47:, with dances choreographed by Morris. Morris described the thirteen year-old as "tall and slender, with a very fair skin, and pale golden hair that hung to her shoulders; she was a serious child – devoted to her dancing – she seldom smiled, and had large, thoughtful eyes, but her full curling lips held a promise of sensuality not yet awakened." Dillon was trained in Morris's dance technique, which focused on natural, expressionistic movement with bare feet and loose clothing, in contrast to classical ballet. Dillon inspired Galsworthy to write the ballet
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Kathleen continued to perform as one of Morris's 'Dancing
Children' at Morris's club, theatre and school in Chelsea, London. She moved in with Morris and her mother and began teaching at the school. Dillon also performed with other small theatres in Chelsea, including the Greenleaf Theatre, run by
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in July 1922. She toured
Scotland with the Arts League of Service in September and October 1924 and appeared with them in London in January 1925. Between 1926 and 1927 Dillon danced in a number of performances with the Studio Rhythme et Coleur in Paris, led by Margaret Morris's former pupils,
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Kathleen Dillon was born in
Croydon in 1898. Her parents were Horace Robert Linn Dillon and Mary Ann Dillon (née House). Kathleen’s parents had wanted her to be a teacher but she rebelled against this decision at an early age and persuaded her mother to answer an advertisement in
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was inspired by a hat Dillon had made which "was not merely a hat, but a continuation of the girl’s character, her mouth, her nostril, the curl of her hair – her whole character – (feeling of her) like Burns’s ‘love is like a red red rose."
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before 1916. In June 1919 Dillon married Corris W. Evans, a solicitor, and had a son by him in 1921. In 1929 she had an affair with the artist
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In 1931 she married the musician Angus
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After leaving the
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Rhythm and Colour: Hélène Vanel, Loïs Hutton & Margaret Morris
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Rhythm and Colour: Hélène Vanel, Loïs Hutton & Margaret Morris
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Rhythm and Colour: Hélène Vanel, Loïs Hutton & Margaret Morris
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Dillon's striking Pre-Raphaelite looks inspired artists such as
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22:(1898-1990) was a British dancer and theatre designer.
429:. De Valois, Ninette, 1898-2001. London: H. Hamilton.
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as one of six children to dance in
Galsworthy's play
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Ninette de Valois : idealist without illusions
252:Brockington, Grace; Tobin, Claudia (2019-03-25).
35:for child dancers. In May 1911 she was chosen by
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363:. Glasgow: Blackie & Son Ltd. p. 103.
231:. Glasgow: Blackie & Son Ltd. p. 101.
414:. Edinburgh: Golden Hare. pp. 241–244.
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324:Katherine Mansfield and Psychology
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425:Walker, Kathrine Sorley. (1987).
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348:"The Sketch". 5 December 1917.
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399:"The Times". 8 January 1925.
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300:. Boydell & Brewer Ltd.
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254:"London's Little Theatres"
475:British theatre designers
410:Emerson, Richard (2018).
361:The Art of J.D. Fergusson
359:Morris, Margaret (1974).
229:The Art of J.D. Fergusson
227:Morris, Margaret (1974).
212:Emerson, Richard (2018).
197:Morris, Margaret (1967).
169:Emerson, Richard (2018).
49:Spring and the Four Winds
86:. Fergusson's 1916 work
480:Women theatre designers
294:Lloyd, Stephen (2014).
96:Mayfair and Montmartre
55:Maxwell Armstrong and
120:Beauty and the Beast
258:British Art Studies
199:My Galsworthy Story
100:Charles B. Cochran
334:978-1-4744-1755-6
307:978-1-84383-898-2
124:A Daughter of Eve
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470:1990 deaths
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136:John Rodker
88:Rose Rhythm
65:John Rodker
459:Categories
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149:References
118:' ballets
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