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641:. With its technique, Georges Vriz promoted a resurgence of the marquetry he called RENAISSANCE. He launched the contemporary marquetry. In the US the technique has been used at the American School of French Marquetry by one of the teachers, artist Patrice Lejeune. The school staff is also proposing a new name for it: "Given that 'piercing' is an unfortunate mistake in the veneering world, we chose to use the word "Fusion" instead, by which term the artist expresses his intention of sanding through the veneer as a decorative, textural effect, not as a mistake."
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587:, England, souvenir "Tunbridge wares"—small boxes and the like—made from the mid-18th century onwards, were veneered with panels of minute wood mosaics, usually geometric, but which could include complicated subjects like landscapes. They were made by laboriously assembling and gluing thin strips and shaped rods, which then could be sliced crossways to provide numerous mosaic panels all of the same design.
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in 1660, the product of immigrant Dutch 'inlayers', whose craft traditions owed a lot to
Antwerp. Panels of elaborately scrolling "seaweed" marquetry of box or holly contrasting with walnut appeared on table tops, cabinets, and long-case clocks. At the end of the 17th century, a new influx of French
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and a base-board with balancing veneers on the alternate face to compensate stresses. Finishing the piece will require fine abrasive paper, always backed by a sanding block. Choices of sealers and finishes that can be applied include ordinary varnish, special varnishes, polyurethane (either oil or
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file and each piece is cut separately; each different species of wood-and thickness-may need a specific adjustment of the beam power; the offset will determine the gap between the pieces. In some cases, the beam will leave a dark edge due to the high heat required by the process.
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developed a technique called technique VRIZ, layering two veneer layers on top of each other and sanding through the top one, to the point of fiber transparency. This has been used mainly in France, by professionals and marquetry students of the
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marquetry dropped out of favor in the 1720s, but was revived in the 1780s. In the decades between, carefully matched quarter-sawn veneers sawn from the same piece of timber were arranged symmetrically on case pieces and contrasted with
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or scroll saw techniques. Other requirements are a pattern of some kind, some brown gummed tape (this kind of tape is used because as its moistened glue dries the tape shrinks, pulling the veneer pieces closer together),
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ultimately from classical inspiration. Marquetry elaborated upon
Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called
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Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (
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The simplest kind of marquetry uses only two sheets of veneer, which are temporarily glued together and cut with a fine saw, producing two contrasting panels of identical design, (in French called
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Tiling patterning has been more highly developed in the
Islamic world than anywhere else, and many extraordinary examples of inlay work have come from Middle Eastern countries such as Lebanon and
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Sand shading is a process used to make a picture appear to be more three-dimensional. A piece of veneer to be incorporated into a picture is partially submerged in hot sand for a few seconds.
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Marquetry as a modern craft most commonly uses knife-cut veneers. However, the knife-cutting technique usually requires a lot of time. For that reason, many marquetarians have switched to
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during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the
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Furniture inlaid with precious woods, metals, glass and stones is known from the ancient world and Roman examples have been recovered from the first century sites of
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was a specialty of some
European spa resorts from the end of the 18th century. Many exotic woods as well as common varieties can be employed, from the near-white of
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and a 'French taste' in London furniture, starting in the late 1760s. Cabinet-makers associated with London-made marquetry furniture, 1765–1790, include
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or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right.
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demonstrating that the technique was highly advanced. The revival of the technique of veneered marquetry had its inspiration in 16th century
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Marquetry was not ordinarily a feature of furniture made outside large urban centers. Nevertheless, marquetry was introduced into
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mounts. Floral marquetry came into favor in
Parisian furniture in the 1750s, employed by cabinet-makers like
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Marquetry was a feature of some centers of German cabinet-making from c. 1710. The craft and artistry of
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The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "
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Another shading process is engraving fine lines into a picture and filling them with a mixture of
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Marquetry was not a mainstream fashion in 18th-century Italy, but the neoclassical marquetry of
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is completely covered in a colored marble facing using this demanding jig-sawn technique.
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The classic illustrated description of 18th century marquetry-making was contributed by
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to a structure to form decorative patterns or designs. The technique may be applied to
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images of paper and brush made entirely of different shades of flat veneer
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An example of sand-shading and shellac-inking; subject copied from a
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Art and craft applying pieces of veneer to form decorative patterns
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The Gubbio
Studiolo and its conservation, volumes 1 & 2
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European boxwood has a creamy white to pale yellow colour.
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785:"Couch and footstool with bone carvings and glass inlays"
532:, the French craftsman Pierre Langlois, and the firm of
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was the most famous amongst these famous masterpieces.
601:, made in Milan at the end of the century is notable.
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International
Federation of Building and Wood Workers
439:. Early masters of French marquetry were the Fleming
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647:has also been applied to marquetry. Among these is
56:. Unsourced material may be challenged and removed.
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431:, charged with providing furnishings to decorate
196:Marquetry differs from the more ancient craft of
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419:Techniques of wood marquetry were developed in
255:together, the latter acting as the background.
