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132:. Only 200 copies were ever printed. He also devised a familiar Art Nouveau font that is named after him. He returned to Strasbourg in 1904 and was appointed a Professor at the École in 1917. After the war, he moved to Munich where he lived with his sister and studied lithography. In addition to
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in 1891, where he was briefly retained as a drawing instructor. After that, he was able to publish his works under the aegis of
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and became a free-lance artist. He produced a wide variety of illustrative material and briefly worked for the "
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illustrator. He is best remembered for his work that appeared in the magazine
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Amis de Cercle Saint Léonard: Biography and appreciation of
Sattler
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Three years later, he designed the "Nibelungenschrift" (a
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Luc
Devroye, McGill University, with a sample of the font
277:"The Book-Plate Art of Joseph Sattler", by W. G. Bowdoin
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Joseph Kaspar
Sattler. Ein Wegbereiter des Jugendstils
87:" (Imperial Printing Office). An old friendship with
117:arranged an invitation for him to exhibit at the
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279:From "The Collector", Vol.12 #4, @ Google Books.
243:Nouveau Dictionnaire de Biographie Alsacienne
256:Ein moderner Totentanz : in 16 Bildern
144:), many of his illustrations appeared in
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264:University and State Library Düsseldorf
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283:Literature by and about Joseph Sattler
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23:Joseph Sattler and friend (c.1910)
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213:MyFonts: Sample of "Sattler AS"
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16:German illustrator (1867–1931)
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130:Exposition Universelle (1900)
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33:Philipp, Prince of Eulenburg
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119:Kunstgewerbemuseum Berlin
103:and, with the support of
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97:Strasbourg
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126:type font
67:Biography
51:bookplate
178:website.
114:La Plume
77:Landshut
285:in the
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174:@ the
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47:Munich
233:ISBN
135:Pan
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