39:
31:
148:
Op. 40, No. 1, which is one of the classics of student cello literature, and often one of the first full sonatas a cello student will learn. The original version is available from several different publishers. Versions have also been published transcribed for other string instruments, including the
120:
Bréval compositions written between 1775 and 1805 consisted mostly of instrumental pieces. His music reflected the
Parisian love for graceful melodies and energetic rhythms. Before 1784 his works were usually two or three movement compositions employing sonata and
81:. By 1774, he was an active cello teacher. In 1775, he published his opus 1, six concertante quartets. In 1776, he became a member of the «Société Académique des Enfants d'Apollon». Kicking off his career by performing one of his
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96:
Later he became involved in the administration of the «Concerts de la rue de Cléry» and a member of the Paris Opera orchestra. He retired from the orchestra in 1816. The
104:
although this can not be verified by
Conservatoire documents. However, Bréval's compositions were definitely used for instruction at the Conservatoire. Bréval died in
539:, violoncello, and his sister Yeou-Cheng Ma, piano, perform the First movement of Concertino No. 3 in A major by Jean-Baptiste Bréval (1753-1823) on 29 November 1962.
74:
480:
38:
168:, it overlooked technical advances in the design of the cello that allowed for greater virtuosity on the instrument and was overshadowed by
343:
Cello, b: 6 for cello/violin, b, Op. 12 (1783), also as Op. 2 (Berlin and
Amsterdam, n.d.), ? also as 6 solos, Op. 10 (London, n.d.);
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133:, Op. 38 (c. 1795), show diversity and experimentation. His concertos, written for his own performance, were influenced by
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in 1778, he became a member of their orchestra from 1781 to 1791, and from 1791 to 1800 he played in the orchestra of the
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6 trio ... concertants et dialogués, violin, viola, cello, Op. 27 (c1786), ? 3 as Op. 32 (London, n.d.);
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61:. He wrote mostly for his own instrument, including pedagogical works as well as virtuoso display pieces.
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164:(1804), a cello method. It was probably the first systematic treatise on the cello. Ill-reviewed in the
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532:
474:
134:
528:
Leonard
Bernstein presents 7-year-old Yo-Yo Ma's high-profile debut for President John F. Kennedy.
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6 duos concertantes, 2 violins/violin, cello, Op. 41 (c1798), nos.3, 5, 6 as duets (London, n.d.)
295:
6 for 2 violins/violin, cello, Op. 23 (1786), lost, arr. 2 violins/violin, cello (London, n.d.);
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2 as Op. 4 (1777), No. 1, 2 violins, viola obbl, cello in
Andante, No. 2, 2 violins, cello obbl;
328:, violin, cello/bn, Op. 21 (1785), ? also as 6 duos, violin, cello, Op. 1 (Berlin, n.d.);
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6 as Op. 34 (c1794), ?lost, arr. 2 violins/(violin, cello)/2 cello as Op. 35 (London, n.d.);
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6 quatuors concertants et dialogués, violin/flute, violin, viola, bass, Op. 5 (1778);
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6 quatuors concertants et dialogués, 2 violins, viola, bass, Op. 18 (1785);
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1 violins: 6 as Op. 6 (1780), arr. 2 violins/violin, cello (London, n.d.);
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6 quatuors concertants et dialogués, 2 violins, viola, bass, Op. 7 (1781);
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6 trios concertants et dialogués, violin, viola, cello, Op. 3 (1777);
24:
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58:
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360:(oc, 3, Gautier, after Caldéron), Versailles, 14 Nov 1788 (1789);
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1 as Op. 31, flute, bassoon (c1790), ?arr. by
Devienne of Op. 30;
34:
Jean-Baptiste Bréval, ca. 1790, Bibliothèque nationale de France.
443:
Brook, Barry S. Brook, Richard Viano and
Valerie Walden (2001).
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6 as Op. 10 (1783), arr. 2 violins/violin, cello (London, n.d.);
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6 for (flute, violin, cello)/(2 violins, bass), Op. 8 (1782);
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Title page of Bréval's 1804 violoncello treatise in French
19:"Breval" redirects here. For the soprano (1869 -1935), see
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Quatuors in dis, bassoon, viola, cello, doublebass, CZ-Pnm
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1 for violin, cello, perf. Paris, Concert
Spirituel, 1787;
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Symphonies concertantes (only solo instruments listed):
53:(6 November 1753 – 18 March 1823) was a French
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3 for violin, cello obbl, doublebass, Op. 39 (c1795)
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Perhaps his most important and influential work was
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Symphonie concertante for clarinet, horn and bassoon
365:À ma marraine, air populaire avec paroles nouvelles
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duos … pour faciliter l’étude des différentes clefs
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383:(cello, doublebass)/(violin, cello) Op. 13 (1783);
191:2 as Op. 11 (1783), No. 1, No. 2, 2 violin, cello;
141:organization interjected with virtuosic passages.
