727:, Rose has built new string instruments and modified conventional ones, as well as repurposed other everyday items. His early instrument building in the 1970s and 1980s incorporated wind, water, and wheels to activate and/or modulate the sound of an array of string types, from violin gut strings to fence wire. This period of instrument building produced over 20 instruments known as the Relative Violins, deconstructed instruments like Rose's double-piston triple-necked wheeling violin, his amplified 19-string tenor cello, which was built in 1981, and his Whipolin, a seven-string disembowelled cello fitted with wheels that are bowed similarly to a
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208:. Performed in a small group or by an individual soloist, free improvisation is an exploration of expressive sound. Although free to follow their personal musical inclinations and preferences, free improvisers nevertheless develop a personal musical vocabulary from which to draw upon. Practitioners of free improvisation include guitarists
317:(2008) is a concerto for amplified orchestra, solo improvised violin, and video. An accompanying video quotes Rose's previous work, such as him riding his custom-built bicycle-powered violin and a violin being played with ping pong balls. It was performed at The Berlin Philharmonic by ensemble Unitedberlin with a commission from the
783:, observing that Rose has been "pushing boundaries in improvisation and technology for years as a violinist, composer and general musical provocateur, coming up with such wry inventions as the interactive MIDI violin bow and Fence Project – they rival Percy Grainger’s wacky Kangaroo Pouch Tone Tool for unbridled creativity."
746:. He uses various controllers in his MIDI bows, mounted on both his wrist and on the bows themselves. One controller measures bow pressure and another measures bow arm movement and speed, while foot pedals are played by both feet independently. In this way, Rose is able to simultaneously play multiple lines of melodies and
166:, where he sang in the cathedral choir and studied the violin on scholarship. He discontinued formal violin lessons at the age of 15. Rose studied and performed in a range of genres in Australia and the United Kingdom during the 1970s, including Italian club bands, country & western, bebop, and new music.
303:(1999) an orchestra plays satiric string music in the context of mechanical production and reproduction. Performed in Ă–sterreichische Rundfunk Concert Hall, Vienna (1999) and at Wogarno Station in Western Australia (2001), the satire was the result of Rose's experiences at two violin factories in China.
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music critic
Stephen Holden observed the wide range of Rose's improvisations, from late Romantic tonal solos to freeform explorations. Rose's 27 March 1986 performance at New York City's Experimental Intermedia Foundation featured Super 8 films that Rose shot in the Australian outback consisting of
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content, including text, audio, video, and interactive components. In 1998, he began using an interactive bow to modulate the parameters of video (including speed, color, and revolutions) and of sound (pitch including pitch bend, volume, timbre, duration, panning, and silence). The interactive bow
772:, John L. Walters similarly observed how Rose's violin technique and technological experiments seem to escape any clear musical categories in "a violin-shaped world that is all his own, shot through with wild humour". "Jon Rose is the Thomas Edison of the vibrating string", wrote Ken Waxman in
331:(2014) combines multimedia performance, installation, live radio, and a documentary. Commissioned by Ensemble Offspring, it was performed by them, Speak Percussion, and actors collaborating with the Creative Audio Unit of Radio National at the Australian Broadcasting Corporation.
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In the 1980s, Rose performed a series of marathon improvised solos. The longest continuous solo (12 hours) was part of Sound
Barriers at the Ivan Dougherty Gallery at the Alexander Mackie School of Art in Sydney in 1982, followed by a ten-hour concert at
697:(2005) featured a selection of soloists from Australia Ad Lib. Pannikin showcased a singing dingo, a chainsaw orchestra, a bowed saw orchestra, a livestock auctioneer, a virtuoso of whip techniques, and a performer who simultaneously hums and whistles.
731:. These fully functional, modified instruments have also been displayed as contemporary sculptures, many of them seen in The Rosenberg Museum, a travelling exhibition that also displays Rose's collection of 800+ violins and violin-related objects.
703:(2009–2013), where Rose utilized a mobile bicycle-powered orchestra of regular and custom-built instruments along with tennis racquets, ping pong balls, buckets, wine bottles, and a kitchen sink, transforming these items into unique music machines.
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in
Brooklyn, New York. For this project, as the audience plays with a huge white ball, the ball's movements (pushing, throwing, rolling) power and transmit an interactive electronic system, producing a sonic
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Rose has used the medium of live radio broadcasts to present original content influenced by historical musical figures and topics. These productions include broadcasts for radio stations such as the
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accused of attacking a train of picnickers in protest of the Allied campaign at
Gallipoli during the First World War. Each hand of the pianist performs a separate re-enacted letter.
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manipulated a variety of sounds, from bowing and plucking to a range of electronic sounds, and to preprogrammed samples that play when the bow and violin have certain interactions.
338:(2015) was commissioned by Soundstream, and uses a pitch-to-MIDI application. Rose transcribed the piece for piano as the musical contours of a pair of 1915 suicide letters read in
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was established in 1984 to publicly honour a senior artist of high distinction who has made an outstanding and sustained contribution to music in
Australia. It was founded by the
762:"rapid jump-cut editing and sped-up footage", which Holden described as "the most audacious music improvisations" and "the evening's most ambitious work". Writing about Rose's CD
327:(2012) is orchestrated for cello, viola, alto saxophone, electric bass, percussion, and video, with Rose playing an auctioneer. It was commissioned by Decibel New Music in Perth.
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was developed by
European and American musicians in the 1960s. Free improvisation is defined by its lack of rules and is built on a rejection of structural conventions like a set
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to sound wire fences, which he supplements with small contact microphones attached at the meeting point of fence wire and fence post. In 2009, Rose was commissioned by
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800:, Kurt Gottschalk called Rose "a tireless conceptualist, making music out of political borders and rewriting economics and history like a viol-centric Marco Polo".
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to other locations including Bosnia, Belfast, the Golan
Heights, Mexico, the United States, and Finland. In November 2006, Rose was detained and later released by
440:("George") and his researcher, Syd Curtis. Lyrebirds are expert mimics, and Rose's score for string quartet draws on imitation as an organizing principle.
