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Jean-Claude Risset

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Prize, 1987), the Giga-Hertz Grand Prize 2009, and the highest French awards in both music (Grand Prix National de la Musique, 1990) and science (Gold Medal, Centre National de la Recherche Scientifique, 1999). and in art (René Dumesnil Prize from the French Academy of Fine Arts, 2011).
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The sound for which Risset is best known is perhaps the most emblematic of his contributions. Creating a sonic illusion much like M.C. Escher's optical ones, the Shepherd-Risset glissando / Risset scale, in its present form invented by the French composer, seems to ascend
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software to digitally recreate the sounds of brass instruments. He made digital recordings of trumpets and studied their timbral composition using "pitch-synchronous" spectrum analysis tools, revealing that the amplitude and frequency of the
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Risset created a version of the scale where the steps between each tone are continuous, and it is appropriately called the continuous Risset scale or
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Risset, Jean-Claude (1986), "Pitch and rhythm paradoxes: comments on "Auditory paradox based on fractal waveform"",
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Huit esquisses en duo, for pianist (bidirectional MIDI piano with computer interaction) (1989) 17'
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Trois Ă©tudes en duo, for pianist (bidirectional MIDI piano with computer interaction) (1991) 10'
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seems to increase or decrease endlessly. Risset was the head of the Computer Department at
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Portrait polychrome n°2 : Jean-Claude Risset, INA/CDMC Publisher, 2001 (
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Risset's rhythmic effect – a breakbeat that accelerates forever
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Variants for violin and digital processing (1995) 8'
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Mutations II for ensemble and electronics (1973) 17'
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Unsourced material may be challenged and removed. 527:"Jean-Claude Risset (biography, works, resources)" 247:, best known for his pioneering contributions to 243:; 13 March 1938 – 21 November 2016) was a French 1245: 808:The Living Composers Project: Jean-Claude Risset 486:Trois mouvements newtoniens, for tape (1978) 13' 416:DĂ©rives, for choir and magnetic tape (1985) 15' 610:, vol. 80, no. 3, pp. 961–962, 442:Profils, for 7 instruments and tape (1983) 18' 828: 461:Voilements, for saxophone and tape (1987) 14' 432:Mirages, for 16 musicians and tape (1978) 24' 419:Inharmonique, for soprano and tape (1977) 15' 607:Journal of the Acoustical Society of America 1126:Center for New Music and Audio Technologies 275:, New Jersey in 1964, he used Max Mathews' 835: 821: 370:Risset also created a similar effect with 131: 492:Computer Suite from Little Boy (1968) 13' 109:Learn how and when to remove this message 803:Mode Records profile: Jean-Claude Risset 696:"Giga-Hertz Award | 2007 to 2018 | ZKM" 635: 521: 519: 429:Escalas, for large orchestra (2001) 17' 1246: 603: 464:Passages for flute and tape (1982) 14' 816: 570: 568: 238: 798:Jean Claude Risset, Ressources.IRCAM 542: 540: 516: 47:adding citations to reliable sources 18: 13: 1319:21st-century French male musicians 1314:20th-century French male musicians 842: 766: 565: 361:Problems playing these files? See 312: 14: 1330: 1101:Computer Music Center at Columbia 791: 774:Pionniers de la musique numĂ©rique 638:"And the beat goes on...forever?" 