44:
399:
613:. This influence had an impact on the syntax of Konkani used by him, resulting in a distinct lyrical and poetic quality in Fernandes's writing. The incorporation of a substantial number of Portuguese words into Konkani further contributed to the plays' historical charm. Fernandes demonstrated a conscientious approach to language evolution, updating the vocabulary in his works to reflect contemporary usage through revisions made over time.
426:. Fernandes's proficiency in the French language likely proved advantageous in facilitating business correspondence related to this enterprise. Unfortunately, he encountered treachery from his partner and consequently severed ties. Fernandes then sought new opportunities by joining Sequeira and Sons, another company operating in a similar field. However, the business faced a setback when the
868:. She was 16 years old when they got married on 3 March 1909, leaving an age disparity of eighteen years between them. Together, they bore four children: Anthony (Antonelio), Rosy, Tereza, and Eugene. Luiza Maria actively participated in Fernandes's plays. Moreover, their children and granddaughters continued the tradition of actively participating in theatre.
670:
Fernandes was known for his generosity, often prioritizing the well-being of others over personal financial gain in his theatrical endeavors. His son, Anthony, attested to
Fernandes's commitment to ensuring adequate remuneration for the artists involved, even if he himself did not receive a portion
1581:
According to the baptism register from 1871 at the Church of the Holy Spirit in Margao, Agustinho was recorded as his middle name. However, Fernandes personally spelled it with an 'o' instead of 'u', so the spelling has been changed to
Agostinho. Portuguese names may vary in spelling due to the
806:
and sympathizers to contribute to this philanthropic cause by purchasing tickets. Attendees would enjoy a three-hour entertainment experience at a reasonable price, and the proceeds from ticket sales would be directed towards the relief efforts. Another theatrical production,
688:
was staged to mark the inauguration of the Goan Union
Dramatic Club. Subsequently, on 7 December 1915, a re-enactment of the same play was organized to raise funds for the Women's War Relief Fund of the Goan Ladies Circle. Similarly, the proceeds from the performance of
861:, Bombay. At the time of their marriage, Regina was 12 years old, while Fernandes was 20. Regina died due to an illness on 20 December 1908, after a twelve-day battle. Together, they had two sons named Michael and Manuel, and two daughters named Sophia and Annie.
786:, the Goa Flood Relief Fund Committee took action to provide aid and support to those who had been left homeless and impoverished. To achieve this objective, the committee organized a charitable event on 16 February 1941, at the
446:. During this endeavor, his daughter Sophia accompanied him in the recording sessions. Recognizing the importance of preserving his theatrical works, Fernandes took proactive measures to publish his plays. In 1909, his play
473:
Fernandes's dedication to his craft extended beyond these initial achievements. He meticulously planned the printing of several other theatrical works, categorized into distinct volumes. Among them, Volume Two encompassed
1648:
Ravindra Bhavan in Margao officially refers to the auditorium as the Pai
Tiatrist Joao Agustinho Fernandes Auditorium, but other sources indicate that the correct name is the Pai Tiatrist Joao Agostinho Fernandes
339:
during the early 20th century. Over a span of more than fifty years, he created 30 plays, with the majority being original works crafted by him, totaling 26, while the remaining four were
430:
imposed a ban on the importation of drugs from France. As a result, Fernandes and his associate found themselves compelled to cease operations and close down their business.
1635:
while employed at Messrs
Phillips and Company. He proposed to supply the music for the play at a low cost and used the company's contact information for the arrangement.
