509:
466:
540:
480:
526:
556:
452:
495:
576:
27:
305:
330:
in 1897, he was unsuccessful. The following year, his brother Rafael died, aged only thirty-three. He participated in the 1899 National
Exhibition, being awarded a third-class medal. It was then that he began teaching at the art school and married Francisca Pellicer López, who was also from a family
376:
By 1928, his health was visibly declining and his doctors advised him to take a long rest. Exhausted from overwork and liver disease, he returned to his hometown in 1930 to recuperate, but continued to work. He left two paintings unfinished when he died at the age of fifty-five. Much of the city
342:(depicting prostitution), was rejected for being immoral, but received more attention from the public than the winning entries. At the Exhibition of 1908, he was awarded a first-class medal for his
135:
309:
261:
465:
508:
355:
698:
386:
91:
323:
63:
44:
693:
667:
708:
539:
479:
373:, and was a resounding success. Shortly after, he was elected a full member of the Real Academia, and the academy in Córdoba.
70:
622:
525:
361:
He represented the
Academia at numerous international exhibitions, but his greatest success came in 1922 when he went to
77:
110:
392:
59:
287:. When he was ten, he began his apprenticeship with his father at the School Of Fine Arts. His first known works,
346:. In 1912, his work went unrecognized again, but his admirers presented him with his own gold medal, sculpted by
314:
703:
555:
48:
284:
198:
652:
451:
370:
266:
494:
627:
Francisco Calvo
Serraller, "La hora de iluminar lo negro: tientos sobre Julio Romero de Torres", in:
610:
84:
350:. After being snubbed at the Exhibition of 1915, he stopped participating, but chose to settle in
327:
257:
37:
396:
688:
683:
546:
441:
404:
280:
226:
193:
297:
8:
648:
326:, where he received honorable mention. Although he attempted to win a scholarship to the
334:
During these years, he travelled extensively, visiting Italy, France, England, and the
400:
618:
575:
395:
at his former residence in Córdoba houses examples of his works, as well as works by
366:
181:
162:
241:
516:
613:, "Julio Romero de Torres, pintor" and "Romero de Torres en la Argentina", in:
408:
677:
347:
335:
581:
562:
362:
354:. In 1916, he became a Professor of "Antique Drawing and Clothing" at the
295:, date from 1889. Two years later, he was providing illustrations for the
134:
661:
596:
670:@ Pintura Mural Cordobesa (Instituto Andaluz del Patrimonio Histórico)
369:. His presentation included a catalog written by the famous author,
26:
253:
617:, exhibition catalog, Granada, Fundación Rodríguez-Acosta, 1991
351:
304:
331:
of artists. He was named a
Professor at the school in 1903.
656:
631:, exhibition catalog, Fundación Cultural Mapfre Vida, 1993.
651:
in
English about Julio Romero de Torres both in web and
638:, Córdoba, Ayuntamiento, Delegación de Cultura, 1974.
411:. Some of his important works at the museum include
252:(9 November 1874 – 10 May 1930) was a Spanish
51:. Unsourced material may be challenged and removed.
365:with his brother Enrique to open a showing at the
338:. At the National Exhibition of 1906, his entry,
675:
356:Real Academia de Bellas Artes de San Fernando
636:Julio Romero de Torres, su vida y su mundo
615:Ramón Pérez de Ayala y las artes plásticas
387:es:Anexo:Cuadros de Julio Romero de Torres
283:, a painter who served as Director of the
322:In 1895, he had his first showing at the
308:Monument to Romero in Córdoba (1940), by
111:Learn how and when to remove this message
574:
303:
676:
380:
49:adding citations to reliable sources
20:
13:
629:Julio Romero de Torres (1874-1930)
14:
720:
699:20th-century Spanish male artists
642:
554:
538:
524:
507:
493:
478:
464:
450:
393:Museum of Julio Romero de Torres
324:National Exhibition of Fine Arts
133:
25:
585:, on the 100 Peseta note (1953)
36:needs additional citations for
590:
1:
694:20th-century Spanish painters
570:
662:Museo Julio Romero de Torres
274:
7:
657:Spanish Old Masters Gallery
472:Nuestra Señora de Andalucía
433:La consagración de la copla
413:Amor místico y amor profano
285:Fine Arts Museum of Córdoba
214:Amor místico y amor profano
199:Fine Arts Museum of Córdoba
10:
725:
709:People from Córdoba, Spain
634:Francisco Zueras Torrent,
604:
384:
237:
204:
189:
170:
144:
132:
125:
271:, also became painters.
60:"Julio Romero de Torres"
328:Spanish Academy in Rome
310:Juan Cristóbal González
139:Photograph, c.1895-1905
586:
371:Ramón del Valle-Inclán
319:
250:Julio Romero de Torres
149:Julio Romero de Torres
127:Julio Romero de Torres
704:Spanish male painters
578:
377:turned out to mourn.
