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Giovanni Battista Viotti

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1207: 1217: 239:, at Gillwell House, where he lived officially from 1801; according to another paper he was still in Schenefeld in April 1800. He gave up giving concerts to run a wine business, but used to play in private concerts. In July 1811, he became a naturalised British citizen, after his friend, the Duke of Cambridge, a younger brother of the Prince of Wales, had interceded on his behalf. In 1813, he was one of the founders of the 382:
who catalogued Viotti's works), composed in 1815 and published in Paris in 1817, are true concertante works offering extensive solos for each instrument and not just the first violin. Viotti often wrote chamber music for more traditional combinations such as two violins and cello. The Opp. 18 and 19
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found three more concertos. However, these discoveries – that can be regarded as concertos No. 30, 31 and 32 - are incomplete, since only two movements were found for each concerto. Most likely they are the unpublished concertos mentioned by Viotti himself in his will left in favour of Mrs. Chinnery
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Basti ricordare che "La Marsigliese" nasce da un tema con variazioni di Viotti scritto nel 1781, ben 11 anni prima della comparsa dell'inno nazionale francese ufficiale (ri-orchestrato da Berlioz con l'aggiunta delle parole da R. De Lisle). Il brano sarà presente nel secondo CD dell'integrale in
111:(12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew 331:. One in particular, No. 22 in A minor (1792), is still very frequently performed, especially by advanced student players. The other concertos are of similar quality but lesser known. Other notable concertos include: No. 23 in G major (1792). During the 1990-2000 decade, 179:'s Hanover Square Concert, 7 February 1793. In London he went from success to success, as a featured violinist for Salomon's concert series, 1793–1794; as musical director of the new Opera Concerts in 1795; as a star in the benefit concerts for 210:
in its issue of Friday, 9 March 1798, reported that "the Duke of L... and the Earl of C... have been particularly active in entreating his Majesty to order Viotti out of the kingdom". This may refer to
38: 223:, Viotti's favourite pupil, was expelled from England, too, and may have left the country some days previous to Viotti who awaited the outcome of his case, after several gentlemen and even 175:
took a radical turn and, though his opera house was renamed the Théâtre Feydeau, former royal connections became a dangerous liability, he moved in 1792 to London, making his début at
355:. This project will be completed by the end of 2023. In the meantime, in 2021, Guido Rimonda started the first publishing of Viotti's complete scores of violin concertos for 352: 243:. Viotti didn't perform as a soloist anymore but as orchestra leader and chamber musician. After his wine business failed, he returned to Paris to work as director of the 320:
is to be heard as well as seen: the instrument is to be played sparingly, under very controlled circumstances, at research events and occasional performances elsewhere.
151:. He served at the Savoia court in Turin, 1773–80, then toured as a soloist, at first with Pugnani, before going to Paris alone, where he made his début at the 356: 227:
spoke in his favour. But finally, Viotti left England with a packet ship on 8 March 1798. He lived on the estate of a rich English merchant, John Smith, in
1311: 236: 680: 732: 235:. After that, according to two papers issued in February 1800, he seems to have lived incognito on the estate of his English friends, William and 1316: 267:, all of whom became notable teachers themselves, he is considered the founding father of the 19th-century French violin school. He also taught 231:(Pinneberg) near Hamburg from ca. March 1798 to ca. July 1799. Between March and May 1798 he gave private lessons to the 13-year-old virtuoso 1251: 316:
and many private donors. The instrument was to be displayed in the York Gate Collections, the academy's free museum and research centre. The
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has pointed out in 2013 that the incipit of his "Tema e variazioni in Do maggiore" (1781) has a very strong resemblance to the French hymn
301: 1271: 702: 499: 247:, from 1819 to 1821. He returned to London in November 1823 together with Margaret Chinnery and died in her presence on 3 March 1824. 1286: 1281: 1276: 1256: 643: 216: 224: 725: 411: 1291: 460: 639: 616:
The chromatic scale in the compositions of Viotti and Paganini, a turning point in violin playing and writing for strings
486: 212: 187:, 1794–1795; and as leader and director of the orchestra, 1797. He was invited to perform in the houses of the London 1210: 718: 1266: 305: 143:, Italy). For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in 750: 313: 687:
Includes a manuscript autobiography written in 1798, on which some of the statements in this article are based.