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493:http://www.cello.org/heaven/wasiel/18france.html
298:6 as Op. 29 (c1783), lost; 6 as Op. 32 (c1791);
292:6 for 2 violins/violin, cello, Op. 19 (1785);
203:1 as Op. 38, clarinet, horn, bassoon (c1795);
479:: CS1 maint: multiple names: authors list (
371:Airs variés: Les nocturnes, ou 6 airs variés
521:International Music Score Library Project
200:1 as Op. 33, violin, viola (c1792), lost;
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29:
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541:Kennedy Center for the Performing Arts
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399:Allegro First Movement from Concertino
249:, 2 violin, viola, bass, Op. 1 (1775);
194:1 as Op. 30, oboe, horn (c1789), lost;
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166:Correspondance des amateurs musiciens
425:Partial English translation (?1810).
517:Free scores by Jean-Baptiste Bréval
358:Inès et Léonore, ou La sœur jalouse
318:6 for violin, viola, Op. 15 (1784);
125:form, or a one movement work using
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373:, violin, cello, Op. 9 (1782), as
144:Bréval is most well known for his
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577:French Classical-period composers
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446:"Bréval, Jean-Baptiste Sébastien"
100:states that Bréval taught at the
23:. For the commune in France, see
363:ov. arr. pf, J.B. Cramer (1790)
587:French male classical composers
395:, cello (1799), ?arr. of Op. 36
375:6 Favorite Airs with Variations
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98:Allgemeine musikalische Zeitung
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411:Bréval, Jean-Baptiste (1804).
389:, hpd, Op. 36 (c. 1795), lost;
321:6 for 2 flutes, Op. 16 (1784);
51:Jean-Baptiste Sebastien Bréval
1:
582:18th-century French composers
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413:Traité du violoncelle, op. 42
315:6 for 2 cellos, Op. 2 (1783);
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129:. His later works, such as
73:, and went on to study with
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415:. Paris: Janet et Cotelle.
16:French cellist and composer
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535:. Duration: 8 min 01 sec.
498:http://www.grovemusic.com/
304:6 as Op. 37 (c1795), lost;
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572:French classical cellists
335:, 2 cellos, Op. 25 (1786)
232:No. 6, C, Op. 26 (1786);
226:No. 4, C, Op. 22 (1786);
223:No. 3, F, Op. 20 (1785);
220:No. 2, D, Op. 17 (1784);
217:No. 1, G, Op. 14 (1784);
135:Giovanni Battista Viotti
457:Oxford University Press
137:who utilized a precise
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229:No. 5, Op. 24 (1786);
162:Traité du Violoncelle
44:Traité du violoncelle
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592:Musicians from Paris
247:quatuors concertants
567:Composers for cello
349:6 as Op. 40 (c1795)
346:6 as Op. 28 (1787);
69:Bréval was born in
503:2008-05-16 at the
452:Grove Music Online
387:Petits airs variés
381:Air de Marlborough
377:(London, no date);
353:---Other works---
213:Cello Concertos:
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475:cite encyclopedia
466:978-1-56159-263-0
367:, 1v unacc., F-Pn
170:Jean-Louis Duport
146:Sonata in C major
87:Concert Spirituel
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91:Théâtre Feydeau
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116:Compositions
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562:1823 deaths
557:1753 births
241:Quartets:
551:Categories
430:References
180:Orchestral
153:, and for
127:variations
421:915897049
405:Treatises
339:Sonatas:
537:Yo-Yo Ma
501:Archived
282:Duets:
265:Trios:
172:'s 1806
139:thematic
106:Colligis
59:composer
533:YouTube
523:(IMSLP)
519:at the
237:Chamber
83:sonatas
55:cellist
463:
419:
25:Bréval
174:Essai
151:viola
123:rondo
110:Aisne
85:at a
71:Paris
481:link
461:ISBN
417:OCLC
65:Life
57:and
531:on
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477:}}
473:{{
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