274:
1267:
Oxford
University Press, 2001, p. 192: "...it appears increasingly likely that most of Bach's vocal works were composed for a 'chorus' comprising a single singer on each part. Orchestral parts, too, were rarely doubled, except for the violin and continuo lines. Thus what many modern listeners have
655:
of Bach, notably arguing in detail that No. 2 in B minor, BWV 1067, is based on an earlier version in A minor in which the solo instrument was not the flute. Rifkin has created reconstructions of J.S. Bach's posited Oboe
Concerti: for oboe, strings, and continuo in D minor, from
1582:
303:"Best-Selling Classical LPs" chart for September 28, 1974 has the record at No. 5, with the follow-up "Volume 2" at No. 4, and a combined set of both volumes at No. 3. Separately both volumes had been on the chart for 64 weeks.
248:. Rifkin argued that "so long as we define 'chorus' in the conventional modern sense, then Bach's chorus with few exceptions simply did not exist." He is best known, however, for playing a central role in the
1306:
Joshua Rifkin, "The B-Minor Flute Suite
Deconstructed" in Gregory Butler (ed.), Bach Perspectives, nr 6: J. S. Bach's Concerted Ensemble Music, The Ouverture 2007: University of Illinois Press», pp. 1–98,
315:
402:, an idea generally rejected by his peers when he first proposed it in 1981. In the 21st century, the idea has become influential, although it has not achieved consensus in the field. The conductor
318:, but at the ceremony on March 14, 1972, Rifkin did not win in any category. His work as a revivalist of Joplin's work immediately preceded the recording and subsequent performances of
421:
Other conductors and ensembles have followed Rifkin and
Parrott in mounting performances that use some form of the vocal scoring argued for by Rifkin. Among them are: Butt with the
688:. All the original movements are keyboard settings. They reflect the Baroque oboe idiom convincingly. In that form, they evince the influence of the Venetian school, notably
1479:
1268:
come to regard as massive choral movements for large choir and orchestra are in fact examples of chamber music for vocal soloists and a small instrumental ensemble."
927:
and recently reissued on CD. In a related vein, Rifkin sang the countertenor solo in the 1962 premiere performance of the spoof cantata "Iphigenia in
1698:
1648:
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790:. He is noted for his research in the field of Renaissance and Baroque music: he has examined the authorship and chronology of music attributed to
414:
in 1981, a presentation he was unable to complete because of a strong audience reaction). Bach scholars as Daniel
Melamed, David Schulenberg, and
355:
In August 1990, Rifkin recorded a CD for the Decca label (catalog number 425 225) featuring rags by two of the other major composers of ragtime,
295:)—which were presented as classical music recordings—were critically acclaimed, commercially successful and led to other artists exploring the
1449:
1332:
Rifkin, Joshua (2000). "Siegesjubel und
Satzfehler. Zum Problem von "Nun ist das Heil und die Kraft" (BWV 50)". Bach-Jahrbuch 86: 67–86
638:
in
November 2006. It is the first edition to follow strictly Bach's final version from 1748 to 1750, not intermixing readings from the
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1499:
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1312:
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in 1727, not 1729 as was previously believed. Rifkin's scholarly critical edition of Bach's Mass in B minor was published by
1723:
1693:
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644:(the first version of the Kyrie and Gloria), and posits novel solutions to removing edits made posthumously by Bach's son
515:
with the
Ricercar Consort (Magnificat, masses and cantatas), Jeffrey Thomas (who has also often used multi-voice choirs),
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genre. It sold 100,000 copies in its first year and eventually became
Nonesuch's first million-selling record. The
1658:
883:
1018:
Rifkin, Joshua (2018). "Siegesjubel und
Satzfehler. Zum Problem von "Nun ist das Heil und die Kraft" (BWV 50)".
