:Soukupová 1993
546:
544:
541:
539:
536:
515:
512:
500:Nauka o pohybu
496:Výrazový tanec
481:Antonín Dvořák
388:Phoenix Palace
268:Jindřich Honzl
220:Franz Schreker
203:
200:
192:Isadora Duncan
151:
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132:Czechoslovakia
119:
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114:Known for
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75:Czechoslovakia
72:
70:(aged 89)
66:9 January 1983
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1158:Czech dancers
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785:Virtual Study
779:
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756:
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737:
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720:
714:, p. 14.
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581:Faltýnek 2016
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369:Zelené flétny
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48:19 March 1893
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1116:. Retrieved
1112:the original
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1088:the original
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1068:. Retrieved
1064:the original
1059:
1044:. Retrieved
1037:the original
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1012:. Retrieved
1008:the original
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987:. Retrieved
983:the original
966:. Retrieved
962:the original
958:Radio Prague
953:
937:. Retrieved
933:the original
920:
904:. Retrieved
900:the original
887:
871:. Retrieved
867:the original
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796:. Retrieved
789:the original
784:
769:Bibliography
755:
743:
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707:
695:
651:
631:
523:
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508:kinaesthetic
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467:Julius Zeyer
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415:Miloš Hlávka
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238:Dada theatre
227:
223:
208:Mluva pohybu
207:
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164:tuberculosis
153:
128:modern dance
123:
122:
68:(1983-01-09)
1143:1983 deaths
1138:1893 births
954:Radio Praga
457:Královničky
439:During the
434:Nazi regime
418: [
391: [
365:Veselá smrt
334: [
331:Saša Machov
323: [
275: [
260: [
249: [
246:Jiří Frejka
234:Oscar Wilde
226:, based on
82:Nationality
1132:Categories
748:Nixon 2008
712:Trapp 2012
538:References
308:Charleston
150:Early life
44:1893-03-19
32:circa 1925
929:1210-471X
896:1210-471X
863:1210-471X
760:HAMU 2013
543:Citations
449:Škola žen
357:Loupežník
353:Beethoven
341:Marionety
290:Harlequin
144:pantomime
136:librettos
109:1921–1970
212:Florence
184:Hellerau
73:Prague,
476:Legends
411:Kolumba
312:Foxtrot
174:at the
168:Alassio
1118:9 July
1094:9 July
1070:9 July
1046:9 July
1014:9 July
989:9 July
968:9 July
939:9 July
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906:9 July
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873:9 July
861:
838:
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798:9 July
426:Munich
373:Mozart
216:Geneva
202:Career
180:Geneva
156:Prague
52:Prague
1040:(PDF)
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528:Czech
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85:Czech
1120:2017
1108:HAMU
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991:2017
970:2017
941:2017
925:ISSN
908:2017
892:ISSN
875:2017
859:ISSN
836:ISBN
815:ISBN
800:2017
654:2017
634:2001
455:and
349:Bach
310:and
266:and
194:and
63:Died
38:Born
479:by
465:by
363:'s
300:'s
283:Eva
232:by
222:'s
130:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