307:
611:Ramón Pérez de Ayala
547:La chiquita piconera
442:La chiquita piconera
405:Antonio del Castillo
281:Rafael Romero Barros
227:La chiquita piconera
194:Rafael Romero Barros
45:improve this article
668:Biography of Romero
417:El Poema de Córdoba
649:Scholarly articles
597:Museo Julio Romero
587:
532:Oranges and Lemons
397:Francisco Zurbarán
381:Selected paintings
320:
279:He was the son of
220:Naranjas y limones
623:978-84-604-0750-8
340:Nurseries of Love
298:Diario de Córdoba
247:
246:
121:
120:
113:
95:
716:
599:
594:
558:
542:
528:
511:
497:
482:
468:
454:
318:
270:
256:. His brothers,
207:
177:
158:
156:
137:
123:
122:
116:
109:
105:
102:
96:
94:
53:
29:
21:
724:
723:
719:
718:
717:
715:
714:
713:
674:
673:
645:
607:
602:
595:
591:
573:
566:
559:
550:
543:
534:
529:
520:
517:Venus of Poetry
512:
503:
498:
489:
483:
474:
469:
460:
455:
401:Alejo Fernández
389:
383:
367:Witcomb Gallery
312:
289:Head of an Arab
277:
264:
233:
205:
197:
185:
179:
175:
166:
160:
159:9 November 1874
154:
152:
151:
150:
140:
128:
117:
106:
100:
97:
54:
52:
42:
30:
17:
16:Spanish painter
12:
11:
5:
722:
712:
711:
706:
701:
696:
691:
686:
672:
671:
665:
659:
644:
643:External links
641:
640:
639:
632:
625:
606:
603:
601:
600:
588:
579:His painting,
572:
569:
568:
567:
560:
553:
551:
544:
537:
535:
530:
523:
521:
513:
506:
504:
499:
492:
490:
484:
477:
475:
470:
463:
461:
456:
449:
382:
379:
276:
273:
245:
244:
239:
235:
234:
232:
231:
223:
217:
210:
208:
202:
201:
191:
187:
186:
180:
178:(aged 55)
172:
168:
167:
161:
148:
146:
142:
141:
138:
130:
129:
126:
119:
118:
33:
31:
24:
15:
9:
6:
4:
3:
2:
721:
710:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
681:
679:
669:
666:
663:
660:
658:
654:
650:
647:
646:
637:
633:
630:
626:
624:
620:
616:
612:
609:
608:
598:
593:
589:
584:
583:
577:
565:
564:
557:
552:
549:
548:
541:
536:
533:
527:
522:
519:
518:
510:
505:
502:
496:
491:
487:
486:Self-portrait
481:
476:
473:
467:
462:
459:
453:
448:
447:
446:
444:
443:
438:
434:
430:
426:
422:
421:Marta y María
418:
414:
410:
406:
402:
398:
394:
388:
378:
374:
372:
368:
364:
359:
357:
353:
349:
348:Julio Antonio
345:
341:
337:
336:Low Countries
332:
329:
325:
316:
311:
306:
302:
301:
299:
294:
290:
286:
282:
272:
268:
263:
259:
255:
251:
243:
240:
236:
229:
228:
224:
221:
218:
215:
212:
211:
209:
203:
200:
195:
192:
188:
183:
173:
169:
164:
147:
143:
136:
131:
124:
115:
112:
104:
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
635:
628:
614:
592:
582:La Fuensanta
580:
563:La Fuensanta
561:
545:
531:
515:
500:
485:
471:
457:
440:
436:
432:
428:
424:
420:
416:
412:
390:
375:
363:Buenos Aires
360:
343:
339:
333:
321:
296:
293:On Horseback
292:
288:
278:
249:
248:
225:
219:
213:
206:Notable work
176:(1930-05-10)
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
689:1930 deaths
684:1874 births
429:Cante hondo
409:Valdés Leal
313: [
265: [
174:10 May 1930
678:Categories
571:References
385:See also:
344:Gypsy Muse
196:(father),
155:1874-11-09
71:newspapers
664:, Córdoba
275:Biography
242:Symbolism
190:Education
101:June 2021
501:La Saeta
488:(c.1905)
425:La saeta
238:Movement
605:Sources
262:Enrique
254:painter
184:, Spain
182:Córdoba
165:, Spain
163:Córdoba
85:scholar
655:@ the
621:
439:, and
437:Carmen
407:, and
352:Madrid
258:Rafael
230:(1930)
222:(1927)
216:(1920)
87:
80:
73:
66:
58:
317:]
269:]
92:JSTOR
78:books
619:ISBN
514:The
458:Fate
391:The
291:and
260:and
171:Died
145:Born
64:news
653:PDF
47:by
680::
445:.
435:,
431:,
427:,
423:,
419:,
415:,
403:,
399:,
358:.
315:es
300:.
267:es
157:)
153:(
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.