410:; Boydell Press, 2000; as an appendix, the book includes the original paper that Rifkin began to present to the
411:
1067:
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330:(originally the New England Conservatory Ragtime Ensemble); and the later adaptation of Joplin's music by
1297:
Joshua Rifkin, "The Chronology of Bach's Saint Matthew Passion," Musical Quarterly (61 (1975), pp. 360–87
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1097:"Faculty Profile: Joshua Rifkin » Musicology & Ethnomusicology | Boston University"
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814:
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825:, Victorian State Symphony, and Israel Camerata Jerusalem. He has led operatic productions at
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wrote that by giving artists like Rifkin the opportunity to put Joplin's music on record,
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One of Rikfin's widely accepted findings, which he published in 1975, is that Bach's
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Technical notes in the CD cover of Rifkin's own recording: Pro Arte digital CDD 153.
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Rifkin is known among classical musicians for his theory which says that most of
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910:
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496:
403:
997:
Rifkin, Joshua (July 1975). "The Chronology of Bach's Saint Matthew Passion".
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among others) and made a recording of his humorous re-imaginings of music by
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1373:"Episode 9 — A Portrait of Wildflowers with Judy Collins and Joshua Rifkin"
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and received his Bachelor of Science degree in 1964. He also studied with
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1611:(Joshua Rifkin's response to Sherman's article, originally published in
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Rifkin is best known to classical musicians for his thesis that much of
968:
Rifkin, Joshua (November 1982). "Bach's Chorus: A Preliminary Report".
534:
218:
214:
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989:
833:, Munich. He has recorded music of Handel, Mozart, and Haydn with the
273:
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616:, and Dorian labels, all with his Bach Ensemble and various singers.
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335:
953:. Dortmunder Bach-Forschungen 5. Dortmund: Klangfarben Musikverlag.
1589:"Re-inventing Wheels: Joshua Rifkin on Interpretation and Rhetoric"
1398:"LINER NOTES FOR THE EVEN DOZEN JUG BAND'S THE EVEN DOZEN JUG BAND"
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was not written by Bach, but by an as-yet-unidentified composer.
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with the Dutch ensemble Capella Pratensis; that 2011 CD, titled
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in Rifkin's critical edition of the work, discussed below, the
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As a conductor and keyboard soloist, he has appeared with the
1450:"Hark! That Other Bach Returns To Wreak Havoc on 57th Street"
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553:
169:
76:
1279:
Bach’s Dialogue with Modernity: Perspectives on the Passions
1216:"The Ragtime Revival-A Belated Ode to Composer Scott Joplin"
1170:
540:
Rifkin himself has recorded Bach's Mass in B minor—his 1981
233:; as a scholar has published research on composers from the
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with the Boston Camerata Chamber Singers, and music of the
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revival in the 1970s, with the three albums he recorded of
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156:
672:; in A major for oboe d'amore, strings, and continuo from
763:
where he received his M.F.A. in 1969. Rifkin worked with
316:
Best Instrumental Soloist Performance (without orchestra)
225:. As a performer he has recorded music by composers from
676:; in E-flat major for oboe, strings, and continuo from
774:
Rifkin has taught at several universities, including
27:
American conductor, keyboard player, and musicologist
277:
Cover of Scott Joplin's Magnetic Rag, published 1914
1247:, Oxford University Press, 2005, Chapters 1 and 2,
352:"created, almost alone, the Scott Joplin revival."
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1355:"20th century violin concertante - Rifkin, Joshua"
1190:
841:. As a choral conductor he has recorded motets of
976:(1677). Musical Times Publications Ltd.: 747–54.
861:for violin resp. piano both written in 1961. The
1630:
1281:, Cambridge University Press, 2010, Chapter 4,
1225:
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281:Rifkin's Joplin albums (the first of which was
1591:(interview with Rifkin from Bernard Sherman's
877:In the 1960s, Rifkin created arrangements for
872:
1424:"Liner Notes for "The Baroque Beatles Book""
1061:
857:. Among his works as a composer are the two
1529:(December 24, 1979). New York Media LLC: 81
802:. Rifkin has also published research about
1068:The Guinness Encyclopedia of Popular Music
1057:
1055:
1053:
1051:
1049:
917:in the style of the 18th century, notably
651:Rifkin has done extensive research on the
608:, 182, 202, 209, 216, and others, for the
221:. He is currently a professor of music at
619:
1699:Fiorello H. LaGuardia High School alumni
1649:21st-century American conductors (music)
1644:20th-century American conductors (music)
709:in 2000, Rifkin argued that the cantata
306:The album was nominated in 1971 for two
272:
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519:(Mass in B minor, St Matthew Passion),
406:wrote a book arguing for the position (
383:
14:
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1556:. Woodbridge, Suffolk: Boydell Press.
