856:
328:). It proved such a ratings success that its original 13-episode contract was extended to 39 episodes after only seven weeks on air, and this encouraged Channel 0 to capitalise on this success by commissioning a second series that would appeal to younger viewers. Both programs showcased the emerging 'beat' pop trend, and provided an energetic alternative to the mainstream family-oriented variety format of the rival
606:". Several of the cast became virtual pop stars in their own right. Tony Healey was one of the most popular and, along with Bob Pritchard, had their own fan clubs. Alex Silbersher was reportedly chased up three flights of stairs by a horde of girls when a promotion at a Sydney shopping centre got out of control.
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Alongside the appearances by local pop groups, the producers also came up with a simple and cost-effective way of showcasing current international hits. In those days, purpose-made music videos (then called "film clips") were only just beginning to be used to promote new recordings. Australia's great
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producers, DYT, were concerned about the increased competition from their rival, which cost less to produce. The article suggested the move might saturate the pop market and lead to a drop in ratings all round, as well as over-exposing the relatively small pool of
Australia's top-ranking pop talent.
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was to use a troupe of young performers who danced and/or mimed to the latest overseas hits. The producers hired a group of about a dozen
Melbourne teenagers, chosen for their looks, fashion sense and dancing ability. The regular cast roster included Ian Meldrum, Tony Healey, David Bland, Alex
577:
For the mimed segments, the producers matched the performers with a particular style of music. In spite of her fair skin, Jillian
Fitzgerald, chosen for her dancing ability, was given the "soul" category, and mimed to R&B classics like Ike and Tina's
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The latter concern was borne out by Jim Keays' comments in his autobiography, in which he reported that The
Masters Apprentices were invited on both shows so regularly that they eventually had to ration their appearances for fear of overexposure.
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were subsequently erased or disposed of. The small amount of material that has survived was copied from the
Channel 0 archive in the 1990s and copies have since circulated widely among collectors of Australian popular music.
314:
format was a fast-paced, teenage Top 40 pop music show. It was originally shown in daily half-hour episodes, Monday–Friday at 5.30 pm; an additional one-hour special on
Sundays was added later in the run of the series.
700:", the late night horror movie presenter. There was a local 'Earnest' in several capitals, with Sydney's Ian Bannerman being the original. Baker subsequently became the original floor manager on 0-10's later pop show
641:
also gave rise to a short-lived pop record label of the same name. The label was set up to promote artists who appeared on the show. It is believed to have been owned by pop entrepreneur
598:'s "Respect", and that Meldrum had recorded "Winchester Cathedral". Another member was RMIT student Keith Millar, who was a neighbour of Meldrum's, who lived with Ronnie Burns' family in
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on the show and later married him). Some performers such as Bob
Pritchard went on to release records themselves. Pritchard recorded "Shoppin Around" , "Pretty Girl" and "
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magazine reported that the show had been sold to an unspecified
American television network and was to be aired to fifty million people, but that never materialised.
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Although the device of miming to overseas releases proved popular and highly cost-effective, it was in fact this very practice that brought about the demise of
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special evidently caused some controversy. An unattributed press clipping from the time, reproduced on the Laurie Allan tribute site, indicates that
661:. The label folded in 1967 when Dayman's Sunshine promotions and recording company went broke, around the same time that the TV show was cancelled.
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fashion trend prevalent in
Melbourne, of the time, was visible in both shows. with another major influence being the BBC's perennial,
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imposed a ban on miming on all music TV shows, due to concerns that the practice was denying work to
Australian musicians.
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and was aimed at a slightly older, more sophisticated audience, it featured more local music, and it cost more to produce.
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distance from the US and the UK meant that visits by major overseas acts were relatively rare, so the stock-in-trade for
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was a popular Australian "Top 40" pop music TV show that premiered in December 1964. The program was hosted by popular
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studio. It was originally seen only in Melbourne, but was later relayed to interstate stations in the newly formed
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382:. Although many local guest acts appeared on both shows, there were notable stylistic differences between them.
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Scores of leading Melbourne and interstate pop acts appeared on the show during its two-year run, including
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556:", which reached number four on the Australian charts. Pritchard also performed in TV dramas such as
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was Ralph Baker, who became well known in Melbourne in the late 1960s as Melbourne's version of "
594:". That practice reportedly led some viewers to believe that Fitzgerald was the actual singer of
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featured the current beat-pop style, and both were strongly influenced by United Kingdom-based
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before they left Australia, but most of the Kommotion Records releases were produced by
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Like many other Australian pop shows of the period, most of the original tapes of
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This article is about the 1960s television series. For the Duane Eddy song, see
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gave the nascent 0-10 Network an unbeatable lead in pop TV programming, with
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Rappel, Lex Kaplan, Jillian Fitzgerald, Alex Silbersher, Leon Kammer,
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alone regularly pulling in over 400,000 teenage viewers every week.