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described Rose's embrace of the
Australian landscape in his various musical activities as "Australia made extraordinary". In his review of the CD
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Rose has performed on the violin accompanied by his videos of outback fences, both those he has bowed and others he only filmed. In the 2010 film
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295:(1994-1996), which involved the recomposition of a myriad of genres for choir, string orchestra, band, soloists, and sampling (usually by
687:, which focused on stringed instruments and which travelled to Berlin (1998), Rotterdam (1999), New York City (2000), and Paris (2002).
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676:(2014), was Rose's collaboration with composer Elena Kats-Chernin, conductor Ilan Volkov, and The Adelaide Symphony Orchestra.
446:(2009) for BBC, which dramatizes the story of the establishment of an Aboriginal string orchestra by a Spanish priest in 1846.
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550:(2008), a paddle-powered harpsichord performance at Pier 40 in San Francisco, accompanied by Bob Ostertag in a kayak sending
138:(born 19 February 1951) is an Australian violinist, cellist, composer, and multimedia artist. Rose's work is centered in the
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299:). The project had performances in Europe, Canada, China, and Australia, and Rose co-authored a book of the same title. In
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458:(2014–2015) for ABC, which tells of the Old Ghan railway built from Port Augusta to Alice Springs between 1878 and 1929.
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Temperament: A Selection of
Improvisations Using Differing Tunings Derived From Science, History, and the Imagination
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saw repeat performances with the
Orchestra del Teatro Comunale di Bologna and with the Iceland Symphony Orchestra.
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Rose, Jon (May 2013). "Jon Rose Platform Papers: Quarterly Essays on the Performing Arts". In Golder, John (ed.).
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Bruce, K. (16 May 2011). "Kronos Quartet, Glasgow Royal Concert Hall reaching around the world". Herald Scotland.
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1975:"Of Broken Trees and Elephant Ivories: A Musical Journey Inspired by the Legacy of Pianos in Colonial Australia"
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Rose's projects where the physical activities of sports are augmented by interactive sonic compositions include
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as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia".
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Rose has produced a number of large-scale performances inspired by or set in outdoor environments. In
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Reinsel, Joseph (2001). "Jon Rose: The Hyperstring Project. The New Dynamic of Rogue Counterpoint".
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From 1985, Rose worked in conjunction with engineers at the Studio for Electro-Instrumental Music (
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1953:"Ghan Tracks Jon Rose with Ensemble Offspring and Speak Percussion presented by Performance Space"
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by means of different controllers which measure the physicality of his high speed improvisation.
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560:(2008), in which transmitting kites are fitted with radio video cameras and accelerometers.
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576:(2013–2017), in which rusting car wrecks were converted into functional music instruments.
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2829:"Elastic Band for Solo Improvised Violin and Orchestra: Elena Kats-Chernin and Jon Rose"
582:(2014), in which a clothesline was converted into a propeller-powered wind installation.
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452:(2012) for BBC, which re-examined the first Aboriginal cricket tour to England in 1868.
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Sounding Postmodernism: Sampling Australian Composers, Sound Artists and Music Critics
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Maloon, T (24 September 1983). "Feel free to laugh, he said—and the house broke up".
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to build a set of four fence instruments to be played in concert. Rose then composed
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throughout the Australian continent. Typically, Rose uses both the hair and stick of
403:(1993) for Saarländischer Rundfunk, which explores the posthumous industry of Mozart.
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309:(2004) for string orchestra, piano, saw, and live sampling, pays tribute to composer
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in Houston in 1986. In Europe, he performed marathon concerts of 3, 5, and 6 hours.
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Rose's work in free improvisation in Australia in the mid-1970s included his use of
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Other environmental projects which explore culturally significant objects include:
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Violins, cello, fence, custom-built instruments, interactive electronics, keyboards
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1599:. Currency House in association with Currency Press, Sydney; Gazelle-distributor.
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Taylor, Hollis (2015). "Bowing Australia's Outback Fences: A Sonic Cartography".
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397:(1988) for ABC, which envisions the famous violinist as a celebrity faith healer.
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Rose has worked as a composer with various ensembles and organizations including
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2111:"Karl Sczuka Prize for Works of Radio Art Archive – 'Karl Sczuka Preis, 2004'"
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According to Graham Strahle, Rose has established a reputation as a musical
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Rose's improvisational work led to his building of custom instruments. As a
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The Pink Violin: An Anthology of Writings About the Music of the Rosenbergs
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709:(2015) at the inaugural opening celebrations of the performing arts venue
409:(1998) for ABC, inspired by the life and work of J. S. Bach's second wife.
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3374:"Review: Johannes Bauer / Thomas Lehn / Jon Rose – Futch (Jazwerkstatt)"
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2665:"Blowin' in Birdland: Improvisation and the Australian Pied Butcherbird"
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The Museum Goes Live: Performance Space: Sydney, 27 October – 6 November
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Maloon, T (n.d.). "A Relatively planned tour of stand-up improvisers".
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violin concertos with accompanying orchestra. He has been described by
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system campuses that same year. In 2007, Rose was awarded a one-year
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Violin Music for Restaurants: Feat. the Legendary Jo "Doc" Rosenberg
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Rose has authored works which have been published as the following:
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with the BBC Scottish Symphony Orchestra. Another violin concerto,
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Loading the Silence: Australian Sound Art in the Post-Digital Age
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1900:"Australian Music Centre: The Auctioneer Says (multimedia work)"
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Brain Weather: The Story of the Rosenbergs: an opéra pervers
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Rose, Jon (2012). "Lines in Red Sand". In Zorn, John (ed.).
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2714:"Birdsong has inspired humans for centuries: is it music?"
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signals to Rose acting as composer and computer operator.
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The Contemporary Violin: Extended Performance Techniques
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Post Impressions: A Travel Book for Tragic Intellectuals
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Rosenberg Museum Interactive 1998 performed by Jon Rose
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for a quartet of fence wire stretched on metal frames.