537: 405: 1284:21st-century classical composers 1269:20th-century classical composers 1231: 1219: 961: 956: 714: 548:"Jean-Claude Risset (1938-2016)" 346: 328: 232:Jean-Claude Raoul Olivier Risset 147:Jean-Claude Raoul Olivier Risset 23: 1294:Electroacoustic music composers 1279:French male classical composers 1264:École Normale SupĂ©rieure alumni 738: 34:needs additional citations for 708: 688: 648: 629: 597: 510:"Jean Claude, Resources IRCAM" 502: 1: 1309:21st-century French composers 1304:20th-century French composers 496: 251:. He was a former student of 262: 7: 1299:People from Le Puy-en-Velay 1289:French electronic musicians 723:(in French). Archived from 10: 1335: 1274:French classical composers 1198:Mortuos Plango, Vivos Voco 1106:Experimental Music Studios 776:, Sampzon, Delatour, 2012. 477:Invisible IrĂšne (1995) 12' 324:A Shepard-Risset glissando 1182: 1149: 1078: 990:Composers Desktop Project 970: 954: 850: 529:(in French and English). 219: 209: 201: 185: 165: 142: 130: 123: 888:Gottfried Michael Koenig 580:CDM Create Digital Music 305:Shepard-Risset glissando 255:and former co-worker of 190:École Normale SupĂ©rieure 1162:Artificial intelligence 1157:Algorithmic composition 668:(2): 7–14. June 2017. 661:Computer Music Journal 317: 301:discrete Shepard scale 271:, France. Arriving at 642:Cs4fn Audio! Magazine 402:on 21 November 2016. 316: 288:techniques including 746:"Jean-Claude Risset" 674:10.1162/comj_e_00418 489:Mutations (1969) 10' 58:"Jean-Claude Risset" 43:improve this article 1136:Oberlin TIMARA Labs 1131:Princeton Sound Lab 772:Baudouin, Olivier, 636:Stowell, D (2010), 552:www.musicologie.org 472:Music for solo tape 267:Risset was born in 918:Jean-Claude Risset 878:Giuseppe di Giugno 318: 158:Rhone-Alpes region 125:Jean-Claude Risset 1207: 1206: 1172:Digital synthesis 863:Richard Boulanger 483:Songes (1979) 10' 351: 333: 229: 228: 202:Years active 180:Marseille, France 119: 118: 111: 93: 1326: 1236: 1235: 1234: 1224: 1223: 1222: 1215: 1015:Laptop orchestra 965: 960: 837: 830: 823: 814: 813: 761: 760: 758: 757: 742: 736: 735: 733: 732: 712: 706: 705: 703: 702: 692: 686: 685: 652: 646: 645: 633: 627: 626: 616:10.1121/1.393919 601: 595: 594: 588: 587: 572: 563: 562: 560: 559: 544: 535: 534: 523: 514: 513: 506: 424:Orchestral music 382:(1975–1979). At 353: 352: 335: 334: 315: 242: 237: 176: 174: 169:21 November 2016 135: 121: 120: 114: 107: 103: 100: 94: 92: 51: 27: 19: 1334: 1333: 1329: 1328: 1327: 1325: 1324: 1323: 1244: 1243: 1242: 1238:Classical music 1232: 1230: 1220: 1218: 1210: 1208: 1203: 1178: 1167:Sound synthesis 1145: 1074: 1025:MIDI controller 972: 966: 952: 908:Miller Puckette 846: 841: 794: 769: 767:Further reading 764: 755: 753: 750:brahms.ircam.fr 744: 743: 739: 730: 728: 713: 709: 700: 698: 694: 693: 689: 654: 653: 649: 634: 630: 602: 598: 585: 583: 574: 573: 566: 557: 555: 546: 545: 538: 525: 524: 517: 508: 507: 503: 499: 408: 398:Risset died in 392:Ars Electronica 368: 367: 359: 357: 356: 355: 354: 347: 344: 338: 337: 336: 329: 326: 319: 313: 269:Le Puy-en-Velay 265: 235: 214:Nokia Bell Labs 193: 181: 178: 172: 170: 161: 154:Le Puy-en-Velay 151: 149: 148: 138: 126: 115: 104: 98: 95: 52: 50: 40: 28: 17: 16:French composer 12: 11: 5: 1332: 1322: 1321: 1316: 1311: 1306: 1301: 1296: 1291: 1286: 1281: 1276: 1271: 1266: 1261: 1256: 1241: 1240: 1228: 1205: 1204: 1202: 1201: 1194: 1186: 1184: 1180: 1179: 1177: 1176: 1175: 1174: 1164: 1159: 1153: 1151: 1147: 1146: 1144: 1143: 1138: 1133: 1128: 1123: 1118: 1113: 1108: 1103: 1098: 1093: 1088: 1082: 1080: 1076: 1075: 1073: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 987: 982: 976: 974: 968: 967: 955: 953: 951: 950: 948:Iannis Xenakis 945: 940: 935: 930: 928:Laurie Spiegel 925: 920: 915: 913:Roger Reynolds 910: 905: 900: 895: 890: 885: 880: 875: 870: 865: 860: 854: 852: 848: 847: 844:Computer music 840: 839: 832: 825: 817: 811: 810: 805: 800: 793: 792:External links 790: 789: 788: 777: 768: 765: 763: 762: 737: 707: 687: 647: 628: 596: 564: 536: 515: 500: 498: 495: 494: 493: 490: 487: 484: 481: 480:Sud (1985) 24' 478: 469: 468: 465: 462: 459: 456: 447: 446: 443: 434: 433: 430: 421: 420: 417: 407: 406:Selected works 404: 384:MIT Media Labs 358: 345: 340: 339: 327: 322: 321: 320: 311: 310: 309: 264: 261: 259:at Bell Labs. 249:computer music 240:[ʁisɛ] 227: 226: 224:Computer Music 