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was aimed at a younger teen audience and its style was more like
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artists. Fashion was another vital component of both shows: the
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302:(Channel 0) and was pre-recorded on videotape at the station's
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In August 1964 Channel 0 premiered its first pop TV program,
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was a key influence on the 1970s and 1980s pop TV series,
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Australian "Top 40" pop music TV show of the mid-1960s
281:. In 1965, after the end of his previous series,
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450:. It is no coincidence that some of the regular
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291:became the associate producer of the program.
653:), who went on to briefly manage and produce
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887:Black-and-white Australian television shows
540:), Grant Rule (later executive producer of
408:trademark) and had more overseas hits than
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882:1967 Australian television series endings
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716:List of Australian music television shows
602:. Millar was best known for Tommy Roe's "
310:as they came on line during 1965–66. The
877:1964 Australian television series debuts
804:"Kommotion to go on American Television"
815:. Vol. 1, no. 37. p. 1.
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645:. Some early releases were produced by
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400:. Early episodes featured a troupe of
298:organisation for Melbourne TV station
609:The addition of the one-hour Sunday
412:, although it did so by using local
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872:Australian music television series
746:from the original on 11 April 2013
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14:
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822:from the original on 14 July 2019
376:-produced American pop TV show,
892:Network 10 original programming
736:"Johnny Chester - Year By Year"
454:on-air team went on to work on
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1:
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386:was more closely modelled on
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688:The floor manager for both
554:Goodbye Sam, Hello Samantha
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113:Joe Loss and His Orchestra
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580:River Deep Mountain High
511:The Masters Apprentices
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354:Format and presentation
294:It was produced by the
436:, noted in his memoir
515:Steve & The Board
649:(father of musician
621:On 12 October 1966,
592:Winchester Cathedral
174:Nunawading, Victoria
170:Production locations
802:(12 October 1966).
665:Series cancellation
588:New Vaudeville Band
466:executive producer
460:Ian "Molly" Meldrum
584:Peter & Gordon
483:Bobby & Laurie
388:Ready, Steady, Go!
338:. In combination,
189:Production company
768:Kimball, Duncan.
740:johnnychester.com
637:, the success of
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519:The Purple Hearts
438:His Masters Voice
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127:Original language
119:Country of origin
109:March of the Mods
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824:. Retrieved
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778:the original
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748:. Retrieved
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651:Steve Kipner
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308:0-10 Network
296:Willard King
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181:Running time
157:David Joseph
96:Presented by
85:David Joseph
31:
25:
770:"Kommotion"
643:Ivan Dayman
495:Mike Furber
487:Normie Rowe
275:Ken Sparkes
272:disc jockey
176:, Australia
100:Ken Sparkes
79:Directed by
60:Elkan Allan
866:Categories
722:References
659:Pat Aulton
647:Nat Kipner
565:Division 4
468:Grant Rule
304:Nunawading
284:Teen Scene
184:25 minutes
146:Production
138:of seasons
88:Al Maricic
846:Kommotion
826:6 January
690:Kommotion
682:Kommotion
671:Kommotion
639:Kommotion
611:Kommotion
604:Sweet Pea
542:Countdown
537:Number 96
527:Kommotion
507:The Elois
479:Dinah Lee
464:Countdown
456:Countdown
452:Kommotion
447:Countdown
442:Kommotion
430:Jim Keays
394:Kommotion
374:Jack Good
360:Kommotion
344:Kommotion
335:Bandstand
332:program,
312:Kommotion
267:Kommotion
151:Producers
122:Australia
70:Jack Good
42:Pop music
32:Kommotion
817:Archived
774:Milesago
744:Archived
710:See also
559:Homicide
414:lip sync
406:Shindig!
398:Shindig!
379:Shindig!
372:and the
65:Shindig!
48:Based on
750:8 March
703:Uptight
503:MPD Ltd
254:Uptight
237:Related
227: (
223: –
217: (
212:Release
202:Network
130:English
853:
812:Go-Set
784:10 May
623:Go-Set
600:Elwood
571:Hunter
820:(PDF)
807:(PDF)
633:Like
358:Both
300:ATV-0
206:ATV-0
38:Genre
851:IMDb
828:2020
786:2017
752:2013
692:and
590:'s "
568:and
517:and
364:Go!!
362:and
342:and
340:Go!!
326:Go!!
324:(or
229:1967
225:1967
219:1964
215:1964
849:at
418:Mod
404:(a
279:3UZ
136:No.
111:by
68:by
58:by
868::
809:.
772:.
760:^
742:.
738:.
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830:.
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578:"
231:)
221:)
141:3
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.