2959:"The Canberra Pursuit – Recycled bikes make new music"
2733:"Thoughtfully Curated With a Satisfying Narrative Arc"
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Colli, I. (September 2012). "The Musical Iconoclast".
1922:"Jon Rose's The Music of Place: Reclaiming a Practice"
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2500:"Jon Rose: the Thomas Edison of the vibrating string"
2082:"Jon Rose's Joyous Resistance : Feature Article"
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Rose also curated and performed at his own festival,
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Eine Violine fur Valentin: a homage to Karl Valentin
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Currency Companion to Music & Dance in Australia
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Eine Violine fur Valentin: A Homage to Karl Valentin
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and completed a lecture and concert tour of various
436:(2008) for SFB, concerns the relationship between a
291:. Some of Rose's compositions for orchestra include
3329:"Does Classical Music Need More Aussie Larrikins?"
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738:) in Amsterdam to develop a series of interactive
532:, 12 kilometres (7.5 mi) west of the city of
2785:Uitti, Frances-Marie (October 2006). "Jon Rose".
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415:(2003) for ABC, a portrait of pianist/composer
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668:invited Rose to improvise a solo part for the
2527:"Meet the Guy Who Uses Fences as Instruments"
1998:
1595:Whiteoak, John; Scott-Maxwell, Aline (2003).
287:, Soundstream, the NOW now Festival, and the
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2240:(1). University of Wollongong Australia: 4–5
2057:"2 Real Violin Stories: The Mozart Industry"
3197:"The Museum Goes Live (Liveworks Festival)"
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2454:Fitzpatrick, Y. (27 April 2012). "Review".
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2263:(Podcast). Soundproof. Produced by Jon Rose
1632:"Jon Rose Biography & History AllMusic"
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588:(2016), a collaboration with ornithologist
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3131:Strange, Patricia; Strange, Allen (2003).
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3037:Jon Rose & Veryan Weston – Temperament
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2006:. Australian Scholarly. pp. 382–384.
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1209:Brain Weather: The Story of the Rosenbergs
742:bows (and amplified bows) under the title
690:His multimedia performance works include:
407:The Long Sufferings of Anna Magdalena Bach
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3428:Australian Music Center (21 March 2012).
3291:"Music: Jon Rose Improvises With Fiddles"
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3060:"Music vs Capitalism, Ghosts in Machines"
2648:Bond, A. (2016). "The Rosenberg Museum".
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951:The Music Of Place: Reclaiming a Practice
566:(2008), a duet for violin and mechanical
3352:"Jon Rose: Australia Made Extraordinary"
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2428:"Fences no barrier to perfect harmonics"
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648:Rose's live performances have included
600:at the 2016 Tyalgum Music Festival and
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4203:21st-century Australian male musicians
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3169:"Jon Rose Uncovers Sounds of the City"
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2575:Wesley-Smith, Martin (21 March 2012).
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1825:"Wien – Vancouver Program Description"
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1702:"Represented Artist Profile: Jon Rose"
1650:"Represented Artist Profile: Jon Rose"
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3248:. London: ReR. pp. 8–11. ReRJR6.
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2763:from the original on 14 December 2021
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2622:de Kruijff, Peter (25 January 2017).
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2036:"Jon Rose: Paganini's Last Testimony"
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471:(1983), Rose bowed and recorded wire
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3195:McPherson, Angus (29 October 2016).
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2312:. H. Taylor and J. Rose. p. 3.
2259:Miyuki Jokiranta (6 February 2015).
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3712:Violin Music in the Age of Shopping
3327:Strahle, Graham (16 January 2017).
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2964:Australian Broadcasting Corporation
2903:V2_Institute for the Unstable Media
2004:A Companion to the Australian Media
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1272:Violin Music in the Age of Shopping
924:Violin Music in the Age of Shopping
592:utilizing the vocalizations of the
356:Australian Broadcasting Corporation
293:Violin Music in the Age of Shopping
162:Born in England, Jon Rose attended
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3584:The Mozart Industry; Saint Johanna
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2552:"ausland: Bob Ostertag + Jon Rose"
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2308:Taylor, Hollis; Rose, Jon (2007).
2282:Gauger, Eliza (11 February 2007).
1167:The Mozart Industry; Saint Johanna
14:
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4208:21st-century Australian musicians
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3308:Waxman, Ken (24 September 2001).
3289:Holden, Stephen (30 March 1986).
2957:Maher, Louise (17 October 2013).
2731:Walters, Melanie (21 July 2016).
1859:from the original on 14 June 2022
953:(35th ed.). Currency House.
530:Ramallah and al-Bireh Governorate
342:. These were penned by a pair of
4188:Inventors of musical instruments
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3219:"Cosmopolitan Swagman Violinist"
3167:Galvin, Nick (3 November 2016).
2936:Slavin, John (11 October 2005).
2663:Taylor, Hollis (December 2010).
2525:Sayej, Nadja (6 December 2013).
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1973:Smart, Gabriella (17 May 2017).
922:Rose, Jon; Linz, Rainer (1994).
895:Linz, Rainer; Rose, Jon (1992).
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3475:. Fringe Benefit Records. 1979.
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3459:. Fringe Benefit Records. 1978.
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3430:"Don Banks Award 2012 Jon Rose"
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2870:Lesnie, Melissa (27 May 2015).
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2712:Taylor, Hollis (26 July 2017).
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2624:"Wreck Project Set to Resonate"
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2426:Shane, John (7 December 2015).
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2195:. Routledge. pp. 134–135.
2191:Kouvaras, Linda Ioanna (2016).
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978:Rosenberg 3.0: Not Violin Music
899:. Melbourne: NMA Publications.
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4213:Australian male jazz musicians
4019:. Jazzwerkstatt Records. 2011.
3987:. Saucerlike Recordings. 2003.
3399:"Don Banks Music Award: Prize"
3310:"Jon Rose: S-T-R-U-N-G review"
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880:Australia Council for the Arts
862:In 2006, Rose was awarded the
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3680:Violin Music for Supermarkets
3350:Priest, Gail (9 April 2012).
2373:10.1080/07494467.2016.1140474
1845:Gill, Andy (5 January 2013).