338:, has medieval parallels in Central Italian "
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651:, where the design is drawn or imported as a
3340:Surface decorative techniques in woodworking
520:1720. Marquetry was revived as a vehicle of
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166:pattern by Isaac Leonard Wise, circa 1934.
132:Casket, early 18th century, attributed to
116:Learn how and when to remove this message
3174:Building and Wood Workers' International
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228:or fine metals. Marquetry using colored
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140:, gilt copper, pewter and ebony, in the
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362:and colored marbles. In Florence, the
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739:Boxwood turns golden-tan as it ages.
423:and other Flemish centers of luxury
54:adding citations to reliable sources
25:
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3159:American Association of Woodturners
624:Modern marquetry cabinet made from
364:Chapel of the Medici at San Lorenzo
13:
435:and the other royal residences of
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3189:National Wood Carvers Association
812:
615:
610:Encyclopédie des Arts et Métiers,
429:royal manufactory of the Gobelins
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3164:Architectural Woodwork Institute
1453:Bronze and brass ornamental work
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461:or intricately foliate designs.
402:
392:The Inlay Technique of Marquetry
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377:
30:
1673:
797:from the original on 2018-06-12
181:, to variegate) is the art and
151:Marquetry picture, Germany 1776
41:needs additional citations for
3169:British Woodworking Federation
777:
748:
733:
528:and less familiar names, like
1:
3179:Caricature Carvers of America
757:"Boxwood: Buxus sempervirens"
726:
486:in the 1770s and 1780s. The
408:LaunchPad: Roentgen Marquetry
346:, for the "hardstones" used:
266:, "part" and "counterpart").
835:A Short History of Marquetry
534:William Ince and John Mayhew
207:
136:, oak carcass veneered with
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457:and brass with pewter in
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247:The French cabinet maker
3355:Wood-related terminology
412:Art Institute of Chicago
142:Art Institute of Chicago
19:Not to be confused with
1588:Painting in Hälsingland
827:Encyclopædia Britannica
291:water based), wax, and
3271:Frameless construction
2352:Wood-plastic composite
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185:of applying pieces of
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585:Royal Tunbridge Wells
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236:to the near-black of
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3345:History of furniture
3199:Timber Framers Guild
2053:Australian Blackwood
1608:Pressed flower craft
837:Includes a glossary.
761:Canadian Woodworking
543:Modern marquetry: a
480:Simon-François Oeben
445:André-Charles Boulle
443:and his son-in-law,
396:J. Paul Getty Museum
249:Andre-Charles Boulle
134:Andre-Charles Boulle
50:improve this article
23:, wood mosaic floors
2919:Hammer-headed tenon
2438:Janka hardness test
1025:Spinning (textiles)
943:Friendship bracelet
599:Giuseppe Maggiolini
484:Jean Henri Riesener
1780:Japanese carpentry
755:Mac Sween, Peter.
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526:Thomas Chippendale
512:craftsmen went to
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2048:African Blackwood
1840:Segmented turning
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1479:Balloon modelling
993:Ribbon embroidery
821:"Marquetry"
645:Cutting-edge tech
632:During the 1980s
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336:opere di commessi
173:(also spelled as
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489:Bureau du Roi
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67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
3083:Heat bending
3037:
3028:Edge banding
2800:Router plane
2795:Rebate plane
2755:Finger plane
2486:
2190:
2184:
2164:
2158:Lignum vitae
1916:
1910:
1875:Wood carving
1850:Shipbuilding
1835:Root carving
1804:
1795:Log building
1760:Chip carving
1571:Glass mosaic
1489:Bone carving
1289:Wood carving
1284:Wood burning
1278:
1259:Chip carving
1216:Scrapbooking
1201:Papier-mâché
1167:Papercutting
1120:Iris folding
1108:Photomontage
1103:Papier collé
1068:Altered book
928:Cross-stitch
841:
825:
799:. Retrieved
788:
779:
771:
766:21 September
764:. Retrieved
760:
750:
735:
643:
639:École Boulle
634:Georges Vriz
631:
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554:trompe-l'Ĺ“il
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530:John Linnell
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48:Please help
43:verification
40:
3350:Woodworking
3304:WikiProject
3250:Rift sawing
3240:Flat sawing
3128:Wood drying
2805:Scrub plane
2790:Razee plane
2740:Block plane
2594:Mitre clamp
2541:Wood scribe
2492:Combination
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1930:Douglas fir
1880:Woodturning
1713:Occupations
1675:Woodworking
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1561:Micromosaic
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1448:Silversmith
1365:Cameo glass
1322:Earthenware
1294:Woodturning
1206:Pop-up book
1191:Papermaking
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1003:Rug hooking
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953:Lace-making
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711:Damascening
691:Woodworking
678:Arts portal
501:Restoration
468:gilt-bronze
441:Pierre Gole
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323:Herculaneum
175:marqueterie
65:"Marquetry"
3329:Categories
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3066:Treatments
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2599:Pipe clamp
2564:Band clamp
2488:Carpenters
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1825:Pyrography
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1030:String art
1020:Shoemaking
1008:Rug making
978:Needlework
933:Embroidery
923:Crocheting
884:handicraft
801:2018-12-08
727:References
567:menuisiers
549:Silas Kopf
505:Charles II
433:Versailles
76:newspapers
3048:Parquetry
3043:Oystering
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2879:Butterfly
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2327:Hardboard
1988:Afromosia
1870:Whittling
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1279:Marquetry
1254:Carpentry
1249:Cabinetry
1226:Wallpaper
1152:Embossing
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1098:Decoupage
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968:Millinery
686:Parquetry
626:Tasmanian
581:Tonbridge
563:ébénistes
547:table by
459:arabesque
450:ébénistes
437:Louis XIV
356:cornelian
303:India ink
208:Materials
179:marqueter
171:Marquetry
164:parquetry
106:June 2011
21:parquetry
3294:Category
3073:Adhesive
3053:Purfling
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2974:Profiles
2899:Dovetail
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1810:Millwork
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1458:Ironwork
1274:Intarsia
1269:Fretwork
1264:Ébéniste
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1140:Kirigami
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1035:Tapestry
988:Quilting
948:Knitting
795:Archived
706:Intarsia
696:Lath Art
664:See also
628:timbers.