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Then, with Britain at war with Revolutionary France, he was ordered to leave the country, under suspicion of
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In spite of his few direct pupils, Viotti was a very influential violinist. The teacher of both
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video:Meditazione in Preghiera per violino e orchestra Guido Rimonda, Orchestra Camerata Ducale
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Giovanni Battista Viotti «professione musicista», sguardo sull’opera, lo stile, le fonti, Roma
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Sound-bites of String Quartet in B Flat Major, G.113 & String Quartet in G Major, G.114
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are perhaps the best known of these and are still in print today. He also wrote
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sympathies. Period papers hint at an intrigue in the favour of Viotti's rival,
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La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792
586:, in Feuillets d'histoire du violon, Paris, Legouix, 1927, pp. 172–181 1090: 983: 978: 821: 774: 367: 180: 147:, where he received a musical education that prepared him to be a pupil of 112: 37: 1028: 993: 873: 848: 370:, giving a "solo" role to the first violin and as such may be considered 256: 220: 706:. Vol. 28 (11th ed.). Cambridge University Press. p. 108. 1152: 1095: 806: 268: 362:
Viotti's music generally features the violin prominently. Most of his
155:, 17 March 1782. He was an instant sensation and served for a time at 1100: 622:, ed. by A. Barizza and F. Morabito, Turnhout, 2010, pp. 91–120 202:, who had led the Opera House orchestra before Viotti took over. The 710: 415: 140: 62: 557: 546: 296:, renamed in honour of its previous owner, was purchased by the 665: 511: 144: 336:
who cared for him in London, in the last years of his life.
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Violinspiel und Violinmusik in Geschichte und Gegenwart
455:, p. 69 (Cambridge: Cambridge University Press, 1994), 286:in 1709 that would eventually become known as the 604:, Vienna, Universal Edition, 1975, pp. 41–46 500:La Marseillaise, un hymne à l'histoire tourmentée 366:largely ignore the balanced texture pioneered by 1233: 418:, Italy. In the same city takes place also the 19:"Viotti" redirects here. For other people, see 666:Sito ufficiale del Viotti Festival di Vercelli 323:Viotti's most notable compositions are his 29 726: 678:Royal College of Music: Viotti Mss collection 351:started releasing Viotti's 32 concertos for 609:Amico: the life of Giovanni Battista Viotti 440:Amico: The Life of Giovanni Battista Viotti 300:in September 2005. Funding was provided by 1312:Naturalised citizens of the United Kingdom 733: 719: 36: 644:International Music Score Library Project 611:, New York, Oxford University Press, 2009 217:Philip Stanhope, 5th Earl of Chesterfield 165:Louis-Stanislas-Xavier, comte de Provence 690: 640:Free scores by Giovanni Battista Viotti 629:, Società Editrice di Musicologia, 2017 598:Viotti — eine Neubewertung seiner Werke 410:Viotti is commemorated annually in the 159:before founding a new opera house, the 1317:Musicians from the Kingdom of Sardinia 1234: 453:Theatre and State in France, 1760–1905 412:Viotti International Music Competition 405: 714: 655:video:Duetto per due violini Uto Ughi 512:Micaela Ovale & Guilia Mazzetto. 191:, including for the Prince of Wales. 1252:People from the Province of Vercelli 740: 584:La Méthode de violon de J. B. Viotti 282:Viotti owned a violin fabricated by 1302:19th-century Italian male musicians 1297:18th-century Italian male musicians 578:Viotti et l'ecole moderne de violon 574:Viotti et l’école moderne de Violon 487:"La Marsigliese? E' di un italiano" 13: 1272:Italian Classical-period composers 620:Nicolò Paganini Diabolus in Musica 213:Francis Osborne, 5th Duke of Leeds 14: 1328: 697:"Viotti, Giovanni Battista"  633: 625:Mariateresa Dellaborra (editor), 1287:Italian string quartet composers 1282:19th-century classical composers 1277:18th-century classical composers 1257:Italian male classical composers 1215: 1206: 1205: 442:(Oxford University Press, 2009). 