221: 220:Known for 217: 216: 211: 207: 206: 203: 199: 198: 187: 183: 182: 179: 177:(aged 78) 167: 163: 162: 152: 146: 144: 140: 139: 137:Risset in 2008 136: 128: 127: 124: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1331: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1251: 1249: 1239: 1229: 1227: 1217: 1216: 1213: 1200: 1199: 1195: 1193: 1192: 1188: 1187: 1185: 1181: 1173: 1170: 1169: 1168: 1165: 1163: 1160: 1158: 1155: 1154: 1152: 1148: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1089: 1087: 1084: 1083: 1081: 1077: 1071: 1068: 1066: 1063: 1061: 1060:SuperCollider 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 981: 978: 977: 975: 969: 964: 959: 949: 946: 944: 941: 939: 936: 934: 931: 929: 926: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 894: 891: 889: 886: 884: 883:Charles Dodge 881: 879: 876: 874: 873:John Chowning 871: 869: 866: 864: 861: 859: 856: 855: 853: 849: 845: 838: 833: 831: 826: 824: 819: 818: 815: 809: 806: 804: 801: 799: 796: 795: 786: 785:2-86938-177-8 782: 778: 775: 771: 770: 752:. 27 May 2021 751: 747: 741: 727:on 2019-05-03 726: 722: 718: 711: 697: 691: 683: 679: 675: 671: 667: 663: 662: 657: 651: 643: 639: 632: 625: 621: 617: 613: 609: 608: 600: 593: 581: 577: 571: 569: 553: 549: 543: 541: 532: 528: 522: 520: 511: 505: 501: 491: 488: 485: 482: 479: 476: 475: 474: 473: 466: 463: 460: 457: 454: 453: 452: 451: 444: 441: 440: 439: 438: 437:Chamber music 431: 428: 427: 426: 425: 418: 415: 414: 413: 412: 403: 401: 396: 393: 389: 385: 381: 377: 373: 366: 364: 343: 325: 308: 306: 302: 297: 295: 291: 287: 283: 278: 274: 270: 260: 258: 254: 253:AndrĂ© Jolivet 250: 246: 241: 233: 225: 222: 218: 215: 212: 208: 204: 200: 196: 191: 188: 184: 168: 164: 159: 155: 150:13 March 1938 145: 141: 134: 129: 122: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1196: 1191:Illiac Suite 1189: 1183:Compositions 971:Programs and 943:Barry Vercoe 923:Curtis Roads 917: 858:Marc Battier 773: 754:. 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Retrieved 551: 504: 471: 470: 449: 448: 436: 435: 423: 422: 410: 409: 397: 369: 360: 298: 290:FM synthesis 266: 231: 230: 195:Music theory 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 1259:2016 deaths 1254:1938 births 1065:TidalCycles 1030:Music Mouse 973:instruments 903:GĂ©rard Pape 898:Max Mathews 893:Paul Lansky 721:www.cnrs.fr 554:(in French) 411:Vocal music 388:Golden Nica 294:waveshaping 257:Max Mathews 1248:Categories 1150:Techniques 868:David Cope 756:2023-01-18 731:2018-11-23 701:2018-11-23 586:2018-11-23 558:2018-11-23 497:References 450:Solo music 363:media help 299:After the 173:2016-11-22 69:newspapers 1226:Biography 1086:Bell Labs 1050:Riffusion 1045:Radiodrum 1035:Pure Data 682:0148-9267 400:Marseille 374:in which 286:synthesis 282:harmonics 273:Bell Labs 263:Biography 205:1961-2011 186:Education 1055:Sonic Pi 592:forever. 277:MUSIC IV 245:composer 210:Employer 160:, France 99:May 2018 1212:Portals 1040:MUSIC-N 1020:Max/MSP 938:Trimpin 933:The Hub 624:3760341 236:French: 171: ( 83:scholar 1096:CEMAMu 1079:Places 995:Csound 851:People 783:  715:CNRS. 680:  656:"News" 622:  372:rhythm 197:(1961) 85:  78:  71:  64:  56:  1121:IRCAM 1091:CCRMA 1000:FAUST 980:ChucK 531:IRCAM 380:IRCAM 376:tempo 90:JSTOR 76:books 1116:ICMA 1111:ICEM 1070:UPIC 1010:Kyma 1005:HMSL 985:Cmix 781:ISBN 678:ISSN 620:PMID 292:and 166:Died 143:Born 62:news 1141:IEM 670:doi 612:doi 45:by 1250:: 748:. 719:. 676:. 666:41 664:. 658:. 640:, 618:, 589:. 578:. 567:^ 550:. 539:^ 518:^ 307:. 296:. 156:, 1214:: 836:e 829:t 822:v 787:) 759:. 734:. 704:. 684:. 672:: 614:: 561:. 533:. 512:. 390:( 365:. 234:( 192:, 175:) 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Jean-Claude Risset"
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Le Puy-en-Velay
Rhone-Alpes region
École Normale SupĂ©rieure
Music theory
Nokia Bell Labs
Computer Music
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composer
computer music
André Jolivet
Max Mathews
Le Puy-en-Velay
Bell Labs
MUSIC IV
harmonics
synthesis
FM synthesis
waveshaping

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