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performances. This artistic style was subsequently inherited by individuals such as Souza Ferrão. Fernandes holds the distinction of being the first to introduce
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790:
in Bombay. The primary purpose of this event was to raise funds for the cyclone victims. To attract donations, the committee arranged a performance of the play
371:. Initially, there was some confusion regarding his date of birth, as it was erroneously linked to his baptism on 21 December 1871. Fernandes received his
1939:
1886:
1805:
755:
was staged at
Princess Theatre, Bhangwadi, in aid of the Society of Nossa Senhora de Piedade in Dabul. Additionally, on 5 November 1940,
17:
929:
dances and songs to the stage, incorporating original rhythms. Among his compositions, the song "Sintidan paim ghal re, Jaki...." from
566:
438:
Fernandes achieved several milestones in his career. In 1908, he made history by becoming the first individual to record songs in the
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1934:
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Fernandes's proficiency in French enabled him to effectively employ the language in his early romantic comedies, exemplified in
1718:
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The print version was published by L. M. Furtado and Sons in Bombay in 1909. Later revised in 1932, and reprinted as part of
1724:
1615:'s subsequent research uncovered the identity of the fifth artiste as Fransquino Fernandes, who performed in the initial
549:
On 11 September 1941, Fernandes, perhaps motivated by the loss or theft of three of his plays, took measures to secure
450:(The Landlord I) was printed, and he further made available a printed album containing sixteen songs along with their
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1533:
1746:
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751:, on 27 September 1938, with the proceeds contributing to the Instituto Luso-Indiano. On 9 April 1940, the play
640:, respectively. Fernandes's mastery of English is evident in his plays, songs, and promotional material for the
698:
1072:
João
Agostinho Fernandes-ache Drama, Comed ani Farsam: Battkara, Veneravel Padr José Vaz and Dotichem Kestaum
581:. However, Sargent clarified that copyright protection was granted automatically under the provisions of the
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has chosen to commemorate
Fernandes by bestowing his name upon the auditorium located at Ravindra Bhavan in
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There are no copies of this work available, as it is believed to have been stolen. It is noted on the
1944:
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101:
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achieved significant popularity among the general public due to its vibrant and engaging rhythm.
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on typewriters and the knowledge of computer typists to use them, for example João or Conceição.
662:, all stage directions were provided in English, highlighting his proficiency in the language.
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543:
398:
43:
908:. Hence, the venue is now recognized as the Pai Tiatrist João Agostinho Fernandes Auditorium.
443:
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at Messrs
Phillips and Company, where he gained experience over the course of several years.
340:
820:
771:, and with the support of the Instituto Luso-Indiano, to benefit the Bombay War Gifts Fund.
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on 13 June 1916. Subsequently, in
January 1937, a compilation of three of his plays, namely
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8:
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Following the loss of his first wife, Fernandes married Luiza Maria Colaço (b. 1892) of
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406:
Drawing upon his accumulated expertise, Fernandes entered into a collaboration with a
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542:, one of his most acclaimed plays, which showcased the lifestyle and capabilities of
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83:
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Fernandes presented a performance of the aforementioned play at Princess Theatre in
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202:
79:
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Following the devastating impact of a cyclone that caused widespread suffering in
1832:
1708:
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419:
376:
322:, Caitaninho Fernandes, and Agostinho Mascarenhas. Referred to as the "Father of
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in 1904. They got married on 22 August 1892 at the St. Francis Xavier Church in
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from France. The establishment, named Shorabji Hormusji and Company, operated a
1517:
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300:
900:
annually organizes the Tiatr Manuscript Writing Competition. Furthermore, the
839:, his first wife, is regarded to be the first woman actress in the history of
379:. However, he later opted to discontinue his education there and relocated to
1908:
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by Alexander Dumas. Notably, Fernandes personally undertook the printing of
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on 8 October 1925, were allocated towards establishing a scholarship at
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into his dramas whenever the narrative demanded their usage, as seen in
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The print version was published by Victoria P. Works in Bombay in 1916
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415:
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142:
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was published in 2010, the last person involved was unknown. However,
363:
took place a week later. His mother, Maria Francisca, was a native of
1837:. Government of Goa, Directorate of Art & Culture. pp. 1–24.
1710:
When the Curtains Rise--: Understanding Goa's Vibrant Konkani Theatre
1525:
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671:
of the earnings. Many of Fernandes's plays were dedicated to serving
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812:
778:, particularly affecting areas such as Arossim, Cansaulim, Majorda,
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71:
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279:
530:. Fernandes also ventured into translating notable works, such as
410:
individual, embarking on a venture involved in the importation of
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368:
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573:, informed Fernandes on 25 September of the absence of a formal
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in the Portuguese language and initially pursued studies at the
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Co-owner of Shorabji Hormusji, and Company and Sequeira and Sons
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Five individuals participated in the production of the first
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Fernandes's residence located at Modsai, Margao, Goa in 2019.
