515:, " here is a tale of personal valor and selfless sacrifice which is told so simply and eloquently, and is so beautifully played that it might be a true re-enactment of a gallant episode. At least, it cheers the heart and stirs the pulse to think that it might be. "Joan of Paris' is a rigidly exciting and tenderly moving film. It will do as a tribute to high courage until the lamps of Paris burn once more." Though the comparison is never explicitly made, both the film's name and the protagonist's tragic heroic end strongly suggest that she is a kind of modern incarnation of
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her a devil's bargain: Paul's life, if she will lead him to the hiding place of the others. She agrees. Once in the cathedral, however, she double-crosses Funk and his soldiers, leading them on a wild goose chase through the Paris sewers. Thus, Paul and the fliers are allowed enough time to make their escape. At the end, Joan bravely walks out of her cell to facd a German firing squad, giving Father
Antoine a message for Paul: She wanted to live for him. “You will live,” he tells her. “ in the heart of France, when she is risen again.” She turns to leave and whispers “
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489:. Paul Henreid says that after working with Ladd he felt "Ladd couldn't die properly and Stevenson shot and reshot the episode. Ladd's eyes showed no expression. They were like glass balls no matter how much Stevenson worked on him." Henreid says he and Stevenson both predicted that out of the young men in the film it would be Dick Frazier who had the best chance of stardom.
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Bennett says Alan Ladd was suggested to
Bennett at a party by Ladd's agent and manager, Sue Carol, who soon became Ladd's wife. The writer recalled, "I said to him, 'Do you think you could play an English part?' He said, 'Of course I could!' So he acted in front of me at this cocktail party, and I
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Unable to shake the
Gestapo agent who tails him, he contacts Joan. He asks her to deliver a map of the rendezvous point to his comrades, still hidden in Father Antoine's cathedral. Later, Paul finally eliminates his Gestapo tracker. But soon after, Joan is confronted by Funk in her flat. He offers
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Charles
Bennett said the original script was done by Ellis St. Joseph '"but his screenplay wasn't very good. And it made me sad, because I thought he was a hell of a good writer. But it didn't work, so they called me in."
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wanted Julien
Duvivier to direct the project because Gabin and Michele Morgan had worked with Duvivier in Europe. Lewis Milestone was initially assigned to direct the film but resigned over differences with the studio.
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as Paul von
Hernreid. When he was signed with RKO in 1942, the studio changed his surname, dropping the "von" and changing his last name to "Henreid", the name he used for the rest of his film career.
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marked the U.S. screen debuts of
Austrian Henreid and Frenchwoman Morgan. Henreid had previously appeared in some British-American co-productions made in England and had starred on
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to pick up Paul and the fliers. However, Paul is subsequently arrested by the
Gestapo for not carrying identification papers. But his interrogator, Herr Funk (
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This pilots' rallying cry occurs throughout the film. In the print viewed on TCM the closed-captioning mutilated it, rendering this final use as “Tally long.”
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thought, "Yes! This is it, this is it.'" Bennett introduced Ladd to the producer and director and he was cast. Ladd's performance helped him get cast in
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Churchill. Douglas W. "Out of the Hollywood hopper."
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255:and their attempt to escape to England. It stars
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677:"Interview with Charles Bennett"
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567:"Detail View: 'Joan of Paris'."
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697:Turner Classic Movies
618:Turner Classic Movies
406:as Mademoiselle Rosay
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940:King Solomon's Mines
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1068:The Las Vegas Story
980:Return to Yesterday
769:Jewell, Richard B.
1288:RKO Pictures films
1196:Herbie Rides Again
1172:Blackbeard's Ghost
1148:The Monkey's Uncle
932:Jack of All Trades
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781:978-0-520-27179-1
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486:This Gun for Hire
410:Alexander Granach
394:as Father Antoine
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996:Back Street
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436:as Geoffrey
430:as Splinter
428:James Monks
422:Jack Briggs
343:Seine River
243:about five
228:$ 1,150,000
172: (U.S.)
72:Produced by
48:(assistant)
38:Directed by
1243:1942 films
1237:Categories
1084:Old Yeller
916:Tudor Rose
554:References
549:References
523:Box office
442:Production
404:May Robson
339:May Robson
273:May Robson
239:is a 1942
225:Box office
196:91 minutes
179:1942-01-23
168:1942-02-20
133:Production
53:Written by
1100:Kidnapped
1020:Jane Eyre
534:Accolades
493:Reception
416:Alan Ladd
298:Alan Ladd
220:$ 666,000
114:Edited by
838:AllMovie
539:Roy Webb
498:Critical
424:as Robin
355:Tally ho
306:(1942),
283:Broadway
241:war film
209:Language
126:Roy Webb
122:Music by
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418:as Baby
382:as Joan
263:, with
212:English
201:Country
177: (
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59:(story)
1223:(1976)
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314:Plot
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320:RAF
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181:)
170:)
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