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1017:
996:
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712:Nun ist das Heil und die Kraft, BWV 50
1150:Nonesuch Records CD (w/bonus tracks)"
794:; Renaissance music manuscripts; the
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213:(born April 22, 1944) is an American
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1208:
1202:
244:'s choral works were sung with only
1583:"Joshua Rifkin: Authentic at Heart"
1448:Blau, Eleanor (December 25, 1995).
24:
1621:by Uri Golomb, first published in
1542:
1342:Vivat Leo! Music for a Medici Pope
851:Vivat Leo! Music for a Medici Pope
25:
1740:
1571:
263:
1654:American male conductors (music)
1118:Fenton, James (April 26, 2003).
328:The New England Ragtime Ensemble
322:, orchestrations of 15 rags, by
1480:"Entertainment Awards Database"
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1619:"Interview with Joshua Rifkin"
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1111:
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412:American Musicological Society
392:'s vocal music, including the
13:
1:
1623:Goldberg Early Music Magazine
1039:
727:in the Music Division at the
1500:"Best Selling Classical LPs"
1344:SACD Rifkin (Challenge) 2011
743:(1966–1967), and later with
703:In a paper published in the
7:
1724:Princeton University alumni
1694:Even Dozen Jug Band members
1684:Brandeis University faculty
1498:Billboard magazine (1974).
873:Work in non-classical music
10:
1745:
1719:New York University alumni
1704:Harvard University faculty
1605:, Summer 1999, p. 48)
1471:
823:Scottish Chamber Orchestra
798:around 1500; and music of
544:recording won the 1982–83
449:(Mass in B minor, several
418:have argued in its favor.
398:, was performed with only
246:one singer per choral line
1679:Boston University faculty
1609:"Schering's Wacky Theory"
1585:(interview from Ha'aretz)
811:English Chamber Orchestra
495:, and several cantatas),
400:one singer per voice part
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39:
32:
1615:, Fall 1999, p. 48)
1554:The Essential Bach Choir
1506:(September 28, 1974): 61
924:The Baroque Beatles Book
893:. He performed with the
408:The Essential Bach Choir
287:in November 1970 on the
284:Scott Joplin: Piano Rags
126:Scott Joplin: Piano Rags
1709:Juilliard School alumni
1689:Elektra Records artists
1578:Joshua Rifkin biography
1245:Hearing Bach's Passions
1191:Billboard magazine 1974
1148:Scott Joplin Piano Rags
949:Rifkin, Joshua (2002).
863:Winter piece for violin
829:in Switzerland and the
741:University of Göttingen
630:was first performed on
548:in the Choral category—
378:
86:University of Göttingen
1659:American musicologists
1032:10.13141/bjb.v20001697
837:Chamber Orchestra and
815:San Francisco Symphony
636:Breitkopf & Härtel
620:Other Bach scholarship
278:
1625:51 (June 2008): 56–67
1599:"Rifkin's Pesky Idea"
1428:richieunterberger.com
1422:Unterberger, Richie.
1402:richieunterberger.com
1265:Music of the Baroque,
999:The Musical Quarterly
831:Bayerische Staatsoper
765:Karlheinz Stockhausen
390:Johann Sebastian Bach
276:
237:to the 20th century.
1214:Kronenberger, John.
1011:10.1093/mq/LXI.3.360
915:Lennon and McCartney
761:Princeton University
739:(1964–1966), at the
723:Rifkin studied with
552:, and cantatas nos.
509:Lars Ulrik Mortensen
499:(St. John Passion),
384:Bach's vocal scoring
367:compositions by the
90:Princeton University
1613:Early Music America
1603:Early Music America
1519:Rich, Alan (1979).
1263:David Schulenberg,
1243:Daniel R. Melamed,
1075:. pp. 2090/1.