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351:
João Agostinho Fernandes was born on 14 December 1871, in
823:, a devoted follower of Fernandes, directed a revival of
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tradition when his mentor Ribeiro quit being part of the
75:
620:. In addition to Portuguese and French, he incorporated
260:(14 December 1871 – 29 August 1947), popularly known as
454:. Continuing his creative journey, Fernandes published
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The legacy of Fernandes's work, particularly his play
1528:, India: Concept Publishing Company. pp. 76–77.
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were distributed to promote the event, inviting both
367:, while his father, Conceiçao Fernandes, worked as a
1806:"Pai Tiatrist remembered on 62nd death anniversary"
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1849:"Pai Tiatrist Joao Agustinho Fernandes Auditorium"
915:, can be observed in the present-day portrayal of
609:were significantly influenced by early studies in
295:, known for his contribution to staging the first
553:for one of his works. In response, John Sargent,
318:at the New Alfred Theatre, along with playwright
1906:
1783:Fernandes, João Agostinho (25 November 1943). "
569:, Department of Education, Health and Lands in
726:The Belle of Cavel vo Sundor Cheddum Cavelchem
876:On Friday, 29 August 1947, a fortnight after
589:, has since been included in the publication
27:Goan playwright and theatre actor (1871–1947)
896:In honour of Fernandes's contributions, the
819:church. A decade later, on 25 January 1957,
759:was performed at Princess Theatre under the
600:
1327:One-act farce, rewritten in Bombay in 1939
1312:The print version is available in Volume I
1113:The print version is available in Volume I
827:to support the Goan Social Welfare League.
265:
48:Portrait of Fernandes from the 20th century
1522:Profiles of Eminent Goan: Past and Present
567:Joint secretary to the Government of India
42:
1830:
1782:
1706:
391:and subsequently secured employment as a
1713:. Tiatr Academy of Goa. pp. 63–69.
736:(Workers Unity Fund), also known as the
708:On 21 January 1927, Fernandes presented
518:. In Volume Five, readers could explore
397:
1766:"No one can dethrone Lucasinho Ribeiro"
1763:
217: 1892; died 1908)
14:
1907:
1545:Pai Tiatrist: Joao Agostinho Fernandes
815:, Goa, with the aim of benefiting the
682:On 22 November 1904, Fernandes's play
291:playwright, theatre actor, and former
1727:from the original on 26 November 2023
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1889:from the original on 29 October 2023
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1631:On 13 June 1916, Fernandes released
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428:British Government of colonial India
1940:Dramatists and playwrights from Goa
1764:Gracias, Michael (1 January 2016).
1516:
1504:Translated work, no copy available
1490:Translated work, no copy available
1233:American Minstrels/Khapreachem Band
1074:, Volume I in 1937 by Ave Maria P.
470:, was released in a single volume.
305:
177:Messrs Phillips and Company, Bombay
24:
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811:, was organized on 2 May 1943, in
605:Fernandes's literary works in the
25:
1956:
1663:
1137:Nid Naslolo Bomboicho Telegraphis
646:. Notably, in the composition of
341:adaptations from external sources
1859:from the original on 8 June 2023
1707:Fernandes, André Rafael (2010).
919:characters and their accents in
830:
734:Vauraddeanche Ekvottachea Fundac
1871:
1841:
1785:Theatrancho Bhangaracho Jubileo
1638:
878:India achieved its independence
665:
234:
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1935:People from South Goa district
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1798:
1776:
1757:
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1597:
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1241:Hispano-American War Minstrels
738:Sociedade dos Operarios de Goa
699:St. Sebastian Goan High School
383:. In Bombay, he completed his
13:
1:
1656:
835:Fernandes was married twice.