1670:Arcana VI: Musicians on Music
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1245:Violin Music for Supermarkets
876:Peggy Glanville-Hicks Address
628:1995 – 1998),
235:along with electronics (both
157:
3552:Die Beethoven Konversationen
2498:Rose, Jon (14 August 2014).
1920:Knowles, J. (10 July 2013).
1194:Violin Music for Restaurants
1140:Die Beethoven Konversationen
753:
516:while playing a part of the
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3923:. Sublingual Records. 2001.
3217:Mitchell, Tony (May 2013).
2475:"An Aural Map of Australia"
670:Tchaikovsky Violin Concerto
610:Adelaide Symphony Orchestra
289:Adelaide Symphony Orchestra
283:, Tura New Music, Decibel,
10:
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3747:. Megaphone Records. 1996.
3683:. Megaphone Records. 1994.
3651:. Megaphone Records. 1993.
3456:Solo Violin Improvisations
2877:The Australian Jewish News
2284:"The Music of Barbed Wire"
2224:Ulman, Jane (April 2015).
1804:"Jon Rose: Violin Factory"
1672:. Hips Road. p. 197.
1037:Solo Violin Improvisations
216:, as well as saxophonists
173:
4178:Australian male composers
4051:. Creative Sources. 2013.
4003:. Hermes Discorbie. 2004.
3952:Great Fences of Australia
3731:. Creativeman Disc. 1995.
3536:Paganini's Last Testimony
3273:10.1162/comj.2001.25.4.99
3174:The Sydney Morning Herald
3083:The Sydney Morning Herald
3011:"Jon Rose – The Big Ball"
2799:10.1080/07494460600990976
2787:Contemporary Music Review
2577:"Larrikin par excellence"
2433:The Sydney Morning Herald
2361:Contemporary Music Review
2159:Reid, Chris (July 2013).
1722:The Sydney Morning Herald
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1464:Great Fences of Australia
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1294:
1255:
1204:
1197:
1150:
1125:Paganini's Last Testimony
1101:
1074:
1043:
1040:
1013:
885:
866:Composer-in-Residence at
836:
833:
830:
827:
510:Great Fences of Australia
469:Great Fences of Australia
395:Paganini's Last Testimony
384:Ă–sterreichischer Rundfunk
114:
110:
100:
92:
78:
68:
48:
43:
27:
20:
3763:. Plag Dich Nicht. 1996.
3523:. AufRuhr Records. 1987.
2872:"From Israel to Iceland"
872:University of California
596:. Performances included
164:King's School, Rochester
4198:21st-century violinists
3856:The Hyperstring Project
3539:. Konnex Records. 1989.
3403:Australian Music Centre
2133:Ubuweb: Sound: Jon Rose
2090:Australian Music Centre
1879:"ensemble unitedberlin"
1848:"Jon Rose, Rosin (ReR)"
1751:Australian Music Centre
1745:Bennett, David (2009).
1706:Australian Music Center
1654:Australian Music Center
1386:The Hyperstring Project
636:2008, 2010, 2014), and
604:with recorder virtuoso
528:village located in the
368:Saarländischer Rundfunk
275:Orchestral compositions
4218:Intakt Records artists
3843:. Sonic Factory. 1999.
3261:Computer Music Journal
2670:Leonardo Music Journal
2602:"Carriageworks: Wreck"
2230:by Jon Rose: A Review"
2000:Griffen-Foley, Bridget
1338:://shopping.live@victo
848:Don Banks Music Award
666:John Oswald (composer)
514:Israeli Defence Forces
503:The Reach of Resonance
413:Skeleton in the Museum
364:Westdeutscher Rundfunk
44:Background information
4193:21st-century cellists
4168:Australian violinists
3955:. Dynamo House. 2002.
3811:. CreamGardens. 1997.
3792://shopping.live@victo
3015:Perth Cultural Centre
2395:"Music from 4 Fences"
810:Don Banks Music Award
804:Don Banks Music Award
336:Picnic at Broken Hill
174:Further information:
136:Jonathan Anthony Rose
4183:Australian composers
3760:Techno mit Störungen
3587:. Extraplatte. 1991.
3555:. Extraplatte. 1990.
3504:Forward of Short Leg
3491:. HOT Records. 1984.
3233:on 26 November 2018.
2938:"Pannikin: Jon Rose"
2925:. 17 September 2005.
2626:. The Kimberley Echo
2506:. ABC Radio National
1525:Jazzwerkstatt Berlin
1311:Techno mit Störungen
1079:Forward of Short Leg
926:. NMA Publications.
388:Sender Freies Berlin
372:Bayerischer Rundfunk
170:Improvising musician
4163:Australian cellists
3339:on 8 February 2019.
3229:(3). Archived from
3135:. Scarecrow Press.
2850:"Edizione Festival"
2683:10.1162/lmj_a_00016
1010:
1009:Select discography
824:
744:Hyperstring Project
624:(1985), badminton (
496:Music from 4 Fences
463:Environmental works
401:The Mozart Industry
325:The Auctioneer Says
315:Internal Combustion
233:musical temperament
206:fixed chord changes
3968:The People's Music
3648:The Virtual Violin
3603:. Immigrant. 1991.
3372:Gottschalk, Kurt.
3295:The New York Times
3244:Rose, Jon (2012).
3058:McPherson, Angus.
2346:Limelight Magazine
1831:. 7 December 1999.
1783:"NMA Publications"
1479:The People's Music
1401:The Violin Factory
1218:The Virtual Violin
1008:
976:Rose, Jon (2014).
823:
719:Instrument builder
598:Singing Up Tyalgum
492:Sydney Opera House
419:that won the 2004
350:Radio compositions
307:Charlie's Whiskers
281:Ensemble Offspring
186:free improvisation
176:extended technique
144:free improvisation
140:experimental music
73:Free improvisation
64:Maidstone, England
38:in Amsterdam, 2009
3434:Resonate Magazine
3409:on 18 August 2015
3378:www.squidsear.com
3100:Walters, John L.
