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Jewel of Vicenza

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chiusa nell'anello circolare rappresentato dalla cittĂ  piĂą antica con le sue cinque porti principali. Scomparso il "modello" sciaguratamente distrutto dai Francesi nel 1797, possiamo, infatti, fortunatamente verificarlo grazie a due puntuali rese pittoriche, non-molto piĂą tarde, di Alessandro Maganza e di Francesco Maffei: senza peraltro dimenticare che all'"invenzione" del "modello", non era rimasto estraneo, nel 1578, lo stesso Palladio.
611:"simplification", closed in the circular ring represented by the oldest city with its five main ports. After the disappearance of the "model" badly destroyed by the French in 1797, we can, in fact, fortunately verify it thanks to two precise pictorial renditions, not much later, by Alessandro Maganza and Francesco Maffei: without forgetting that the "invention" of the "model", had not remained foreign, in 1578, the same Palladio. 1090: 1076: 1325: 341:, having seized the Sanctuary, brought the Jewel of Vicenza back to France because they thought it was completely made out of silver. They attempted to melt the model down, but it burned instead, as it was made of wood and only covered by a silver coating. With its destruction, Vicenza lost an important artifact from its century-long history of goldsmithing. 737:
rivedendo oggi quell'immagine splendente, consegnataci in dipinti del Maganza e del Maffei, o liberantesi, in più ravvicinata testimonianza, sul "modello" della città, consacrato nel 1577–1578 al santuario di Monte Berico, e riandando a ciò che l'architetto aveva rappresentato nelle intenzioni e nelle speranze dei promotori della riforma della
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today that shining image, given to us in paintings by Maganza and Maffei, or liberantesi, in closer testimony, on the "model" of the city, consecrated in 1577–1578 to the sanctuary of Monte Berico, and going back to what the architect had represented in the intentions and hopes of the promoters of the reform of the civic
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Quando, nel 1577, i vicentini vogliono presentare alla Madonna di Monte Berico, in ringraziamento dello scampato flagello della peste, un "modello" della cittĂ  in legno rivestito d'argento, la cara "piccola patria" vi appare ripresa, con ineccepibile quanto significativa, drastica "semplificazione",
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holding the precious model are the main evidence we have of the model's appearance. The paintings show the Jewel from different points of view, which provides information about its three-dimensional form. The model is a main element in each of the pictures; Vicenza is seen from the front, offered by
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On the top of his lantern, in 1574, the effigy of an angel with extended wings, in wood covered in gilded copper, will be placed in place to replace the previous lifting cross: Palladio himself was directly interested in the work of the installation. It was struck by lightning in 1620; seeing again
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and studying the size of buildings from the time of its original construction so the three-dimensional reconstruction could be as close to the original as possible. The reconstruction started with small sculptures in modelled wax that served as a model for subsequent casting. The cast elements were
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In 2011, the Committee began the second part of its project—a collection of silver donations in order to recreate the model for Vicenza, as happened for the ancient ex-voto. The collection had 66 lb (30 kg) as its minimum target. In 2012, more than 110 lb (50 kg) of silver were
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Sulla sommitĂ  della sua lanterna verrĂ  a posarsi, nel 1574, in sostituzione della croce alzatavi in precedenza, l'effige di un angelo ad ali spiegate, in legno rivestita in rame dorato: interessandosi direttamente dei lavori della posa in opera lo stesso Palladio. Un fulmine l'abbatteva nel 1620;
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When, in 1577, the people of Vicenza wanted to present to the Madonna di Monte Berico, in thanksgiving for the survived scourge of the plague, a "model" of the city in wood covered with silver, the dear "small country" appears to you taken up again, with impeccable as well as significant, drastic
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In May 2010, a Committee for the Jewel of Vicenza was founded with the support of the Office of Cultural Heritage and other local institutions. The committee held a competition for a virtual restoration of the Jewel. The competition was won by the architect Romano Concato from
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The new Jewel of Vicenza is a large round silver tray with a diameter of 58 cm (23 in) that supports more than 300 models of Vicenza buildings. Sixty-one of the models represent buildings of historical importance, such as the
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the finished tray was presented with its first complete building, the Church of San Lorenzo. From 6 April to 9 June 2013, halfway through the reconstruction, the Jewel was exhibited at the Diocesan Museum with the support of
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an official presentation on the reconstruction was held. Afterwards, the work began, combining the craftsmanship of silversmith Carlo Rossi and the sophisticated laser technology offered by a company in
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collected (enough for the project), but ten of the most important goldsmiths of the city went on collecting until 25 December, to create additional funds for the reconstruction and its display.