346:
1128:Rewritten in Bombay in 1941
724:. Likewise, on 15 May 1932,
583:Indian Copyright Act of 1914
7:
1834:100 Years of Konkani Tiatro
331:", Fernandes continued the
10:
1961:
1831:Mazarello, Wilson (2000).
1747:"Remembering Pai Tiatrist"
1613:Brazinho Soares Kalapurkar
1607:. At the time of the book
442:when he collaborated with
387:at St. Xavier's School in
1476:, no full copy available
1346:
998:
891:
601:Impact as a hyperpolyglot
464:Ven(eravel) Padr José Vaz
247:
189:
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137:
120:
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53:
41:
34:
1879:"TIATR UPSTAGED BY IFFI"
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1305:Veneravel Padre José Vaz
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882:Goculdas Tejpal Hospital
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798:, written by Fernandes.
788:St Xavier's College Hall
490:. Volume Three included
422:, situated opposite the
258:João Agostinho Fernandes
102:Goculdas Tejpal Hospital
58:João Agostinho Fernandes
18:João Agostinho Fernandes
1239:Created before 1909 as
843:, debuting in the play
506:. Volume Four featured
314:), on 17 April 1892 in
1853:Ravindra Bhavan Margao
1609:When the Curtains Rise
575:copyright registration
544:indigenous communities
403:
1387:Modian Ratcho Deuchar
1336:Deu Naslolo Communist
528:Bomboicho Telegrafist
401:
141:St. Xavier's School,
1543:Gomes, John (2010).
1474:The Three Musketeers
1440:Sociedade de Rom Tom
1405:Tandulanchem Kestaum
1243:; rev. 1931, Margão
1122:Pandurang Kusmonncar
1007:Ranneanchem Traisaum
968:New Alfred Theatre,
913:Pandurong Kusmonnkar
880:, Fernandes died at
585:. Fernandes's play,
551:copyright protection
500:Ranneanchem Traisaum
488:Pandurang Kusmonncar
412:pharmaceutical drugs
1885:. 29 October 2023.
1791:Goa Konkani Akademi
1753:. 11 December 2015.
1553:Goa Konkani Akademi
1366:Kunbi Jakki Part II
974:Professional debut
898:Goa Konkani Akademi
792:Leopold and Carolin
595:Goa Konkani Akademi
1374:Rev. 1945, Margao
1320:Mozo Khapri Chakor
1032:; rev. 1942, 1943
984:The Belle of Cavel
821:A. R. Souza Ferrão
782:, Betalbatim, and
712:at Harmonia Hall,
658:) in June 1926 in
631:The Belle of Cavel
618:The Belle of Cavel
520:Mozo Khapri Chakor
444:His Master's Voice
404:
1770:The Goan EveryDay
1751:The Goan EveryDay
1720:978-93-80739-01-4
1584:diacritical marks
1508:
1507:
1429:Two-acts farcial
1256:Paichi Dusri Bail
1100:Dhotichem Kestaum
1019:Cazar Matarponnar
1003:Revolt De Sattari
902:Government of Goa
677:charitable causes
536:Teg Zann Tubbokar
524:Professor Leitaum
516:Cazar Matarponnar
504:Paichi Dusri Bail
452:musical notations
434:Theatrical career
373:primary education
320:Lucasinho Ribeiro
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166:Years active
114:Dominion of India
110:Bombay Presidency
84:Portuguese Empire
16:(Redirected from
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1812:. 30 August 2009
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656:The Broken Heart
607:Konkani language
591:Tiatrancho Jhelo
510:(The Labourer),
482:(The Drunkard),
476:Battcara Part II
468:Dotichem Kestaum
440:Konkani language
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262:Pai Tiatrist
261:
257:
256:
227:Luiza Colaço
96:(1947-08-29)
36:Pai Tiatrist
29:
1925:Goan people
1920:1947 deaths
1915:1871 births
1649:Auditorium.