2759:. 8 August 2008.
2581:Resonate Magazine
2228:Not Quite Cricket
2161:"Jon Rose: Rosin"
2086:Resonate Magazine
1979:Resonate Magazine
1829:www.kunstradio.at
1576:
1575:
878:residency by the
855:
854:
814:Australia Council
786:Gail Priest from
659:New Music America
644:Live performances
450:Not Quite Cricket
421:Karl Sczuka Prize
130:
129:
4225:
4125:
4124:
4123:
4113:
4112:
4111:
4101:
4100:
4099:
4092:
4082:Official website
4069:
4068:
4059:
4053:
4052:
4043:
4037:
4036:
4027:
4021:
4020:
4011:
4005:
4004:
4000:Double Indemnity
3995:
3989:
3988:
3979:
3973:
3972:
3963:
3957:
3956:
3947:
3941:
3940:
3931:
3925:
3924:
3915:
3909:
3908:
3899:
3893:
3892:
3888:Transgenic Nomad
3883:
3877:
3876:
3867:
3861:
3860:
3851:
3845:
3844:
3835:
3829:
3828:
3819:
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3796:
3787:
3781:
3780:
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3765:
3764:
3755:
3749:
3748:
3739:
3733:
3732:
3723:
3717:
3716:
3707:
3701:
3700:
3699:. No Wave. 1995.
3691:
3685:
3684:
3675:
3669:
3668:
3659:
3653:
3652:
3643:
3637:
3636:
3627:
3621:
3620:
3611:
3605:
3604:
3595:
3589:
3588:
3579:
3573:
3572:
3568:Slawterhaus Live
3563:
3557:
3556:
3547:
3541:
3540:
3531:
3525:
3524:
3515:
3509:
3508:
3507:. Dossier. 1987.
3499:
3493:
3492:
3483:
3477:
3476:
3467:
3461:
3460:
3451:
3445:
3444:
3442:
3440:
3425:
3419:
3418:
3416:
3414:
3405:. Archived from
3395:
3389:
3388:
3386:
3384:
3369:
3363:
3362:
3360:
3358:
3347:
3341:
3340:
3335:. Archived from
3324:
3318:
3317:
3305:
3299:
3298:
3286:
3277:
3276:
3256:
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2990:National Sawdust
2982:
2976:
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2973:
2971:
2954:
2948:
2947:
2933:
2927:
2926:
2917:"Feel the noise"
2913:
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2744:
2742:
2740:
2728:
2722:
2721:
2718:The Conversation
2709:
2703:
2702:
2660:
2654:
2653:
2645:
2636:
2635:
2633:
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2619:
2613:
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2479:
2470:
2464:
2463:
2456:Science Magazine
2451:
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2423:
2417:
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2249:
2247:
2245:
2234:Radio Doc Review
2221:
2215:
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2188:
2182:
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2156:
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1996:
1990:
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1987:
1985:
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1964:
1963:
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1949:
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1628:
1619:
1618:
1592:
1555:Creative Sources
1510:Hermes Discorbie
1506:Double Indemnity
1413:Transgenic Nomad
1405:Hermes Discorbie
1288:Creativeman Disc
1155:Slawterhaus Live
1011:
1007:
999:
972:
945:
918:
825:
822:
711:National Sawdust
638:Skateboard Music
594:pied butcherbird
518:separation fence
429:
285:Speak Percussion
126:
123:
121:
103:
62:
59:19 February 1951
58:
56:
32:
18:
17:
4233:
4232:
4228:
4227:
4226:
4224:
4223:
4222:
4173:Male violinists
4153:Jazz violinists
4133:
4132:
4131:
4121:
4119:
4109:
4107:
4097:
4095:
4087:
4078:
4073:
4072:
4067:. Emanem. 2015.
4061:
4060:
4056:
4045:
4044:
4040:
4029:
4028:
4024:
4013:
4012:
4008:
3997:
3996:
3992:
3981:
3980:
3976:
3965:
3964:
3960:
3949:
3948:
3944:
3939:. Emanem. 2002.
3933:
3932:
3928:
3917:
3916:
3912:
3907:. Emanem. 2001.
3901:
3900:
3896:
3891:. Sonore. 2001.
3885:
3884:
3880:
3869:
3868:
3864:
3853:
3852:
3848:
3837:
3836:
3832:
3821:
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3804:
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3773:
3772:
3768:
3757:
3756:
3752:
3741:
3740:
3736:
3725:
3724:
3720:
3715:. Intakt. 1995.
3709:
3708:
3704:
3693:
3692:
3688:
3677:
3676:
3672:
3667:. Intakt. 1993.
3661:
3660:
3656:
3645:
3644:
3640:
3629:
3628:
3624:
3613:
3612:
3608:
3597:
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3410:
3397:
3396:
3392:
3382:
3380:
3370:
3366:
3356:
3354:
3348:
3344:
3333:Music Australia
3325:
3321:
3306:
3302:
3287:
3280:
3257:
3253:
3242:
3238:
3215:
3211:
3201:
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3193:
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3179:
3177:
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3158:
3143:
3129:
3122:
3112:
3110:
3102:"Fiddle tricks"
3098:
3091:
3078:
3074:
3069:. No. 135.
3056:
3052:
3042:
3040:
3034:
3033:
3029:
3019:
3017:
3009:
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3004:
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2984:
2983:
2979:
2969:
2967:
2955:
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2934:
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2915:
2914:
2910:
2899:"String 'em Up"
2897:
2896:
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2882:
2880:
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2848:
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2507:
2504:Late Night Live
2496:
2492:
2482:
2480:
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2473:Elkins, Steve.
2471:
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1853:The Independent
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1315:Plag Dich Nicht
1006:
988:
975:
961:
948:
934:
921:
907:
894:
888:
860:
831:Nominee / work
806:
798:The Squid's Ear
756:
721:
646:
606:Genevieve Lacey
586:Canto Cracticus
536:in the central
465:
423:
352:
297:Otomo Yoshihide
277:
272:
200:, well-defined
182:
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133:
118:
101:
85:
83:Instrumentalist
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4077:
4076:External links
4074:
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3600:Pulled Muscles
3590:
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3571:. Victo. 1991.