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The model is made of 925/1000 silver. The final weight was 33 lb (15 kg); and the total effort took around 2,000 hours of work.
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The precious Jewel was made of silver plates on a wood frame. It was completed in 1578. It's not certain that
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An image of the first Transport of the Jewel of Vicenza to Monte Berico, on the evening of 7 September 2013
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The Jewel is now permanently housed at the Diocesan Museum and placed next to the painting by Maffei,
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Saint Vincent, and enclosed in its medieval walls. In that period, the distinction between the
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Madonna con il Bambino, sant’Anastasio e san Vincenzo con il modello della città di Vicenza
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The reconstruction of the Jewel was designed by proportioning the models using the
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Vicenza of cultural artifacts in 1797, as they did throughout most of Italy. The
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San Vincenzo e un angelo presentano a Cristo il modello della cittĂ  di Vicenza
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The church of San Lorenzo, the first building completed in the reconstruction
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and subsequently destroyed. A copy was created between 2012 and 2013.
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25 cm (10 in); 58 cm diameter (23 in)
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created the model, but the bond between two Bishops of Vicenza (
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were made that represented the first patron saint of the city,
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then finished and embellished with chiseling and engraving.
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Design Award 2015 for his creation of the reconstruction.
1155:(Barbieri, 1973 ed.). Vicenza: Neri Pozza Edizioni. 1136:(Franzina, 1980 ed.). Vicenza: Neri Pozza Edizioni. 678:"Il Gioiello di Vicenza. Piazza dei Signori – Orario: 19" 221:), so the Jewel was initially displayed in the church of 1008:
Locandina di presentazione dell'esposizione del Gioiello
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next to the "Santuario della Madonna di Monte Berico".
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with some infection cases in the western cities of the
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to the "Madonna of Mount Berico" in order to avoid the
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City of Vicenza and the Palladian Villas of the Veneto
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in an official ceremony that had 30,000 participants.
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in the 16th century and attributed to the architect