1073:Guinness Publishing
951:Bach's Choral Ideal
895:Even Dozen Jug Band
839:Capella Coloniensis
776:Brandeis University
737:New York University
725:Vincent Persichetti
511:(Mass in B minor),
507:(Mass in B minor),
457:, and the motets),
231:Silvestre Revueltas
82:New York University
1593:Inside Early Music
1504:Billboard Magazine
1454:The New York Times
1171:"Nonesuch Records"
1071:(First ed.).
819:St. Louis Symphony
771:in 1961 and 1965.
719:Studies and career
627:St Matthew Passion
526:Christmas Oratorio
481:St Matthew Passion
473:Christmas Oratorio
468:St Matthew Passion
461:(Mass in B minor,
442:St Matthew Passion
431:, Cantata no. 63,
395:St Matthew Passion
279:
1563:978-0-85115-786-3
1484:Los Angeles Times
1359:Tobias-broeker.de
1313:978-0-252-03042-0
1287:978-0-521-88356-6
1222:, August 11, 1974
970:The Musical Times
960:978-3-932676-10-9
865:was premiered by
788:Boston University
653:orchestral suites
517:Jos van Veldhoven
459:Sigiswald Kuijken
345:New York Magazine
338:(1973). In 1979,
320:The Red Back Book
223:Boston University
208:
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16:(Redirected from
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513:Philippe Pierlot
463:St. John Passion
455:St. John Passion
447:Konrad Junghänel
437:St. John Passion
373:Ernesto Nazareth
350:Nonesuch Records
324:Gunther Schuller
312:Best Album Notes
258:Nonesuch Records
183:Nonesuch Records
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800:Heinrich SchĂĽtz
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537:in the motets.
533:, motets), and
492:Easter Oratorio
433:Mass in B minor
423:Dunedin Consort
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332:Marvin Hamlisch
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227:Antoine Busnois
217:, pianist, and
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497:Monica Huggett
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1193:, p. 61.
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1120:"One for all"
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1054:
1052:
1050:
1045:
1033:
1029:
1025:
1021:
1020:Bach-Jahrbuch
1016:
1012:
1008:
1005:(3): 360–87.
1004:
1000:
995:
991:
987:
983:
979:
975:
971:
966:
962:
956:
952:
947:
946:
940:
938:
934:
933:P. D. Q. Bach
930:
926:
925:
920:
916:
912:
908:
904:
903:Maria Muldaur
900:
899:David Grisman
896:
892:
891:
886:
885:
880:
870:
868:
867:Paul Zukofsky
864:
860:
859:Winter pieces
856:
855:Diapason d'Or
852:
848:
844:
840:
836:
835:Concertgebouw
832:
828:
827:Theater Basel
824:
820:
816:
812:
807:
805:
801:
797:
793:
789:
785:
781:
778:(1970–1982),
777:
772:
770:
766:
762:
758:
754:
750:
746:
745:Arthur Mendel
742:
738:
734:
733:Gustave Reese
730:
726:
716:
714:
713:
708:
707:
706:Bach-Jahrbuch
701:
699:
695:
691:
687:
683:
679:
675:
671:
667:
663:
659:
654:
649:
647:
643:
642:
637:
633:
629:
628:
617:
615:
614:L'Oiseau-lyre
611:
607:
603:
599:
595:
591:
587:
583:
579:
575:
571:
567:
563:
559:
555:
551:
547:
543:
538:
536:
532:
528:
527:
522:
518:
514:
510:
506:
502:
498:
494:
493:
488:
487:
482:
478:
477:Paul McCreesh
474:
470:
469:
464:
460:
456:
452:
448:
444:
443:
438:
434:
430:
429:
424:
419:
417:
413:
409:
405:
401:
397:
396:
391:
376:
374:
370:
366:
362:
358:
353:
351:
347:
346:
341:
337:
334:for the film
333:
329:
325:
321:
317:
313:
309:
304:
302:
298:
294:
290:
286:
285:
275:
261:
259:
256:'s works for
255:
251:
247:
243:
238:
236:
232:
228:
224:
220:
216:
212:
211:Joshua Rifkin
200:
194:
191:
189:
188:Decca Records
186:
184:
181:
180:
178:
174:
171:
168:
164:
158:
154:
150:
147:
146:
144:
140:
137:
133:
128:
127:
122:
116:
109:
106:
105:
103:
99:
95:
91:
87:
83:
78:
74:
71:
67:
62:
58:
57:New York City
52:(age 80)
42:
38:
34:Joshua Rifkin
31:
19:
1622:
1612:
1602:
1592:
1553:
1531:. Retrieved
1524:
1508:. Retrieved
1503:
1487:. Retrieved
1483:
1457:. Retrieved
1453:
1443:
1431:. Retrieved
1427:
1417:
1405:. Retrieved
1401:
1392:
1380:. Retrieved
1376:
1367:
1358:
1349:
1341:
1337:
1328:
1319:
1302:
1293:
1278:
1273:
1264:
1259:
1244:
1239:
1227:
1219:
1210:
1198:
1186:
1174:. Retrieved
1165:
1153:. Retrieved
1147:
1140:
1128:. Retrieved
1124:The Guardian
1123:
1113:
1101:. Retrieved
1091:
1066:
1063:Colin Larkin
1023:
1019:
1002:
998:
973:
969:
950:
943:Bibliography
922:
897:(along with
888:
882:
879:Judy Collins
876:
862:
858:
850:
847:Medici Codex
808:
804:Anton Webern
773:
722:
710:
704:
702:
650:
639:
625:
623:
549:
539:
524:
490:
484:
480:
466:
440:
426:
420:
407:
393:
387:
354:
343:
310:categories:
308:Grammy Award
305:
282:
280:
254:Scott Joplin
239:
219:musicologist
210:
209:
193:EMI Classics
135:
124:
119:Notable work
1639:1944 births
1459:October 29,
1433:October 29,
1407:October 29,
1382:October 29,
1277:John Butt,
921:, known as
890:Wildflowers
757:Ernst Oster
646:C.P.E. Bach
632:Good Friday
612:, Mainach,
501:Eric Milnes
361:James Scott
357:Joseph Lamb
235:Renaissance
101:Occupations
18:Josh Rifkin
1633:Categories
1478:LA Times.
1103:January 8,
1040:References
884:In My Life
641:1733 Missa
550:Magnificat
535:Peter Kooy
486:Magnificat
428:Magnificat
166:Instrument
46:1944-04-22
1533:August 5,
1489:March 17,
1232:Rich 1979
1176:March 19,
1155:March 19,
1026:: 67–86.
869:in 1962.
769:Darmstadt
416:John Butt
371:composer
369:Brazilian
340:Alan Rich
336:The Sting
301:Billboard
289:classical
215:conductor
153:classical
110:professor
69:Education
1552:(2000).
1526:New York
1510:July 29,
1203:LA Times
1130:June 25,
1126:. London
1099:. Bu.edu
929:Brooklyn
853:, won a
690:Marcello
674:BWV 1055
610:Nonesuch
542:Nonesuch
531:cantatas
451:cantatas
293:Nonesuch
61:New York
1521:"Music"
1472:Sources
780:Harvard
698:Vivaldi
694:Corelli
342:in the
297:ragtime
250:ragtime
149:Ragtime
107:Pianist
1560:
1311:
1285:
1251:
1079:
990:961592
988:
957:
909:, and
782:, and
755:, and
696:, and
678:BWV 49
658:BWV 35
439:, and
363:, and
291:label
269:Joplin
176:Labels
142:Genres
129:(1970)
63:, U.S.
986:JSTOR
931:" by
796:motet
365:tango
170:Piano
1558:ISBN
1535:2011
1512:2011
1491:2009
1461:2023
1435:2023
1409:2023
1384:2023
1309:ISBN
1283:ISBN
1249:ISBN
1178:2009
1157:2009
1132:2013
1105:2017
1077:ISBN
955:ISBN
919:Bach
887:and
784:Yale
686:1053
684:and
670:1059
668:and
666:1056
379:Bach
359:and
326:and
314:and
242:Bach
157:Jazz
40:Born
1028:doi
1007:doi
978:doi
974:123
939:).
767:at
759:at
735:at
682:169
662:156
606:172
602:158
598:147
594:140
590:131
586:106
445:),
229:to
155:),
94:MFA
1635::
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1048:^
1024:86
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1003:61
1001:.
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