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2735:. Adelaide Now
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2367:(4): 350–363.
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2261:"Ghan Stories"
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1041:Fringe Benefit
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838:
835:
832:
829:
805:
802:
759:New York Times
755:
752:
720:
717:
716:
715:
704:
698:
645:
642:
614:
613:
583:
577:
571:
561:
555:
508:Rose expanded
488:Kronos Quartet
464:
461:
460:
459:
453:
447:
441:
434:Syd and George
431:
417:Percy Grainger
410:
404:
398:
351:
348:
301:Violin Factory
276:
273:
271:
268:
256:Simone De Haan
254:, Dave Ellis,
229:violin tunings
171:
168:
159:
156:
132:Musical artist
131:
128:
127:
116:
112:
111:
108:
107:
104:
98:
97:
94:
90:
89:
80:
76:
75:
70:
66:
65:
50:
46:
45:
41:
40:
33:
25:
24:
21:
9:
6:
4:
3:
2:
4230:
4219:
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4199:
4196:
4194:
4191:
4189:
4186:
4184:
4181:
4179:
4176:
4174:
4171:
4169:
4166:
4164:
4161:
4159:
4158:Living people
4156:
4154:
4151:
4149:
4148:Jazz cellists
4146:
4144:
4141:
4140:
4138:
4128:
4118:
4116:
4106:
4104:
4094:
4093:
4090:
4083:
4080:
4079:
4066:
4065:
4058:
4050:
4049:
4042:
4034:
4033:
4026:
4018:
4017:
4010:
4002:
4001:
3994:
3986:
3985:
3978:
3970:
3969:
3962:
3954:
3953:
3946:
3938:
3937:
3930:
3922:
3921:
3914:
3906:
3905:
3898:
3890:
3889:
3882:
3874:
3873:
3866:
3858:
3857:
3850:
3842:
3841:
3834:
3826:
3825:
3818:
3810:
3809:
3802:
3794:
3793:
3786:
3778:
3777:
3770:
3762:
3761:
3754:
3746:
3745:
3738:
3730:
3729:
3722:
3714:
3713:
3706:
3698:
3697:
3690:
3682:
3681:
3674:
3666:
3665:
3658:
3650:
3649:
3642:
3634:
3633:
3626:
3618:
3617:
3610:
3602:
3601:
3594:
3586:
3585:
3578:
3570:
3569:
3562:
3554:
3553:
3546:
3538:
3537:
3530:
3522:
3521:
3514:
3506:
3505:
3498:
3490:
3489:
3482:
3474:
3473:
3472:Decomposition
3466:
3458:
3457:
3450:
3435:
3431:
3424:
3408:
3404:
3400:
3394:
3379:
3375:
3368:
3353:
3346:
3338:
3334:
3330:
3323:
3315:
3311:
3304:
3296:
3292:
3285:
3283:
3274:
3270:
3267:(4): 99–100.
3266:
3262:
3255:
3247:
3246:"Hyperstring"
3240:
3232:
3228:
3224:
3220:
3213:
3198:
3191:
3176:
3175:
3170:
3163:
3161:
3152:
3148:
3144:
3142:9781461664109
3138:
3134:
3127:
3125:
3109:
3108:
3103:
3096:
3094:
3085:
3084:
3076:
3068:
3066:
3065:RealTime Arts
3061:
3054:
3039:
3038:
3031:
3016:
3012:
3006:
2991:
2987:
2981:
2966:
2965:
2960:
2953:
2945:
2944:
2939:
2932:
2924:
2923:
2918:
2912:
2904:
2900:
2894:
2879:
2878:
2873:
2866:
2851:
2845:
2830:
2824:
2816:
2812:
2808:
2804:
2800:
2796:
2792:
2788:
2781:
2779:
2762:
2758:
2757:
2750:
2734:
2727:
2719:
2715:
2708:
2700:
2696:
2692:
2688:
2684:
2680:
2676:
2672:
2671:
2666:
2659:
2651:
2644:
2642:
2625:
2618:
2603:
2597:
2582:
2578:
2571:
2569:
2553:
2547:
2532:
2528:
2521:
2505:
2501:
2494:
2476:
2469:
2461:
2457:
2450:
2435:
2434:
2429:
2422:
2411:
2396:
2390:
2382:
2378:
2374:
2370:
2366:
2362:
2355:
2347:
2340:
2338:
2329:
2325:
2321:
2319:9780646471747
2315:
2311:
2304:
2289:
2285:
2278:
2262:
2255:
2239:
2235:
2231:
2229:
2220:
2212:
2208:
2204:
2198:
2194:
2187:
2172:
2168:
2167:
2166:RealTime Arts
2162:
2155:
2153:
2151:
2135:
2134:
2127:
2112:
2106:
2091:
2087:
2083:
2079:
2078:Toop, Richard
2073:
2058:
2052:
2037:
2031:
2023:
2019:
2015:
2013:9781925003055
2009:
2005:
2001:
1995:
1980:
1976:
1969:
1954:
1948:
1933:
1929:
1928:
1927:RealTime Arts
1923:
1916:
1901:
1895:
1880:
1874:
1858:
1854:
1849:
1841:
1839:
1830:
1826:
1820:
1805:
1799:
1784:
1778:
1770:
1766:
1762:
1760:9780909168643
1756:
1752:
1748:
1741:
1739:
1737:
1735:
1733:
1724:
1723:
1715:
1707:
1703:
1697:
1689:
1685:
1681:
1679:9780978833756
1675:
1671:
1664:
1655:
1651:
1645:
1637:
1633:
1627:
1625:
1616:
1612:
1608:
1602:
1598:
1591:
1589:
1584:
1572:
1569:
1567:
1564:
1561:
1560:
1557:
1554:
1552:
1549:
1546:
1545:
1542:
1539:
1537:
1534:
1531:
1530:
1527:
1524:
1522:
1519:
1516:
1515:
1512:
1509:
1507:
1504:
1501:
1500:
1497:
1494:
1492:
1489:
1488:
1485:
1482:
1480:
1477:
1473:
1470:
1467:
1465:
1462:
1461:
1458:
1455:
1453:
1450:
1446:
1443:
1440:
1438:
1435:
1434:
1431:
1428:
1426:
1423:
1422:
1419:
1416:
1414:
1411:
1410:
1407:
1404:
1402:
1399:
1395:
1392:
1389:
1387:
1384:
1381:
1380:
1377:
1375:Sonic Factory
1374:
1372:
1369:
1366:
1365:
1362:
1360:
1357:
1353:
1350:
1348:
1345:
1344:
1341:
1339:
1336:
1332:
1329:
1324:
1321:
1320:
1317:
1314:
1312:
1309:
1308:
1305:
1302:
1300:
1297:
1293:
1290:
1287:
1285:
1282:
1281:
1278:
1275:
1273:
1270:
1269:
1266:
1263:
1261:
1258:
1254:
1251:
1248:
1246:
1243:
1240:
1239:
1236:
1233:
1231:
1228:
1227:
1224:
1221:
1219:
1216:
1215:
1212:
1210:
1207:
1203:
1200:
1195:
1192:
1189:
1188:
1185:
1182:
1180:
1177:
1176:
1173:
1170:
1168:
1165:
1164:
1161:
1158:
1156:
1153:
1149:
1146:
1143:
1141:
1138:
1135:
1134:
1131:
1128:
1126:
1123:
1120:
1119:
1115:
1112:
1109:
1106:
1105:
1100:
1097:
1094:
1092:
1089:
1088:
1085:
1082:
1080:
1077:
1073:
1070:
1067:
1065:
1062:
1059:
1058:
1055:
1053:
1052:Decomposition
1050:
1047:
1046:
1038:
1035:
1032:
1031:
1027:
1024:
1021:
1018:
1017:
1012:
997:
993:
989:
983:
979:
974:
970:
966:
962:
960:9780987211446
956:
952:
947:
943:
939:
935:
929:
925:
920:
916:
912:
908:
906:9780646080031
902:
898:
893:
892:
891:
883:
881:
877:
873:
869:
868:Mills College
865:
850:
847:
844:
841:
840:
826:
821:
819:
816:in honour of
815:
811:
801:
799:
795:
791:
790:
784:
782:
777:
775:
771:
770:
765:
760:
751:
749:
745:
741:
737:
732:
730:
726:
712:
708:
705:
702:
699:
696:
693:
692:
691:
688:
686:
685:String 'Em Up
681:
679:
675:
671:
667:
662:
660:
654:
651:
641:
639:
635:
631:
627:
623:
619:
611:
607:
603:
602:Absolute Bird
599:
595:
591:
590:Hollis Taylor
587:
584:
581:
578:
575:
572:
569:
565:
562:
559:
556:
553:
552:accelerometer
549:
546:
545:
544:
541:
539:
535:
531:
527:
523:
519:
515:
511:
506:
504:
499:
497:
493:
489:
485:
482:
478:
474:
470:
457:
454:
451:
448:
445:
442:
439:
435:
432:
427:
422:
418:
414:
411:
408:
405:
402:
399:
396:
393:
392:
391:
389:
385:
381:
377:
373:
369:
365:
361:
357:
347:
345:
341:
337:
332:
330:
326:
322:
320:
316:
312:
308:
304:
302:
298:
294:
290:
286:
282:
267:
265:
261:
260:Veryan Weston
257:
253:
252:Louis Burdett
249:
245:
242:
238:
234:
230:
225:
223:
219:
215:
211:
207:
203:
199:
195:
194:defined meter
191:
187:
181:
177:
167:
165:
155:
153:
152:Tony Mitchell
149:
145:
141:
137:
125:
117:
113:
109:
105:
99:
95:
93:Instrument(s)
91:
88:
84:
81:
79:Occupation(s)
77:
74:
71:
67:
61:(age 73)
51:
47:
42:
37:
31:
26:
19:
16:
4063:
4057:
4047:
4041:
4035:. ReR. 2012.
4031:
4025:
4015:
4009:
3999:
3993:
3983:
3977:
3971:. ReR. 2003.
3967:
3961:
3951:
3945:
3935:
3929:
3919:
3913:
3904:The Kryonics
3903:
3897:
3887:
3881:
3875:. ReR. 2001.
3871:
3865:
3859:. ReR. 2000.
3855:
3849:
3839:
3833:
3827:. ReR. 1998.
3823:
3817:
3807:
3801:
3795:. ReR. 1997.
3791:
3785:
3779:. ReR. 1996.
3775:
3769:
3759:
3753:
3743:
3737:
3727:
3721:
3711:
3705:
3695:
3689:
3679:
3673:
3663:
3657:
3647:
3641:
3635:. ReR. 1993.
3631:
3625:
3619:. ReR. 1994.
3615:
3609:
3599:
3593:
3583:
3577:
3567:
3561:
3551:
3545:
3535:
3529:
3519:
3513:
3503:
3497:
3487:
3481:
3471:
3465:
3455:
3449:
3437:. Retrieved
3433:
3423:
3411:. Retrieved
3407:the original
3393:
3381:. Retrieved
3377:
3367:
3355:. Retrieved
3345:
3337:the original
3332:
3322:
3313:
3303:
3294:
3264:
3260:
3254:
3239:
3231:the original
3226:
3222:
3212:
3200:. Retrieved
3190:
3178:. Retrieved
3172:
3132:
3111:. Retrieved
3107:The Guardian
3105:
3081:
3075:
3063:
3053:
3041:. Retrieved
3036:
3030:
3018:. Retrieved
3014:
3005:
2993:. Retrieved
2989:
2980:
2968:. Retrieved
2962:
2952:
2941:
2931:
2920:
2911:
2902:
2893:
2881:. Retrieved
2875:
2865:
2853:. Retrieved
2844:
2832:. Retrieved
2823:
2793:(5–6): 635.