451:San Vincenzo with the model of the city of Vicenza 968:. Comune di Vicenza. 14 June 2012. Archived from 164:Italian Campaign in the French Revolutionary Wars 1709: 1150: 1021: 525:The Jewel of Vicenza was originally called the 321:San Vincenzo col modello della cittĂ  di Vicenza 1172:Theatrum urbis: personaggi e vedute di Vicenza 926:Theatrum urbis: personaggi e vedute di Vicenza 789: 1233: 923: 877:. BassanoPiĂą. 25 October 2011. Archived from 704: 928:(Marinelli, 2003 ed.), pp. 185–228 818: 760: 619: 576: 990: 228:Between the 17th and the 18th century, six 1240: 1226: 672: 670: 1153:La pianta prospettica di Vicenza del 1580 700: 698: 43:: painting of model from the 16th Century 1213:3D Project Video of Model Reconstruction 1170:Sergio Marinelli, Chiara Rigoni (2003). 1134:Vicenza. Storia di una cittĂ  (1404-1866) 837:. professionearchitetto.it. 25 May 2010. 383: 372:, designed by Giovanni Pittoni in 1580. 205:that had spread two years before in the 1109:Franco Barbieri, Renato Cevese (2004). 835:"Il "virtuale" del Gioiello di Vicenza" 814: 812: 667: 1710: 1407:Palazzo Pretorio (Cividale del Friuli) 890: 888: 823:(Barbieri, 2004 ed.), p. 347 695: 581:(Barbieri, 2004 ed.), p. 383 572: 570: 1221: 765:(Barbieri, 2004 ed.), p. 82 726: 724: 639: 637: 635: 633: 631: 624:(Barbieri, 2004 ed.), p. 35 592: 590: 588: 331:Under the Napoleonic government, the 193:The citizens offered the Jewel as an 1022:Federico Murzio (9 September 2013). 809: 730: 596: 456:In 2015, the Jewel was exhibited at 444:Basilica of St. Mary of Mount Berico 323:, 1625, Vicenza, the Diocesan Museum 144:) was a silver model of the city of 1247: 922:(Part of the original description) 885: 651:. 12 September 2012. Archived from 567: 435:Gallerie di Palazzo Leoni Montanari 13: 1179: 827: 721: 628: 585: 14: 1779: 1652:I quattro libri dell'architettura 1568:Villa Trissino (Meledo di Sarego) 1262:Convento della CaritĂ  (cloisters) 1206: 1056:. confartigianato.it. 9 June 2015 344: 258:Paintings of the Jewel of Vicenza 1533:Villa Porto (Vivaro di Dueville) 1402:Palazzo Porto in Piazza Castello 1323: 1088: 1074: 940:"Rinasce il Gioiello di Vicenza" 497: 481: 309: 289: 266: 29: 1102: 1046: 1024:"A Monte Berico 30 mila fedeli" 1015: 999: 984: 958: 932: 916: 867: 841: 419: 1694:Palladian villas of the Veneto 1111:Vicenza, ritratto di una cittĂ  991:Carlo Rossi (2 October 2012). 821:Vicenza, ritratto di una cittĂ  783: 779:. VicenzaPiĂą. 16 October 2010. 769: 763:Vicenza, ritratto di una cittĂ  705:Luca Trevisan (1 April 2013). 622:Vicenza, ritratto di una cittĂ  579:Vicenza, ritratto di una cittĂ  519: 158:. The Jewel was stolen by the 1: 942:. vicenza.com. Archived from 541:is also the term used by the 512: 1422:Palazzo Thiene Bonin Longare 433:. In September 2012, at the 16:Sculpture by Andrea Palladio 7: 1578:Villa Valmarana (Vigardolo) 1528:Villa Porto, Molina di Malo 1277:San Giorgio Maggiore church 897:Telegiornale 06/09/13 19:30 379: 219:Italian plague of 1629–1631 10: 1784: 473:The Jewel's Reconstruction 169: 1678: 1662: 1643: 1622: 1591: 1573:Villa Valmarana (Lisiera) 1435: 1362:Palazzo Barbaran da Porto 1332: 1321: 1271:San Francesco della Vigna 1255: 552:12 September 2015 at the 114: 106: 98: 90: 82: 59: 48: 28: 23: 1563:Villa Trissino (Cricoli) 1518:Villa Pisani, Montagnana 1468:Villa Capra "La Rotonda" 1151:Franco Barbieri (1973). 993:"Primi colpi al vassoio" 734: 600: 790:Lionello Puppi (1975). 707:"Una Vicenza d'argento" 543:Municipality of Vicenza 38:: recent reconstruction 1768:Renaissance sculptures 1670:Palladian architecture 1599:Ponte Vecchio, Bassano 1558:Villa Thiene (Cicogna) 1498:Villa Gazzotti Grimani 1295:San Pietro di Castello 1028:Il Giornale di Vicenza 746: 649:Il Giornale di Vicenza 608: 558:Barbieri, Cevese, 2004 389: 203:Saint Charles Borromeo 139: 1738:Architectural history 1513:Villa Pisani, Bagnolo 1367:Palazzo del Capitanio 537:was used more often. 387: 1763:Destroyed sculptures 1387:Palazzo della Loggia 995:– via YouTube. 