1549:Panaji, Goa
1289:Kunbi Jakki
1109:Bori Bunder
1050:Rev. 1942,
1037:1898, 1901
718:Lepers Home
637:Kunbi Jakki
532:Dongui Voiz
424:Jama Masjid
311:Italian Boy
174:Employer(s)
149:Occupations
1909:Categories
1657:References
1498:Henry VIII
1484:Mothes Tiu
1448:title page
1421:Goan Ponch
1412:Rev. 1945
1351:Goan Ponch
1084:Batcara II
931:Kunbi Jaki
714:Borda, Goa
622:Hindustani
611:Portuguese
587:Kunbi Jaki
577:system in
540:Kunbi Jaki
512:Kunbi Jaki
456:Batcara II
416:drug store
389:Dhobitalao
347:Early life
155:Playwright
143:Dhobitalao
64:1871-12-14
1930:Tiatrists
1893:5 January
1863:5 January
1731:4 January
1561:871186744
1551:, India:
1526:New Delhi
1383:Hirmigild
1353:, Part I
1169:Geraldina
950:Location
800:Handbills
765:Homi Mody
761:patronage
745:Bhangwadi
710:Geraldina
648:Rukmibhai
571:New Delhi
492:Geraldina
448:Batcara I
287:), was a
169:1892–1947
1887:Archived
1883:oHeraldo
1857:Archived
1810:oHeraldo
1725:Archived
1520:(1997).
1423:Part II
1272:Vauraddi
1252:Josefina
1184:Rukmibai
866:Seraulim
796:Vauraddi
753:Vauraddi
508:Vauraddi
496:Rukmibai
460:Battkara
280:Tiatrist
248:Children
1456:Batcara
1452:Batcara
1426:Margão
1409:Margão
1391:Margão
1371:Bombay
1356:Bombay
1340:Bombay
1324:Margão
1309:Margão
1294:Margão
1277:Margão
1260:Margão
1224:Molière
1219:Margão
1203:Margão
1188:Margão
1173:Bombay
1157:Bombay
1141:Bombay
1063:Batcara
1047:Bombay
1027:One-act
1023:Bombay
1011:Bombay
846:Batcara
784:Carmona
763:of Sir
757:Batcara
722:Salcete
693:at the
685:Batcara
593:by the
555:Esquire
393:chemist
369:mariner
361:baptism
324:Konkani
309:
306:transl.
293:chemist
277:Father
271:
239:
231:
219:
211:
207:
1816:31 May
1717:
1617:teatro
1605:teatro
1559:
1532:
1431:sketch
1144:Farce
1052:Margao
990:Bombay
970:Bombay
953:Notes
947:Title
906:Margao
892:Legacy
886:Bombay
851:Bombay
813:Mapuça
749:Bombay
730:Margão
673:social
660:Margão
643:tiatrs
563:C.I.E.
526:, and
514:, and
502:, and
486:, and
480:Bebddo
466:, and
381:Bombay
359:. His
353:Margão
316:Bombay
298:teatro
190:Spouse
106:Bombay
72:Margão
1586:like
1569:Notes
1417:1945
1401:1944
1379:1942
1347:1941
1332:1940
1301:1936
1284:1934
1267:1933
1248:1932
1211:1931
1195:1927
1180:1926
1165:1925
1149:1914
1133:1913
1118:1910
1096:1908
1079:1905
1058:1904
1042:Bebdo
1030:farce
999:1897
979:1893
958:1892
944:Year
937:Plays
927:Kunbi
922:tiatr
917:Hindu
872:Death
859:Dabul
825:Bebdo
809:Bebdo
804:Goans
780:Colva
703:Dabul
691:Bebdo
626:Latin
408:Parsi
365:Macau
333:tiatr
328:tiatr
233:(
229:
213:(
209:
182:Title
158:actor
1895:2024
1865:2024
1818:2024
1733:2024
1715:ISBN
1644:The
1590:and
1557:OCLC
1530:ISBN
1385:or '
817:Oxel
634:and
624:and
565:, a
559:M.A.
289:Goan
267:lit.
91:Died
54:Born
1787:".
1450:of
1254:or
1005:or
884:in
853:'s
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794:or
776:Goa
769:KBE
701:in
675:or
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76:Goa
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