2790:
2786:
2765:. Retrieved
2755:
2749:
2737:. Retrieved
2726:
2717:
2707:
2674:
2668:
2658:
2649:
2628:. Retrieved
2617:
2605:. Retrieved
2596:
2584:. Retrieved
2580:
2555:. Retrieved
2546:
2534:. Retrieved
2530:
2520:
2508:. Retrieved
2503:
2493:
2481:. Retrieved
2468:
2459:
2455:
2449:
2437:. Retrieved
2431:
2421:
2410:
2398:. Retrieved
2389:
2364:
2360:
2354:
2345:
2309:
2303:
2291:. Retrieved
2287:
2277:
2265:. Retrieved
2254:
2242:. Retrieved
2237:
2233:
2227:
2219:
2192:
2186:
2174:. Retrieved
2170:
2164:
2137:. Retrieved
2132:
2126:
2114:. Retrieved
2105:
2093:. Retrieved
2085:
2072:
2060:. Retrieved
2051:
2039:. Retrieved
2030:
2003:
1994:
1982:. Retrieved
1978:
1968:
1956:. Retrieved
1947:
1935:. Retrieved
1931:
1925:
1915:
1903:. Retrieved
1894:
1882:. Retrieved
1873:
1861:. Retrieved
1852:
1828:
1819:
1807:. Retrieved
1798:
1786:. Retrieved
1777:
1746:
1720:
1714:
1705:
1696:
1669:
1663:
1653:
1644:
1635:
1596:
1565:
1550:
1535:
1520:
1505:
1490:
1478:
1468:Dynamo House
1463:
1451:
1436:
1425:The Kryonics
1424:
1412:
1400:
1385:
1370:
1358:
1346:
1337:
1322:
1310:
1298:
1283:
1271:
1259:
1244:
1229:
1217:
1208:
1193:
1178:
1166:
1154:
1139:
1124:
1090:
1078:
1063:
1051:
1036:
977:
950:
923:
896:
889:
861:
807:
797:
793:
787:
785:
778:
773:
769:The Guardian
767:
763:
758:
757:
743:
733:
722:
706:
700:
694:
689:
684:
682:
678:Elastic Band
677:
674:Elastic Band
673:
663:
655:
647:
637:
633:
625:
621:
617:
615:
601:
597:
585:
579:
573:
564:Digger Music
563:
557:
547:
542:
509:
507:
502:
500:
495:
468:
466:
456:Ghan Stories
455:
449:
443:
433:
412:
406:
400:
394:
376:Radio France
353:
335:
333:
328:
324:
323:
314:
311:Charles Ives
306:
305:
300:
292:
278:
270:Compositions
226:
210:Derek Bailey
190:musical form
184:As a genre,
183:
161:
135:
134:
106:1974–present
102:Years active
15:
4143:1951 births
3520:Vivisection
3223:Music Forum
3180:12 February
2883:13 February
2855:13 February
2586:13 February
2536:25 November
1809:10 February
1452:Temperament
1171:Extraplatte
1144:Extraplatte
1091:Vivisection
1004:Discography
864:David Tudor
858:Residencies
764:Hyperstring
748:polyrhythms
729:hurdy-gurdy
580:Hills Hoist
526:Palestinian
424: [
380:Rai Radio 3
358:(ABC), the
329:Ghan Tracks
241:interactive
218:Evan Parker
122:.jonroseweb
4137:Categories
4064:Tuning Out
3808:China Copy
3664:Monumental
3383:22 October
3357:22 October
3202:7 December
3113:22 October
3020:6 February
2995:5 February
2986:"Jon Rose"
2970:19 October
2834:5 February
2767:30 October
2630:5 February
2557:13 January
2510:15 January
2483:22 October
2439:5 February
2400:16 January
2293:28 October
2267:15 January
2244:7 December
2116:20 October
2095:28 October
2062:18 January
2041:20 October
1958:10 January
1937:10 January
1905:9 February
1884:9 February
1863:7 February
1788:15 January
1579:References
1566:Tuning Out
1495:Saucerlike
1441:Sublingual
1347:China Copy
1230:Monumental
707:Sonic Ball
650:multimedia
634:Team Music
558:Kite Music
321:festival.
319:MaerzMusik
248:Jim Denley
214:Fred Frith
158:Early life
148:improvised
55:1951-02-19
4127:Biography
4103:Australia
4048:Colophony
3824:The Fence
3728:Tatakiuri
3413:2 October
3314:JazzWorld
3151:855502435
3043:5 January
2815:218553663
2807:0749-4467
2691:0961-1215
2677:: 79–83.
2381:193111912
2328:271390895
2211:982532225
2022:911494868
1984:5 January
1769:299024984
1688:913216325
1551:Colophony
1359:The Fence
1303:Megaphone
1284:Tatakiuri
1249:Megaphone
1222:Megaphone
1183:Immigrant
996:910906162
980:. Blurb.
969:842124267
845:Jon Rose
818:Don Banks
754:Reception
664:In 2006,
568:excavator
538:West Bank
344:cameleers
313:. Rose's
222:John Zorn
196:, steady
180:free jazz
142:known as
3744:Exiles 1
3439:5 August
3067:Magazine
2761:Archived
2699:55691878
2652:: 28–29.
2348:: 44–52.
2139:25 April
2002:(2014).
1857:Archived
1636:AllMusic
1615:56468159
1299:Exiles 1
942:31801751
915:27559089
851:awarded
789:RealTime
781:larrikin
774:Jazzword
714:outcome.
695:Pannikin
640:(2010).
620:(1983),
608:and the
534:Ramallah
490:and The
438:lyrebird
202:tonality
87:Composer
34:Rose at
22:Jon Rose
4089:Portals
3984:Fleisch
3840:Sliding
2943:The Age
2922:The Age
1491:Fleisch
1371:Sliding
1264:No Wave
1095:AufRuhr
1083:Dossier
837:Result
725:luthier
701:Pursuit
630:netball
622:Cricket
444:Salvado
390:(SFB).
366:(WDR),
334:Rose's
264:Rik Rue
244:digital
115:Website
3920:Strung
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