655:on 17 September 2012 333:French troops looted 296:Alessandro Maganza, 52:Giorgio Capobianco, 1758:Stolen works of art 1604:Arco delle Scalette 1382:Palazzo Dalla Torre 1342:Basilica Palladiana 1082:Architecture portal 924:Marinelli, Rigoni, 853:Biblioteca Angelica 849:"Pianta di Vicenza" 424:On 15 June 2012 in 395:Basilica Palladiana 304:, St Vincent Church 284:, the Parish Church 253:, already existed. 141:Gioiello di Vicenza 1488:Villa Forni Cerato 1372:Palazzo Chiericati 1034:on 23 October 2013 946:on 22 October 2012 904:. 6 September 2013 819:Barbieri, Cevese, 761:Barbieri, Cevese, 620:Barbieri, Cevese, 577:Barbieri, Cevese, 547:Diocese of Vicenza 426:Piazza dei Signori 390: 360:Alessandro Maganza 358:and two others by 274:Alessandro Maganza 211:Republic of Venice 182:and his successor 1728:Silver sculptures 1705: 1704: 1427:Palazzo Valmarana 1300:Tempietto Barbaro 1193:. 12 January 2016 1128:Emilio Franzina, 758: 757: 682:Comune di Vicenza 617: 616: 366:of the city, the 128: 127: 1775: 1753:1500s sculptures 1630:Jewel of Vicenza 1592:Other structures 1473:Villa Chiericati 1357:Palazzo Antonini 1352:Loggia Valmarana 1327: 1305:Valmarana Chapel 1285:Santa Maria Nova 1242: 1235: 1228: 1219: 1218: 1202: 1200: 1198: 1175: 1166: 1147: 1124: 1098: 1093: 1092: 1084: 1079: 1078: 1066: 1065: 1063: 1061: 1050: 1044: 1043: 1041: 1039: 1030:. 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See also 529:(model) or 431:Bressanvido 162:during the 148:made as an 1748:1578 works 1733:3D imaging 1712:Categories 1634:attributed 1608:attributed 1583:Villa Zeno 1503:Villa Godi 1314:attributed 1310:Le Zitelle 1289:attributed 1162:8873053726 1130:Neri Pozza 1096:Art portal 1060:28 October 513:References 213:and up to 99:Dimensions 1483:Villa Emo 1197:30 August 687:29 August 531:Modellino 458:Expo 2015 399:Cathedral 107:Condition 86:sculpture 71:, 2012-13 1273:(façade) 1256:Churches 1132:(1980). 976:5 August 950:5 August 796:Treccani 659:5 August 550:Archived 545:and the 380:Features 352:Trissino 300:, 1613, 280:, 1593, 247:Old Town 115:Location 1723:Vicenza 1689:Vicenza 1663:Related 1623:Jewelry 1334:Palazzi 741:civica 527:Modello 251:Vicenza 195:ex-voto 170:History 151:ex-voto 146:Vicenza 136:Italian 123:Vicenza 75:2012-13 73: ( 65: ( 1655:(1570) 1436:Villas 1159:  1140:  1117:  751:facies 739:facies 401:, the 397:, the 302:Thiene 243:borghi 215:Verona 199:Plague 94:silver 91:Medium 49:Artist 41:Bottom 1644:Books 539:Jewel 535:Jewel 490:Jewel 462:Milan 1199:2019 1157:ISBN 1138:ISBN 1115:ISBN 1062:2016 1040:2013 978:2019 952:2019 910:2013 861:2013 803:2013 715:2013 689:2013 661:2019 560:and 130:The 83:Type 67:1578 63:1578 60:Year 460:in 440:FAI 249:of 201:of 36:Top 1714:: 1189:. 1026:. 900:. 887:^ 851:. 811:^ 794:. 723:^ 697:^ 680:. 669:^ 647:. 630:^ 587:^ 569:^ 453:. 319:, 276:, 190:. 138:: 121:, 1636:) 1632:( 1610:) 1606:( 1316:) 1312:( 1291:) 1287:( 1241:e 1234:t 1227:v 1201:. 1165:. 1146:. 1123:. 1064:. 1042:. 1011:. 980:. 954:. 912:. 863:. 805:. 717:. 691:. 663:. 564:. 134:( 77:) 69:)

Index


Andrea Palladio
Museo Diocesano
Vicenza
Italian
Gioiello di Vicenza
Vicenza
ex-voto
Andrea Palladio
Napoleonic army
Italian Campaign in the French Revolutionary Wars
Andrea Palladio
Niccolò Ridolfi
Matteo Priuli
Monte Berico
ex-voto
Plague
Saint Charles Borromeo
Duchy of Milan
Republic of Venice
Verona
Italian plague of 1629–1631
Monte Berico
oil paintings
Saint Vincent
Saint Vincent
Vicenza
Alessandro Maganza, San Vincenzo e un angelo presentano a Cristo il modello della cittĂ  di Vicenza, 1593, Pojana Maggiore, the Parish Church
Alessandro Maganza
Pojana Maggiore

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