510:Huguenot
327:Florence
288:PVA glue
275:Moronobu
242:sycamore
202:intarsia
3314:Commons
3230:Whipsaw
3225:Sawmill
3118:Varnish
3113:Thermal
3088:Lacquer
3023:Binding
2992:Chamfer
2859:Biscuit
2825:Surform
2717:Whipsaw
2687:Keyhole
2672:Fretsaw
2652:Compass
2637:Bucksaw
2627:Bandsaw
2622:Backsaw
2604:Sawbuck
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2569:C-clamp
2443:Jointer
2347:Plywood
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2204:Meranti
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2163:Linden
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2058:Boxwood
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1940:Juniper
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1800:Luthier
1689:History
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1433:Etching
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1332:Pottery
1312:Azulejo
1304:Ceramic
1172:Chinese
1135:Origami
1125:Jianzhi
1093:Collage
1050:Weaving
1045:Tie-dye
1040:Tatting
963:Macrame
938:Felting
905:Textile
895:History
608:to the
551:, with
545:tangram
499:at the
421:Antwerp
340:Cosmati
329:and at
319:Pompeii
313:History
307:shellac
234:boxwood
90:scholar
3220:Hewing
2959:Splice
2914:Halved
2909:Groove
2904:Finger
2884:Coping
2869:Bridle
2846:Joints
2727:Planes
2712:Veneer
2702:Scroll
2697:Ripsaw
2682:Jigsaw
2657:Coping
2556:Clamps
2483:Square
2473:Shaper
2468:Router
2448:Mallet
2423:Gimlet
2398:Chisel
2294:Willow
2284:Walnut
2274:Totara
2264:Sapele
2229:Poplar
2214:Padauk
2176:Merbau
2148:Jarrah
2133:Imbuia
2128:Idigbo
2093:Cumaru
2078:Cherry
2003:Anigre
1965:Spruce
1918:Cedrus
1785:Khatam
1740:Caning
1703:lumber
1566:Mosaic
1423:Enamel
1390:Mirror
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1177:Jewish
1015:Sewing
998:Carpet
716:Yosegi
701:Khatam
657:vector
612:1770.
514:London
463:Boulle
352:jasper
331:Naples
260:partie
222:pewter
187:veneer
92:
85:
78:
71:
63:
3098:Paint
3007:Ovolo
3002:Ogive
2987:Bevel
2954:Scarf
2939:Miter
2707:Table
2692:Miter
2667:Frame
2584:Gripe
2500:Speed
2496:Miter
2428:Gauge
2418:Float
2413:Fence
2408:Drill
2366:Tools
2289:Wenge
2279:Utile
2244:Ramin
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2171:Lovoa
2143:Iroko
2113:Hazel
2098:Ebony
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2033:Beech
2028:Balsa
2018:Aspen
2013:Apple
1993:Alder
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1945:Larch
1907:Cedar
1890:Woods
1865:Treen
1467:Other
1405:Metal
1357:Glass
1115:Decal
1060:Paper
958:Lucet
606:Roubo
277:print
238:ebony
230:straw
226:brass
200:, or
198:inlay
183:craft
97:JSTOR
83:books
2997:Ogee
2982:Bead
2924:Knee
2894:Dado
2874:Butt
2614:Saws
2526:Vise
2463:Rasp
2388:Adze
2269:Teak
2224:Plum
2219:Pear
1980:Hard
1960:Rimu
1955:Pine
1899:Soft
1699:Wood
1536:Inro
1347:Tile
1236:Wood
882:and
768:2024
583:and
576:.
574:Iran
478:and
348:onyx
321:and
305:and
283:fret
262:and
216:"),
69:news
3123:Wax
3093:Oil
2929:Lap
2864:Box
2632:Bow
2504:Try
2383:Axe
2337:OSB
2332:MDF
2209:Oak
2138:IpĂŞ
2103:Elm
2008:Ash
1970:Yew
1935:Fir
655:or
653:CAD
579:At
569:).
503:of
52:by
3331::
2502:,
2498:,
2494:,
2490:,
2189:,
1915:,
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