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He worked with equal facility in many mediums; posters and books, glass, boxes and trays, wood paneling and, most significantly, inlaid furniture for interior decoration. He also worked in collaboration with others, such as
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His father was a notary. At the age of twelve, he was enrolled in drawing classes and received encouragement to make art a career from his uncle
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Strasbourg 1900 : naissance d'une capitale (actes du colloque, Musée d'art moderne et contemporain de
Strasbourg, 1-4 décembre 1999)
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and completing his military service, he returned to BĹ“rsch, but found little work. By chance, he befriended
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Alsace to the
Alsatians?: Visions and Divisions of Alsatian Regionalism, 1870-1939
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Charles
Spindler et le cercle de Saint-Léonard. Régionalisme et modernité
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Amis du Cercle de Saint-LĂ©onard: Biography and appreciation of
Spindler.
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inlayer, writer and photographer. He was also a supporter of
Alsatian
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Folklore and
Nationalism in Europe During the Long Nineteenth Century
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L’âge d’or d’un artiste en Alsace : mémoires inédits, 1889-1914
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and founded several institutions for the promotion of
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61:Musée d'Art Moderne et Contemporain de Strasbourg
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282:Baycroft, Timothy; Hopkin, David (2012-07-25).
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59:Lady With Swans (marquetry screen, in the
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351:Marquetry by Charles Spindler
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214:Costumes et Coutumes d’Alsace
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183:(originally published 1925)
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103:Revue Alsacienne Illustrée
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80:Martin von Feuerstein
69:Louis-Pierre Spindler
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403:People from Bas-Rhin
398:Painters from Alsace
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25:Charles Spindler
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41:regionalism
382:Categories
253:11 January
221:References
204:René Bazin
200:Les Oberlé
84:Strasbourg
133:As author
37:marquetry
35:painter,
33:Alsatian
301:6 March
358:Portal
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97:began
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329:ISBN
303:2013
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242:ISBN
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163:ISBN
143:ISBN
372:art
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263:^
116:fr
74:fr
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