171:, among lesser lights. When the 163:in 1788, under the patronage of 751:List of Classical-era composers 566: 343:released a complete set on the 314:National Heritage Memorial Fund 551: 540: 505: 493: 479: 466: 445: 432: 263:and an important influence on 241:Philharmonic Society of London 1: 425: 327:, which were an influence on 310:National Art Collections Fund 16:Italian violinist (1755–1824) 1292:Directors of the Paris Opera 670:Alessandro Di Profio, 2003. 378:, G.112, 113 and 114 (after 122: 7: 600:, in V. Schwarz (editor), 353:Decca Universal Group label 10: 1333: 402:published 11 years later. 275:, who was an influence on 245:Académie Royale de Musique 18: 1185: 1140: 1119: 1083: 1062: 757: 748: 558:Viotti Festival Home Page 376:Tre Quartetti Concertanti 89: 73: 44: 35: 28: 250: 109:Giovanni Battista Viotti 30:Giovanni Battista Viotti 1267:Italian male violinists 703:Encyclopædia Britannica 576:, Paris, Schott, 1888. 547:Concorso Viotti | About 414:near his birthplace in 233:Friedrich Wilhelm Pixis 1148:Common practice period 591:Giovan Battista Viotti 534:uscita nel marzo 2013. 474:Giovan Battista Viotti 394:The Italian violinist 298:Royal Academy of Music 1111:Turkish music (style) 765:First Viennese School 674:(Paris:CNRS Éditions) 476:(Milan: Curci, 1956). 1307:Composers for violin 1158:Age of Enlightenment 593:, Milan, Curci, 1956 451:Hemmings, F. W. J., 357:Edizioni Curci Milan 329:Ludwig van Beethoven 177:Johann Peter Salomon 137:province of Vercelli 117:Ludwig van Beethoven 1070:Classical orchestra 406:Cultural references 391:, and other works. 339:In 2005, violinist 289:Viotti Stradivarius 161:Théâtre de Monsieur 133:Kingdom of Sardinia 127:Viotti was born at 67:Kingdom of Sardinia 1262:Italian violinists 683:2007-03-15 at the 372:Quatuors brillants 347:label. Since 2012 284:Antonio Stradivari 225:Princess Elizabeth 1229: 1228: 607:Warwick Lister, 514:"Progetti Viotti" 461:978-0-521-45088-1 273:August Duranowski 265:Rodolphe Kreutzer 237:Margaret Chinnery 173:French Revolution 153:Concert Spirituel 106: 105: 1324: 1219: 1209: 1208: 742:Classical period 735: 728: 721: 712: 711: 707: 699: 614:Philippe Borer, 582:Marc Pincherle, 560: 555: 549: 544: 538: 536: 530: 528: 518: 509: 503: 497: 491: 490: 483: 477: 470: 464: 449: 443: 438:Warwick Lister, 436: 325:violin concertos 277:Niccolò Paganini 80: 54: 52: 40: 26: 25: 21:Viotti (surname) 1332: 1331: 1327: 1326: 1325: 1323: 1322: 1321: 1232: 1231: 1230: 1225: 1202: 1194: 1181: 1136: 1132:Galant Schemata 1115: 1106:Sensitive style 1079: 1063:Instrumentation 1058: 792:Mannheim school 753: 744: 739: 685:Wayback Machine 657:e Guido Rimonda 636: 596:Boris Schwarz, 589:Remo Giazotto, 572:Arthur Pougin, 569: 564: 563: 556: 552: 545: 541: 526: 524: 516: 510: 506: 498: 494: 485: 484: 480: 471: 467: 450: 446: 437: 433: 428: 420:Viotti Festival 408: 400:La Marseillaise 374:. However, his 364:string quartets 318:Viotti ex-Bruce 306:Inheritance Tax 294:Viotti ex-Bruce 253: 169:Luigi Cherubini 149:Gaetano Pugnani 125: 102: 85: 84:London, England 82: 78: 69: 56: 50: 48: 31: 24: 17: 12: 11: 5: 1330: 1320: 1319: 1314: 1309: 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1249: 1244: 1227: 1226: 1224: 1223: 1213: 1198:Romantic music 1195: 1187: 1186: 1183: 1182: 1180: 1179: 1178: 1177: 1176: 1175: 1170: 1165: 1150: 1144: 1142: 1138: 1137: 1135: 1134: 1129: 1127:Notes inégales 1123: 1121: 1117: 1116: 1114: 1113: 1108: 1103: 1098: 1093: 1087: 1085: 1081: 1080: 1078: 1077: 1075:String quartet 1072: 1066: 1064: 1060: 1059: 1057: 1056: 1051: 1046: 1041: 1036: 1031: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 966: 961: 956: 951: 946: 944:Martín y Soler 941: 936: 931: 926: 921: 916: 911: 906: 901: 896: 891: 886: 881: 876: 871: 866: 861: 856: 851: 846: 841: 836: 831: 830: 829: 824: 819: 814: 809: 804: 799: 789: 788: 787: 782: 777: 772: 761: 759: 755: 754: 749: 746: 745: 738: 737: 730: 723: 715: 709: 708: 694:, ed. 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Index

Viotti (surname)

Fontanetto Po
Piemonte
Kingdom of Sardinia
Joseph Haydn
Ludwig van Beethoven
Fontanetto Po
Kingdom of Sardinia
province of Vercelli
Piedmont
Turin
Gaetano Pugnani
Concert Spirituel
Versailles
Théâtre de Monsieur
Louis-Stanislas-Xavier, comte de Provence
Luigi Cherubini
French Revolution
Johann Peter Salomon
Haydn
King's Theatre
Jacobin
Wilhelm Cramer
Francis Osborne, 5th Duke of Leeds
Philip Stanhope, 5th Earl of Chesterfield
Pierre Rode
Princess Elizabeth
Schenefeld
Friedrich Wilhelm Pixis

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